Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines.

Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines.

Paris Park Photographs features spectacular images from a dozen public parks and gardens in and near France's capital city. Exploring many of the same places that photographer Eugene Atget (1857-1927) made famous a century ago, Michael Kolster references the pleasures and pitfalls of wandering alone amongst trees and plants and sculpture, unkempt and formally designed places, tempered by the knowledge that the modern world with all its congestion is only a few short steps away. These intimate yet inherently expansive views of Paris's parks invite closer scrutiny of the encounters awaiting us at the edges of the well-worn paths defining our daily lives. Few people venture into the frame of Kolster's photographs, but the promise of a renewed sense of hope and community resides in the details of his visual encounters and the moments of his heightened attention. Each picture speaks to us as a moment in time, even as the sequence suggests a choreography of place, one that can vary daily along with the changing moods and light of each park. Paris Park Photographs is presented in a bilingual English/French edition and concludes with an afterword by Michelle Kuo. Of note is how the book's design is inspired by Walker Evans's 1938 classic work, American Photographs, making Kolster's book of immediate interest to photo and book collectors.

Outdoor Interiors showcases the most beautiful garden designs in the world. Author Juliet Roberts highlights five styles - 'traditional', 'contemporary', 'playful', 'everyday' and 'minimal' - and gives plenty of tips for achieving the same style in your garden across different categories (dining, sitting, lounge, cooking and swimming). The result is a stylish coffee table book full of inspiration.

Fully updated third edition of best-selling title, plus new information on SUDs and rain gardens Truly indispensible reference tool for all landscape architects working in the field, which includes the most up-to-date guidelines and legislation Concise, accessible format means the book can be used on and off site

The re-creation of the great garden at Hatfield House has been one of the most exciting and closely observed garden enterprises of the last thirty years. Now, at last, it is recorded and displayed in this revelatory book. Sue Snell has been photographing there for years, and with the help of the dowager Marchioness she now presents the fruit of her labours in a book that will excite and amaze all who have an interest in one of Britain's greatest gardens - now once again worthy of its great architectural, botanical and historical heritage. There will be an exhibition of Sue Snell's work at the Museum of Garden History to coincide with publication.

For centuries, the English Lake District has been renowned as an important cultural, sacred and literary landscape. It is therefore surprising that there has so far been no in-depth critical examination of the Lake District from a tourism and heritage perspective. Bringing together leading writers from a wide range of disciplines, this book explores the tourism history and heritage of the Lake District and its construction as a cultural landscape from the mid eighteenth century to the present day. It critically analyses the relationships between history, heritage, landscape, culture and policy that underlie the activities of the National Park, Cumbria Tourism and the proposals to recognise the Lake District as a UNESCO World Heritage Site. It examines all aspects of the Lake District's history and identity, brings the story up to date and looks at current issues in conservation, policy and tourism marketing. In doing so, it not only provides a unique and valuable analysis of this region, but offers insights into the history of cultural and heritage tourism in Britain and beyond.

EcoGothic gardens in the long nineteenth century provides fresh approaches to contemporary ecocritical and environmental debates, providing new, compelling insights into material relationships between vegetal and human beings. Through eleven exciting essays, the collection demonstrates how unseen but vital relationships among plants and their life systems can reflect and inform human behaviours and actions. In these entertaining essays, human and vegetal agency is interpreted through ecocritical and ecoGothic investigation of uncanny manifestations in gardens - hauntings, psychic encounters, monstrous hybrids, fairies and ghosts - with plants, greenhouses, granges, mansions, lakes, lawns, flowerbeds and trees as agents and sites of uncanny developments. The collection represents the forefront of ecoGothic critical debate and will be welcomed by specialists in environmental humanities at every level, as a timely, innovative inclusion in ecoGothic studies. -- .

Shakespeare's Gardens is a highly illustrated, informative book about the gardens that William Shakespeare knew as a boy and tended as a man, published to coincide with the 400th anniversary of his death in April 2016. This anniversary will be the focus of literary celebration of the life and work throughout the English speaking world and beyond. The book will focus on the gardens that Shakespeare knew, including the five gardens in Stratford upon Avon in which he gardened and explored. From his birthplace in Henley Street, to his childhood playground at Mary Arden's Farm, to his courting days at Anne Hathaway's Cottage and his final home at New Place - where he created a garden to reflect his fame and wealth. Cared for by the Shakespeare Birthplace Trust, these gardens are continually evolving to reflect our ongoing knowledge of his life. The book will also explore the plants that Shakespeare knew and wrote about: their use in his work and the meanings that his audiences would have picked up on - including mulberries, roses, daffodils, pansies, herbs and a host of other flowers. More than four centuries after the playwright lived, whenever we think of thyme, violets or roses, we are reminded of a line from his work. Shakespeare's Gardens brings together specially commissioned photography of the gardens with beautiful archive images of flowers, old herbals, and 16th century illustrations. It tells the story of Shakespeare's journey - from glove maker's son to national bard - and how he came to know so much about plants, flowers and gardens of the Elizabethan era.

Set in the heart of the Sussex downs, Charleston Farmhouse is the most important remaining example of Bloomsbury decorative style. But the garden, described by Virginia Woolf in 1916 as 'charming...now run rather wild' became and remained central to life in the farmhouse. The walled garden, created by Vanessa Bell and Roger Fry from the vegetable garden after the first world war, the pond, the orchard and the fields beyond, all contributed in a major sense to the creative energies of the place. And this creativity is reflected in the numerous works of art (in particular the sculpture by Vanessa and Clive Bell's son Quentin) placed around the garden to enhance, and sometimes to comment on or to provide a counterpoint to the simple but expressive planting schemes. Now, for the first time, the year-round beauty and glory of this most English but most artistic of gardens has been captured by one of Britain's leading garden photographers. The result is a book that will enchant, entertain, and remind the many thousands who visit every year, and will tempt, explain and record the splendors and the exuberance of it all for others.

Biophilic Connections and Environmental Encounters in the Urban Age takes a multi-disciplinary approach, drawing on the authors' wide range of experience, to provide a greater understanding of the different dimensions of environmental engagement. It considers the ways that we interact with our environments, presenting a comprehensive account of how people negotiate and use the urban landscape. Set within current debates concerning urban futures, societal issues, sustainable cities, health and well-being, the book explores our innate need for contact with the natural world through biophilic design thinking to expand our knowledge base and promote a wider understanding of the importance of these interactions on our collective well-being. It responds to questions such as, what are the urban qualities that support our well-being? As an urbanised society what are the environmental determinants that promote healthy and satisfying lifestyles? Beginning with an overview of concepts relating to biophilia and environmental engagement, it moves through current theory and practice, different pathways and their characteristics, before presenting real world examples and applications through illustrated case studies in the UK, USA and across Europe. With a particular focus on the experience of individuals, the book is essential reading for students, researchers, and practitioners of architecture, landscape architecture, urban planning, design and health sciences, interested in the future of our cities and the importance of green spaces.

In the era of the Anthropocene, site matters are more pressing than ever. Building on the concepts, theories, and multi-disciplinary approaches raised in the first edition, this publication strives to address the changes that have taken place over the last 15 years with new material to complement and re-position the initial volume. Reaching across design disciplines, this highly illustrated anthology assembles essays from architects, landscape architects, urban designers, planners, historians, and artists to explore ways to physically and conceptually engage site. Thoughtful discourse and empirically grounded pieces combine to provide the language and theory to contextualize the meanings of site in the built environment. The increasingly complex hybridity of constructed environments today demands new tools for thinking about and working with site. Drawing contributions from outside and within the traditional design disciplines, this edition will trace important developments in site thinking with new essays on topics such as climate change, landscape as infrastructure, shifts from global to planetary urbanization debates, and the proliferation of participatory site transformation practices. Edited by two leading practitioners and academics, Site Matters juxtaposes timeless contributions from individuals including Elizabeth Meyer, Robert Beauregard, and Robin Dripps with original new writings from Peter Marcuse, Jane Wolff, Neil Brenner, and Thaisa Way, amongst others, to recontextualize and reignite the debate around site. An ideal text for students, academics, and researchers interested in site and design theory.

This book examines three landmark utopian visions central to 20th century landscape architectural, planning, and architectural theory. The period between the 1890s and the 1940s was a fertile time for utopian thinking. Significant geographic shifts of large populations; radically altered relations between capital and labor; rapid technological developments; large investments in transportation and energy infrastructure; and repetitive economic disruptions motivated many individuals to wholly reimagine society - including the connections between social relations and the built environment. Landscape and Utopia examines the role of landscapes in the political imaginations of the Garden City, the Radiant City, and Broadacre City. Each project uses landscapes to propose a reconstruction of the relationships between land, labor, and capital but - while the projects are well-known - the role played by landscapes has been largely left unexamined. Similarly, the radical anti-capitalism that underpinned each project has similarly been, for the most part, left out of contemporary discussions. This book sets these projects within a historical and philosophical context and opens a discussion on the role of landscapes in society today. This book will be a must-read for instructors, students, and researchers of the history and theory of landscape architecture, planning, and architecture as well as utopian studies, cultural and social history, and environmental theory.

The newly revised and updated Charleston: A Bloomsbury House & Garden is the definitive publication on the Bloomsbury Group's rural outpost in the heart of the Sussex Downs. "It's absolutely perfect...", wrote the artist Vanessa Bell when she moved to Charleston in 1916. For fifty years, Vanessa and her fellow painter Duncan Grant lived, loved and worked in this isolated Sussex farmhouse, together transforming the house and garden into an extraordinary work of art and creating a rural retreat for the Bloomsbury group. Now, Vanessa's son, Quentin Bell, and her granddaughter Virginia Nicholson tell the inside story of their family home, linking it with some of the pioneering cultural figures who spent time there, including Vanessa's sister Virginia Woolf, the economist Maynard Keynes, the writer Lytton Strachey and the art critic Roger Fry. Taking readers through each room of the house - from Clive Bell's Study, the Dining Room, the Kitchen and the Garden Room, through to individual bedrooms, the Studios and the Library - Quentin Bell relives old memories, including having T.S. Eliot over for a dinner party and staging plays in the Studio, while Virginia Nicholson details the artistic techniques (stencilling, embroidery, painting, sculpture, ceramics and more) used to embellish and enliven the once simple farmhouse. In this refreshed edition of the original 1997 publication, Gavin Kingcombe's specially commissioned photographs breathe life into the colourful interiors and garden of the Sussex farmhouse, while updated text and captions by Virginia Nicholson capture the evolution of Charleston as it continues to inspire a new generation. For lovers of literature, decorative arts, and all things Bloomsbury, Charleston: A Bloomsbury House & Garden offers a window onto a truly unique creative hub.

The 'Garden of England', 'The High Weald', these are phrases that describe a 70-year-old Area of Outstanding National Beauty in Southern England. Among these dramatic landscapes and ancient woodlands stand many castles, mansions and cottages, ringed with orchards, meadows, drifting flowers and horticultural exotica. Featured gardens range from grand landscapes to works of glorious eccentricity, Arts and Crafts green rooms to postage stamp-sized plots of ingenuity. Wilderness weaves into floral genius, while native and exotic species stand side-by-side - all within the unique climate of the English garden. Including chapters on English Parks, Arts and Crafts Gardens and Woodland Gardens, Where the Wildness Pleases - The English Garden Celebrated pays homage to English horticultural excellence and tells the gripping stories behind some of our most breath-taking landscapes. This book also features a handy Who's Who of designers, gardeners, plant hunters and nurserymen, and a brief guide to English playing greens - cricket, bowling, croquet and tennis. This is a welcome guide for anyone interested in visiting this astonishingly beautiful part of the country, or those thinking of buying a plot.

Moss, stone, trees, and sand arranged in striking or natural-looking compositions: the tradition of establishing and refining the landscape has been the work of Japanese gardeners and designers for centuries. In Japanese Gardens and Landscapes, 1650-1950 Wybe Kuitert presents a richly illustrated survey of the gardens and the people who commissioned, created, and used them and chronicles the modernization of traditional aesthetics in the context of economic, political, and environmental transformation. Kuitert begins in the Edo period (1603-1868), when feudal lords recreated the landscape of the countryside as private space. During this same period, and following Chinese literary models, scholars and men of letters viewed the countryside itself, without any contrivance, as the ideal space in which to meet with friends and have a cup of tea. Stewards of inns, teahouses, and temples, on the other hand, followed increasingly cliched garden designs prescribed in popular, mass-produced pattern books. Over the course of the late nineteenth and early twentieth centuries, the newly wealthy captains of industry in Tokyo adopted the aesthetic of the feudal lords, finding great appeal in naturalistic landscapes and deciduous forests. Confronted with modernization and the West, tradition inevitably took on different meanings. Westerners, seeking to understand Japanese garden culture, found their answers in the pattern-book cliches, while in Japan, private landscapes became public and were designed in environmentally supportable ways, all sponsored by the government. An ancient, esoteric, and elite art extended its reach to every quarter of society, most notably with the extensive rebuilding that occurred in the aftermath of the Tokyo earthquake of 1923 and the end of World War II. In the wake of destruction came a new model for sustainable public parks and a heightened awareness of ecological issues, rooted above all in the natural landscape of Japan. Featuring more than 180 color photographs and reproductions, Japanese Gardens and Landscapes, 1650-1950 illustrates a history of changes and continuities across a span of three centuries and makes an eloquent case for the lessons to be learned from the Japanese tradition as we face the challenges of a rapidly changing human habitat.

Oxford Botanic Garden has occupied its central Oxford site next to the river Cherwell continuously since its foundation in 1621 and is the UK's oldest botanic garden. The birthplace of botanical science in the UK, it has been a leading centre for research since the 1600s. Today, the garden holds a collection of over 5,000 different types of plant, some of which exist nowhere else and are of international conservation importance. This guide explores Oxford Botanic Garden's many historic and innovative features, from the walled garden to the waterlily pool, the glasshouses, the rock garden, the water garden and 'Lyra's bench'. It also gives a detailed explanation of the medicinal and taxonomic beds and special plant collections. Lavishly illustrated with photographs taken throughout the seasons, this book not only provides a fascinating historical overview but also offers a practical guide to the Oxford Botanic Garden and its work today. Featuring a map of the entire site and a historical timeline, it is guaranteed to enhance any visit, and is also a beautiful souvenir to take home.

An illustrated map and guide to the Cotswolds' most beautiful spots, A Cotswold Garden Companion covers everything from Jacobean gems and classics of the English landscape movement to some of the finest contemporary gardens around today. Readers will meet royal gardeners, car-park gardeners, plant hunters and inveterate collectors, as well as discovering all manner of horticultural highlights, from national collections of walnuts, foxgloves and flowering cherries, to the strawberry beds that inspired William Morris's fabric designs - not to mention a sprinkling of garden shops and plant nurseries just too good to miss. Presented in an attractive slip case, A Cotswold Garden Companion is clear and easy to use and appealing to art lovers and garden lovers alike.

This book provides an empirical analysis of the concept of play as a form of spatial practice in urban public spaces. The introduced City-Play-Framework (CPF) is a practical urban analysis tool that allows urban designers, landscape architects and researchers to develop a shared awareness when opening up this window of possibility for adventure. Two case studies substantiate and illustrate the development process and testing of the framework in Canberra, Australia, and Potsdam, Germany. The appropriation of public spaces that transcend boundaries can facilitate an intrinsic connection between people and their immediate environment, towards a more joyful ontological state of human existence in which imagination, co-creation and a sense of agency are key elements of the design approach. The framework presents an alternative understanding of public spaces and public life, reflecting on theory and its implications for practice in a post-pandemic world in dense urban centres. A bridge between theory and practice, this book explores possibilities on what future design ought to be when openness and ambiguity are consciously integrated parts of practice and process. The book presents a valuable discussion on public space and play for academic audiences across a wide range of disciplines such as landscape architecture, urban design, planning, architecture and urban sociology, which is informative for future practice.

Explore the riches of London's historic gardens as well as the city's most exciting contemporary gardens and meet the people who tend them. Uncover a world of intrepid guerrilla gardeners and vibrant community initiatives, of soothing therapeutic gardens, and roof gardens that thrive high above street level. There's coverage of London's world-famous RHS flower shows too, as well as its ever-popular Open Garden Squares Weekend, and a hand-picked selection of remarkable private gardens that open for the National Gardens Scheme.

Alvar Aalto and The Art of Landscape captures the essence of the Finnish architect's landscape concept, emphasising culture and tradition, which characterised his approach to and understanding of architecture as part of the wider environment. From the forests of his youth to sights from his travels, Alvar Aalto (1898-1976) was influenced by outdoor landscapes. Throughout his career, he felt the need to shape the terrain and this became a signature of his architecture. Divided into five chapters, this book traces Aalto's relationship with landscape, starting with an analysis of his definitions and descriptions of landscape language, which ranged from natural references and biological terms, to synonyms and comparisons. It includes beautifully illustrated case study projects from the 1950s and 1960s, discussing Aalto's transformation of different landscapes through topography, terracing and tiers, ruins and natural elements, horizon outlines, landmarks, and the repetition of form. Featuring archival sketches, garden drawings, and plans, the book also contains Aalto's text 'Architecture in the Landscape of Central Finland' from 1925 in the appendix. This book provides fascinating, untold insights into Aalto's relationship with landscape and how this developed during his lifetime, for scholars, researchers, and students interested in architecture and landscape history, landscape art, and cultural studies.

Traces the evolution of Renaissance philosophy and aesthetics, architecture, horticulture and social attitudes as reflected in the villas and gardens of the Medici family. Allowing the reader to see an alternative way to see the development of the Renaissance. This book shows the evolution of the Medici villas, from defensive farms through humanist retreats to princely palaces, charts the rise of a family from humble farmers to European royalty enabling students to see how a family could rise through the classes in early modern Italy. The Medici spearheaded the movement to rediscover the classical world; in so doing they promoted the humanist philosophy of living in harmony with nature, evolved a new ideal of villa life and created the template for Renaissance architecture. Offering students and readers alike, a clear example of how the classical world influences the Renaissance world.

Traces the evolution of Renaissance philosophy and aesthetics, architecture, horticulture and social attitudes as reflected in the villas and gardens of the Medici family. Allowing the reader to see an alternative way to see the development of the Renaissance. This book shows the evolution of the Medici villas, from defensive farms through humanist retreats to princely palaces, charts the rise of a family from humble farmers to European royalty enabling students to see how a family could rise through the classes in early modern Italy. The Medici spearheaded the movement to rediscover the classical world; in so doing they promoted the humanist philosophy of living in harmony with nature, evolved a new ideal of villa life and created the template for Renaissance architecture. Offering students and readers alike, a clear example of how the classical world influences the Renaissance world.

Christopher Lloyd, icon and iconoclast of the gardening world, was born at Great Dixter, in East Sussex, in 1921 and died there in 2006. In the years between he developed the garden at Dixter into a mecca for plantsmen and a hub of ideas and connections that spread throughout the world. And from the 1930s almost until his death he was also photographing the garden, recording it in intimate detail as it changed and developed. A carefully chosen selection of Christopher's photographs is published here, the majority for the first time. They are juxtaposed with images from the Lloyd family's earliest days at Dixter, and with photographs taken by Carol Casselden and others of the garden as it is today.