Illustrated with lush reproductions of Grant and Nixie's art and photographs of their amazing garden, "The Romance Continues" is a love story, an art-appreciation adventure and a garden tour, all wrapped up in one gorgeous volume. Nationally known artists Grant Leier and Nixie Barton are also husband and wife, parents and the creators of an astonishing and whimsical garden on Vancouver Island. Their paintings differ greatly, though both artists make extensive use of rich, luminous and vibrant colours, and both are widely admired and collected. Over their long careers, Grant and Nixie have experimented with subjects and styles, and observing the growth and change in their work is fascinating. When they moved to a rural, seven-acre property, they turned their love of colour and sense of fun onto the land, and the rambling, witty garden they created is a visual spectacle that draws thousands of delighted visitors every year.

Tracing the history of landscape park design from British gardens up through the city park designs of Frederick Law Olmsted, Ethan Carr places national park landscape architecture within a larger historical context. Despite the difficulties now confronting the parks, their continued ability to attract millions of visitors suggests that their creators succeeded in presenting a captivating vision of a once-wild America.Ethan Carr is a landscape architect and is currently working for the National Park Service. He has taught landscape architecture at the Harvard University Graduate School of Design and the University of Virginia School of Architecture.

The enduring appeal of English gardens is beautifully realised by Clive Nichols, one of Europe's leading garden photographers. From the green hills of the north to the bleached landscapes of the south, twenty-eight gardens transport the reader into a timeless, golden age. Each page is filled with herbaceous borders overflowing with vibrant flower combinations, kitchen gardens that burgeon with rows of apple blossom, vegetables and sweet peas, water that cascades forever into pools and fountains and emerald-green topiary which frames a vista to a sunlit upland. Many of the finest landscape architects in England whose work is featured include Emma Keswick at Rockcliffe Hall, Julianne Fernandez at Tyger Barn, Angel Collins at Bruern Abbey, Piet Oudolf at Hauser and Wirth and many more, with text that explains and clarifies their design sensibilities. This book offers total immersion and sheer delight for any garden design and photography enthusiast.

Tassonomica faces how the need for understanding nature has historically shaped our conception of garden. From their very origin, gardens have always beared an ideal tension between knowledge and pleasure, resulting in the archetypes of the botanical garden and the garden of pleasure. Botanical Garden was born, specifically, as an actual euristic instrument to order, classify and preserve living beings by means of spatial separation. Even if humanity have underwent a journey of dematerialisation of knowledge, still space is the most powerful instrument for the comprehension of reality.

To Design Landscape sets out a distinctively practical philosophy of design, in accessible format. Based on the notion that landscape design is a form-based craft addressing environmental processes and utility, Dee establishes a framework for approaching such craft with modesty and ingenuity, using the concept of "aesthetics of thrift". Employing numerous case studies-as diverse as Hellerup Rose Garden in Denmark; Bloedel Reserve, Bainbridge Island, USA; Rousham Gardens, Oxfordshire, UK and Tofuku-ji, in Kyoto, Japan - to illustrate her ideas, the book is a beautiful portfolio of Dee's drawings, which are both evocative and to the point. The book begins with a 'Foundations' section, which sets out the basis of the approach. 'Principles' chapters then elaborate eleven significant considerations applicable to any design project, regardless of context and scale. Following on, 'Strategies' chapters reinforce the principles, and suggest further ways of designing, adaptable to different conditions. Dee ends with a focus on 'Elements', case studies and verb lists providing sources for the designer to consider how the components - vegetation, water, terrain, structures, soils, weather, and the sky - might be engaged, mediated and joined. Catherine Dee's book is for all those who would craft landscape, from the gardener, to the professional landscape architect, to the student of design

"I don't compose pictures, I find them in the colors, patterns, and shadows of the trees in front of me. While I walk, I let my feelings well up in my consciousness. My feelings guide me to find what I'm seeing and feeling and distill it into a picture." A beloved and popular Illinois institution, The Morton Arboretum welcomes one million annual visitors to walk its trails and view the 4,200 tree species on the grounds. Peter Vagt has photographed the Arboretum for over twenty years. This collection showcases eighty-five of his favorite works, each one in full color. Vagt's close attention to place and time reflects both his profound connection to the Arboretum and its preeminence as a sanctuary for anyone in search of transcendence in nature. A celebration of The Morton Arboretum in its centenary year, Light Through the Trees is the perfect keepsake or gift for anyone who admires trees and believes in their restorative power.

As readers of The Luberon Garden will know, Alex Dingwall-Main has come across some very odd garden desires in his time. But none so odd as the Frenchman who asked Alex to find him the oldest olive tree in existence and fetch it to the South of France to take pride of place in his exquisite garden. This charming, witty and evocative piece of horticultural travel writing takes us from the olive groves of Provence, to the hillsides of Greece, from farms in Spain, to a back yard in Italy. Along the way our intrepid garden designer meets a tree that is 3,000 years old; a farmer who won't sell his tree unless he can sell the 2,000 acre farm that surrounds it; an olive tree that saved a marriage and a village that believes a drop of rain touched by the leaves of the ancient 'Angel Olive' will cure anything. A wonderfully lyrical book with an extraordinary mission.

--fully illustrated in color addressing parks in 30 major international cites including St. Petersburg, Dublin, New York City, Gothenburg, Rio de Janeiro, Mexico City, London, Mumbai, Brisbane, Toronto, Amsterdam, Tokyo, and Barcelona, to name a few

'The rollicking adventures of an English garden designer in Provence' Independent 'Escapist reading-magic' The TimesAlex Dingwall-Main left London with his wife and dog nine years ago for the Luberon region of the South of France. A landscape gardener of international renown he was in search of a challenge - a new climate, a new way of gardening and a new way of life.

This is his account of gardening his way round Provence, and in particular, of attempting to restore the secret garden of M-nerbes. Situated high on the plains of the Luberon region, M-nerbes is a famously beautiful village - but this garden had long been forgotten. It trailed down over seven levels, thick with brambles and hornets' nests, almond blossom and ancient fig trees. It was an archetypal Proven-al garden and for one whole year it dominated Alex Dingwall-Main's life. From distant dreams came growth and disasters, but ultimately, the garden is reclaimed. From truffle dealers to local mayors, film star neighbours to JCB drivers and olive-tree farmers, Alex takes us on a guided tour of an extraordinary area.

Published in hardback with serialisation in The Times and major review and feature coverage, this is the enticing paperback edition of a beautifully written book on plants, people and life. Evocative and inspiring, The Luberon Garden will take you on an unforgettable journey.

Botanical gardens brought together the great diversity of the Earth's flora. They displaced nature from forest and foothill and re-arranged it to reveal something of the scientific principles underpinning the apparent chaos of the wild. Through a study of three botanical gardens, belonging to the University of Cambridge, the Royal Dublin Society and the Belfast Natural History Society, this book shows how the design and display of such gardens was not determined by scientific principles alone. It explores how the final outcome involved a complex interplay of ideas about place, identity, empire, botanical science and aesthetics, creating spaces that would educate the mind as well as please the senses. This highly engaging book offers a wealth of fresh insights into both the history and development of botanical gardens as well as connections between science and aesthetics.

Alasdair Forbes has been developing his innovative and beautiful garden, Plaz Metaxu, in Devon, for the past thirty years. The thirty-two acre garden has been internationally acclaimed both as an unusually ambitious contemporary example of the making of place and for its poetic and psychological insights. Trained as an art historian, Alasdair always wanted his garden to be open to the worlds of myth, literature and the other arts, while remaining keenly aware of the strengths, vulnerabilities and delights a garden has to offer in its own right. He has been the only full-time gardener at Plaz Metaxu from its beginning until the present day, though invaluable part-time assistance has been provided by Cyril Harris (who is not a professional gardener either). The whole garden, with its lawns and fritillary meadows and hedges, its bowers, groves and woods, its lake and its courtyards, its 'carousel beds', and its landscaped walks to far horizons, is entirely the creation of these two men. This beautiful, richly illustrated book is Alasdair's own account of how and why the garden was made. He writes of its many inspirations, from Psyche herself to poets, painters and the mysterious paredros . . . not forgetting the valley landscape, with its noble precedent at Studley Royal, and its wise mentors from the Far East. In everything he has done, Alasdair has been the pupil of the spaces that surround him; his rare gift has been to become their ventriloquist, in finding out how they themselves want to 'speak'.

The formal gardens of Elizabethan England were among the glories of their age. Complementing the great houses of the day, they reflected the aspirations of their owners, whose greatest desire was to achieve success at Court and to delight the Queen. No leading courtier would be without his great house, no great house was complete without its garden. In this richly illustrated work, Jane Whittaker explores these gems of Elizabethan England, focussing on the gardens of the Queen and her leading courtiers. Drawing on the cultural and horticultural sources of the day, as well as evidence surviving on the ground, she recreates these lost gardens, revealing both the rich Renaissance culture that underlay them and the sumptuous world of the Elizabethan aristocracy. The result is an evocation of one of the most opulent reigns in English history and an entertaining and informative study of one of the most interesting periods of garden history.

Following on from the success of the first edition, Smartcities + Eco-Warriors (2010), this book is the latest innovative response on urban resilience from one of the world's leading urban design and architectural thinkers. An ecological symbiosis between nature, society and the built form, the Smartcity cultivates new spatial practices and creates diverse forms of resilient landscapes including and beyond urban agriculture. The notion of the Smartcity is developed through a series of international case studies, some commissioned by government organisations, others speculative and polemic. This second edition has nine new case studies, and additional ecological sustainability studies covering sensitivity, design criteria, and assessments for ecological construction plans. The book concludes with two new essays on the romance of trees and the empowering nature of resilient landscapes. Smartcities, Resilient Landscapes + Eco-warriors represents a crucial voice in the discourse of climate change and the potential opportunities to improve the ecological function of existing habitats or create new landscapes which are considered beneficial to local ecology and resilience. It is indispensable reading for practitioners and students in the fields of landscape, urban design, architecture and environmental engineering. An inspiration to government agencies and NGOs dealing with sustainability, this work also resonates with anyone concerned about cities, landscapes, food and water security, and energy conservation.

Gardens take many forms, and have a variety of functions. They can serve as spaces of peace and tranquilty, a way to cultivate wildlife, or as places to develop agricultural resources. Globally, gardens have inspired, comforted, and sustained people from all walks of life, and since the Garden of Eden many iconic gardens have inspired great artists, poets, musicians, and writers. In this short history, Gordon Campbell embraces gardens in all their splendour, from parks, and fruit and vegetable gardens to ornamental gardens, and takes the reader on a globe-trotting historical journey through iconic and cultural signposts of gardens from different regions and traditions. Ranging from the gardens of ancient Persia to modern day allotments, he concludes by looking to the future of the garden in the age of global warming, and the adaptive spirit of human innovation.

Between 1715 and 1750, a group of politicans and poets, farmers and businessmen, heiresses and landowners began to experiment with the phenomenon that was to become the English landscape garden. Arguably the greatest British art form ever invented, these gardens were built to charm and delight, to shock and inspire all who visited. That these gardens - including Castle Howard, Stowe, Painshill and Rousham - are still so popular with visitors today is a testament to the innovation and passion of this extraordinary group of eccentrics and visionaries. The Arcadian Friends takes a highly engaging perspective on the politics and culture of England during the Enlightenment. At the same time it will be required reading for the legions of fans of the great gardens of England. Tim Richardson introduces us to a period of poltical and personal intrigue, where fantastic biblical landscapes competed for space with temples to sexual freedom; and where the installation of a water feature was a political act. The Arcadian Friends tells the story of a collection of fascinating characters whose influence changed the landscape of Britain for ever.

Join Monty Don, Britain's pre-eminent gardener, and acclaimed photographer Derry Moore on their historic journey through the most stunning gardens of Venice and the Veneto. Few world cities hold the romance and historical sweep of Venice. Thousands visit every year - and a mixture of crowds and climate leave it vulnerable, so much so it is often said to be in danger of sinking - but away from the usual tourist haunts around St. Mark's square are exceptional hidden treasures, some 500 gardens, many of them with fascinating stories. Starting in the heart of the city and working their way out to the Veneto, Monty and Derry celebrate the beauty of these places and tell their unique stories: from a beautiful nunnery garden with a history of exotic animals and a kitchen garden of the historic Foundation to the Madonna church to the estates of famous Venetian families, like the spectacular Giusti Renaissance garden. With stunning full colour photography throughout, Venice Gardens will give readers new insight into one of the world's most beloved cities - you won't see Venice the same way again.

Kitchen gardens are a long-standing Amish tradition, characterised by their eclectic mix of vegetables, fruit, herbs, and colourful flowers. Planned by the women of the household, they are used not only to feed their families but as an artistic outlet. This book explores the family gardens as a portrait of the women who design, tend, and harvest them. Colour photographs of more than 18 gardens capture their trademark mix of orderliness and ornamentation: marigolds tucked among the melons, cockscombs with the cabbage, and a whimsically painted chair, iron gate, or old balustrade. Included are 32 family recipes straight from the garden: hot-pepper jam, fried green tomatoes, sweet dill pickles, sauerkraut for a crowd, corn fritters, and creamed celery. Like the resourceful women who tend them, each garden has its own personality and beauty.

Francis Halle examines the human---and even scientific---bias toward animals at the expense of our understanding of plants. Readers will find their ideas about plants fundamentally altered and their appreciation immeasurably enhanced. This is a black-and-white edition.