While historical and protected landscapes have been well studied for years, the cultural significance of ordinary landscapes is now increasingly recognised. This groundbreaking book discusses how contemporary cultural landscapes can be, and are, created and recognised.

The book challenges common concepts of cultural landscapes as protected or special landscapes that include significant buildings or features. Using case studies from around the world it questions the usual measures of judgement related to cultural landscapes and instead focuses on landscapes that are created, planned or simply evolve as a result of changing human cultures, management policy and practice.

Each contribution analyses the geographical and human background of the landscape, and policies and management strategies that impact upon it, and defines the meanings of 'cultural landscape' in its particular context. Taken together they establish a new paradigm in the study of landscapes in all forms."

Ian McHarg and the Search for Ideal Order looks at the well-known and studied landscape architect, Ian McHarg, in a new light. The author explores McHarg's formative years, and investigates how his ideas developed in both their complexity and scale. As a precursor to McHarg's approach in his influential book Design with Nature, this book offers new interpretations into his search for environmental order and outlines how his struggle to understand humanity's relationship to the environment in an era of rapid social and technological change reflects an ongoing challenge that landscape design has yet to fully resolve. This book will be of great interest to academics and researchers in landscape architectural history.

Urban Connections in the Contemporary Pedestrian Landscape explores the significant physical and cultural changes in our urban areas following the implementation of design strategies and increased pedestrian activity. Beginning with a history of the urban grid, the book then discusses experiential factors of pedestrianized urban landscapes in three scales, arterials, collectors and locals, with an emphasis on inductive and deductive design alternatives. It closely examines elements derived from current urban pedestrian experiences including form, scale, surfaces and identity and provides alternative design solutions for the future. Uniquely focusing on a hierarchical discussion of the quality of contemporary landscape design applications within the urban grid, and with illustrated examples throughout the text, this will be useful recommended reading for academics, researchers and postgraduate students on urban landscape and design courses.

The fourth book in Nadia Amoroso's Representing Landscapes series, this text focuses on traditional methods of visual representation in landscape architectural education. Building on from the previous titles in the series, which look at digital and hybrid techniques, Representing Landscapes: Analogue is a return to the basic foundations of landscape architecture's original medium of visual communication. Each of the 20 chapters includes contributions from leading professors teaching studio and visual communication courses from landscape architecture programs across the globe, showcasing the best student examples of analog techniques. It demonstrates the process from graphics as a form of research, design development, and analysis, to the final presentation through drawings, models and descriptive captions of the methods, styles and techniques used. It features critical and descriptive essays from expert professors and lecturers in the field, who emphasise the importance of the traditional medium as an intrinsic part of the research, design and presentation process. Over 220 full colour images explore the range of visual approaches students and practitioners of landscape architecture can implement in their designs. With worked examples in the chapters and downloadable images suitable for class use, this is an essential book for visual communication and design studios.

A Modern Library Paperback Original

During the first years of the twentieth century, the British plant collector and explorer Frank Kingdon Ward went on twenty-four impossibly daring expeditions throughout Tibet, China, and Southeast Asia, in search of rare and elusive species of plants. He was responsible for the discovery of numerous varieties previously unknown in Europe and America, including the legendary Tibetan blue poppy, and the introduction of their seeds into the world’s gardens. Kingdon Ward’s accounts capture all the romance of his wildly adventurous expeditions, whether he was swinging across a bottomless gorge on a cable of twisted bamboo strands or clambering across a rocky scree in fear of an impending avalanche. Drawn from writings out of print for almost seventy-five years, this new collection, edited and introduced by professional horticulturalist and House & Garden columnist Tom Christopher, returns Kingdon Ward to his deserved place in the literature of discovery and the literature of the garden.

This book goes where few have gone before, into 14 very different gardens belonging to residents of New York City. These private worlds are the work of 10 major landscape designers, who brilliantly balance visual pleasure with ecological sustainability in challenging urban settings. Design historian Lisa Zeiger tells lively stories about the designers and their plants, bringing to their work her eye for historical precedent and contemporary aesthetics. Readers will appreciate their individual ways of highlighting plant life with architectural structures, natural stone and repurposed woods, old and custom vessels, and carefully curated furniture. Although the gardens are high-end by definition, they are all respites in which nature transcends luxury. They answer to the lives of plants, and to the residents' desire for private outdoor space that enhances quiet time and social life.

Compiling nine authoritative essays spanning an extensive academic career, author Kenneth R. Olwig presents explorations in landscape geography and architecture from an environmental humanities perspective. With influences from art, literature, theatre staging, architecture, and garden design, landscape has come to be viewed as a form of spatial scenery, but this reading captures only a narrow representation of landscape meaning today. This book positions landscape as a concept shaped through the centuries, evolving from place to place to provide nuanced interpretations of landscape meaning. The essays are woven together to gather an international approach to understanding the past and present importance of landscape as place and polity, as designed space, as nature, and as an influential factor in the shaping of ideas in a just social and physical environment. Aimed at students, scholars, and researchers in landscape and beyond, this illustrated volume traces the idea of landscape from the ancient polis and theatre through to the present day.

Gardens at the Frontier addresses broad issues of interest to architectural historians, environmental historians, garden writers, geographers, and other scholars. It uses different disciplinary perspectives to explore garden history's thematic, geographical, and methodological frontiers through a focus on gardens as sites of cultural contact. The contributors address the extent to which gardens inhibit or further cultural contact; the cultural translation of garden concepts, practices and plants from one place to another; the role of non-written sources in cultural transfer; and which disciplines study gardens and designed landscapes, and how and why their approaches vary. Chapters cover a range of designed landscapes and locations, periods and approaches: medieval Japanese roji (tea gardens); a seventeenth-century garden of southern China; post-war Australian 'natural gardens'; iconic twentieth-century American modernist gardens; 'international' willow-pattern design; geology and designed landscapes; gnomes; and landscape authorship of a public garden. Each chapter examines transfers of cultural ideas and their physical denouement. This book was originally published as a special issue of Studies in the History of Gardens & Designed Landscapes.

"If you've been looking to be inspired by nature and everything your garden gives you, you'll be enriched by the tips and wisdom presented in this book." --Garden Design Magazine There has never been a better time to dedicate yourself to a life enriched by nature. In A Year at Brandywine Cottage, David Culp inspires you to find that connection in the comfort of your own backyard. Organized seasonally, A Year at Brandywine Cottage is filled with fresh ideas and trusted advice on flower gardening, growing vegetables and herbs, creating simple floral arrangements, and cooking seasonally with home-grown produce. You'll find suggested tasks for each month, including advice on when to plant and harvest, how to weed and water, and what to plant for year-round beauty. Packed with glorious photography by Rob Cardillo and brimming with practical tips, A Year at Brandywine Cottage is your guide to living your best life in--and out--of the garden.

This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden-the pergola-became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature.

Drawing together landscape, architecture and literature, Strawberry Hill, the celebrated eighteenth-century 'Gothic' villa and garden beside the River Thames, is an autobiographical site, where we can read the story of its creator, Horace Walpole. This 'man of taste' created private resonances, pleasure and entertainment - a collusion of the historic, the visual and the sensory. Above all, it expresses the inseparable integration of house and setting, and of the architecture with the collection, all specific to one individual, a unity that is relevant today to all architects, landscape designers and garden and country house enthusiasts. Avoiding the straightforward architectural description of previous texts, this beautifully illustrated book reveals the Gothic villa and associated landscape to be inspired by theories that stimulate 'The Pleasures of the Imagination' articulated in the series of essays by Joseph Addison (1672-1719) published in the Spectator (1712). Linked to this argument, it proposes that the concepts behind the designs for Strawberry Hill are not based around architectural precedent but around eighteenth-century aesthetics theories, antiquarianism and matters of 'Taste'. Using architectural quotations from Gothic tombs, Walpole expresses the mythical idea that it was based on monastic foundations with visual links to significant historical figures and events in English history. The book explains for the first time the reasons for its creation, which have never been adequately explored or fully understood in previous publications. The book develops an argument that Walpole was the first to define theories on Gothic architecture in his Anecdotes of Painting (1762-71). Similarly innovative, The History of the Modern Taste in Gardening (1780) is one of the first to attempt a history and theory of gardening. The research uniquely evaluates how these theories found expression at Strawberry Hill. This reassessment of the villa and its associated l

In the 1970s, in the region of the Landes, between Bayonne and Peyrehorade, on the banks of the Adour River, the photographer Jeannette Leroy and the art dealer Paul Haim created a sculpture garden around a modest farm, La Petite Escalere. With the help of the faithful gardener Gilbert Carty, amidst canals, bridges, paths made of railway ties, and many trees and flowers, they installed about 50 works, some of them monumental, by artists such as Rodin, Maillol, Niki de Saint Phalle, Zao Wou-Ki, Francoise Lacampagne, Cardenas, Mark Di Suvero, Leger, Matta, Zigor... Paul positioned the sculptures, and to help them vanish into the natural environment Jeannette would plant a shrub, a rosebush, dahlias, an oak, a maple, a gingko, a Caucasian walnut... "I don't want this garden to become ridiculous!" she said. Paul Haim has evoked the bewitching beauty of La Petite Escalere better than anyone else: "The nonchalant visitor will pass from the shade of Les Barthes to the brightness of the Moura, from the freshness of the fountains to the suffocating heat of the forest. Coming around a bush, he allows himselfto be surprised by an unusual presence. Immutable. ... Far from the agitations of the world, sinking into nothing-ness, watching the clouds go by, contemplating the places of joy." Text in English and French.

Photographs play a hugely influential but largely unexamined role in the practice of landscape architecture and design. Through a diverse set of essays and case studies, this seminal text unpacks the complex relationship between landscape architecture and photography. It explores the influence of photographic seeing on the design process by presenting theoretical concepts from photography and cultural theory through the lens of landscape architecture practice to create a rigorous, open discussion. Beautifully illustrated in full color throughout, with over 200 images, subjects covered include the diversity of everyday photographic practices for design decision making, the perception of landscape architecture through photography, transcending the objective and subjective with photography, and deploying multiplicity in photographic representation as a means to better represent the complexity of the discipline. Rather than solving problems and providing tidy solutions to the ubiquitous relationship between photography and landscape architecture, this book aims to invigorate a wider dialogue about photography's influence on how landscapes are understood, valued and designed. Active photographic practices are presented throughout for professionals, academics, students and researchers.

Urban Connections in the Contemporary Pedestrian Landscape explores the significant physical and cultural changes in our urban areas following the implementation of design strategies and increased pedestrian activity. Beginning with a history of the urban grid, the book then discusses experiential factors of pedestrianized urban landscapes in three scales, arterials, collectors and locals, with an emphasis on inductive and deductive design alternatives. It closely examines elements derived from current urban pedestrian experiences including form, scale, surfaces and identity and provides alternative design solutions for the future. Uniquely focusing on a hierarchical discussion of the quality of contemporary landscape design applications within the urban grid, and with illustrated examples throughout the text, this will be useful recommended reading for academics, researchers and postgraduate students on urban landscape and design courses.

A beautifully illustrated history of the world famous landscape garden at Stourhead, created by generations of the Hoare banking dynasty. Cross the south lawn at Stourhead and descend through the ancient and rare trees. Soon you will see a great lake appear, decorated with classical temples and arched bridge that lunges to the other side of the water. Continue on and you will find a mystical, jagged grotto; a gothic hideaway; gods, muses and saints. This is how Henry Hoare - known as Henry the Magnificent - would have approached the garden he designed with Henry Flitcroft. Did he imagine himself as a journeying Aeneas, or was he recreating a Claud Lorrain landscape? This is the first history - in colour - of a unique landscape created by generations of the Hoare banking family. It follows its evolution, describing how flights of folly, individual flair and tastes, combined with careful stewardship, have formed a national treasure and one of the finest example of the English landscape garden. The book includes a foreword by James Stourton and newly commissioned photography by renowned garden photographer Marianne Majerus.

The rich legacy of the Arts and Crafts Movement has been enthusiastically hailed by historians, architects, and designers. Most known for its influence on architecture and art, the movement also played an important role in the garden world by defining the garden as a harmonious component of the home. In Gardens of the Arts and Crafts Movement, Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during the Arts and Crafts Movement. Tankard presents a selection of houses and gardens from the era, with an emphasis on the diversity of designers who helped forge a special approach to garden design. Illustrated with nearly 300 illustrations and photographs and packed with examples from Europe and North America, this is an essential resource for designers and gardeners interested in the era.

With a foreword by Alan Titchmarsh, this beautifully illustrated book tells the story of the Royal Horticultural Society, the perhaps the foremost gardening institution in the world. The RHS is the world's largest gardening charity but what it does and why is little understood and rarely celebrated. From defining new gardening trends at the Chelsea Flower Show, to ranking the best dahlias to grow at the Wisley trial grounds, to inspiring communities with Britain in Bloom, educating children to grow and eat their veg through the Campaign for School Gardening, the RHS works tirelessly to improve the gardener's lot. With the use of evocative archive images and contemporary photos by award-winning Jason Ingram, this beautiful book explores the past, present and future of this most influential organisation by listening to the voices of those working today. Gardening expert and regular Gardener's Question Time panellist Matthew Biggs tells this story in rich and intimate detail, from the society's origins at the start of the 19th Century right through to the present day, with fascinating insight into the evolution and operations of the RHS throughout the years. From the thousands of volunteers in the society's five unique gardens (Wisley in Surrey, Rosemoor in Devon, Hyde Hall in Essex, Harlow Carr in Yorkshire and new addition Bridgewater in Salford), to the one million visitors to its inspirational flower shows (including Chelsea, Hampton Court, Tatton Park, Cardiff, Wisley and Chatsworth); the society gives meaning to more than 475,000 members, millions of television viewers and visitors from around the world. The RHS is the best of gardening, and this book presents the best of the RHS. Behind the scenes, access all areas, this book will give lasting pleasure to anyone who enjoys their garden.

Design thinking is a powerful process that facilitates understanding and framing of problems, enables creative solutions, and may provide fresh perspectives on our physical and social landscapes. Not just for architects or product developers, design thinking can be applied across many disciplines to solve real-world problems and reconcile dilemmas. It is a tool that may trigger inspiration and the imagination, and lead to innovative ideas that are responsive to the needs and issues of stakeholders. Design Thinking: A Guide to Creative Problem Solving for Everyone will assist in addressing a full spectrum of challenges from the most vexing to the everyday. It renders accessible the creative problem-solving abilities that we all possess by providing a dynamic framework and practical tools for thinking imaginatively and critically. Every aspect of design thinking is explained and analyzed together with insights on navigating through the process. Application of design thinking to help solve myriad problems that are not typically associated with design is illuminated through vignettes drawn from such diverse realms as politics and society, business, health and science, law, and writing. A combination of theory and application makes this volume immediately useful and personally relevant.

This seminal study, from one of Britain's most eminent landscape historians, takes a chronological tour through British parks and gardens since Roman times. Each chapter introduces the characteristic features of parks and gardens in each period and explores the social and economic context for their construction. Chris Taylor then provides a detailed explanation of specific sites and draws on 100 aerial photographs to illustrate a new and different perspective of Britain's cherished parks and gardens. * Written by Britain's best known landscape historian * An ideal guide for visitors to Britain's wonderful spectrum of parks and gardens

For centuries the garden has served as a central element in Muslim culture. In that tradition, the Aga Khan Trust for Culture has been rehabilitating existing parks and creating new spaces for more than 20 years. The results, seen in this fascinating book, show how these urban oases are catalysts for positive economic, social and cultural change--as well as encourage ethical ideals of stewardship, ecology, and beauty in the built environment. Philip Jodidio first traces the history of Islamic gardens and helps clarify the environmental and design ethos in the Islamic religion. He also discusses the beneficial sociological and economic impacts of urban gardens and parks. Succeeding chapters identify thirteen specific projects that illustrate these principles. There are historic sites, such as Humayun's Tomb Garden in Delhi and Timur Shah Mausoleum in Kabul; contemporary locations, including the National Park of Mali, and Al Azhar Park in Cairo; and settings that celebrate cultural and multi-cultural identities, such as Aga Khan Garden in Alberta and a city park Khorog, Tajikistan. Each chapter offers color photographs, plans, and brief texts about the site and its environment, and each site demonstrates how green spaces bring people of different backgrounds together to provide space for reflection, spirituality, education and leisure. Together these achievements demonstrate how parks and gardens can enhance the economic, cultural, and general wellbeing of their neighboring populations.

Amsterdam Castle Muiderslot is not just the oldest castle in the Netherlands. It is a magical place, surrounded by water and vegetation. The castle gardens feature lots of heritage varieties: vegetables, herbs, fruit, herbaceous plants and flowers (some of them edible). The produce from the gardens was for centuries used to prepare the exquisite meals at the castle. And the gardens still produce a rich harvest every year. Muiderslot is also part of the Amsterdam Defence Line, a World Heritage Site. The castle gardens are open daily, offering visitors the chance to enjoy this lush part of our heritage.

Most landscape architectural designs now include some form of digital representation - but there is much more scope for creativity beyond the standard Photoshop montages. In this new book on representing landscapes, Nadia Amoroso brings together contributions from some of the leading landscape departments in the world to explore the variety in digital illustration methods. In each chapter, leading lecturers, professors and practitioners in the field of landscape architecture explain a specific digital approach with the use of images from their department to show how each technique can be used in inspirational examples. Throughout the book over 200 colour images cover the spectrum of digital representation to help discuss the various drawing types which are invaluable when communicating ideas in the field of landscape architecture. With worked examples in the chapters and downloadable images suitable for class use, this is an essential book for visual communication and design studios.

Known internationally as the epitome of the classic English country garden, it is perhaps less well known that Hidcote's creator was an enigmatic American. Lawrence Johnston, an expatriate and one of the so-called "Henry James Americans," a pedigreed member of old New York, left no diaries or significant correspondence. What he did leave, however, is a garden that continues to inspire horticulturists, gardening enthusiasts, and everyone who appreciates the beauty of nature. First published in 1989, the book was the first biography of Johnston; for this revised and enlarged edition Clarke, the author of 15 books on landscape history and gardening, has collected much new, original material that illuminates the creation of the garden and presents Johnston's life in the context of the period that set the seal on England's preeminence in garden design and plantsmanship.

What do the celebrated actors, the bestselling novelist, the Nepalese Sherpa and the famous model have in common? Like millions of us, they love their gardens - and with good reason, too. Gardening is an art form through which we can all express ourselves. In the words of that grande dame of gardeners Penelope Hobhouse, 'Gardening makes people happy.' And, as gardening editor of The Sunday Times, Caroline Donald has been allowed beyond the gate of many a private paradise to share this passion. Included in The Generous Gardener are the stories, in words and pictures, of more than forty private gardens, including those belonging to Jim Carter and Imelda Staunton, Jilly Cooper, William Christie, Harrison Birtwistle, Kelly Brook, Natasha Spender, Catherine FitzGerald and Dominic West, Julian and Isabel Bannerman, Penelope Hobhouse, Bob Flowerdew, Roy Lancaster, Luciano Giubbilei, and Dan Pearson.