Available Open Access under CC-BY-NC-ND licence This book provides the first detailed discussion of domestic violence and abuse in same sex relationships, offering a unique comparison between this and domestic violence and abuse experienced by heterosexual women and men. It examines how experiences of domestic violence and abuse may be shaped by gender, sexuality and age, including whether and how victims/survivors seek help, and asks, what's love got to do with it? A pioneering methodology, using both quantitative and qualitative research, provides a reliable and valid approach that challenges the heteronormative model in domestic violence research, policy and practice. The authors develops a new framework of analysis - practices of love - to explore empirical data. Outlining the implications of the research for practice and service development, the book will be of interest to policy makers and practitioners in the field of domestic violence, especially those who provide services for sexual minorities, as well as students and academics interested in issues of domestic and interpersonal violence.

Current understandings of ageing and diversity are impoverished in three main ways. Firstly, with regards to thinking about what inequalities operate in later life there has been an excessive preoccupation with economic resources. On the other hand, less attention has been paid to cultural norms and values, other resources, wider social processes, political participation and community engagement. Secondly, in terms of thinking about the 'who' of inequality, this has so far been limited to a very narrow range of minority populations. Finally, when considering the 'how' of inequality, social gerontology's theoretical analyses remain under-developed. The overall effect of these issues is that social gerontology remains deeply embedded in normative assumptions which serve to exclude a wide range of older people. Ageing, Diversity and Equality aims to challenge and provoke the above described normativity and offer an alternative approach which highlights the heterogeneity and diversity of ageing, associated inequalities and their intersections. The Open Access version of this book, available at https://www.taylorfrancis.com/books/9781351851329, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 licence.

Is the Christian mystical tradition a relic of another time, shaped by celibates for celibates, unable to engage meaningfully with people of our time who embrace their corporeality and sexuality as crucial aspects of their journey towards union with God? This book reflects in serious theological depth and detail on the spiritual and sexual journeys of gay men of mature and committed Christian faith, employing the Christian mystical tradition as the lens and the interlocutor in this process. This study examines the major themes and stages of the mystical tradition as outlined by Evelyn Underhill, but also including more recent work by Ruth Burrows, Thomas Merton and Constance Fitzgerald. Using methods of qualitative research, it then considers the texts of in-depth interviews conducted with men, most of whom are theologians or spiritual leaders with a deep Catholic faith, and all of whom are openly, self-affirmingly gay. Finally, it employs Ricoeur's hermeneutical theory to engage in a creative theological conversation between the traditional mystical stages and themes and these men's lives, as described in their interviews. This is a unique study that brings together ancient spirituality with contemporary lived religion. As such, it will be of interest to scholars of religious studies, theology, Christian mysticism and spirituality, and queer studies. It will be of particular interest to those teach spiritual direction and to all who seek new ways to engage with the spiritual lives of LGBTIQ+ people.

This book explores how the social and technical integration of mainstream social media into gay men's digital cultures since the mid 2000s has played out in the lives of young gay men, looking at how these convergences have influenced more recent iterations of gay men's digital culture. Focusing on platforms such as Gaydar, Facebook, Grindr and Instagram, Cassidy highlights the ways that identity and privacy management issues experienced in this context have helped to generate a culture of participatory reluctance within gay men's digital environments.

"A defining chronicle of strength and spirit" (Kirkus Reviews), Surpassing Certainty is a portrait of a young woman searching for her purpose and place in the world-without a road map to guide her. This memoir "should be required reading for your 20s" (Cosmopolitan). A few months before her twentieth birthday, Janet Mock is adjusting to her days as a first-generation college student at the University of Hawaii and her nights as a dancer at a strip club. Finally content in her body after her teenage transition, she vacillates between flaunting and concealing herself as she navigates dating and disclosure, sex and intimacy, and most important, letting herself be truly seen. Under the neon lights of Club Nu, Janet meets Troy, a yeoman stationed at Pearl Harbor naval base, who becomes her first. The pleasures and perils of their relationship serve as a backdrop for Janet's progression through all the universal growing pains-falling in and out of love, living away from home, and figuring out what she wants to do with her life. Fueled by her dreams and an inimitable drive, Janet makes her way through New York City intent on building a career in the highly competitive world of magazine publishing-within the unique context of being trans, a woman, and a person of color. Hers is a timely glimpse about the barriers many face-and a much-needed guide on how to make a way out of no way. Long before she became one of the world's most respected media figures and lauded leaders for equality and justice, Janet learned how to advocate for herself before becoming an advocate for others. In this "honest and timely appraisal of what it means to be true to yourself" (Booklist), Surpassing Certainty offers an "exquisitely packaged gift of her experiences...that signals something greater" (Bitch Magazine).

This collection of essays by liberal and feminist philosophers addresses the question of whether marriage reform ought to stop with same-sex marriage. Some philosophers have recently argued that marriage is illiberal and should be abolished or radically reformed to include groups and non-romantic friendships. In response, Simon May argues that marriage law can be justified without an illiberal appeal to an ideal relationship type, and Ralph Wedgwood argues that the liberal values which justify same-sex marriage do not justify further extension. Other authors argue for new legal forms for intimate relationships. Marriage abolitionist Clare Chambers argues that piecemeal directives rather than relationship contracts should replace marriage, and Samantha Brennan and Bill Cameron argue for separating marriage and parenting, with parenting rather than marriage becoming, legally and socially, the foundation of the family. Elizabeth Brake argues for a non-hierarchical friendship model for marriage. Peter de Marneffe argues that polygamy should be decriminalized, but that the liberal state need not recognize it, while Laurie Shrage argues that polygamy could be legally structured to protect privacy and equality. Dan Nolan argues for temporary marriage as a legal option, while Anca Gheaus argues that marital commitments are problematic instruments for securing the good of romantic and sexual love. Taken together, these essays challenge contemporary understandings of marriage and the state's role in it.

Here is a provocative book that examines precisely how and why mass communication has an impact upon the sexual realities of our lives. Written in response to a demand for information that cuts across many of the boundaries found in more traditional books on sexuality and mass communication, Gay People, Sex, and the Media covers a broad range of sexual identity, socialization, and mass communication issues and represents a variety of theoretical and methodological orientations. Although the chapters are diverse, they all focus on how the mass media--television, radio, films, newspapers, magazines, and recorded music--contribute significantly to the very definitions we form of ourselves and of each other. In part, this informative volume discusses and analyzes several concerns regarding minority perspectives in the context of the the study of mass media content and effects; analyzes mediated information about AIDS and highlights the responsibility of the mass media to disseminate more accurate information; addresses the relationships between mass media content (primarily television) and sexual socialization; explores issues confronted by individuals whose sexual orientations are generally perceived as falling out of the mainstream; and provides a selective bibliography of print, aural, and visual resources on gay men, lesbians, and the mass media. Unique in contrast to other books of research on human sexuality and mass communication, Gay People, Sex, and the Media gives more than a passing reference to issues concerning sexual identity and gay and lesbian concerns. Scholars and students of human sexuality, especially those who wish to explore their field from a communications perspective, will find this to be a valuable book. It is also useful to communications researchers and teachers, particularly those studying mediated communications in society, media ethics, and sex and the media. Finally, for professionals involved in creating or monitoring media content or forging public policy and community action programs in response to these issues, this volume serves as an essential sourcebook.

Hongwei Bao's Queer China: * Is the first study on queer literature and visual culture in contemporary China * Interdisciplinary in nature and draws from a host of case studies * Will be of great interest to scholars and students of literary and cultural studies, media and communication studies, film and screen studies, contemporary art, theatre and performance studies, gender and sexuality studies, China and Global South studies, sociology and anthropology, cultural history and cultural geography, political theory and the study of social movements

How can we queerly theorise and understand television? How can the realms of television studies and queer theory be brought together, in a manner beneficial and productive for both? Queer TV: Theories, Histories, Politics is the first book to explore television in all its scope and complexity - its industry, production, texts, audiences, pleasures and politics - in relation to queerness. With contributions from distinguished authors working in film/television studies and the study of gender/sexuality, it offers a unique contribution to both disciplines. An introductory chapter by the editors charts the key debates and issues addressed within the book, followed by three sections, each central to an understanding of the relationships between queerness and television: 'theories and approaches', histories and genres', and 'television itself'. Individual essays examine the relationships between queers, queerness, and television across the multiple sites of production, consumption, reception, interpretation and theorisation, as well as the textual and aesthetic dimensions of television and the televisual. The book crucially moves beyond lesbian and gay textual analyses of specific TV shows that have often focussed on evaluations of positive/negative representations and identities. Rather, the essays in Queer TV theorise not just the queerness in/on television (the production personnel, the representations it offers) but also the queerness of television as a distinct medium.

Exploring the experiences of LGBTQI+ parents and their children and their relationship with schools, this book illuminates how these families work with schools, and how schools do, or do not, support children of LGBTQI parents. Based on empirical research and making space for the voices of both parents and children, the research extends beyond previous studies of gay and lesbian parenting to include bisexual, transgender, queer, non-binary, and intersex parents. The authors consider the influence of pressure groups, school inspection frameworks, legislation, and the media, and examine the ways in which some schools are working to become more inclusive.

Offering a new way of understanding the high self-harm and suicide rates among sexual and gender minority youth, this book prioritises the perspectives and experiences of queer young people, including those who have experience of self-harming and/or feeling suicidal. Presenting analysis based on research carried out with young people both online and face-to-face, the authors offer a critical perspective on the role of norms, namely developmental norms, gender and sexuality norms, and neoliberal norms, in the production of self-harming and suicidal youth. Queer Youth, Suicide and Self-Harm is unique in the way it works at the intersection of class and sexuality, and in its specific focus on transgender youth and the concept of embodied distress. It also examines the implications of this research for self-harm reduction and suicide prevention.

LGBT individuals and families are increasingly visible in popular culture and local communities; their struggles for equality appear regularly in news media. If history museums and historic sites are to be inclusive and relevant, they must begin incorporating this community into their interpretation. Interpreting LGBT History at Museums and Historic Sites is straightforward, accessible guidebook for museum and history professionals as they embark on such worthy efforts. This book features: *An examination of queer history in the United States. The rapid rate at which queer topics have entered the mainstream could conceivably give the impression that LGBT people have only quite recently begun to contribute to United States culture and this misconception ignores a rich history. A brief overview of significant events in LGBT history highlights variant sexuality and gender in U.S. history, from colonization to the first decades of the twenty-first century. *Case studies on the inclusion and telling of LGBT history. These chapters detail how major institutions, such as the Chicago History Museum, have brought this topic to light in their interpretation. *An extensive bibliography and reading list. LGBT history is a fascinating story, and the limited space in this volume can hardly do it justice. These features are provided to guide readers to more detailed information about the contributions of LGBT people to U.S. history and culture. This guide complements efforts to make museums and historic sites more inclusive, so they may tell a richer story for all people.

'Invaluable' RACHEL KRAMER BUSSEL 'Refreshingly honest, comprehensive and realistic' MEG-JOHN BARKER Embarking on a non-monogamous relationship can be a daunting experience, opening old wounds that cause anxiety, fear and confusion, something Lola Phoenix knows about all too well. In this all-you-need-to-know guide to exploring non-monogamy, polyamory and open relationships, Lola draws upon their years of experience in giving advice and being non-monogamous to provide guidance for every stage of your journey, helping you to prioritise your mental health and well being along the way. Beginning with advice on starting out - such as finding your anchor, figuring out your personal reasons for pursuing non-monogamy, challenging your fears and practicing self-compassion - the book proceeds to cover the emotional aspects of non-monogamous relationships, including dealing with jealously and judgement, managing anxiety and maintaining independence, as well as practical elements such as scheduling your time, negotiating boundaries and managing your expectations, all accompanied with activities for further exploration. Whether you are new to non-monogamy, or have been non-monogamous for years, this insightful and empowering book will provide you with the emotional tools you will need to live a happy non-monogamous life.

In Lesbian Potentiality and Feminist Media in the 1970s, Rox Samer explores how 1970s feminists took up the figure of the lesbian in broad attempts to reimagine gender and sexuality. Samer turns to feminist film, video, and science fiction literature, offering a historiographical concept called "lesbian potentiality"-a way of thinking beyond what the lesbian was, in favor of how the lesbian signified what could have come to be. Samer shows how the labor of feminist media workers and fans put lesbian potentiality into movement. They see lesbian potentiality in feminist prison documentaries that theorize the prison industrial complex's racialized and gendered violence and give image to Black feminist love politics and freedom dreaming. Lesbian potentiality also circulates through the alternative spaces created by feminist science fiction and fantasy fanzines like The Witch and the Chameleon and Janus. It was here that author James Tiptree, Jr./Alice B. Sheldon felt free to do gender differently and inspired many others to do so in turn. Throughout, Samer embraces the perpetual reimagination of "lesbian" and the lesbian's former futures for the sake of continued, radical world-building.

Reading across the disciplines of the mid-century university, this book argues that the political shift in postwar America from consensus liberalism to New Left radicalism entailed as many continuities as ruptures. Both Cold War liberals and radicals understood the university as a privileged site for "doing politics," and both exiled homosexuality from the political ideals each group favored. Liberals, who advanced a politics of style over substance, saw gay people as unable to separate the two, as incapable of maintaining the opportunistic suspension of disbelief on which a tough-minded liberalism depended. Radicals, committed to a politics of authenticity, saw gay people as hopelessly beholden to the role-playing and duplicity that the radicals condemned in their liberal forebears.
"Camp Sites" considers key themes of postwar culture, from the conflict between performance and authenticity to the rise of the meritocracy, through the lens of camp, the underground sensibility of pre-Stonewall gay life. In so doing, it argues that our basic assumptions about the social style of the postwar milieu are deeply informed by certain presuppositions about homosexual experience and identity, and that these presuppositions remain stubbornly entrenched despite our post-Stonewall consciousness-raising.

The political representation and involvement of sexual minorities in the United States has been highly contested and fiercely debated. As recent legislative and judicial victories create inroads towards equality for this growing population, members and advocates of these minorities navigate evolving political and legal systems while continuing to fight against societal and institutional resistance. Sexual Minorities and Politics is the first textbook to provide students with an up-to-date, thorough, and comprehensive overview of the historical, political, and legal status of sexual and gender minorities. Skillfully synthesizing the research of political scientists, political theorists, and historians, Jason Pierceson describes the history of the LGBT rights movement, chronicles the building of political and legal movements and the responses to them, examines philosophical debates within and about the movement, and assesses the current state of the politics and policies concerning sexual minorities. In addition to carefully structured analyses and contextual explanations, the text provides lists of key terms and discussion questions in each chapter to aid student comprehension and fuel classroom debate.

Drawing on ethnographic encounters with self-identified gay men in Iran, this book explores the construction, enactment, and veiling and unveiling of gay identity and same-sex desire in the capital city of Tehran. The research draws on diverse interpretive, historical, online and empirical sources in order to present critical and nuanced insights into the politics of recognition and representation and the constitution of same-sex desire under the specific conditions of Iranian modernity. As it engages with accounts of the persecuted Iranian gay male subject as a victim of the barbarism of the Islamic Republic of Iran, the book addresses interpretive questions of sexuality governance in transnational contexts and attends to issues of human rights frameworks in weighing social justice and political claims made by and on behalf of sexual and gender minorities. The book thus combines empirical data with a critical consideration of the politics of same-sex desire for Iranian gay men.

In this final volume of Christopher Isherwood's diaries, the celebrated writer greets advancing age with poignant humor and an unquenchable appetite for the new. Isherwood deepens his study of Hinduism, writes his final books, and immerses himself in the vibrant creative scenes of the 1970s. With his long-term companion, Don Bachardy, Isherwood delves into the art worlds of Los Angeles, New York, and London, where he meets Rauschenberg, Ruscha, Warhol, and Hockney. Collaborating with Bachardy on scripts for Broadway and Hollywood, he encounters John Huston, Merchant and Ivory, John Travolta, David Bowie, Jon Voight, Armistead Maupin, Elton John, and Joan Didion. This volume is a densely populated human comedy, sketched with both ruthlessness and benevolence against the background of the Vietnam War, the energy crisis, and the Nixon, Carter, and Reagan White Houses. The final installment of Isherwood's masterwork reveals a man candidly fearful of his approaching death, and yet engaged in the vitality and energy of daily life.

This unique book sheds new light on the most invisible members of the lesbian, gay, bisexual and transgender (LGBT) community. Hidden from view by a combination of prevailing cultural assumptions and their own unwillingness to be seen, older lesbians have been consistently under-represented in both popular culture and research. This ground-breaking study, based on an unprecedentedly large research sample of nearly four hundred lesbian-identified women between the ages of 60 and 90, offers a fascinating insight into the lives of older lesbians in the UK. Drawing on data from a comprehensive questionnaire survey and illustrated with vivid personal testimonies, it explores both the diversity and the distinct collective identity of the older lesbian community, arguing that understanding their past experience is crucial to providing for their needs in the future. It is essential reading for scholars in the fields of women's studies and genders and sexualities, and will also appeal to sociologists, political scientists, anthropologists, social and cultural historians, and experts in ageing, gerontology, nursing and social work.

Reading across the disciplines of the mid-century university, this book argues that the political shift in postwar America from consensus liberalism to New Left radicalism entailed as many continuities as ruptures. Both Cold War liberals and radicals understood the university as a privileged site for doing politics, and both exiled homosexuality from the political ideals each group favored. Liberals, who advanced a politics of style over substance, saw gay people as unable to separate the two, as incapable of maintaining the opportunistic suspension of disbelief on which a tough-minded liberalism depended. Radicals, committed to a politics of authenticity, saw gay people as hopelessly beholden to the role-playing and duplicity that the radicals condemned in their liberal forebears.
"Camp Sites" considers key themes of postwar culture, from the conflict between performance and authenticity to the rise of the meritocracy, through the lens of camp, the underground sensibility of pre-Stonewall gay life. In so doing, it argues that our basic assumptions about the social style of the postwar milieu are deeply informed by certain presuppositions about homosexual experience and identity, and that these presuppositions remain stubbornly entrenched despite our post-Stonewall consciousness-raising.

A raw and heart-wrenching literary memoir about a queer couple's attempt to adopt a child. But would you take a ginger child? a social worker asks Patrick Flanery as he and his husband embark on their four-year odyssey of trying to adopt. This curious question comes to haunt the journey, which Flanery recounts with startling candour as he explores what it means to make a family as a queer couple, to be an outsider in a foreign country, to grapple with the inheritance of intergenerational loss, and to discover that the emotions we feel are sometimes as mysterious to ourselves as to others. This uniquely powerful book moves deftly between heartbreaking memoir and illuminating meditation on parenting, adoption and queerness in contemporary culture, stopping along the way to consider recent science fiction film, camp horror television, fiction and visual art. At the end, which could also be the beginning of a new journey, Flanery asks whether we might all imagine ourselves as ginger children-fragile, sensitive, more easily hurt than we think possible, but with the hope that we are also survivors, with greater powers of resilience than we know.

A timely collection of alternately hysterical and soul‑searching essays about what it is like to grow up as a creative, sensitive black man in a world that constantly tries to deride and diminish your humanity.

It hasn’t been easy being Michael Arceneaux. Equality for LGBTQ people has come a long way and all, but voices of persons of color within the community are still often silenced, and being Black in America is…well, have you watched the news? With the characteristic wit and candor that have made him one of today’s boldest writers on social issues, I Can’t Date Jesus is Michael Arceneaux’s impassioned, forthright, and refreshing look at minority life in today’s America. Leaving no bigoted or ignorant stone unturned, he describes his journey in learning to embrace his identity when the world told him to do the opposite.

He eloquently writes about coming out to his mother; growing up in Houston, Texas; being approached for the priesthood; his obstacles in embracing intimacy that occasionally led to unfortunate fights with fire ants and maybe fleas; and the persistent challenges of young people who feel marginalized and denied the chance to pursue their dreams.

Perfect for fans of David Sedaris, Samantha Irby, and Phoebe Robinson, I Can’t Date Jesus tells us—without apologies—what it’s like to be outspoken and brave in a divisive world.

In one of the first collections of scholarship at the intersection of LGBTQ studies and Appalachian studies, voices from the region;s valleys, hollers, mountains, and campuses blend personal stories with scholarly and creative examinations of living and surviving as queers in Appalachia. The essayists collected are academics, social workers, riot grrrl activists, teachers, students, practitioners, scholars of divinity, and boundary-crossers, all imagining how to make legible the unspeakable other of Appalachian queerness. Focusing especially on disciplinary approaches from rhetoric and composition, the volume explores sexual identities in rural places, community and individual meaning-making among the Appalachian diaspora, the storytelling infrastructure of queer Appalachia, and the role of the metronormative in discourses of difference. Storytelling in Queer Appalachia affirms queer people, fights for visibility over erasure, seeks intersectional understanding, and imagines radically embodied queer selves through social media.

WINNER OF THE T S ELIOT PRIZE 2021. The female body is a political space. C+nto enters the private lives of women from the butch counterculture, telling the inside story of the protests they led in the '90s to reclaim their bodies as their own - their difficult balance between survival and self-expression. History, magic, rebellion, party and sermon vibrate through Joelle Taylor's cantos to uncover these underground communities forged by women. Part-memoir and part-conjecture, Taylor explores sexuality and gender in poetry that is lyrical, expansive, imagistic, epic and intimate. C+nto is a love poem, a riot, a late night, and an honouring.