"This book explores the everyday lives of gay men in Hainan, an island province of the People's Republic of China. Taking an ethnographic and phenomenological approach, it asks how these men construct and experience ways of 'sexual being' - as gay, homosexual, tongzhi and/or in the scene - and what these mean for the ways of living they see as possible within a socio-cultural, political and material context characterised by pervasive heteronormativity. It explores what it means for gay men in Hainan to 'come into the scene', how internet and mobile technologies figure in their everyday processes of sexual categorisation and how these men negotiate orientations and disorientations towards the future in relation to dominant heterosexual life scripts of marriage and reproduction. This book offers vital insights into the production and restriction of non-heterosexual lives in diverse settings, while addressing universal questions of how certain ways of living are enabled and curtailed in living together with others through powerful conditions of uncertainty and precarity. This book will be of interest to scholars in LGBTQ studies, particularly those with a focus on same-sex intimacies and identities in China."

The Desiring-Image yields new models of queer cinema produced since the late 1980s, based on close formal analysis of diverse films as well as innovative contributions to current film theory. The book defines "queer cinema" less as a specific genre or in terms of gay and lesbian identity, but more broadly as a kind of filmmaking that conveys sexual desire and orientation as potentially fluid within any individual's experience, and as forces that can therefore unite unlikely groups of people along new lines, socially, sexually, or politically. The films driving this analysis range from celebrated fixtures of the New Queer Cinema of the 1990s (including Cheryl Dunye's The Watermelon Woman and Todd Haynes's Velvet Goldmine) to sexually provocative films of the same era that are rarely classified as queer (David Cronenberg's Dead Ringers and Naked Lunch) to breakout films by 21st-century directors (Rodney Evans's Brother to Brother, John Cameron Mitchell's Shortbus). To frame these readings and to avoid heterosexist assumptions in other forms of film analysis, The Desiring-Image revisits the work of the philosopher Gilles Deleuze, whose two major works on cinema somehow never address the radical ideas about desire he expresses in other texts. This book brings those notions together in innovative ways, making them clear and accessible to newcomers and field specialists alike, with clear, illustrated examples drawn from a wide range of movies extending beyond the central case studies. Thus, The Desiring-Image speaks to readers interested in queer and gay/lesbian studies, in film theory, in feminist and sexuality scholarship, and in theory and philosophy, putting those discourses into rich, surprising conversations with popular cinema of the last 30 years.

PRISM AWARDS FINALIST 2021 GREAT GRAPHIC NOVELS FOR TEENS - YOUNG ADULT LIBRARY SERVICES ASSOCIATION (YALSA) 2022 "When I was in school, everyone got to a certain age where they became interested in talking about only one thing: boys, girls and sex. Me though? I was only interested in comics." Growing up, Rebecca assumes sex is just a scary new thing they will 'grow into' as they get older, but when they leave school, start working and do grow up, they start to wonder why they don't want to have sex with other people. In this brave, hilarious and empowering graphic memoir, we follow Rebecca as they navigate a culture obsessed with sex - from being bullied at school and trying to fit in with friends, to forcing themselves into relationships and experiencing anxiety and OCD - before coming to understand and embrace their asexual identity. Giving unparalleled insight into asexuality and asexual relationships, How To Be Ace shows the importance of learning to be happy and proud of who you are.

Author of the Penderyn Prize-winning The Velvet Mafia Fifty years on from Britain's first Pride march, the long road to LGBT equality continues. Through protest songs and gay club nights, street theatre activism and fundraising concerts, the performing arts have played an influential role in each great stride made. With new interviews with musicians and DJs, performers and activists, including Andy Bell, Jayne County, John Grant, Horse McDonald and Peter Tachell, Pride, Pop and Politics hears from those whose art has been influenced by the campaign for LGBT rights - and helped push it forward. This informative, eye-opening book is the first to focus on the relationship between gay nightlife and political activism in Britain.

Following Oscar Wilde's 1895 trials for committing "acts of gross indecency with men," he lost his freedom, his family, his reputation, his will to create, and even his will to live. This book sets out to examine what it was about late-Victorian society that allowed this to happen, indeed needed it to happen, and what the trials tell us about the taste and morals of late-Victorian England. Michael S. Foldy argues that the prosecution of Wilde was directly linked to many larger social, cultural, and political issues that transcended the legal and moral concerns about his homosexuality. Analyzing the trial testimony and the coverage in the press, Foldy considers the various images and metaphors used to describe the threat that Wilde posed to English society, and he investigates the social and cultural contexts that dictated how those images were perceived. Foldy shows how the public construction of Wilde's identity as "deviant" was both informed and limited by existing heterosexist structures of repression and mechanisms of restraint and by the emergence of a new variant of homophobia. He suggests that Lord Rosebery, the prime minister of the time, may himself have been a homosexual, and that the successful prosecution of Wilde was necessary to prevent a larger and infinitely more damaging revelation. Ultimately, Foldy locates the meaning of the trials within the rhetorical context of the contemporary public debate over the "health" of England-a debate whose terms had been defined largely by moral conservatives-and demonstrates that in a nation that had many reasons to be concerned about its future, Wilde was perceived to represent a constellation of potent threats to the health of British society.

In recent year, pro-gay and anti-gay rights activists have engaged in a struggle to sway public opinion in their favor through the use of ideologically charged rhetoric in an effort to win support from an undecided public. The author contends, however, that the debate is stalemated precisely because each side stereotypes and pathologizes the other's perspective, thereby becoming perfect enemies divided on every issue and with such intensity that consensus seems nearly impossible. Providing a panoramic view of both perspectives, this unique book traces the contested issues to fundamental conceptual differences within the field of religious, scientific, and political studies. Caramagno carefully examines the centuries of thought behind the questions involved and encourages readers to consider the arguments in order to draw their own conclusions.

This book is not about the wrongs or rights of the gay-rights debate. Nor is it a condemnation of the sides involved in the debate. Instead, it shows how the two sides have engaged in the battle and how they have marshaled evidence from a variety of sources (often the same ones) to muster public support but without addressing the conceptual changes needed to conduct a more profitable dialog. Treating both sides of the debate respectfully and objectively, Irreconcilable Differences? opens the discussion up so that all ideas and arguments can be understood as having something valuable to bring to the table. In this way, readers are challenged to consider the ways arguments are formed, how culture disseminates ideas, and how a debate can be shaped so that consensus-building is a real, not an imagined, outcome.

This book provides a number of effective tools to aid in the recovery of LGBTQIA historic material by providing extensive glossary and non-glossary written descriptions, and how to use those terms and phrases in searching effectively online and offline. Researching hidden and forbidden people from the past can be extremely difficult. Terminology used to write about LGBT+ people shifts over time, legal terminology enforces certain set terms which some writers use but others reject to avoid informing or disgusting a reading public. Often written descriptions contain no set terminology at all. How then can LGBT+ people be found in historic records? This book provides practical tools for a researcher wanting to uncover material from online or hard copy sources, including: keyword/s covering various sexual orientations and gender diversity, along with how and when to use them; tips for effective searching in online newspaper archives; how to use genealogy, auction and social media sites to uncover information; searching in online and physical libraries; advice on researching in physical archives and the types of collections which can yield results; and researching in museums collecting and displaying LGBT+ content. Making use of a straightforward and jargon free style, this is a short and accessible guide to doing historical research on Gay, Lesbian, Trans, Queer and non-normative research subjects. This is a useful resource for students and scholars alike in Archive Studies History, Gender and Sexuality Studies.

With the weakening moral authority of the Catholic Church, the boom ushered in by the Celtic Tiger, and the slow but steady diminishment of the Troubles in the North, Ireland has finally stepped out from the shadows of colonial oppression onto the world stage as a major cosmopolitan country.Taking its title from a veiled reference to Roger Casement-the humanitarian and Irish patriot hanged for treason-in James Joyce's Ulysses, The Poor Bugger's Tool demonstrates how the affective labor of Irish queer culture might contribute to a progressive new national image for the Republic and Northern Ireland.
Looking back to the first wave of Irish modernism in the works of Wilde, Synge, Casement, and Joyce, Patrick Mullen reveals how these authors deployed queer aesthetics to shape inclusive forms of national affiliation as well as to sharpen anti-imperialist critiques. In its second half, the monograph turns its attention to Ireland's postmodernist boom in the works of Patrick McCabe, Neil Jordan, and Jamie O'Neill. With readings of The Butcher Boy, Breakfast on Pluto, and At Swim Two Boys, Mullen shows that queer sensibilities and style remain key cultural resources for negotiating the political and economic realities of globalization at the turn of the twenty-first century.
Buttressed by writings of theorists like Marx, Foucault, and Antonio Negri, The Poor Bugger's Tool brings Irish literature into a fruitful dialog with queer theory, postcolonial studies, the history of sexuality, and modernist aesthetics.

As the uproar over the recent New York State law demonstrates, same-sex marriage is a perennial hot-button issue, certain to impact the 2012 election. Debating Same-Sex Marriage provides a useful roadmap to both sides of this contentious matter. Taking a "point/counterpoint" approach, John Corvino (a philosopher and a prominent gay advocate) and Maggie Gallagher (a nationally syndicated columnist and co-founder of the National Organization for Marriage) consider key questions about the institution itself: What is marriage for? Is marriage meant to be a gendered institution? Why is the state in the business of sanctioning marriage? Where do the needs of children fit in? Will legalization of same-sex marriage lead to legalization of polygamy? Corvino argues that society should support same-sex marriage because of its interest in supporting stable households for all its members, gay and straight alike. Gallagher argues that government recognition of same-sex unions as marriages will disconnect marriage from its key public mission furthering responsible procreation, while stigmatizing traditional views of sex, marriage and family as bigotry. Both agree that the issue deserves thoughtful, rigorous engagement.

Originally written in the 1990s, this book remains a key resource for women in heterosexual marriages who discover, or are coming to terms with, their lesbianism or bisexuality. This classic edition includes a new foreword from Ann Northrop, veteran journalist, activist, and co-host of Gay USA that reflects on the changes in language, intersectionality, and understandings of gender since first publication. Celebrating 25 years since first publication, this book shares the author’s personal story, as well as the descriptive experience of others, to provide validation and empowerment to multitudes of women in their search for their true identities. The author gives women ways in which to structure and restructure their lives and their families after they realize their same-gender sexuality. Chapters consider questions such as how women make this discovery, reactions from loved ones, and the outcomes for marriages and families. Updated throughout with contemporary understandings of sexuality and gender, as well as updated language, this book includes a wealth of information, fresh narratives, and stories offering insight into women’s experiences across the country. This is an essential read for women and their partners who are discovering their true identity, as well as therapists, helping professionals, and students of women’s studies, gender studies, sexuality studies, and LGBTQ studies programs.

This short collection of essays engages with queer lives and activism in 1970s Poland, illustrating discourses about queerness and a trajectory of the struggle for rights which clearly sets itself apart, and differs from a Western-based narrative of liberation. Contributors to this volume paint an uneven landscape of queer life in state-socialist Poland in the 1970s and early 1980s. They turn to oral history interviews and archival sources which include police files, personal letters, literature and criticism, writings by sexuality experts, and documentation of artistic practice. Unlike most of Europe, Poland did not penalize same-sex acts, although queer people were commonly treated with suspicion and vilified. But while many homosexual men and most lesbian women felt invisible and alone, some had the sense of belonging to a fledgling community. As they looked to the West, hoping for a sexual revolution that never quite arrived, they also preserved informal queer institutions dating back to the prewar years and used them to their advantage. Medical experts conversed with peers across the Iron Curtain but developed their own "socialist" methods and successfully prompted the state to recognize transgender rights, even as that state remained determined to watch and intimidate homosexual men. Literary critics, translators, and art historians began debating-and they debate still-how to read gestures defying gender and sexual norms: as an aspect of some global "gay" formation or as stemming from locally grounded queer traditions. Emphasizing the differences of Poland's LGBT history from that of the "global" West while underscoring the existing lines of communication between queer subjects on either side of the Iron Curtain, this book will be of key interest to scholars and students in gender and sexuality studies, social history, and politics.

'If you stay alive long enough, people eventually catch up' Born in rural Georgia in 1947, Jayne moved to New York and became part of the 60s art scene surrounding Andy Warhol's Factory. Jayne's story follows the arc of LGBT liberation in the US - she came of age living hand-to-mouth, faced off against police at Stonewall and came out as a trans woman while she was touring Europe with her band. She went everywhere and met everyone and lived to tell the tale. Man Enough to Be a Woman is the funny, fierce memoir of Jayne's extraordinary journey, now including a new epilogue where she reflects on how the world has (almost) caught up with her.

This exciting and original volume offers the first comprehensive critical study of the recent profusion of European films and television addressing sexual migration and seeking to capture the lives and experiences of LGBTIQ+ migrants and refugees. Queering the Migrant in Contemporary European Cinema argues that embodied cinematic representations of the queer migrant, even if at times highly ambivalent and contentious, constitute an urgent new repertoire of queer subjectivities and socialities that serve to undermine the patrolled borders of gender and sexuality, nationhood and citizenship, and refigure or queer fixed notions and universals of identity like 'Europe' and national belonging based on the model of the family. At stake ethically and politically is the elaboration of a 'transborder' consciousness and aesthetics that counters the homonationalist, xenophobic and homo/trans-phobic representation of the 'migrant to Europe' figure rooted in the toxic binaries of othering (the good vs bad migrant, host vs guest, indigenous vs foreigner). Bringing together 16 contributors working in different national film traditions and embracing multiple theoretical perspectives, this powerful and timely collection will be of major interest to both specialists and students in Film and Media Studies, Gender and Queer Studies, Migration/Mobility Studies, Cultural Studies, and Aesthetics.

'Transition has not been something linear for me, my joy has come in seasons.' Now, more than ever, trans people deserve to hear stories of joy and hope, where being trans doesn't have to be defined by fear and dysphoria, but can be experienced through courage, freedom, and the love and acceptance of their chosen families. Through a series of uplifting, generous and beautifully crafted vignettes, T. C. Oakes-Monger gently leads you through the cycle of the seasons - beginning in Autumn and the shedding of leaves and identity, moving through the darkness of Winter, its cold days, and the reality of daily life, into Spring, newness, and change, and ending with the joy of long Summer days and being out and proud - and invites you to find similar moments of joy in your life. Celebratory and empowering, these stories are a reminder of the power joy can bring.

Producing Queer Youth challenges popular ideas about online media culture as a platform for empowerment, cultural transformation, and social progress. Based on over three years of participant action research with queer teen media-makers and textual analysis of hundreds of youth-produced videos and popular media campaigns, the book unsettles assumptions that having a "voice" and gaining visibility and recognition necessarily equate to securing rights and resources. Instead, Berliner offers a nuanced picture of openings that emerge for youth media producers as they negotiate the structures of funding and publicity and manage their identities with digital self-representations. Examining youth media practices within broader communication history and critical media pedagogy, she forwards an approach to media production that re-centers the process of making as the site of potential learning and social connection. Ultimately, she reframes digital media participation as a struggle for-rather than, in itself, evidence of-power.

What does it mean to grow older as a lesbian, gay, bisexual or trans (LGBT) person? What gaps in knowledge about LGBT ageing remain? This timely and innovative book reports on a project funded by the Economic and Social Research Council which aimed to address gaps in knowledge about older LGBT people and their experiences of ageing. The book discusses the project and contains chapters either specially commissioned or written by leading researchers and activists in the field. Informed by a range of theoretical perspectives, empirical research studies, critical observations as well as lived experiences, this book explores areas of LGBT ageing that have been under-studied. These include: bisexual ageing; trans ageing and older trans people's mental health; ethnicity, culture and religion in the lives of older LGBT people and gaps in knowledge about older LGBT people from minority ethnic communities; intergenerational networks; residential and end-of-life care; and the effects of austerity on services. Written in an accessible style, this book is essential for researchers and policy makers interested in the lives of older LGBT people, people who work with older people and teachers and students interested in ageing, gender identity and sexuality.

Sex and gender are delicate and nuanced issues for all of us and can be intimidating topics to teach. This practical, empathetic book aims to dispel some of the uncertainties that many teachers have and empower them to lead inclusive, age-appropriate lessons in primary and secondary schools. Taking an approach that celebrates the individual identity of all learners, and underpinned by an awareness of the complexity of language around these topics, this book offers a careful evaluation of the 2020 Relationship and Sex Education policy for schools in England, and how schools can offer intelligent, socially responsible, sex education that goes beyond simply meeting statutory requirements. Watch the Lessons in Love and Understanding video here.

One of Stylist's best new books for April. 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving ... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place - Paris, Between the Wars - fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own - forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris.

The Savvy Ally: A Guide for Becoming a Skilled LGBTQ Advocate, Second Edition, is an enjoyable, humorous, encouraging, easy to understand guidebook for being an ally to the LGBTQ+ communities. It is chock full of practical and useful tools for LGBTQ+ advocacy. This fully revised second edition includes: The most current information on identities and LGBTQ+ language; Tips for respectfully sharing, gathering, and using pronouns; LGBTQ+ etiquette, including common language bloopers to avoid; Tools for navigating difficult conversations; Best practices for creating LGBTQ+ inclusive spaces; Appropriate actions to take after messing up; and Techniques for self-care and sustainable allyship. This book will be useful for teachers, counselors, social workers, nurses, medical technicians and college professors, as well as the non-freaked out parent who wants to be supportive of their LGBTQ+ child, but doesn't know how. This is not a book about why to be an ally. This is a book about how to be an ally. The goal of The Savvy Ally is to build the reader's confidence in their ability to have respectful and useful conversations for and with LGBTQ+ individuals, and to offer tools to be effective advocates for change.

This timely collection of accessible essays interrogate queer television at the start of the twenty-first century. The complex political, cultural and economic milieu requires new terms and conceptual frameworks to study television and media through a queer lens. Gathering a range of well-known scholars the book takes on the relationship between sexual identity, desire, and television, breaking new ground in a context where existing critical vocabularies and research paradigms no longer hold sway in the ways they used to. The anthology sets out to confound conventional categories used to organize queer television scholarship, like "programming," "industry," "audience," "genre," and "activism." Instead, the anthology mobilizes three new terms - resonance, narrative affordance, and representational repair - creating new queer tools for studying digital television in the contemporary age. This collection is suitable for scholars and students studying queer media studies, television studies, gender studies and sexuality studies.

Gives a fresh and contemporary take on the ways in which contemporary US sexual politics plays out on its biggest stage with analyses of Promises, Promises, Newsies, Hedwig and the Angry Inch, The Color Purple, and Frozen. Written accessibly and clearly for all levels of student and scholar in musical theatre as well as interdisciplinary areas of queer, gender, and cultural studies. The most up to date study available of Broadway's cultural politics.

The contributors to Turning Archival trace the rise of "the archive" as an object of historical desire and study within queer studies and examine how it fosters historical imagination and knowledge. Highlighting the growing significance of the archival to LGBTQ scholarship, politics, and everyday life, they draw upon accounts of queer archival encounters in institutional, grassroots, and everyday repositories of historical memory. The contributors examine such topics as the everyday life of marginalized queer immigrants in New York City as an archive; secondhand vinyl record collecting and punk bootlegs; the self-archiving practices of grassroots lesbians; and the decolonial potential of absences and gaps in the colonial archives through the life of a suspected hermaphrodite in colonial Guatemala. Engaging with archives from Africa to the Americas to the Arctic, this volume illuminates the allure of the archive, reflects on that which resists archival capture, and outlines the stakes of queer and trans lives in the archival turn. Contributors. Anjali Arondekar, Kate Clark, Ann Cvetkovich, Carolyn Dinshaw, Kate Eichhorn, Javier Fernandez-Galeano, Emmett Harsin Drager, Elliot James, Marget Long, Martin F. Manalansan IV, Daniel Marshall, Maria Elena Martinez, Joan Nestle, Ivan Ramos, David Serlin, Zeb Tortorici

Offering a critical introduction into LGBT (lesbian, gay, bisexual and transgender) transnational identity in the media, this book examines performances and representations within documentary and fiction oriented texts. An interdisciplinary approach is put forward, revealing new potentials for non western queer identity.