Through the rich stories of eight participants, the author explores the psychological, spiritual, and ritual dimensions of religious trauma among queer people. Drawing on current scholarship in the field of trauma studies, the author makes a case for religious trauma as an important frame to understand the experiences of queer people in non-accepting faith communities. Though previous scholarship has limited the recovery from religious trauma to those who exit religious communities, in this research the author analyzes participant stories to understand how queer people might find healing in accepting religious communities. Using self-psychology to understand the depth of trauma experienced in non-accepting communities, the author explores the experience of God and sexual identity within non-accepting communities. Through these narratives, the author demonstrates the potential for post-traumatic growth and life beyond conservative faith communities. Petersen argues for a number of key recommendations for congregations and pastoral caregivers that seek to welcome those who have experienced religious trauma.

The twenty-first century has seen LGBTQ+ rights emerge at the forefront of public discourse and national politics in ways that would once have been hard to imagine. This book offers a unique and layered account of the complex dynamics in the modern moment of social change, drawing together critical, social and cultural theory as well as empirical research, which includes interviews and multi-platform media analyses. This original new study puts forward a much-needed analysis of twenty-first century television and lesbian visibility. Books addressing the representation of lesbians have tended to focus on film; analysis of queer characters on television has usually focused on representations of gay males. Other recent books have attempted to address lesbian, gay and trans representation together, with the result that none are examined in sufficient detail - here, the exclusive focus on lesbian representation allows a fuller discussion. Until now, much of the research on lesbian and gay representation has tended to employ only textual analysis. The combination of audience research with analysis in this book brings a new angle to the debates, as does the critical review of the tropes of lesbian representation. The earlier stereotypes of pathological monsters and predators are discussed alongside the more recent trends of 'lesbian chic' and 'lesbianism as a phase'.

When the first edition of "Queering the Pitch" was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. The first collection of its kind, its contributors covered a wide range of subjects from analysis of the work of gay composers to queer readings of Schubert's Unfinished Symphony. Among the contributors were many then-new scholars, --including the late Philip Brett (one of the editors of the first edition), Susan McClary, Jennifer Rycenga, Paul Attinello, and Martha Mockus--who have since become leaders in the field.
In light of the explosion of Gay Musicology since 1994, a new edition of "Queering the Pitch" is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope, which was written for Grove's Dictionary of Music-but only published in a greatly reduced version, because of its strong political approach. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown.

Queer Campus Climate: An Ethnographic Fantasia is a visceral and provocative account of the lives of ten queer college men living in the Deep South. The book serves many goals. It is an emancipatory research document told in the raucous, fiery voices of these queer men whose narratives are presented free from the sanitizing impulses of traditional scholarship. It is a manifesto on postqualitative paradigms applied to a queer subject. It is a public history of the life and times of queers subjects living under an alt-right political assault. And it is an analysis of how a hostile campus climate impacts psychosocial development of marginalized students. Blurring the line between literature and research, Queer Campus Climate: An Ethnographic Fantasia contains a cast of characters (including a bear, a twink, and three drag queens) who dish on sex, gender performance, mental wellness, relationships, harassment, addiction, professional development, and politics. Their stories are told against a musical backdrop that includes selections from Puccini to Frank Ocean, which provides a multisensory experience unlike anything else in sociological research.

This book provides a timely and topical overview of recent developments in EU anti-discrimination law. Examining in particular discrimination on the grounds of race and sexual orientation, it provides an account of the debate within the institutions and Member States, analysis of relevant case law from the Court of Justice, and coverage of the anti-discrimination directives adopted in 2001.

"A Queer History of the Ballet "is the first book-length study of ballet's queerness. It theorizes the queer potential of the ballet look, and provides historical analyses of queer artists and spectatorships. It demonstrates that ballet was a crucial means of coming to visibility, of evolving and articulating a queer consciousness in periods when it was dangerous and illegal to be homosexual. It also shows that ballet continues to be a key element of the dance cultures through which queerness is explored. The book moves from the 19th century through the post-modern era, bringing together an important array of creative figures and movements, including Romantic ballet; Tchaikovsky; Diaghilev; Genet; Fonteyn; New York City Ballet; Neumeier; Bourne; Bausch; and Morris. It discusses the making and performance history of key works, including "La Sylphide, Giselle, Sleeping Beauty," and "Swan Lake."
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A Queer History of the Ballet "will be especially useful to students and scholars involved in the growing number of courses on queer culture, theatre studies, dance history, gender studies, and cross-disciplinary approaches to literature. It is written in a lively, clear style that will make it accessible to the non-academic reader who has an interest in queer and/or dance history.

Encourage the Church to address the gift of human sexualityhow to view it, how to deal with it, and how it relates to spirituality A Theology of Gay and Lesbian Inclusion: Love Letters to the Church challenges traditional church teachings that brand homosexuality as immoral, using pertinent scripture from the central Gospel to promote a full acceptance of gay and lesbian Christians. This powerful book questions the assumption that gay Christians are morally inferior, presenting testimony from gay men and lesbians about prejudice they've experienced at the hands of the Churchand its straight members. Written as a series of ten letters, the book addresses the strengths and weaknesses of the church and appeals for a new understanding and commitment to the acceptance of its gay members. From the author: The purpose of this book is to equip you, Christian warrior of the Gospel of peace, to stand against those who use the Bible to resist changeeven that change of which our Lord would approve. In one sense, there is nothing revolutionary about this book. It is a book that respects traditionbut only up to a point: that point where tradition has to change, to give way to what the Holy Spirit is showing us in our day of the mind of Christ. And this is not revolutionary, because tradition has had to change before; it is a developing truth, born of the corporate experience of the children of God, and open to our claiming the exercise of our God-given gift of reason. A Theology of Gay and Lesbian Inclusion includes a series of letters that progress from establishing the purpose and credibility of the author, to developing grounding in Scripture and experience, to appealing to the reader to act as an ally of gay and lesbian Christians. The letters include: Dear Christian Believer, which aims for the bull's-eye of the reader's faith Dear Sexual Being, which offers a fresh look at a sensitive topic Dear Confused Church Member, which discusses what gay people are really like Dear Concerned Church Member, which discusses what gay people really want Dear Bible Explorer, which discusses what the Bible really says Dear Person Trying to Do the Right Thing, from being to doing and much more A Theology of Gay and Lesbian Inclusion provides a friendly and informal Biblical rationale for alternatives to traditional church teachings, encouraging the acceptance of gay and lesbian people as fully moral and fully Christian.

The contributors to Turning Archival trace the rise of "the archive" as an object of historical desire and study within queer studies and examine how it fosters historical imagination and knowledge. Highlighting the growing significance of the archival to LGBTQ scholarship, politics, and everyday life, they draw upon accounts of queer archival encounters in institutional, grassroots, and everyday repositories of historical memory. The contributors examine such topics as the everyday life of marginalized queer immigrants in New York City as an archive; secondhand vinyl record collecting and punk bootlegs; the self-archiving practices of grassroots lesbians; and the decolonial potential of absences and gaps in the colonial archives through the life of a suspected hermaphrodite in colonial Guatemala. Engaging with archives from Africa to the Americas to the Arctic, this volume illuminates the allure of the archive, reflects on that which resists archival capture, and outlines the stakes of queer and trans lives in the archival turn. Contributors. Anjali Arondekar, Kate Clark, Ann Cvetkovich, Carolyn Dinshaw, Kate Eichhorn, Javier Fernandez-Galeano, Emmett Harsin Drager, Elliot James, Marget Long, Martin F. Manalansan IV, Daniel Marshall, Maria Elena Martinez, Joan Nestle, Ivan Ramos, David Serlin, Zeb Tortorici

Chris Meyers takes the reader on a careful, rational, sustained criticism of arguments about the immorality of homosexuality. Meyers refutes anti-gay arguments by showing that they are based on unreasonable or demonstrably false ideas about the nature of morality. Working through the morality arguments against homosexuality, Meyers shows how the nature of morality demands impartial, overriding reasons to act. He argues that morality is not grounded in visceral feelings of disgust, commands from the scriptures, or mysterious Platonic essences. In clear, convincing discussion, Meyers examines morality to promote the moral logic of granting rights to all people, no matter their sexual orientation.

queer [adj]: 1 differing from what is usual or ordinary; odd; singular; strange 2 slightly ill; 3 mentally unbalanced 4 counterfeit; not genuine 5 homosexual: in general usage, still chiefly a slang term of contempt or derision, but lately used by some as a descriptive term without negative connotations --Webster's Dictionary queer [adj]: used to describe a 1 body of theory 2 field of critical inquiry 3 way of proudly identifying a group of people 4 way of seeing the world 5 sense of difference from the norm -- David Shneer and Caryn Aviv, Queer in America, Now and Then Contrasting queer life today and in years past, this landmark book brings together autobiographies, poetry, film studies, maps, documents, laws, and other texts to explore the meaning and practice of the word queer. By this Shneer and Aviv mean: queer as both a form of social violence and a call to political activism; queer as played by Robin Williams and Sharon Stone and as lived by Matthew Shepard and Brandon Teena; queer in the courthouses of Washington D.C. and on the streets of hometown America. Contextualizing these contemporary stories with ones from the past, and understanding them through the analytic tools of feminist social criticism and history, the authors show what it means to be queer in America.

queer [adj]: 1 differing from what is usual or ordinary; odd; singular; strange 2 slightly ill; 3 mentally unbalanced 4 counterfeit; not genuine 5 homosexual: in general usage, still chiefly a slang term of contempt or derision, but lately used by some as a descriptive term without negative connotations --Webster's Dictionary queer [adj]: used to describe a 1 body of theory 2 field of critical inquiry 3 way of proudly identifying a group of people 4 way of seeing the world 5 sense of difference from the norm -- David Shneer and Caryn Aviv, Queer in America, Now and Then Contrasting queer life today and in years past, this landmark book brings together autobiographies, poetry, film studies, maps, documents, laws, and other texts to explore the meaning and practice of the word queer. By this Shneer and Aviv mean: queer as both a form of social violence and a call to political activism; queer as played by Robin Williams and Sharon Stone and as lived by Matthew Shepard and Brandon Teena; queer in the courthouses of Washington D.C. and on the streets of hometown America. Contextualizing these contemporary stories with ones from the past, and understanding them through the analytic tools of feminist social criticism and history, the authors show what it means to be queer in America.

Vivacious, unconventional, candid, and straight, Helen Branson operated a gay bar in Los Angeles in the 1950s--America's most anti-gay decade. After years of fending off drunken passes as an entertainer in cocktail bars, this divorced grandmother preferred the wit, variety, and fun she found among homosexual men. Enjoying their companionship and deploring their plight, she gave her gay friends a place to socialize. Though at the time California statutes prohibited homosexuals from gathering in bars, Helen's place was relaxed, suave, and remarkably safe from police raids and other anti-homosexual hazards. In 1957 she published her extraordinary memoir "Gay Bar," the first book by a heterosexual to depict the lives of homosexuals with admiration, respect, and love.
In this new edition of "Gay Bar," Will Fellows interweaves Branson's chapters with historical perspective provided through his own insightful commentary and excerpts gleaned from letters and essays appearing in gay publications of the period. Also included is the original introduction to the book by maverick 1950s psychiatrist Blanche Baker. The eclectic selection of voices gives the flavor of American life in that extraordinary age of anxiety, revealing how gay men saw themselves and their circumstances, and how others perceived them.

Outstanding Book, selected by the Public Library Association

Best Books for High Schools, selected by the American Association of School Libraries

From government to literature to architecture, few fields in western culture are untouched by the influence of Ancient Greece and Rome. Even mores that may seem exclusively modern often have roots in the classical past. This book takes an in-depth look at the ancient roots of homophobia, including its Pythagorean origins and its eventual spread throughout the Roman Empire and, consequently, the rest of the world. Originally, male homosexuality occupied something of an honorable position in ancient Greece. By the end of the Roman period several centuries later, this attitude had changed so radically that to be found guilty of homosexual actions was punishable by death. This work investigates how such a shift occurred and traces the various cultural forces that brought about almost universal homophobia throughout western societies. Beginning with the earliest documented instance of homophobia in the teachings of Pythagoras (who was surrounded by mystery even in ancient times), the author examines its proliferation through various disciplines, citing sources from political history, anthropology, religion, and psychology as well as the analysis of ancient texts. Through extensive historical research, he follows the concept from Greece to Macedonia and finally to Rome, examining relevant religious attitudes including those of Christianity and Judaism. Finally, he discusses the ways in which homophobia was solidified in the legal legacy of the Roman Empire. An extensive bibliography provides additional resources regarding classical influence on modern culture.

This book highlights the strategic deployment of a straight identity by an LGBT organization. Cortese explores the ways in which activists strategically use a "straight" identity as a social movement tool in order to successfully achieve the movement objectives.

"Gay Hegemony/ Latino Homosexualities "is an interdisciplinary project that weaves ethnographic interviewing with the analysis of texts and material culture to study the intersection of gayness with Latinidad. Unlike other academic treatments of the subject matter, it grounds its argument in an ethnoracial context and takes as point of departure that what needs to be studied explained is gayness not Latinidad. The book argues that gayness is a social formation structured by the racial distinction between blackness and whiteness in the United States and that, as such, the formation gayness is not racially or nationally innocent. Thus, Latinidad, thoroughly shaped by mythologies of racial syncretism, provides a perfect contrast in teasing out the racial undergirding of American gayness. Ultimately "Gay Hegemony/ Latino Homosexualities" ""claims that the so-called conflict between Latino identity and gayness is not the result of traditional values in Latino cultures ( a played out euphemism for retrograde) but an ethnoracial conflict in as much as the status of gayness does not simply regulate sexual but ethnoracial life as well.

This book investigates the phenomenon of queering in popular music and video, interpreting the music of numerous pop artists, styles, and idioms. The focus falls on artists, such as Lady Gaga, Madonna, Boy George, Diana Ross, Rufus Wainwright, David Bowie, Azealia Banks, Zebra Katz, Freddie Mercury, the Pet Shop Boys, George Michael, and many others. Hawkins builds his concept of queerness upon existing theories of opacity and temporality, which involves a creative interdisciplinary approach to musical interpretation. He advocates a model of analysis that involves both temporal-specific listening and biographic-oriented viewing. Music analysis is woven into this, illuminating aspects of parody, nostalgia, camp, naivety, masquerade, irony, and mimesis in pop music. One of the principal aims is to uncover the subversive strategies of pop artists through a wide range of audiovisual texts that situate the debates on gender and sexuality within an aesthetic context that is highly stylized and ritualized. Queerness in Pop Music also addresses the playfulness of much pop music, offering insights into how discourses of resistance are mediated through pleasure. Given that pop artists, songwriters, producers, directors, choreographers, and engineers all contribute to the final composite of the pop recording, it is argued that the staging of any pop act is a collective project. The implications of this are addressed through structures of gender, ethnicity, nationality, class, and sexuality. Ultimately, Hawkins contends that queerness is a performative force that connotes futurity and utopian promise.

Constructed of words, artwork, photos and personal artifacts, Marginalia is an intimate and unconventional account of what it means to be a hybrid. It seamlessly interweaves experience with elements of sociology and psychology, exploring how one cultivates an identity containing multitudes -- queer, trans, mixed-race, other.

In this unique and hilarious debut memoir, writer and comedian Greg Mania chronicles life as a "pariah prodigy." From inadvertently coming out to his Polish immigrant parents, to immersing himself in the world of New York City nightlife, and finding himself and his voice in comedy. Born to Be Public is a vulnerable and poignant exploration of identity (and the rediscovery of it), mental health, sex and relationships, all while pursuing a passion with victories and tragicomic blunders. At once raw and relatable, Mania's one-of-a-kind voice will make you shed tears from laughter and find its way into your heart.

26-year-old Akash Amin has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories of the first boy he ever loved. When his mother tells him she is selling the family home, Akash returns to Illinois, hoping to finally move on. Renu Amin always seemed perfect: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband's death approaches, Renu can't stop wondering if she chose the wrong life thirty-five years ago . Together, Renu and Akash pack up the house, retreating further into the secrets that stand between them. When their pasts catch up to them, Renu and Akash must decide between the lives they left behind and the ones they've since created. By turns irreverent and tender, filled with the beats of '90s R&B, Tell Me How to Be is about our earliest betrayals and the cost of reconciliation. But most of all, it is the love story of a mother and son each trying to figure out how to be in the world.

Queer linguistics has only recently developed as an area of study; however academic interest in this field is rapidly increasing. Despite its growing appeal, many books on a ~gay languagea (TM) focus on private conversation and small communities. As such, Public Discourses of Gay Men represents an important corrective, by investigating a variety of sources in the public domain. A broad range of material, including tabloid newspaper articles, political debates on homosexual law and erotic narratives are used in order to analyse the language surrounding homosexuality. Bringing together queer linguistics and corpus linguistics the text investigate how gay male identities are constructed in the public domain.

"So while the assumption when I was born was that I was or would grow up to be a neurotypical heterosexual boy, that whole idea didn't really pan out long term." In this candid, first-of-its-kind memoir, Laura Kate Dale recounts what life is like growing up as a gay trans woman on the autism spectrum. From struggling with sensory processing, managing socially demanding situations and learning social cues and feminine presentation, through to coming out as trans during an autistic meltdown, Laura draws on her personal experiences from life prior to transition and diagnosis, and moving on to the years of self-discovery, to give a unique insight into the nuances of sexuality, gender and autism, and how they intersect. Charting the ups and downs of being autistic and on the LGBT spectrum with searing honesty and humour, this is an empowering, life-affirming read for anyone who's felt they don't fit in.

"Yvonne Yarbro-Bejarano has written the best feminist study to date of Moraga's art in its richest aesthetic, cultural, and political implications. This book, I believe, is a major reading of a major Chicana intellectual. More than that, it is a sweeping reassessment of Chicano/a theater and of Moraga's reclamation of the Chicano/a movement, a model of literary and cultural historicism, and a searching and engaging exploration of the major critical issues in current Chicano/a discourse." --Jose David Saldivar, author of Border Matters: Remapping American Cultural Studies In her work as poet, essayist, editor, dramatist, and public intellectual, Chicana lesbian writer Cherrie Moraga has been extremely influential in current debates on culture and identity as an ongoing, open-ended process. Analyzing the "in-between" spaces in Moraga's writing where race, gender, class, and sexuality intermingle, this first book-length study of Moraga's work focuses on her writing of the body and related material practices of sex, desire, and pleasure. Yvonne Yarbro-Bejarano divides the book into three sections, which analyze Moraga's writing of the body, her dramaturgy in the context of both dominant and alternative Western theatrical traditions, and her writing of identities and racialized desire. Through close textual readings of Loving in the War Years, Giving Up the Ghost, Shadow of a Man, Heroes and Saints, The Last Generation, and Waiting in the Wings, Yarbro-Bejarano contributes to the development of a language to talk about sexuality as potentially empowering, the place of desire within politics, and the intricate workings of racialized desire.

Gain an in-depth understanding of the unique struggles of the bisexual community! To me the gay and straight worlds are exactly the same; equally limited, judgmental, and bourgeois . . . just mirror images of each other. I truly like and overlap with some of the gay world, but my roots refuse to take hold there and grow. Unfortunately, my well-established roots in the straight world are simultaneously shriveling and dying too, leaving me feeling extremely unstable. Cool, a bisexual woman involved in a support group There are at least five million bisexual people in America, generally invisible to straight society, the gay community, and even to each other. While the vast majority of these five million live within the straight or gay world, there are a few who have formed a community of their own. Bi America: Myths, Truths, and Struggles of an Invisible Community offers an inside look at the American bisexual community and gives an understanding of the special circumstances unique to being bisexual. The book takes the reader to bi community events from picnics, to conferences, to support groups, to performances in order to expose the everyday trials of the bisexual community. Bi America includes very personal stories that let the voice of everyday bisexuals be heard through interviews, the Bisexual History Project, in which ten bisexual people tell their life stories, and the Online Support Group, a group of about 75 people who meet in cyberspace to talk about their lives and challenges. The book also includes the findings of a 2002 survey of about 300 bisexual people conducted via the Internet, an appendix that offers a concise list of resources for further study and personal enrichment, and an unabridged transcript of the Bisexual History Project. Get the answers to these questions in Bi America: What is bisexuality? Is there a bisexual community? What is the culture of the bisexual community? What are commonalities and differences between the experiences of bi men and bi women? What is the special relationship between the bisexual and the transgender community? How have bisexuals and the bi community been affected by HIV/AIDS? What is the future of bisexual activism, if any? and many more! Bi America is a fascinating resource that exposes the challenges, struggles, and triumphs of bisexuals in America. Bisexuals, especially those newly coming out, can use this book to help understand their identity, and family members and friends seeking some insight into the unique circumstances faced by their loved ones will also find it helpful. This book will interest those concerned with the sociology of deviance or with subcultures in general. It is also appropriate for undergraduate sociology and cultural anthropology, as well as feminist studies and LGBT studies classes. This book offers one of the few accessible, nonacademic looks at this unique and interesting community. Visit the book's Web site at http://www.bi101.org

The NBC series Hannibal has garnered both critical and fan acclaim for its cinematic qualities, its complex characters, and its innovative reworking of Thomas Harris's mythology so well-known from Jonathan Demme's Silence of the Lambs (1991) and its variants. The series concluded late in 2015 after three seasons, despite widespread fan support for its continuation. While there is a healthy body of scholarship on Harris's novels and Demme's film adaptation, little critical attention has been paid to this newest iteration of the character and narrative. Hannibal builds on the serial killer narratives of popular procedurals, while taking them in a drastically different direction. Like critically acclaimed series such as Breaking Bad and The Sopranos, it makes its viewers complicit in the actions of a deeply problematic individual and, in the case of Hannibal, forces them to confront that complicity through the character of Will Graham. The essays in Becoming explore these questions of authorship and audience response as well as the show's themes of horror, gore, cannibalism, queerness, and transformation. Contributors also address Hannibal's distinctive visual, auditory, and narrative style. Concluding with a compelling interview with series writer Nick Antosca, this volume will both entertain and educate scholars and fans of Hannibal and its many iterations.