A largely unexplored area, this is an innovative and original examination of bisexual spaces as places that are defined by both geographical boundaries and cultural significance. Hemmings applies the ideas of queer theory as well as social and cultural geography in her fascinating investigation into the spaces and places of bisexual life. Specifically focusing on Northhampton, MA and San Francisco, she draws on interviews with community members and the town histories showing how and why they have developed into safe places for gay, lesbian, and bisexual communities.

Kate Evans' book is the first ever study of lesbian and gay pre-service teachers. It includes experiences as a student of teaching in the university, as well as teachers or assistant teachers in public schools. Integrating personal stories from interviews with broader global theories on notions of identity and queer theory, she gives a moving and insightful look at the positions these teachers hold. Her study provides for thought-provoking debate on the negotiation of self and subjectivity and gives valuable perspective to this growing field in education.

In this volume, researchers explore the effects of the 2016 US Presidential Election on the LGBTQ community from a wide variety of disciplines including communication, gender studies, nursing, political science, public health, psychology, cultural analysis, and social work. The research in this volume shows that the election had negative effects on the personal well-being, relationships, and families of LGBTQ people. The research also explains ways in which members of the LGBTQ community reacted to the election with hope, resilience, and positive relational outcomes. Moving topically from a discussion of the election and the LGBTQ community at the system level, the contributors move on to assess the effect of the election at both family level and the individual level as well. Representing qualitative, quantitative, and mixed methodological approaches, this interdisciplinary volume will appeal to students and researchers interested in the 2016 US election, and those interested in the impact of politics on marginalized communities more broadly. This book was originally published as a special issue of the Journal of GLBT Family Studies.

Series Information:
Writing Corporealities

This work describes and analyzes the individual identities, social-ecological 'landscape' and group undertakings among the homosexual population of the Soviet Union during the final years of the communist regime. It includes detailed descriptions of the conditions of life and reveals substantial social organization regarding personal considerations, the social environment and legal-political status in society.

A renowned Yale law professor chronicles the Vermont law and the changes it brings. He refutes charges that the law is an immoral adomination or that it is a terrible compromise (a separate but unequal injustice). Similar laws have been passed all over Europe, and more US States will undoubtedly develop new legislation. He argues that we should all - in the name of liberty, equality,and simple pragmatism - take up the cause.

The Spectacle of Violence explores the issues surrounding violence and hostility towards lesbians and gay men. Drawing on in-depth interviews with women reflecting a range of experiences of verbal hostility, physical violence and sexual violence, Gail Mason asks fundamental questions about where violence comes from and what effects it has. How do lesbians and gay men manage the risk of violence? And what is the relationship between violence and power?
Challenging current thinking, Mason highlights the ways in which different identities, different bodies and different systems of thought interact. She argues for the importance of thinking about homophobic violence in the context of other core issues such as gender and race. Examining the visual nature of violence, she demonstrates how violence infiltrates not just the daily experience of lesbians and gay men, but also the knowledge systems through which we construct and recognise sexual identities.
Focussing on 'real life' experiences of violence, The Spectacle of Violence is an important contribution to current thought about violence. Moving beyond issues of causation and prevention, it offers new ways of theorising the relationship between identity, knowledge and power.

Same Sex Intimacies offers vivid accounts of the different ways non-heterosexual people have been able to create meaningful intimate relationships for themselves and highlights the role of individual agency and collective endeavour in forging these roles: as friends, partners, parents and as members of communities. This topical book will provide compelling reading for students of the family, sexuality and lesbian and gay studies.

Advances in LGBTQ rights in the recent past-marriage equality, the repeal of Don't Ask, Don't Tell, and the expansion of hate crimes legislation-have been accompanied by a rise in attacks against trans, queer and/or gender-nonconforming people of color. In Atmospheres of Violence, theorist and organizer Eric A. Stanley shows how this seeming contradiction reveals the central role of racialized and gendered violence in the United States. Rather than suggesting that such violence is evidence of individual phobias, Stanley shows how it is a structuring antagonism in our social world. Drawing on an archive of suicide notes, AIDS activist histories, surveillance tapes, and prison interviews, they offer a theory of anti-trans/queer violence in which inclusion and recognition are forms of harm rather than remedies to it. In calling for trans/queer organizing and worldmaking beyond these forms, Stanley points to abolitionist ways of life that might offer livable futures.

Shinjuku Ni-chome is a nightlife district in central Tokyo filled with bars and clubs targeting the city's gay male community. Typically understood as a "safe space" where same-sex attracted men and women from across Japan's largest city can gather to find support from a relentlessly heteronormative society, Regimes of Desire reveals that the neighborhood may not be as welcoming as previously depicted in prior literature. Through fieldwork observation and interviews with young men who regularly frequent the neighborhood's many bars, the book reveals that the district is instead a space where only certain performances of gay identity are considered desirable. In fact, the district is highly stratified, with Shinjuku Ni-chome's bar culture privileging "hard" masculine identities as the only legitimate expression of gay desire and thus excluding all those men who supposedly "fail" to live up to these hegemonic gendered ideals. Through careful analysis of media such as pornographic videos, manga comics, lifestyle magazines, and online dating services, this book argues that the commercial imperatives of the Japanese gay media landscape and the bar culture of Shinjuku Ni-chome act together to limit the agency of young gay men so as to better exploit them economically. Exploring the direct impacts of media consumption on the lives of four key informants who frequent the district's gay bars in search of community, fun, and romance, Regimes of Desire reveals the complexity of Tokyo's most popular "gay town" and intervenes in debates over the changing nature of masculinity in contemporary Japan.

A vibrant, growing, and highly visible set of female identities has emerged in Thailand known as tom and dee. A ""tom"" (from ""tomboy"") refers to a masculine woman who is sexually involved with a feminine partner, or ""dee"" (from ""lady""). The patterning of female same-sex relationships into masculine and feminine pairs, coupled with the use of English-derived terms to refer to them, is found throughout East and Southeast Asia. Have the forces of capitalism facilitated the dissemination of Western-style gay and lesbian identities throughout the developing world as some theories of transnationalism suggest? Is the emergence of toms and dees over the past twenty-five years a sign that this has occurred in Thailand? Megan Sinnott engages these issues by examining the local culture and historical context of female same-sex eroticism and female masculinity in Thailand. Drawing on a broad spectrum of anthropological literature, Sinnott situates Thai tom and dee subculture within the global trend of increasingly hybridized sexual and gender identities.

Same Sex Intimacies offers vivid accounts of the different ways non-heterosexual people have been able to create meaningful intimate relationships for themselves and highlights the role of individual agency and collective endeavour in forging these roles: as friends, partners, parents and as members of communities. This topical book will provide compelling reading for students of the family, sexuality and lesbian and gay studies.

Who's Who in Gay and Lesbian History: From Antiquity to the Mid-Twentieth Century is a comprehensive and fascinating survey of the key figures in gay and lesbian history from classical times to the mid-twentieth century. Among those included are:
* Classical heroes - Achilles; Aeneas; Ganymede
* Literary giants - Sappho; Christopher Marlowe; Arthur Rimbaud; Oscar Wilde
* Royalty and politicians - Edward II; King James I; Horace Walpole; Michel de Montaigne.
Over the course of some 500 entries, expert contributors provide a complete and vivid picture of gay and lesbian life in the Western world throughout the ages.

The answers to these questions - and much, much more - are to be found in The Changing Room , which traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines:
* tribal rituals and shamanic practices in the Balkans and Chinese-Tibet
* the gender-bending elements of Greek and early Christian religion
* the homosexual appeal of the boy actor on the traditional stage of China, Japan and England
* the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator
* artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls.
Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. It is a must for anyone interested in cross-dressing, theatre, and gender.

In his readings of film favourites, Alexander Doty takes the reader to the queer side of criticism, offering fresh and controversial views of the stars, the plots, and the directors of our best loved and most iconic films. Arguing against the assumption that only explicitly gay films are subject to gay readings, he looks at six classics and reads them for their queer potential. With both affection and scholarly rigor, he teases out the lesbian fantasy inherent in "The Wizard of Oz", the gay nightmare narrative of "The Cabinet of Dr. Caligari", the bisexual erotics of "Gentleman Prefer Blondes", the queerness of Norman Bates, and even makes a compelling argument about Citizen Kane's dying word, "Rosebud".

Looks at the wide range of contrasting images of the gay male body in Japanese popular culture, both mainstream and gay, and relate these images to the experience of an interview sample of Japanese gay men.

Looks at the wide range of contrasting images of the gay male body in Japanese popular culture, both mainstream and gay, and relate these images to the experience of an interview sample of Japanese gay men.

In recent years, there has been substantial progress on lesbian, gay, bisexual, transgender, and queer (LGBTQ) civil rights in the United States. We are now, though, in a time of incredible political uncertainty for queer people. LGBTQ Social Movements provides an accessible introduction to mainstream LGBTQ movements in the U.S., illustrating the many forms that LGBTQ activism has taken since the mid-20th century. Covering a range of topics including the Stonewall uprising and gay liberation, AIDS politics, queer activism, marriage equality fights, youth action, and bisexual and transgender justice, Lisa M. Stulberg explores how marginalized people and communities have used a wide range of political and cultural tools to demand and create change. The five key themes that guide the book are assimilationism and liberationism as complex strategies for equality, the limits and possibilities of legal change, the role of art and popular culture in social change, the interconnectedness of social movements, and the role of privilege in movement organizing. This book is an important tool for understanding current LGBTQ politics and will be essential reading for students and scholars of sexuality, LGBTQ studies, and social movements.

The Changing Room traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines:
* tribal rituals and shamanic practices in the Balkans and Chinese-Tibet
* the gender-bending elements of Greek and early Christian religion
* the homosexual appeal of the boy actor on the traditional stage of China, Japan and England
* the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator
* artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls.
Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. Written with elegance, authority and wit by one of the world's leading theatre historians, it is a must for anyone interested in questions of cross-dressing, theatre, and gender.

eBook available with sample pages: 0203411072

Contributions by Michelle Ann Abate, William S. Armour, Alison Bechdel, Jennifer Camper, Tesla Cariani, Matthew Cheney, Hillary Chute, Edmond (Edo) Ernest dit Alban, Ramzi Fawaz, Margaret Galvan, Justin Hall, Lara Hedberg, Susanne Hochreiter, Sheena C. Howard, Rebecca Hutton, remus jackson, Keiko Miyajima, Chinmay Murali, Marina Rauchenbacher, Katharina Serles, Sathyaraj Venkatesan, and Lin Young The LGBTQ+ Comics Studies Reader explores the exemplary trove of LGBTQ+ comics that coalesced in the underground and alternative comix scenes of the mid-1960s and in the decades after. Through insightful essays and interviews with leading comics figures, volume contributors illuminate the critical opportunities, current interactions, and future directions of these comics. This heavily illustrated volume engages with the work of preeminent artists across the globe, such as Howard Cruse, Edie Fake, Justin Hall, Jennifer Camper, and Alison Bechdel, whose iconic artwork is reproduced within the volume. Further, it addresses and questions the possibilities of LGBTQ+ comics from various scholarly positions and multiple geographical vantages, covering a range of queer lived experience. Along the way, certain LGBTQ+ touchstones emerge organically and inevitably-pride, coming out, chosen families, sexual health, gender, risk, and liberation. Featuring comics figures across the gamut of the industry, from renowned scholars to emerging creators and webcomics artists, the reader explores a range of approaches to LGBTQ+ comics-queer history, gender and sexuality theory, memory studies, graphic medicine, genre studies, biography, and more-and speaks to the diversity of publishing forms and media that shape queer comics and their reading communities. Chapters trace the connections of LGBTQ+ comics from the panel, strip, comic book, graphic novel, anthology, and graphic memoir to their queer readership, the LGBTQ+ history they make visible, the often still quite fragile LGBTQ+ distribution networks, the coded queer intelligence they deploy, and the community-sustaining energy and optimism they conjure. Above all, The LGBTQ+ Comics Studies Reader highlights the efficacy of LGBTQ+ comics as a kind of common ground for creators and readers.

Flaming Classics turns the heat up on the movies we love best. In his wicked readings of film favourites, Alexander Doty takes us to the queer side of criticism, offering fresh and controversial views of the stars, the plots, and the directors of our best loved and most iconic films. Arguing against the assumption that only explicitly gay films are subject to gay readings, he looks at six classics and reads them for their queer potential. With both affection and scholarly rigor, he teases out the lesbian fantasy inherent in The Wizard of Oz, the gay nightmare narrative of The Cabinet of Dr. Caligari, the bisexual erotics of Gentleman Prefer Blondes, the queerness of Norman Bates, and even makes a compelling argument about Citizen Kane's dying word, 'Rosebud'.

Has Queer Theory "grown out" of Feminism - in both senses? If it has, is that process a coming-out story? Despite a parallel chronology, with 1969 marking a key moment for both movements, and despite all their common and mutual debts, the political differences with which both are all too familiar affect their own relationship as well. One difference may be generational, with the 70s women's movement acting as mother or midwife to the 90s generation of queers; another may be between the overlapping but distinct debates of gender and sexuality; a third between the different situations of men and women. But do these views themselves create arbitrary and caricatural oppositions between two bodies of ideas that should remain vitally connected? This book opens up a number of original and challenging approaches to these questions, with contributors (from the fields of literature, philosophy, film studies, anthropology and psychoanalysis) including Emily Apter, Trevor Hope, Biddy Martin and Gayle Rubin.

Feminist scholarship is sometimes dismissed as not quite 'proper' knowledge - it's too political or subjective, many argue. But what are the boundaries of 'proper' knowledge? Who defines them, and how are they changing? How do feminists negotiate them? And how does this boundary-work affect women's and gender studies, and its scholars' and students' lives? These are the questions tackled by this ground-breaking ethnography of academia inspired by feminist epistemology, Foucault, and science and technology studies. Drawing on data collected over a decade in Portugal and the UK, US and Scandinavia, this title explores different spaces of academic work and sociability, considering both official discourse and 'corridor talk'. It links epistemic negotiations to the shifting political economy of academic labour, and situates the smallest (but fiercest) departmental negotiations within global relations of unequal academic exchange. Through these links, this timely volume also raises urgent questions about the current state and status of gender studies and the mood of contemporary academia. Indeed, its sobering, yet uplifting, discussion of that mood offers fresh insight into what it means to produce feminist work within neoliberal cultures of academic performativity, demanding increasing productivity. As the first book to analyse how academics talk (publicly or in off-the-record humour) about feminist scholarship, Power, Knowledge and Feminist Scholarship is essential reading for scholars and students in gender studies, LGBTQ studies, post-colonial studies, STS, sociology and education. Winner of the FWSA 2018 Book Prize competition