Landscape Architecture Criticism offers techniques, perspectives and theories which relate to landscape architecture, a field very different from the more well-known domains of art and architectural criticism. Throughout the book, Bowring delves into questions such as, how do we know if built or unbuilt works of landscape architecture are successful? What strategies are used to measure the success or failure, and by whom? Does design criticism only come in written form? It brings together diverse perspectives on criticism in landscape architecture, establishing a substantial point of reference for approaching design critique, exploring how criticism developed within the discipline. Beginning with an introductory overview to set the framework, the book then moves on to historical perspectives, the purpose of critique, theoretical positions ranging from aesthetics, to politics and experience, unbuilt projects, techniques, and communication. Written for professionals and academics, as well as for students and instructors in landscape architecture, it includes strategies, diagrams, matrices, and full colour illustrations to prompt discussion and provide a basis for exploring design critique.

The fourth book in Nadia Amoroso's Representing Landscapes series, this text focuses on traditional methods of visual representation in landscape architectural education. Building on from the previous titles in the series, which look at digital and hybrid techniques, Representing Landscapes: Analogue is a return to the basic foundations of landscape architecture's original medium of visual communication. Each of the 20 chapters includes contributions from leading professors teaching studio and visual communication courses from landscape architecture programs across the globe, showcasing the best student examples of analog techniques. It demonstrates the process from graphics as a form of research, design development, and analysis, to the final presentation through drawings, models and descriptive captions of the methods, styles and techniques used. It features critical and descriptive essays from expert professors and lecturers in the field, who emphasise the importance of the traditional medium as an intrinsic part of the research, design and presentation process. Over 220 full colour images explore the range of visual approaches students and practitioners of landscape architecture can implement in their designs. With worked examples in the chapters and downloadable images suitable for class use, this is an essential book for visual communication and design studios.

'Delightful... The Hidden Horticulturists pulsates with the extraordinary energy and excitement of the time.' Daily Mail Chosen as one of the Sunday Telegraph's 'Top Ten Gardening Books of the Year' _____________________ The untold story of the remarkable young men who played a central role in the history of British horticulture and helped to shape the way we garden today. In 2012, whilst working at the Royal Horticultural Society's library, Fiona Davison unearthed a book of handwritten notes that dated back to 1822. The notes, each carefully set out in neat copperplate writing, had been written by young gardeners in support of their application to be received into the Society's Garden. Amongst them was an entry from the young Joseph Paxton, who would go on to become one of Britain's best-known gardeners and architects. But he was far from alone in shaping the way we garden today and now, for the first time, the stories of the young, working-class men who also played a central role in the history of British horticulture can be told. Using their notes, Fiona Davison traces the stories of a selection of these forgotten gardeners whose lives would take divergent paths to create a unique history of gardening. The trail took her from Chiswick to Bolivia and uncovered tales of fraud, scandal and madness - and, of course, a large number of fabulous plants and gardens. This is a celebration of the unsung heroes of horticulture whose achievements reflect a golden moment in British gardening, and continue to influence how we garden today.

What makes a visually appealing landscape? How can the design and use of a landscape be harmonized? In this significantly revised and updated third edition of Simon Bell's seminal text, he further explores the answers to these questions by interrogating a range of design principles, applications and ideas. Written for students, instructors and professionals, the book unveils a visual design vocabulary for anyone involved with landscape aesthetics including landscape architects, architects, planners, urban designers, landscape managers, foresters, geographers and ecologists. Structured around key design terms, which are explained and illustrated using an extensive range of examples from around the world, including North America, Europe and Asia, this book enables you to describe, debate and design the visual landscape. It starts with basic elements, before moving onto variable design components, and then the ways these elements are organized into compositions, in order to demonstrate how landscapes are created and how meanings and patterns are perceived within them. This new full colour edition contains over 240 images; an updated introduction; examples from China, Vietnam and central Asia; a chapter on how to read and understand visual design elements in the landscape; a teaching model for instructors; and expanded appendix materials including a glossary, references and further reading.

When Dr David Hosack tilled the America's first botanical garden in the Manhattan soil more than two hundred years ago, he didn't just dramatically alter the New York landscape; he left a monumental legacy of advocacy for public health and wide-ranging support for the sciences. A charismatic dreamer admired by the likes of Jefferson, Madison and Humboldt, and intimate friends with both Hamilton and Burr, the Columbia professor devoted his life to inspiring Americans to pursue medicine and botany with a rigour to rival Europe's. Though he was shoulder-to-shoulder with the founding fathers Hosack and his story remain unknown. Now, in melodic prose, Victoria Johnson eloquently chronicles Hosack's tireless career to reveal the breadth of his impact.

How to Read Gardens is the essential guide for garden lovers and visitors alike. Visiting gardens has never been more popular but not many of us understand what we are looking at when strolling through a beautiful garden - are we looking at an original landscaped site or a recreation? Is the planting matter authentic or made up of modern hybrids? Are the steps and terracing in the Italianate style or are they Arts and Crafts? The truth is that most gardens of any age are like a palimpsest: successive generations have changed and influenced the soft and hard fabric of the place over time. Inevitably many of the gardens we wander through today are an amalgam of changing fashions and circumstance. How to Read Gardens gives you all the knowledge you need to tease out the clues that will tell you the complete story of a garden's past. From the grandest estate to the smallest suburban plot, this book will enliven and inform every visit.

Design thinking is a powerful process that facilitates understanding and framing of problems, enables creative solutions, and may provide fresh perspectives on our physical and social landscapes. Not just for architects or product developers, design thinking can be applied across many disciplines to solve real-world problems and reconcile dilemmas. It is a tool that may trigger inspiration and the imagination, and lead to innovative ideas that are responsive to the needs and issues of stakeholders. Design Thinking: A Guide to Creative Problem Solving for Everyone will assist in addressing a full spectrum of challenges from the most vexing to the everyday. It renders accessible the creative problem-solving abilities that we all possess by providing a dynamic framework and practical tools for thinking imaginatively and critically. Every aspect of design thinking is explained and analyzed together with insights on navigating through the process. Application of design thinking to help solve myriad problems that are not typically associated with design is illuminated through vignettes drawn from such diverse realms as politics and society, business, health and science, law, and writing. A combination of theory and application makes this volume immediately useful and personally relevant.

"If you've been looking to be inspired by nature and everything your garden gives you, you'll be enriched by the tips and wisdom presented in this book." --Garden Design Magazine There has never been a better time to dedicate yourself to a life enriched by nature. In A Year at Brandywine Cottage, David Culp inspires you to find that connection in the comfort of your own backyard. Organized seasonally, A Year at Brandywine Cottage is filled with fresh ideas and trusted advice on flower gardening, growing vegetables and herbs, creating simple floral arrangements, and cooking seasonally with home-grown produce. You'll find suggested tasks for each month, including advice on when to plant and harvest, how to weed and water, and what to plant for year-round beauty. Packed with glorious photography by Rob Cardillo and brimming with practical tips, A Year at Brandywine Cottage is your guide to living your best life in--and out--of the garden.

Food-growing gardens first appeared in early medieval cities during a period of major social, economic, and political change in the Italian peninsula, and they quickly took on a critical role in city life. The popularity of urban gardens in the medieval city during this period has conventionally been understood as a sign of decline in the post-Roman world, signalling a move towards a subsistence economy. Caroline Goodson challenges this interpretation, demonstrating how urban gardens came to perform essential roles not only in the economy, but also in cultural, religious, and political developments in the emerging early medieval world. Observing changes in how people interacted with each other and their environments from the level of individual households to their neighbourhoods, and the wider countryside, Goodson draws on documentary, archival, and archaeological evidence to reveal how urban gardening reconfigured Roman ideas and economic structures into new, medieval values.

With plenty of traditional stir-fry recipes, advice on choosing the right wokand accessories, and tips on proper wok upkeep, "Wok Every Day" makes it easyto wok like a gourmet.

What makes a visually appealing landscape? How can the design and use of a landscape be harmonized? In this significantly revised and updated third edition of Simon Bell's seminal text, he further explores the answers to these questions by interrogating a range of design principles, applications and ideas. Written for students, instructors and professionals, the book unveils a visual design vocabulary for anyone involved with landscape aesthetics including landscape architects, architects, planners, urban designers, landscape managers, foresters, geographers and ecologists. Structured around key design terms, which are explained and illustrated using an extensive range of examples from around the world, including North America, Europe and Asia, this book enables you to describe, debate and design the visual landscape. It starts with basic elements, before moving onto variable design components, and then the ways these elements are organized into compositions, in order to demonstrate how landscapes are created and how meanings and patterns are perceived within them. This new full colour edition contains over 240 images; an updated introduction; examples from China, Vietnam and central Asia; a chapter on how to read and understand visual design elements in the landscape; a teaching model for instructors; and expanded appendix materials including a glossary, references and further reading.

Greenhouses fuse together cultures and countries under one glass roof. In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces.

The Haarkon Greenhouse Tour began as a self-initiated adventure in Oxford s botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses and private potting sheds along the way.

Divided into seven thematic chapters History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture the featured spaces in Glasshouse / Greenhouse are depicted via a series of photo-essays that draw out the style, plant collections and character of each space.

"New York City looks nothing - nothing - like it did just a decade and a half ago. It's a place of newly gorgeous waterfront promenades, of trees, tall grasses and blooming flowers on patches of land and peninsulas of concrete and even stretches of rail tracks that were blighted or blank before." - Frank Bruni, The New York Times "Betsy Pinover Schiff's unerring eye and spectacular photographs tell the story of a city, and how its pre-Dorothy and Oz, colorless and downtrodden existence has been redone as if by wizardry in glorious Technicolor." - Adrian Benepe, former Parks Commissioner of New York City Betsy Pinover Schiff has been photographing urban plantings and chronicling the "greening" of the city for more than two decades. Once limited to private spaces and elite neighborhoods, these plantings now proliferate throughout the five boroughs. Sidewalk Gardens of New York reveals the transformation of the "city of concrete and glass" into one of the greenest and most richly planted urban centers in America. Nature and architecture combine in ways that will surprise even the most seasoned New Yorkers. Featured are tree beds, planters, hanging baskets, and medians that mitigate the frenzy of the street; plazas and pocket parks that offer respite to pedestrians, building plantings that create a welcoming transition between public and private; community gardens; and parks, both the iconic and the newly planted along the waterfront in Brooklyn, Queens, and Lower Manhattan.

Anyone who loves their garden knows that there's something happening in nature every day of the year. Whether it's the first crocus of spring, summer's explosion of colors, fall's abundant harvest, or the renewing dormancy of winter these outdoor sanctuaries offer daily opportunities for investigation, contemplation, and appreciation. This stunning daybook offers 365 elegant photos of some of the world's most exquisite gardens, following the yearly cycle of growth and rebirth. Each photo is accompanied by engaging texts such as planting tips, design techniques, natural history, and botanical facts that provide both ideas and helpful information. In addition, there is room on each spread for gardeners to record and preserve their own daily observations and reflections. The perfect keepsake for gardeners of all levels of expertise, this beautiful daybook deepens the rewards of gardening all year round.

The rich legacy of the Arts and Crafts Movement has been enthusiastically hailed by historians, architects, and designers. Most known for its influence on architecture and art, the movement also played an important role in the garden world by defining the garden as a harmonious component of the home. In Gardens of the Arts and Crafts Movement, Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during the Arts and Crafts Movement. Tankard presents a selection of houses and gardens from the era, with an emphasis on the diversity of designers who helped forge a special approach to garden design. Illustrated with nearly 300 illustrations and photographs and packed with examples from Europe and North America, this is an essential resource for designers and gardeners interested in the era.

Using evocative text and delightful imagery, Tony Russell brings to life each of the fifty gardens featured, covering their history, plants, architecture and personalities along the way. The diversity of gardens to be found within the Cotswolds and within this book is quite astonishing. Here you will find grand landscapes such as Blenheim Palace and Dyrham Park, influential pioneers at Iford Manor and Rousham, historical gems such as Prior Park and Painswick Rococo Garden, national icons at Westonbirt Arboretum and Hidcote Manor, contemporary masterpieces at Througham Court and Abbey House and an abundance of English gardens in all their beauty, overflowing with roses, herbaceous borders and pastel shades. All the gardens featured allow public access at some time during the year. The Cotswolds' Finest Gardens is undoubtedly set to become a classic in its genre, a book that will appeal to gardeners and non-gardeners alike, those who live within the region as well as those who visit.

This survey, and fascinating history, of the public green spaces of London was published in 1898. Its author, John J. Sexby, the Chief Officer of Parks of the London County Council, is described as a lieutenant-colonel and a professional associate of the Surveyors' Institution, from which it can be deduced that he probably worked as a surveyor in the army. His skills as a horticulturalist and garden designer cannot be doubted, and he left his mark on many of the municipal parks and gardens about which he writes with such enthusiasm. Sexby focuses on the municipal parks (those maintained by local authorities) rather than the nationally managed parks in central London. He describes large open spaces such as Hampstead Heath as well as small, disused churchyards like that of St Dunstan's in Stepney, providing details of their former owners and use as well as their present condition.

Marie Luise Gothein (1863 1931) published this scholarly two-volume history of garden design in German in 1913. Its second edition of 1925 was translated into English by Laura Archer-Hind, edited by gardening author Walter P. Wright (1864 1940), and published in 1928. The highly illustrated work is still regarded as among the most thorough and important surveys of its kind. It begins by examining evidence from both archaeology and literature, as well as climate and soil conditions, to discuss the gardens of ancient Egypt and Assyria, and continues to survey developments worldwide until the twentieth century. Individual gardens, technical innovations, and fashions in horticulture are all discussed in detail. Volume 2 considers northern European gardens of the Renaissance, the cultural importance of Louis XIV's France, the impact of the introduction of foreign plants, and gardening in Europe, the Far East and North America up to the early twentieth century."

Marie Luise Gothein (1863 1931) published this scholarly two-volume history of garden design in German in 1913. Its second edition of 1925 was translated into English by Laura Archer-Hind, edited by gardening author Walter P. Wright (1864 1940), and published in 1928. The highly illustrated work is still regarded as among the most thorough and important surveys of its kind. It begins by examining evidence from both archaeology and literature, as well as climate and soil conditions, to discuss the gardens of ancient Egypt and Assyria, and continues to survey developments worldwide until the twentieth century. Individual gardens, technical innovations, and fashions in horticulture are all discussed in detail. Volume 1 surveys the ancient civilisations of the Near East, Greece and Rome, discusses Byzantine and Islamic gardens, and the importance of monastery gardens in western Europe, and ends with a review of gardening in Europe during the Renaissance."

One of the most admired gardening writers of her generation, Katherine Swift returns to describe a year in the life of her garden she created over twenty years in the grounds of the Dower House at Morville, Shropshire, meditating on everything from the terrain and its history, to the plants and trees, and the odd habits of the animals and humans who inhabit the garden. Following the turning wheel of the Morville seasons, from the green shoots of spring, through summer and autumn, to the stark beauty of winter, and back to spring again, The Morville Year is a journal full of surprises and enchantments that will appeal not only to gardeners, but to all who enjoy the natural world.

This first full study of Erasmus Darwin's gardening, horticulture and agriculture shows he was as keen a nature enthusiast as his grandson Charles, and demonstrates the ways in which his landscape experiences transformed his understanding of nature. Famous as the author of the Botanic Garden (1791) and grandfather of Charles Darwin (1809-1882), Erasmus Darwin (1731-1802) was a larger-than-life enlightenment natural philosopher (scientist) and writer who practised as a doctor across the English Midlands for nearly half a century. A practical gardener and horticulturist, Darwin created a botanic garden near Lichfield - which galvanised his poetry - and kept other gardens, an orchard and small "farm" in Derby. Informed by his medical practice and botanical studies, Darwin saw many parallels between animals, plants and humans which aroused hostility during the years of revolution, warfare and reaction, but helped him to write Zoonomia (1794/96) and Phytologia (1800) - his major studies of medicine, agriculture and gardening. Captivated by the changing landscapes and environments of town and country and supported by social networks such as those in Lichfield and Derby, Darwin avidly exchanged ideas about plants, animals and their diseases with family, patients, friends such as the poet Anna Seward (1742-1809), farmers, fellow doctors, huntsmen and even the local mole catcher. The is the first full study of Erasmus Darwin's gardening, horticulture and agriculture. It shows him as keen a nature enthusiast as his contemporary Rev. Gilbert White of Selbourne (1720-1793) or his grandson Charles, fascinated with everything from swarming insects and warring bees to domestic birds and dogs, pigs and livestock on his farm to fungi growing from horse dung in Derby tan yards. Ranging over his observations of plant physiology and anatomy to the use of plant "bandages" in his orchard and electrical machines to hasten seed germination to explosive studies of vegetable "brains", nerves and sensations, the book demonstrates the ways in which Erasmus Darwin's landscape and garden experiences transformed his understanding of nature. They provided him with insights into medicine and the environmental causes of diseases, the classification of plants and animals, chemistry, evolution, potential new medicines and foodstuffs and the ecological interdependency of the natural economy. Like the amorous vegetables of the Loves of the Plants (1789) which fascinated, scandalised and titillated late Georgian society, the many living creatures of Darwin's gardens and farm encountered in this book were for him real, dynamic, interacting and evolving beings who helped inspire and re-affirm his progressive social and political outlook.

This anonymous work (the name of H. P. D., the author of the preface, is not known) was probably compiled by Samuel Orchart Beeton (1831 77), the publishing entrepreneur who made his wife's Book of Household Management one of the best-selling titles of the century. Published in 1871, it is a complete guide to gardening for the enthusiastic middle-class amateur, with instructions on everything from choosing the site to garden design, plants and cultivation, 'fountains, fish-ponds, and ornamental waters' to the use of colour, interspersed with a detailed calendar of tasks to be carried out each month. It is illustrated with line engravings and twelve plates (which can be viewed in colour online at http: www.cambridge.org/9781108049399), providing both practical information and a fascinating insight into the plants available to the Victorian gardener, the techniques for cultivating flowers, fruit and vegetables, and the then current trends in design and display.