Queer Kinship on the Edge? Families of Choice in Poland explores ways in which queer families from Central and Eastern Europe complicate the mainstream picture of queer kinship and families researched in the Anglo-American contexts. The book presents findings from under-represented localities as a starting point to query some of the expectations about queer kinship and to provide insights on the scale and nature of queer kinship in diverse geopolitical locations and the complexities of lived experiences of queer families. Drawing on a rich qualitative multi-method study to address the gap in queer kinship studies which tend to exclude Polish or wider Central and Eastern perspectives, it offers a multi-dimensional picture of 'families of choice' improving sensitivity towards differences in queer kinship studies. Through case studies and interviews with diverse members of queer families (i.e., queer parents, their children) and their families of origin (parents and siblings), the book looks at queer domesticity, practices of care, defining and displaying families, queer parenthood familial homophobia, and interpersonal relationships through the life course. This study is suitable for those interested in LGBT studies, sexuality studies, kinship and Eastern European studies.

Treating Trauma in Transgender People is the only treatment guide available focused on treating the symptoms of trauma in transgender people. People will buy this book because it has complicated content about difficult topics, but is written in an approachable and nonjudgmental style with illustrative case vignettes. A reader should choose Treating Trauma in Transgender People over similar books because it is clear and concise, and offers data-driven rationale for treatment recommendations.

Surveys the key figures in the development and evolution of LGBTQ representation in contemporary US theatre. Aimed at the full breadth of theatre and performing arts students in the USA. No other book has the same breadth and depth of coverage in this subject area, or a comparable roster of leading scholars.

Jewish Bodylore: Feminist and Queer Ethnographies of Folk Practices explores the Jewish body and its symbology as a space for identity communication, applying the tools of bodylore (the folkloric study of the body) to the Jewish body in ways that are in line both with feminist and queer theory. The text centers a feminist folkloric approach to embodiment while simultaneously recognizing its overlaps with the study of Jewish bodies and symbols. It investigates Jewish embodiment with a keen eye to that which breaks from tradition. Consideration is given to the ways in which bodies intersect with time and space in the synagogue, within religious movements, in secular culture, and in childhood ritual. Representing a unique approach to contemporary Jewish Studies, this book argues that Jewish bodies and the intersections they represent are at the core of understanding the contemporary Jewish experience. Rather than abandoning or dismissing Judaism, many contemporary Jews use their bodies as a canvas, claiming space for themselves, demonstrating a deliberate and calculated navigation of Jewish law, and engaging a traditionally patriarchal symbol set which, in its feminist use, amplifies their voices in a context which might otherwise silence them. Through these actions and choices, contemporary Jews demonstrate a nuanced understanding of their public identities as gendered and sexed bodies and a commitment to working towards increased inclusivity within the larger Jewish and secular communities. In the end, this book is a foray into the world of Jewish bodies, how they can be conceptualized using folkloristics, and how feminist methodologies of the body can be applied fairly to Jewish bodies, celebrating the multitude of ways in which the body can be conceptualized and experienced.

"Heroic Desire" performs its title--bold, challenging, seductive, and compelling--a vital and exciting addition to the discourse on lesbian identities, their dissolves and perpetual becomings. Sure to incite and inspire."
--Lynda Hart, Author of "Fatal Women: Lesbian Sexuality and the Mark of Aggression"

"Right on the edge of exciting and daring new writing on lesbian representation. Moving beyond post- modernism's rejection of identity politics, Munt draws on a wealth of scholarship and personal reflection to refigure the heroic narrative in the service of lesbian liberation strategies. A thoughtful and thought- provoking book."
--Esther Newton, State University of New York, Purchase

"In "Heroic Desire" Sally Munt revisits identity politics through the figure of the lesbian hero. The result is one of the most exciting works of lesbian theory to appear in years. Written in a strong and engaging personal voice, "Heroic Desire" will excite, provoke, enlighten, and entertain the reader with this original insights into questions of lesbian identity, culture, and community."
--Bonnie Zimmerman, San Diego State University

In the fading atmosphere of the New Hollywood era, William Friedkin - the wunderkind director with an Academy Award for his cop drama, The French Connection (1971) who then scored an even bigger success with The Exorcist (1973) - began work on what would prove to be the most controversial film of his career: Cruising (1980). In the process he established a template for a sub-genre, the serial killer thriller, that would thrive long after his film had left theatres, having caused widespread offence among the very audience he'd hoped to appeal to, via a campaign mobilised by the counter-culture press. As such, Cruising can be read as a bitter farewell to the seventies and its cinema and industry. This Devil's Advocate dives deep into the phenomenon that is Cruising, examining its creative context and its protagonists, as well as examining its ongoing popularity as it turns 40 in 2020.

Does a post-vaginoplasty vagina have a G-spot? Why do some trans people find they enjoy anal sex more after testosterone? And can people with post-surgical vaginas experience vaginismus? Written by renowned sex blogger and educator Kelvin Sparks, Trans Sex is the essential guide to sex and bodies for all trans, non-binary and intersex people. Covering everything from post-surgical anatomy and hormone replacement therapy to sex toys, kink and safe sex, this empowering and practical guide also explores desire, pleasure and arousal (and why these aren't the same thing), how to navigate sex and consent with other people, as well as the difficulties many trans people experience in relation to sex, such as dysphoria and violence. Raw, honest and nothing like the sex education you received at school, this guide is here to help you on your journey to sexual discovery and fulfilment.

Sulaimon Giwa's aptly named Racism and Gay Men of Color arrives at a time when many of the sociocultural issues it raises have come to national attention. Yet gay men of color in Canadian GLBT communities are still subject to racism and excluded, both online and offline. If a gay man of color is not the "right" color, he is often the recipient of stereotypical racial epithets and denied sexual approbation within an erotic world where sexual desires are structured along the lines of race, ethnicity, age, disability, and class. Giwa warns against the denial that underlies much of this monolithic racism and highlights the strategies used by gay men of color to counter racism in their communities and to lead strong, effective lives. This important book will inspire advocates and activists, students and scholars, and will become indispensable in university and college courses on sexuality and race studies.

This turn-of-the-century moment - when queer love has become increasingly visible in both popular culture and socio-political realms - provides an ideal occasion for a critical examination of same-sex love stories in the media. Focusing primarily on film and televisual texts from the ten years before and after the millennium, the essays collected in Queer Love in Film and Television ask how recent films and television programs play with, imitate, subvert, mock, critique, and queer the romantic narrative conventions so common in Western culture. The collection follows the trajectory of the conventional romance narrative, from the pursuit of romantic love to the creation of families, and then it pushes further, into marginal regions where conventional narratives fail to venture, and then turns back to consider how that narrative is itself transformed (or queered) through adaptation.

The Routledge Handbook of Queer Rhetoric maps the ongoing becoming of queer rhetoric in the late twentieth and early twenty-first centuries, offering a dynamic overview of the history of and scholarly research in this field. The handbook features rhetorical scholarship that explicitly uses and extends insights from work in queer and trans theories to understand and critique intersections of rhetoric, gender, class, and sexuality. More important, chapters also attend to the intersections of constructs of queerness with race, class, ability, and neurodiversity. In so doing, the book acknowledges the many debts contemporary queer theory has to work by scholars of color, feminists, and activists, inside and outside the academy. The first book of its kind, the handbook traces and documents the emergence of this subfield within rhetorical studies while also pointing the way toward new lines of inquiry, new trajectories in scholarship, and new modalities and methods of analysis, critique, intervention, and speculation. This handbook is an invaluable resource for scholars, graduate students, and advanced undergraduate students studying rhetoric, communication, cultural studies, and queer studies.

The volume takes a field which has become established over the past 40 years, and applies it to a marginalized sector of society, enabling students of oral history, and history more generally to engage with, question and develop new conversations around the field. Oral history is increasingly becoming an established part of the modern history canon and more and more developments within its parameters are being raised and studied - this book represents a key up-coming area. The only book to look specifically at LGBTQ positions and the specific issues it raises within oral history.

This book looks at issues on Gender and LGBTQ matters in political elections in both institutional and communication contexts. Examining wins and losses in elections and assessing accountabilities in those results this broad and international collection analyses how the issue of gender and LGBTQ identity is both factored into, and determines electoral success, not only in consolidated democracies such as the United States, New Zealand, and Norway, but also in a country facing an undemocratic turn such as Poland. . Does raising the subject of gender and LGBTQ issues affect electoral processes? Are there countries where gender and LGBTQ issues are more likely to be instrumentalised in the electoral process? Can common patterns between countries be detected? This book seeks to answer these questions and center gendered issues through a range of topics including party loyalty, voter participation, gendered media coverage, and discourses on electoral defeat, and leadership. This book is suitable for students and scholars in LGBTQ Studies, Politics, Social Sciences and Gender Studies.

Karen Tracy examines the identity-work of judges and attorneys in state supreme courts as they debated the legality of existing marriage laws. Exchanges in state appellate courts are juxtaposed with the talk that occurred between citizens and elected officials in legislative hearings considering whether to revise state marriage laws. The book's analysis spans ten years, beginning with the U.S. Supreme Court's overturning of sodomy laws in 2003 and ending in 2013 when the U.S. Supreme Court declared the federal government's Defense of Marriage Act (DOMA) unconstitutional, and it particularly focuses on how social change was accomplished through and reflected in these law-making and law-interpreting discourses. Focal materials are the eight cases about same-sex marriage and civil unions that were argued in state supreme courts between 2005 and 2009, and six of a larger number of hearings that occurred in state judicial committees considering bills regarding who should be able to marry. Tracy concludes with analysis of the 2011 Senate Judiciary Committee Hearing on DOMA, comparing it to the initial 1996 hearing and to the 2013 Supreme Court oral argument about it. The book shows that social change occurred as the public discourse that treated sexual orientation as a "lifestyle " was replaced with a public discourse of gays and lesbians as a legitimate category of citizen.

Sojourner Truth and Intersectionality investigates how the story of the 19th-century abolitionist and women's rights advocate Sojourner Truth has come to be an iconic feminist story, and explores the continued relevance of this story for contemporary feminist debates in general, and intersectionality scholarship in particular. Tracing various academic reception histories of the story of Sojourner Truth and the famous "Ain't I a Woman?" speech, the book gives insight into how this story has been taken up by feminist scholars in different times, places, and political contexts. Exploring in particular how and why the story of Sojourner Truth has become a key reference for the theoretical and political framework of intersectionality, the book examines what the consequences of this connection are both for how intersectionality is understood today, and how the story of Sojourner Truth is approached. The book examines key intersecting dimensions within the story of Truth and its reception, including gender, race, class and religion. This book will be of interest to students and scholars in gender, women's and feminist studies. In particular, the book will be of interest to those wishing to learn more about intersectionality and Sojourner Truth.

Until today, Western, European sociology contributes to the social reality of colonial modernity, and gender knowledge is a paradigmatic example of it. Multiple Gender Cultures, Sociology, and Plural Modernities critically engages with these 'Western eyes' and shifts the focus towards the global variety of gendered socialities and hierarchically entangled social histories. This is conceptualised as multiple gender cultures within plural modernities. The authors examine the multifaceted realities of gendered life in varying contexts across the globe. Bringing together different perspectives, the volume provides a rereading of the social fabric of gender in contrast to androcentrist-modernist as well as orientalist representations of 'the' gendered Other. The key questions explored by this volume are: which social mechanisms lead to conflicting or shifting gender dynamics against the backdrop of global entanglements and interdependencies, and to what extent are neocolonial gender regimes at work in this regard? How are varying gender cultures sociohistorically and culturally structured, and how are they connected within (global) power relations? How can established hierarchies and asymmetries become an object of criticism? How can historical, cultural, social, and political specificities be analysed without gendered and other reifications? That way, the volume aims to promote border thinking in sociological understanding of social reality towards multiple gender cultures and plural modernities.

Straight Skin, Gay Masks and Pretending to Be Gay on Screen examines cinematic depictions of pretending-to-be-gay, assessing performances that not only reflect heteronormative and explicitly homophobic attitudes, but also offer depictions of gay selfhood with more nuanced multidirectional identifications. The case of straight protagonists pretending to be gay on screen is the ideal context in which to study unanticipated progressivity and dissidence in regard to cultural construction of human sexualities in the face of theatricalized epistemological collapse. Teasing apart the dynamics of depictions of both sexual stability and fluidity in cinematic images of men pretending to be gay offers new insights into such salient issues as sexual vulnerability and dynamics and long-term queer visibility in a politically complicated mass culture which is mostly produced in a heteronormative and even hostile cultural environment. Additionally, this book initially examines queer uses of sexuality masquerade in Alternate Gay World Cinema that allegorically features a world pretending to be gay, in which straights are harassed and persecuted, in order to expose the tragic consequences of sexual intolerance. Films and TV series examined as part of the analysis include The Gay Deceivers, Victor/Victoria, Happy Texas, William Friedkin's Cruising and many other straight and gay screens. This is a fascinating and important study relevant to students and researchers in Film Studies, Media Studies, Gender Studies, Queer Studies, Sexuality Studies, Communication Studies and Cultural Studies.

Costa Rica is a country known internationally for its eco-credentials, dazzling coastlines, and reputation as one of the happiest and most peaceful nations on earth. Beneath this facade, however, lies an exclusionary rhetoric of nationalism bound up in the concept of the tico, as many Costa Ricans refer to themselves. Beginning by considering the very idea of national identity and what this constitutes, this book explores the nature of the idealised tico identity, demonstrating the ways in which it has assumed a white supremacist, Central Valley-centric, patriarchal, heteronormative stance based on colonial ideals. Chapters two and three then go on to consider the literature and films produced that stand in opposition to this normative image of who or what is tico and their creation as vehicles of soft power which aim to question social norms. This book explores protest literature from the 1970s by Quince Duncan, Carmen Naranjo, and Alfonso Chase who narrate their experiences from the margins of society by virtue of their identity as Afro-Costa Rican, feminist, and homosexual authors. Cinema from the twenty-first century is then analysed to demonstrate the nuanced position chosen by national directors Esteban Ramirez, Paz Fabrega, Jurgen Urena, and Patricia Velasquez to challenge the dominant nation-image as they reinscribe youth culture, a female consciousness, trans identity, and Afro-Costa Rica onto the fabric of the nation.

This book explores representations of same-sex desire in Indian literature and film from the 1970s to the present. Through a detailed analysis of poetry and prose by authors like Vikram Seth, Kamala Das, and Neel Mukherjee, and films from Bollywood and beyond, including Onir's My Brother Nikhil and Deepa Mehta's Fire, Oliver Ross argues that an initially Euro-American "homosexuality" with its connotations of an essential psychosexual orientation, is reinvented as it overlaps with different elements of Indian culture. Dismantling the popular belief that vocal gay and lesbian politics exist in contradistinction to a sexually "conservative" India, this book locates numerous alternative practices and identities of same-sex desire in Indian history and modernity. Indeed, many of these survived British colonialism, with its importation of ideas of sexual pathology and perversity, in changed or codified forms, and they are often inflected by gay and lesbian identities in the present. In this account, Oliver Ross challenges the preconception that, in the contemporary world, a grand narrative of sexuality circulates globally and erases all pre-existing narratives and embodiments of sexual desire.

This is the definitive visual account of the gay liberation movement in New York, following the Stonewall uprising in Greenwich Village in 1969, an event that marked the coming-out of New York's gay community. As a direct outcome of Stonewall, gay pride marches were held in 1970 in San Francisco, Los Angeles, and New York. Fifty years later Pride will be celebrated in thousands of cities across the world. Including more than 190 photographs by Fred W. McDarrah chronicling the movement in all its glory, the book includes reflective essays by major figures such as Alan Ginsbery, Hilton Als and Sir Ian McKellan.

- Help students understand digital media and digital cultures created, for, about or by queer and transgender people, activists, educators, and artists who work with or research ways to use digital means and measures to combat different forms of oppression, and explore self-expression and identity. - Contributions are written by researchers, activists, and academics whose diverse international experiences as LGBTQ advocates and community workers have provided them with unique access and insights into this traditionally marginalized populace and their use of social media and digital technology. - Examines questions of inclusion and, perhaps, more importantly, exclusions of certain voices and the different ways, age, race, class and disability intersect in specific social, cultural and global contexts throughout the collection. - Encourages dialogue and investigation of the transformative potential of digital activism and platforms from a global perspective.

Surveys the key figures in the development and evolution of LGBTQ representation in contemporary US theatre. Aimed at the full breadth of theatre and performing arts students in the USA. No other book has the same breadth and depth of coverage in this subject area, or a comparable roster of leading scholars.

On a September night in 1958, three New Orleans college students decided to entertain themselves in the French Quarter by "rolling a queer" and went looking for a gay man to assault. They chose Fernando Rios, a tourist from Mexico, who died from the beating he received. In perhaps the earliest example of the "gay panic" defense, the three defendants argued that they had no choice but to beat Rios because he had made an improper advance. When the jury acquitted them, the courtroom cheered. The author examines the murder and the trial in detail, and chronicles a time and place in American history where such a crime was inevitable.

During the last 25 years, homosexuality has played an important role in public debates in Western societies. With globalization, the civil protection of gay rights is spreading rapidly outside the Northern hemisphere and many non-Christian religious traditions are taking public positions on the issues. Favoring a dialogue among various religious systems and an in-depth review of their positions, Pierre Hurteau offers readers new insights into how each of the traditions studied - Hinduism, Buddhism, Judaism, Christianity, Islam and Afro-American religions - articulates its own regulatory mechanisms of male sexuality in general, and homosexuality. Moving away from a Eurocentric view, this book reminds readers that sites of non-heterosexual identity are multiple.

An innovative, data-driven explanation of how public opinion shifted on LGBTQ rights The Path to Gay Rights is the first social science analysis of how and why the LGBTQ movement achieved its most unexpected victory-transforming gay people from a despised group of social deviants into a minority worthy of rights and protections in the eyes of most Americans. The book weaves together a narrative of LGBTQ history with new findings from the field of political psychology to provide an understanding of how social movements affect mass attitudes in the United States and globally. Using data going back to the 1970s, the book argues that the current understanding of how social movements change mass opinion-through sympathetic media coverage and endorsements from political leaders-cannot provide an adequate explanation for the phenomenal success of the LGBTQ movement at changing the public's views. In The Path to Gay Rights, Jeremiah Garretson argues that the LGBTQ community's response to the AIDS crisis was a turning point for public support of gay rights. ACT-UP and related AIDS organizations strategically targeted political and media leaders, normalizing news coverage of LGBTQ issues and AIDS and signaled to LGBTQ people across the United States that their lives were valued. The net result was an increase in the number of LGBTQ people who came out and lived their lives openly, and with increased contact with gay people, public attitudes began to warm and change. Garretson goes beyond the story of LGBTQ rights to develop an evidence-based argument for how social movements can alter mass opinion on any contentious topic.

Space and Irish Lesbian Fiction offers an original and much-needed study of Irish Lesbian fiction. Evaluating a wide body of Irish lesbian fiction ranging from the Victorian era to the contemporary age, this book advocates for women writers who have been largely ignored in Irish literary history and criticism. This volume examines the use and applications of space in Irish lesbian fiction. In recent years, it can be argued that Irish society has created a new 'space' for LGBT or queer people. The concept of space is, thus, important both symbolically and physically for lesbian literature. In asking, if Irish women writers have moved 'out of the shadows' so to speak, what space is open to the Irish lesbian author? How is spatiality reflected in lesbian representation throughout Irish literary history? Space and Irish Lesbian Fiction examines a diverse range of writers from the nineteenth century to the contemporary age, evaluating the contributions of largely unknown authors who have been overlooked alongside more established voices within Irish literature. The concept of liminality that this volume takes as its theme and focus engage with notions of intersectionality, thresholds, crossings and transitions. In suggesting the overlap between the indeterminate threshold of the liminal space and its ambiguously queer potentiality to examine the dynamics of space and its relationship to lesbianism, this ground-breaking project both locates and charts spaces of queer liminality in Irish lesbian fiction.