In States of Passion: Law, Identity and the Social Construction of Desire, Professor Yvonne Zylan explores the role of legal discourse in shaping sexual experience, sexual expression, and sexual identity. The book focuses on three topics: anti-gay hate crime laws, same-sex sexual harassment, and same-sex marriage, examining how sexuality is socially constructed through the institutionally-specific production of legal discourse.
States of Passion argues that law's power to authorize specific discourses and practices of love, desire, hatred, fear, and vulnerability remain grounded in the powerful discourses and institutional practices that mark law as dispassionate, cerebral, and fundamentally procedural. States of Passion contends that those states of passion we experience in our daily lives as particularly significant-to our sense of self, to our collective and social identities, and to our ideas about the body and its dictates-increasingly have as much to do with the state as they do with passion.

This is the definitive visual account of the gay liberation movement in New York, following the Stonewall uprising in Greenwich Village in 1969, an event that marked the coming-out of New York's gay community. As a direct outcome of Stonewall, gay pride marches were held in 1970 in San Francisco, Los Angeles, and New York. Fifty years later Pride will be celebrated in thousands of cities across the world. Including more than 190 photographs by Fred W. McDarrah chronicling the movement in all its glory, the book includes reflective essays by major figures such as Alan Ginsbery, Hilton Als and Sir Ian McKellan.

A revealing and beautifully open memoir from pioneering industrial music artist, visual artist, and transgender icon Genesis P-Orridge-now in paperbackIn this groundbreaking book spanning decades of artistic risk-taking, the inventor of "industrial music," founder of Throbbing Gristle and Psychic TV, and world-renowned fine artist with COUM Transmissions, Genesis P-Orridge (1950-2020) takes us on a journey searching for identity and their true self. It is the story of a life of creation and destruction, where Genesis P-Orridge reveals their unwillingness to be stuck-stuck in one place, in one genre, or in one gender. Nonbinary is Genesis's final work and is shared with hopes of being an inspiration to the newest generation of trailblazers and nonconformists.Nonbinary is the intimate story of Genesis's life, weaving the narrative of their history in COUM Transmissions, Throbbing Gristle, and Psychic TV. It also covers growing up in World War II's fallout in Britain, contributing to the explosion of new music and radical art in the 1960s, and destroying visual and artistic norms throughout their entire life. In addition to being a captivating memoir of a singular artist and musician, Nonbinary is also an inside look at one of our most remarkable cultural lives that will be an inspiration to fans of industrial music, performance art, the occult, and a life in the arts.

This volume showcases a vibrant wave of scholarship that explores the intersection of queer theory and Sinophone studies, consolidating an interdisciplinary framework for furthering transnational research into non-conforming genders, sexualities and bodies. Engaging with contemporary debates and controversies, Keywords in Queer Sinophone Studies presents a definitive collection of original contributions, which are both theoretically and empirically grounded and cross-disciplinary in nature. Individual chapters offer an in-depth study of new empirical data and case studies, covering keywords such as transpacific, viscerality, fandom, postcoloniality, ethnicity and activism. Imagining new conversations across several fields, including literature, film, communication, ethnic studies, anthropology, history, sociology and politics, this book will appeal to students and scholars of Queer Studies and Asian culture, literature and film, as well as gender and sexuality.

The Desiring-Image yields new models of queer cinema produced since the late 1980s, based on close formal analysis of diverse films as well as innovative contributions to current film theory. The book defines "queer cinema" less as a specific genre or in terms of gay and lesbian identity, but more broadly as a kind of filmmaking that conveys sexual desire and orientation as potentially fluid within any individual's experience, and as forces that can therefore unite unlikely groups of people along new lines, socially, sexually, or politically. The films driving this analysis range from celebrated fixtures of the New Queer Cinema of the 1990s (including Cheryl Dunye's The Watermelon Woman and Todd Haynes's Velvet Goldmine) to sexually provocative films of the same era that are rarely classified as queer (David Cronenberg's Dead Ringers and Naked Lunch) to breakout films by 21st-century directors (Rodney Evans's Brother to Brother, John Cameron Mitchell's Shortbus). To frame these readings and to avoid heterosexist assumptions in other forms of film analysis, The Desiring-Image revisits the work of the philosopher Gilles Deleuze, whose two major works on cinema somehow never address the radical ideas about desire he expresses in other texts. This book brings those notions together in innovative ways, making them clear and accessible to newcomers and field specialists alike, with clear, illustrated examples drawn from a wide range of movies extending beyond the central case studies. Thus, The Desiring-Image speaks to readers interested in queer and gay/lesbian studies, in film theory, in feminist and sexuality scholarship, and in theory and philosophy, putting those discourses into rich, surprising conversations with popular cinema of the last 30 years.

Following Oscar Wilde's 1895 trials for committing "acts of gross indecency with men," he lost his freedom, his family, his reputation, his will to create, and even his will to live. This book sets out to examine what it was about late-Victorian society that allowed this to happen, indeed needed it to happen, and what the trials tell us about the taste and morals of late-Victorian England. Michael S. Foldy argues that the prosecution of Wilde was directly linked to many larger social, cultural, and political issues that transcended the legal and moral concerns about his homosexuality. Analyzing the trial testimony and the coverage in the press, Foldy considers the various images and metaphors used to describe the threat that Wilde posed to English society, and he investigates the social and cultural contexts that dictated how those images were perceived. Foldy shows how the public construction of Wilde's identity as "deviant" was both informed and limited by existing heterosexist structures of repression and mechanisms of restraint and by the emergence of a new variant of homophobia. He suggests that Lord Rosebery, the prime minister of the time, may himself have been a homosexual, and that the successful prosecution of Wilde was necessary to prevent a larger and infinitely more damaging revelation. Ultimately, Foldy locates the meaning of the trials within the rhetorical context of the contemporary public debate over the "health" of England-a debate whose terms had been defined largely by moral conservatives-and demonstrates that in a nation that had many reasons to be concerned about its future, Wilde was perceived to represent a constellation of potent threats to the health of British society.

From hip performance spaces in New York and Los Angeles to the heart of Middle America, the last twenty years have seen a rich proliferation of gay and lesbian performance art In O Solo Homo, Holly Hughes, the First Lady of queer performance, and theater critic and professor David Roman have brought together the best solo work from some of the most acclaimed and influential artists in the field.

The pieces in O Solo Homo touch nerves that run deep -- racism and misogyny, AIDS and breast cancer, the struggles and joys of family and the complicated transcendence of desire. Peggy Shaw, of the Obie Award-winning trio Split Britches, looks at butch/femme identity and describes how she learned to be a man. The acclaimed author, performer, and "gender outlaw" Kate Bornstein takes apart gender, from the street to the bedroom to Geraldo. The late Ron Vawter, of the Wooster Group, conjures two very different men who died of AIDS: diva filmmaker Jack Smith and Nixon crony Roy Cohn. And Carmelita Tropicana, the "national songbird of Cuba", makes an unforgettable, hilarious return to Havana. O Solo Homo will move and provoke you, make you laugh, and make you think.

In recent year, pro-gay and anti-gay rights activists have engaged in a struggle to sway public opinion in their favor through the use of ideologically charged rhetoric in an effort to win support from an undecided public. The author contends, however, that the debate is stalemated precisely because each side stereotypes and pathologizes the other's perspective, thereby becoming perfect enemies divided on every issue and with such intensity that consensus seems nearly impossible. Providing a panoramic view of both perspectives, this unique book traces the contested issues to fundamental conceptual differences within the field of religious, scientific, and political studies. Caramagno carefully examines the centuries of thought behind the questions involved and encourages readers to consider the arguments in order to draw their own conclusions.

This book is not about the wrongs or rights of the gay-rights debate. Nor is it a condemnation of the sides involved in the debate. Instead, it shows how the two sides have engaged in the battle and how they have marshaled evidence from a variety of sources (often the same ones) to muster public support but without addressing the conceptual changes needed to conduct a more profitable dialog. Treating both sides of the debate respectfully and objectively, Irreconcilable Differences? opens the discussion up so that all ideas and arguments can be understood as having something valuable to bring to the table. In this way, readers are challenged to consider the ways arguments are formed, how culture disseminates ideas, and how a debate can be shaped so that consensus-building is a real, not an imagined, outcome.

This book explores the concept of homonormativity and examines how the politics of homonormativity has shaped the lives and practices of gay men living primarily in the UK. The book adopts a case study approach in order to examine how homonormativity is shaping relationships within gay male culture, and between this culture and mainstream society. The book features chapters on same-sex marriage, HIV treatment, dating and hook-up culture, sexualized drug use and the world of work. Throughout these chapters, the book develops a conversation regarding the role that neoliberalism has played in defining gay male identities and practices in the UK and USA. If homonormativity is understood as the sexual politics of neoliberalism, this book considers to what extent those sexual politics pervade gay men's sense of self, their relationships with each other, their experience of the spaces they occupy in everyday life, and the identities they inhabit in the workplace.blematizing the concept of homonormativity.

As the uproar over the recent New York State law demonstrates, same-sex marriage is a perennial hot-button issue, certain to impact the 2012 election. Debating Same-Sex Marriage provides a useful roadmap to both sides of this contentious matter. Taking a "point/counterpoint" approach, John Corvino (a philosopher and a prominent gay advocate) and Maggie Gallagher (a nationally syndicated columnist and co-founder of the National Organization for Marriage) consider key questions about the institution itself: What is marriage for? Is marriage meant to be a gendered institution? Why is the state in the business of sanctioning marriage? Where do the needs of children fit in? Will legalization of same-sex marriage lead to legalization of polygamy? Corvino argues that society should support same-sex marriage because of its interest in supporting stable households for all its members, gay and straight alike. Gallagher argues that government recognition of same-sex unions as marriages will disconnect marriage from its key public mission furthering responsible procreation, while stigmatizing traditional views of sex, marriage and family as bigotry. Both agree that the issue deserves thoughtful, rigorous engagement.

This text offers secondary ELA educators guided instructional approaches for including queer-themed young adult (YA) literature in the English language arts classroom. Each chapter spotlights the reading of one queer-themed YA novel, and offers pre-, during-, and after reading activities that guide students to a deeper understanding of the content while increasing their literacy practices. While each chapter focuses on a specific queer-themed YA novel, readers will discover the many opportunities for cross-disciplinary study. Thw emphasis on English language arts content as a focus for teaching LGBTQ young adult literature marks a shift from the first edition.

'A privilege to read, a pleasure to endorse' PROFESSOR TANYA BYRON 'This book completely bowled me over' DOMINIC DAVIES 'A super comprehensive book' MEG-JOHN BARKER To be queer is to feel different - a felt sense that you don't fit in. This can be alienating and difficult and lead to mental health challenges and lower wellbeing throughout life. Using a range of therapeutic approaches, this comprehensive, down-to-earth self-help workbook is designed to be your personal mental health resource. It is filled with techniques and activities you can read, tailor and 'pick and mix' to improve your wellbeing as a queer person, at your pace. The workbook is split into two sections - the first part focusses on laying the groundwork by exploring identity, psychological wellbeing, and mental health experiences in order to situate mental health challenges in context and improve overall mental health. The second half hones in on ideas and techniques applicable to specific challenges and situations. It explores difficult topics such as anxiety, low self-esteem, eating disorders, self-harm, suicidal ideation, shame, trauma, substance abuse, sleep, and low mood, all whilst maintaining a focus on your needs as a queer individual. Empowering and reassuring, and written by an experienced queer mental health practitioner, this one-of-a-kind workbook will help you to flourish as a queer person and begin to overcome any challenge.

Taking place examines feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It looks at how queer and feminist artists working in the present day engage with, respond to and challenge the institutions they have inherited. Through a series of regional case studies, the book interrogates different understandings of 'alternative' space and the possibilities the term affords for queer and feminist artistic imaginaries. -- .

Examining the ways in which feminist and queer activists confront privilege through the use of intersectionality, this edited collection presents empirical case studies from around the world to consider how intersectionality has been taken up (or indeed contested) by activists in order to expose and resist privilege. The volume sets out three key ways in which intersectionality operates within feminist and queer movements: it is used as a collective identity, as a strategy for forming coalitions, and as a repertoire for inclusivity. The case studies presented in this book then evaluate the extent to which some, or all, of these types of intersectional activism are used to confront manifestations of privilege. Drawing upon a wide range of cases from across time and space, this volume explores the difficulties with which activists often grapple when it comes to translating the desire for intersectionality into a praxis which confronts privilege. Addressing inter-related and politically relevant questions concerning how we apply and theorise intersectionality in our studies of feminist and queer movements, this timely edited collection will be of interest to students and scholars from across the social sciences and humanities with an interest in gender and feminism, LGBT+ and queer studies, and social movement studies.

'War is a man's game,' or so goes the saying. Whether this is true or not, patriarchal capitalism is certainly one of the driving forces behind war in the modern era. So can we end war with feminism? This book argues that this is possible, and is in fact already happening. Each chapter provides a solution to war using innovative examples of how feminist and queer theory and practice inform pacifist treaties, movements and methods, from the international to the domestic spheres. The contributors propose a range of solutions that include arms abolition, centring Indigenous knowledge, economic restructuring, and transforming how we 'count' civilian deaths. Ending war requires challenging complex structures, but the solutions found in this edition have risen to this challenge. By thinking beyond the violence of the capitalist patriarchy, this book makes the powerful case that the possibility of life without war is real.

This book provides an overview of risk and protective factors for lesbian, gay, bisexual, transgender, and queer (LGBTQ+) youth and emerging adults to inform the clinical practice of mental health professionals who work with this population. Documentation of LGBTQ+ health disparities is well-established, but much of that work has focused on adults. Additionally, while there has been a greater push for the integration of mental health practice with general healthcare delivery in recent years, there are few resources for educating mental health professionals on how to work within interdisciplinary teams to address the psychological, physical, and behavioral health care needs of LGBTQ+ people. This book addresses gaps in the literature, such as the needs of young age groups and integration of physical and mental approaches to care, which have traditionally been neglected in the health disparities literature for psychologists and other mental health professionals. This book is grounded in Minority Stress Theory, as well as multicultural, intersectional, and positive youth development frameworks. It emphasizes holistic health perspectives, integrated care approaches (of mental health with general health service delivery), and interdisciplinary team efforts targeting both the psychological and physical health needs of children, adolescents, and emerging adults.

no subject has divided contemporary America more bitterly than homosexuality.  Addressing the full range of the debate in this pathbreaking book, Andrew Sullivan, the former editor of The New Republic, restores both reason and humanity to the discussion over how a predominantly heterosexual society should deal with its homosexual citizens.

Sympathetically yet relentlessly, Sullivan assesses the prevailing public positions on homosexuality--from prohibitionist to liberationist and from conservative to liberal.  In their place, he calls for a politics of homosexuality that would guarantee the rights of gays and lesbians without imposing tolerance.  At once deeply personal and impeccably reasoned, written with elegance and wit, Virtually Normal will challenge readers of every persuasion; no book is more likely to transform out sexual politics in the coming decades.

"Marching to an Angry Drum" deals with the difficulties encountered by both gays and lesbians who are required to lead a double life while serving in the military. The "Angry Drum" is that aspect of the military that destroys lives not only through combat but also through the hostility of purges, intolerance and prejudice. "Mitchell has written a fine addition to the turbulent history of gays in the military. It's star-spangled summer reading, replete with guts, romance, and gay patriotism and, importantly, the loyalty of straight friends."--Charles Alexander, "Between The Lines," Farmington, Michigan, July 2000

Marching to an Angry Drum "is a story that needs to be read by anyone apt to turn a blind eye to gays and lesbians in the military. March to the bookstore and get this one--double-time."--Ken Marten, editor, "The Mirror," Royal Oak, Michigan, January 2004

"This book explores the everyday lives of gay men in Hainan, an island province of the People's Republic of China. Taking an ethnographic and phenomenological approach, it asks how these men construct and experience ways of 'sexual being' - as gay, homosexual, tongzhi and/or in the scene - and what these mean for the ways of living they see as possible within a socio-cultural, political and material context characterised by pervasive heteronormativity. It explores what it means for gay men in Hainan to 'come into the scene', how internet and mobile technologies figure in their everyday processes of sexual categorisation and how these men negotiate orientations and disorientations towards the future in relation to dominant heterosexual life scripts of marriage and reproduction. This book offers vital insights into the production and restriction of non-heterosexual lives in diverse settings, while addressing universal questions of how certain ways of living are enabled and curtailed in living together with others through powerful conditions of uncertainty and precarity. This book will be of interest to scholars in LGBTQ studies, particularly those with a focus on same-sex intimacies and identities in China."

In Lendetaal gee Hennie Aucamp sy perspektief op vrae rondom kwessies oor homoerotiek in die kunste en in die letterkunde. Onder die afdeling "Kuns" word daar gekyk na die manlike naakt in fotografie, die voorstelling van die jong seun in die kunste en hoe gay kunstenaars die lyntekening in die verkenning van erotiese sones ontgin. Die afdeling "Skrywers en individuele werke" is 'n kort historiese oorsig van die hantering van homoseksualiteit in literatuur. Skrywers soos Stephen Spender, C. Louis Leipoldt, Christopher Isherwood en Edmund White word belig en daar word aandag gegee aan gay stereotipes soos die cowboy in die kortverhaal "Brokeback Mountain". In "Bloemlesings" gee Aucamp onder andere 'n hipotetiese keur van gay verhale. Die laaste afdeling, "Egodokumente", bespreek beroemde mense se dagboeke en daar word afskeid geneem van Lucas Malan.

For much of Europe, the interwar period was one of cultural expansion and diversion and increased visibility for lesbians. While historical research on Germany during the period immediately after the First World War has been extensively studied by historians through the lens of gender and sexuality-with an implicit emphasis on the "masculine" dimension of queer female sexuality-the Dutch context has been virtually ignored. Through careful and sensitive studies of medico-social discourses, media representations, and literary depictions of queer femininity, Different from the Others recovers the submerged history of queer feminine women in both Germany and the Netherlands. Cyd Sturgess provides a theoretical analysis that makes key empirical contributions to the history of Dutch gays and lesbians while reframing our collective understanding of queer femininity more broadly.