This work combines autobiographical sources, personal interviews, and questions for reflection to explore issues relevant to everyone's sexual orientation or gender status, be they heterosexual or gay, lesbian, bisexual, transgender, or intersexual. Very few books address these topics for low-vision readers. Considering older readers with vision changes: more GLBTI people than ever before are moving to assistive living and other care environments. Tools to help them be open about who they are, and to help those around them be more understanding, are very important. Silent Lives is helpful for personal journaling and sharing with relatives and friends, and is also very useful as a college text, therapy supplement, or a catalyst for group discussions. This book will provide insights and inspire conversations for low-vision readers (of every age) that can help improve understandings and connections for everyone involved. The standard-sized text edition is available with a full index.

This book accessibly explores the phenomenon of internalized homonegativity among same gender loving Black men who love other men, providing practical tools to help therapists identify the underlying motivations for their clients' feelings. Written from personal and clinical experience, P. Ryan Grant defines internalized homonegativity as the negative thoughts felt by a person due to their same gender loving identity. The book's introduction provides a backdrop of the developmental experiences Black same gender loving men often encounter and connects theoretical concepts with qualitative Black same gender loving male experiences. Chapters then explore the contextual consequences of internalized homonegativity and educate readers on how conditioned shame and anxiety relating to these factors alter mental health and functioning in various spaces. The final part of the book presents therapeutic techniques based on dialectical behavior therapy (DBT), cognitive-behavioral therapy (CBT), and acceptance and commitment therapy (ACT) to assist readers in helping clients to navigate a homonegative world. This book is essential reading for sex therapists, educators, students, and sexuality professionals who are looking for resources on working with Black same gender loving male clients, as well as those occupations seeking to create programs for Black same gender loving men. It will also be a helpful resource for Black same gender loving men seeking to live value-based lives.

A Little Gay History of Wales tells the compelling story of Welsh LGBT life from the Middle Ages to the present day. Drawing on a rich array of archival sources from across Britain, together with oral testimony and material culture, this pioneering study is the first to examine the experiences of ordinary LGBT men and women, and how they embarked on coming out, coming together and changing the world. This is the story of poets who wrote about same-sex love and translators who worked to create a language to describe it; activists who campaigned for equality and politicians who created the legislation providing it; teenagers ringing advice lines for guidance on coming out, and revellers in the pioneering bars and clubs on a Friday and Saturday night. It is also a study of prejudice and of intolerance, of emigration and isolation, of HIV/AIDS and Section 28 - all features of the complex historical reality of LGBT life and same-sex desire. Engaging and accessible, absorbing and perceptive, this book is an important advance in our understanding of Welsh history.

Gay and Lesbian Communities the World Over examines the treatment and status of gays and lesbians in 21 countries around the world. The countries included are Canada, the United States, Argentina, Brazil, Great Britain, France, Germany, Italy, Sweden, Hungary, Poland, Russia, Israel, Egypt, Iran, Nigeria, South Africa, India, China, Japan, and Australia. The book explores the history of homosexuality dating back to ancient Greece and Rome, as well as attitudes toward gays and lesbians within the world's most prominent religions, the arts, literature, and film. This investigation is unique due to its comprehensive and innovative analysis of a wide range of topics concerning gay and lesbian communities across a large number of countries. The authors report on the rights of gay and lesbian citizens in the countries listed above, as for example the right to marry, adopt, serve in the military, hold certain occupational positions. They also describe the status of gay and lesbian citizens as for example, the legality of homosexuality and sanctioned punishments. When available, public opinion data are reported on how respondents feel about gays and lesbians in their country as well as their opinions on what rights should be afforded to this group. Data are reported on respondents' opinions on allowing gay marriage, civil unions, adoption, and allowing gays to openly serve in the military. The representative sample of countries in this study will help scholars get a better sense of the status of gays and lesbians across the globe.

The Intersexes: A History of Similisexualism as a Problem in Social Life (1906) is a work of nonfiction by Edward Irenaeus Prime-Stevenson. Written while Prime-Stevenson was living as an expatriate in Europe, The Intersexes is a defense of homosexuality grounded in scientific and historical research. Throughout his career, Prime-Stevenson sought to dispel falsehoods surrounding the history and social acceptance of homosexuality. Writing under the pseudonym Xavier Mayne, Prime-Stevenson took great care to insulate himself from the reprisal common to the period in which he worked. Despite his limited audience-copies of his works numbered in the hundreds-Prime-Stevenson is now recognized as a pioneering advocate for the rights of the LGBTQ community. "Between a protozoan and the most perfect development of the mammalia, we trace a succession of dependent intersteps...A trilobite is at one end of Nature's workshop: a Spinoza, a Shakespeare, a Beethoven is at the other. [...] Why have we set up masculinity and femininity as processes that have not perfectly logical and respectable inter-steps?" Seeking to defend homosexuality as a natural result of human evolution, Prime-Stevenson offers his theory of intersexes, of which he identifies two while leaving room for more to be defined in the future. To do so, he rejects the binary of masculine and feminine, both of which fail to describe the vast majority of humanity, in favor of a broader spectrum of sexual identity. Using the terms Uranian and Uraniad, which align with gay and lesbian respectively, Prime-Stevenson attempts to define these types, call attention to historical examples, and critique the societal condemnation and persecution of such individuals as "degenerate" or "criminal." This groundbreaking study, perhaps the first to approach homosexuality from a scientific, historical, personal, and legal point of view, is recognized today as a landmark in queer literature by academics around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Edward Irenaeus Prime-Stevenson's The Intersexes: A History of Similisexualism as a Problem in Social Life is a classic work of queer literature reimagined for modern readers.

In this cutting edge volume, Wallace identifies a unique trend in post-Production Code films that deal with lesbian content: stories of lesbianism invariably engage with an apartment setting, a spatial motif not typically associated with lesbian history or cultural representation. Through the formal analysis of five lesbian apartment films, Wallace demonstrates how the standard repertoire of visual techniques and spatial devices (the elements of mise-en-scene, favoured locations and sets, classical systems of editing, and the implied story world itself) are used to scaffold female sexual visibility. With its sustained focus on the filmic syntax surrounding lesbian representation on screen in the post-Production Code era, the book comprises an original contribution to queer film studies. In addition, Wallace also deploys its discussion of lesbianism and cinematic space to critique a number of tendencies in contemporary social theory, particularly the theoretical identification of public sex cultures as the basis for a queer counterpublic sphere.

For many years, lesbian and gay representation in British cinema escaped the attention of critics and historians. Informative and entertaining, Brief Encounters examines performers, directors and a wide range of films to reveal a cinema more varied, vital and sensuous than we could have imagined. Through a close reading of mid-twentieth century British films, Bourne explores a range of lesbian and gay screen images from movies including Soldiers of the King, Pygmalion, In Which We Serve, Brief Encounter, Black Narcissus, The Red Shoes and A Hard Day's Night. In addition, he looks in detail at the ground-breaking Victim and brings together the moving reminiscences of gay men who first saw the film in the hostile climate of 1961, and the reactions of contemporary critics. This fluent chronology of over 150 famous, half-remembered and forgotten films is a testament to the contribution of gays and lesbian to British cinema culture.

From the birth of the Gay Liberation through the rise of the AIDS Coalition to Unleash Power (ACT UP) in 1987, the global justice movement in 1994, the largest day of antiwar protest in world history in February 2003, the Republican National Convention protests in August 2004, and the massive immigrant rights rallies in the spring of 2006, the streets of cities around the world have been filled with a new theatrical model of protest. Elements of fun, creativity, pleasure, and play are cornerstones of this new approach toward protest and community building. No movement has had a larger influence on the emergence of play in social movement activity than the gay liberation and queer activism of the past thirty years. This book examines the role of play in gay liberation and queer activism, and the ways in which queer notions of play have influenced a broad range of social movements.

This book contributes to a critical understanding of how Chinese same-sex identity in urban China is variously imagined; how it is transformed; and how it presents its resistances as China continues to open up to global power relations. Equally important, the book will 1) sharpen knowledge of China's recent socio-economic change and political agenda, 2) build a greater awareness of Chinese cultural, sexual and ethical values and 3) offer new perspectives on 'Chineseness' and Chinese same-sex identity. Uniquely, it explores the emergence of Chinese same-sex identity through understanding the everyday, lived same-sex experience, amid China's opening up to cultural, sexual and economic globalisation. This understanding is based on a culturally sensitive framework which accommodates the diverse and sometimes paradoxical articulation of same-sex identity in urban China. It come sto the conclusion that same-sex identity in china is articulated in a paradoxical way: open and decentred, but at the same time, nationalist and conforming to state control. This book will be of interest to scholar and students in Chinese studies, Gender Studies, sexuality and cultural studies.

Researchers, practitioners, and parents have increasingly become concerned about issues related to sex, gender, and sexuality among children and adolescents. With access to the Internet, young people around the globe can readily obtain virtually any and all information they seek concerning sex and sexuality. In many cultures, the clothing and fashions of children, adolescents, and young adults are increasingly merging, leaving little clear distinction between them, and creating what some consider to be the 'sexualization' of children's and adolescents' clothing. Coinciding with such changes, young people are more openly expressing their own gender identity, often leading to considerable social debate about feminine and masculine identities, and also transgender identities. This collection provides unique insight into identity formation for contemporary youth and examines the evolving norms concerning sex, gender, and sexuality in the lives of children and adolescents addressing topics including the development of gender identity, sexual behavior among youth, LGBT youth, transgender youth, parental and peer influences upon the development of gender and gender identity and dating violence.

What makes kinship queer? This collection from leading and emerging thinkers in gender and sexualities interrogates the politics of belonging, shining a light on the outcasts, rebels, and pioneers. Queer Kinship brings together an array of thought-provoking perspectives on what it means to love and be loved, to 'do family' and to belong in the South African context. The collection includes a number of different topic areas, disciplinary approaches, and theoretical lenses on familial relations, reproduction, and citizenship. The text amplifies the voices of those who are bending, breaking, and remaking the rules of being and belonging. Photo-essays and artworks offer moving glimpses into the new life worlds being created in and among the 'normal' and the mundane. Taken as a whole, this text offers a critical and intersectional perspective that addresses some important gaps in the scholarship on kinship and families. Queer Kinship makes an innovative contribution to international studies in kinship, gender, and sexualities. It will be a valuable resource to scholars, students, and activists working in these areas.

Recommended Year Group: 9+ Show Length: 90 mins All the boys at school seem to be only interested in one thing, so when naive Charlotte meets an older guy online who promises her a fairytale romance, she is sure it's true love. It's up to her friend Ash to try and stop her from making a terrible mistake but Ash has worries of their own. When a drunken year 11 house party gets out of control, Tim makes a decision which will affect both him and Seren for the rest of their lives. Meanwhile Mike's become hooked on internet pornography, David's still a virgin and Rob's fallen in love. 'Losing It' is a musical play which tells the story of a group of 18 year olds as they look back on their 7 years at secondary school. "Because there's a bit more to it than sperm meets egg. Teachers' Pack In addition to the play we provide a complimentary Teachers' Pack, a guide for educators on how best to discuss the difficult topics examined by the play in a classroom environment, in addition to containing a range of comprehensive teaching resources and student worksheets. We update the Teachers' Pack each year in accordance with the play.

Communicative Sexualities: A Communicology of Sexual Experience, by Jacqueline M. Martinez, provides an argument for and illustration of how to pursue the direct study of students' lived-experiences of sexuality in a classroom or academic setting. It illustrates how communicology, and its methodological practice of semiotic phenomenology, allows for a sustained and rigorous study of the meaningfulness of sexual experience as it manifests in the immediate, concrete, and embodied realities in the lives of those taking up such a study. Examples from actual classroom experience allows for a detailed consideration of the applied research methodology, as well as the ethical issues involved in making students' experience of sexuality the main subject of the course. Martinez's text features detailed discussions of how to study the lived-experience of sexuality as the subject matter of research. It considers the steps necessary in suspending presuppositions regarding sexuality and gender, particularly those associated with the heterosexual-homosexual binary. Sexuality is understood as inherently good, yet also capable of becoming a means of perpetuating human isolation and degradation as much as an experience of tremendously shared human intimacy and mutual recognition. As an introductory text, Jacqueline M. Martinez's Communicative Sexualities: A Communicology of Sexual Experience is an excellent primer for the advanced study of communicology and semiotic phenomenology as related to the lived-experiences of sexuality and gender.

Contributions by Michelle Ann Abate, Leah Anderst, Alissa S. Bourbonnais, Tyler Bradway, Natalja Chestopalova, Margaret Galvan, Judith Kegan Gardiner, Katie Hogan, Jonathan M. Hollister, Yetta Howard, Katherine Kelp-Stebbins, Don L. Latham, Vanessa Lauber, Katherine Parker-Hay, Anne N. Thalheimer, Janine Utell, and Susan R. Van Dyne. Alison Bechdel is both a driver and beneficiary of the welcoming of comics into the mainstream. Indeed, the seemingly simple binary of outside/inside seems perpetually troubled throughout the career of this important comics artist, known for Fun Home, Are You My Mother?, and Dykes to Watch Out For. This volume extends the body of scholarship on her work from a range of interdisciplinary perspectives. In a definitive collection of original essays, scholars cover the span of Bechdel's career, placing her groundbreaking early work within the context of her more well-known recent projects. The Contributors provide new insights on major themes in Bechdel's work, such as gender performativity, masculinity, lesbian politics and representation, trauma, life writing, and queer theory. Situating Bechdel among other comics artists, this book charts possible influences on her work, probes the experimental traits of her comics in their representations of kinship and trauma, combs archival materials to gain insight into Bechdel's creative process, and analyzes her work in community building and space making through the comics form. Ultimately, the volume shows that Bechdel's work consists of performing a Series of selves-serializing the self, as it were-each constructed and refracted across and within her chosen artistic modes and genres.

Theoretical studies in curriculum have begun to move into cultural studies--one vibrant and increasingly visible sector of which is queer theory. "Queer Theory in Education" brings together the most prominent and promising scholars in the field of education--primarily but not exclusively in curriculum--in the first volume on queer theory in education. In his perceptive introduction, the editor outlines queer theory as it is emerging in the field of education, its significance for all scholars and teachers, and its relation to queer theory in literacy theory and more generally, in the humanities.

"Outlooks" reflects the richness of lesbian and gay ways of producing and reading visual culturewhile tackling such issues as the advantages of adopting a queer perspective on past art, the responses of lesbian and gay artists to the AIDS crisis, and society's attempts to censor homosexual art.
Providing a space for lesbian and gay artists to exhibit their work and discuss its relationship to sexuality, "Outlooks" It allows for a wide ranging theoretical and historical discussion of the place of lesbians and gay men within visual cultures and shows how much has been missed by a heterosexist approach to art history and the study of culture. Richly illustrated, "Outlooks" includes statements by contemporary lesbian and gay artists, photographers and performers as well as articles by art historians, cultural theorists and lesbian and gay activists.
Contributors include Emmanuel Cooper, Richard Dellamora, Richard Kaye, Thais Morgan, Wendy Leeks, Reina Lewis, Katrina Rolley, Simon Watney.

Japan s first professionally produced, commercially marketed and nationally distributed gay lifestyle magazine, Barazoku ( The Rose Tribes ), was launched in 1971. Publicly declaring the beauty and normality of homosexual desire, Barazoku electrified the male homosexual world whilst scandalising mainstream society, and sparked a vibrant period of activity that saw the establishment of an enduring Japanese media form, the homo magazine. Using a detailed account of the formative years of the homo magazine genre in the 1970s as the basis for a wider history of men, this book examines the relationship between male homosexuality and conceptions of manliness in postwar Japan. The book charts the development of notions of masculinity and homosexual identity across the postwar period, analysing key issues including public/private homosexualities, inter-racial desire, male-male sex, love and friendship; the masculine body; and manly identity. The book investigates the phenomenon of manly homosexuality, little treated in both masculinity and gay studies on Japan, arguing that desires and individual narratives were constructed within (and not necessarily outside of) the dominant narratives of the nation, manliness and Japanese culture. Overall, this book offers a wide-ranging appraisal of homosexuality and manliness in postwar Japan, that provokes insights into conceptions of Japanese masculinity in general.

Queer lives remain at the margins of most academic inquiry into domestic violence. When same-sex violence is considered, it is most commonly as an added on, without close attention to the specificity and meaning of violence within the lives of lesbian/ gay/ bisexual/ transgender/Two-Spirit and queer people (LGBTQ). This edited volume seeks to change this discourse by bringing together the most innovative research about intimate partner violence that is specific to the lives of LGBTQ people. Including contributions based on research conducted in the United States, the United Kingdom, Canada and Australia, the volume is framed around central themes: conceptualizing violence; exploring differing spaces and lived experiences of violence; and the ethical challenges of responding to violence. The contributors also consider issues of race, class, gender, sexuality and other social differences, moving beyond a simple gender lens to one involving a framework of intersectionality.

Insightful, provocative and now in paperback, The Cultural Impact of RuPaul's Drag Race is a collection of original material that goes beyond simple analysis of the show and examines the profound effect that RuPaul's Drag Race has had on the cultures that surround it: audience cultures, economics, branding, queer politics and all points in between. Once a cult show marketed primarily to gay men, Drag Race has drawn both praise and criticism for its ability to market itself to broader, straighter and increasingly younger fans. The show's depiction of drag as both a celebrated form of entertainment and as a potentially lucrative career path has created an explosion of aspiring queens in unprecedented numbers, and had a far-reaching impact on drag as both an art form and a career. Contributors include scholars based in the United Kingdom, the United States, Canada and South Africa. The contributions are interdisciplinary, as well as international. The editor invited submissions from scholars in theatre and performance studies, English literature, cultural anthropology, media studies, linguistics, sociology and marketing. What he envisaged was an examination of the wider cultural impacts that RuPaul's Drag Race has had; what he received was a rich and diverse engagement with the question of how Drag Race has affected local, live cultures, fan cultures, queer representation and the very fabric of drag as an art form in popular cultural consciousness. This original collection, with its variety of topics and approaches, is a critical appraisal of RuPaul's Drag Race at an important point of the programme's run, as well as of the growing industries around RPDR, including DragCon and drag queens' post-show careers in the on- and offline world. Primarily of interest to students, scholars and researchers in media and communication studies, gender and sexuality studies, popular culture, queer theory, LGBTQ history, media studies, and fan studies. Will also appeal to fans of the series.

Motivated by the death of his partner, Adams seeks to redefine the closet as a relational construct between all people and all sexualities. The closet is explored at each stage--entering it, inhabiting it, and coming out of it--and strategies are offered for reframing difficult closet experiences. Adams makes use of interviews, personal narratives, and autoethnography to analyze lived, relational experiences of sexuality. This is a must have for scholars and students of gender studies, qualitative research, and for any reader who has felt the closet's reach.

A hilariously moving and inspirational memoir of a girl with two gay dads, navigating her way through life with joy, love, gratitude, and an excellent sense of humor. As the daughter of two gay fathers in the 90s, Chelsea has always had a different outlook than some people. And yet, her message is one of universal importance - love is the most important force in the world. Through her moving and at times hilarious memoir, Chelsea reflects on how we are all much more similar than we are different. Living "two doors down from normal," Chelsea quickly learned that society loves to put people in boxes, but these boxes do not always reflect how we feel about ourselves. Through Inexplicably Me, Chelsea works to bring people together in love and acceptance and to illustrate that, while her story may seem worlds away from others, we all strive for happiness and love. From sharing the stage with President Obama when she was only eighteen years old, to her father spending her senior year of college in federal prison camp, to her biological mother dying of cancer when she was only 56, Chelsea explores her painful and joyful experiences with the hope that readers will find inspiration to face their own challenges and embrace their own joys. Inexplicably Me is a bridge for those who fear what they don't understand, as well as a possibility for those who have lacked love in their lives to see how they can start to access their self-worth, begin achieving their dreams, and start loving themselves again. Most of all, it is a reminder that everyone will have an opinion about who you are supposed to be, but you, and only you, get to decide exactly who it is you want to be.

A critical reader of the history of marriage understands that it is an institution that has always been in flux. It is also a decidedly complicated one, existing simultaneously in the realms of religion, law, and emotion. And yet recent years have seen dramatic and heavily waged battles over the proposition of including same sex couples in marriage. Just what is at stake in these battles? This book examines the meanings of marriage for couples in the two first states to extend that right to same sex couples: California and Massachusetts. The two states provide a compelling contrast: while in California the rights that go with marriage--inheritance, custody, and so forth--were already granted to couples under the state's domestic partnership law, those in Massachusetts did not have this same set of rights. At the same time, Massachusetts has offered civil marriage consistently since 2004; Californians, on the other hand, have experienced a much more turbulent legal path. And yet, same-sex couples in both states seek to marry for a variety of interacting, overlapping, and evolving reasons that do not vary significantly by location. The evidence shows us that for many of these individuals, access to civil marriage in particular--not domestic partnership alone, no matter how broad--and not a commitment ceremony alone, no matter how emotional--is a home of such personal, civic, political, and instrumental resonance that it is ultimately difficult to disentangle the many meanings of marriage. This book attempts to do so, and in the process reveals just what is at stake for these couples, how access to a legal institution fundamentally alters their consciousness, and what the impact of legal inclusion is for those traditionally excluded. Kimberly Richman is Associate Professor of Sociology and Legal Studies at the University of San Francisco.

After the Second World War, a newly affluent United States reached for its own gourmet culture, one at ease with the French international style of Escoffier, but also distinctly American. Enter James Beard, authority on cooking and eating, his larger-than-life presence and collection of whimsical bow ties were synonymous with the nation's food for decades, even after his death in 1985. In the first biography of Beard in twenty-five years, acclaimed writer John Birdsall argues that Beard's struggles as a closeted gay man directly influenced his creation of an American cuisine. Starting in the 1920s, Beard escaped loneliness and banishment by travelling abroad to places where people ate for pleasure, not utility, and found acceptance at home by crafting an American ethos of food likewise built on passion and delight. Informed by never-before-tapped correspondence and lush with details of a golden age of home cooking, The Man Who Ate Too Much is a commanding portrait of a towering figure who still represents the best in food.

'This book is unique in setting the question of homosexuality in its historical, legal, political, and religious contexts in North America. It is no longer possible in Catholic ethics to address sexual morality with a model of absolute moral norms, immune from the ambiguities and complexities social justice issues introduce. Peddicord looks at the personal and social sides of homosexuality, and fairly examines all sides of the Roman Catholic response.' --Lisa Sowle Cahill, Boston College

The period between the publication in 1957 of the liberalising Wolfenden Report and the introduction in 1987 of the homophobic Section 28 was characterised by unprecedented optimism and political activism among lesbians and gay men in Britain. But the law and its shortcomings never determined their whole political and cultural agenda and Radical Records explores the diverse and sometimes conflicting attempts of lesbian and gay people to build a new world for themselves and those they loved. The contributors recount their own personal narratives of how they struggled to re-define their identities, to explore non-traditional expressions of intimacy, to reclaim public spaces, to engage with the HIV epidemic, to build alliances and, generally, to make radical transformations of their lives. The re-issue of this important work, first published in 1988, gives its readers an opportunity to re-visit that turbulent time through the voices of its participants.