The volume takes a field which has become established over the past 40 years, and applies it to a marginalized sector of society, enabling students of oral history, and history more generally to engage with, question and develop new conversations around the field. Oral history is increasingly becoming an established part of the modern history canon and more and more developments within its parameters are being raised and studied - this book represents a key up-coming area. The only book to look specifically at LGBTQ positions and the specific issues it raises within oral history.

The volume takes a field which has become established over the past 40 years, and applies it to a marginalized sector of society, enabling students of oral history, and history more generally to engage with, question and develop new conversations around the field. Oral history is increasingly becoming an established part of the modern history canon and more and more developments within its parameters are being raised and studied - this book represents a key up-coming area. The only book to look specifically at LGBTQ positions and the specific issues it raises within oral history.

The Routledge Handbook of Queer Rhetoric maps the ongoing becoming of queer rhetoric in the late twentieth and early twenty-first centuries, offering a dynamic overview of the history of and scholarly research in this field. The handbook features rhetorical scholarship that explicitly uses and extends insights from work in queer and trans theories to understand and critique intersections of rhetoric, gender, class, and sexuality. More important, chapters also attend to the intersections of constructs of queerness with race, class, ability, and neurodiversity. In so doing, the book acknowledges the many debts contemporary queer theory has to work by scholars of color, feminists, and activists, inside and outside the academy. The first book of its kind, the handbook traces and documents the emergence of this subfield within rhetorical studies while also pointing the way toward new lines of inquiry, new trajectories in scholarship, and new modalities and methods of analysis, critique, intervention, and speculation. This handbook is an invaluable resource for scholars, graduate students, and advanced undergraduate students studying rhetoric, communication, cultural studies, and queer studies.

This book looks at issues on Gender and LGBTQ matters in political elections in both institutional and communication contexts. Examining wins and losses in elections and assessing accountabilities in those results this broad and international collection analyses how the issue of gender and LGBTQ identity is both factored into, and determines electoral success, not only in consolidated democracies such as the United States, New Zealand, and Norway, but also in a country facing an undemocratic turn such as Poland. . Does raising the subject of gender and LGBTQ issues affect electoral processes? Are there countries where gender and LGBTQ issues are more likely to be instrumentalised in the electoral process? Can common patterns between countries be detected? This book seeks to answer these questions and center gendered issues through a range of topics including party loyalty, voter participation, gendered media coverage, and discourses on electoral defeat, and leadership. This book is suitable for students and scholars in LGBTQ Studies, Politics, Social Sciences and Gender Studies.

This book utilizes collaborative autoethnography to examine transformations in health and aging among queer, trans, and intersex people in society. To this end, the authors each utilize their lived experiences as queer, trans, and/or intersex people to discuss inequalities and norms in U.S. healthcare. Further, they elaborate upon some ways U.S. healthcare systems may become more inclusive of queer, trans, and intersex populations over time. In so doing, they utilize the autoethnographic cases to illustrate and describe the complexities of sex, gender, and sexualities in health and aging as well as the ways such intricacies facilitate societal inequalities in health and aging.

This edited collection brings together scholarship from established and emerging scholars in HIV/AIDS studies, French studies, Visual Arts, and Dance. As French writers and artists from the past five to ten years have been revisiting the AIDS crisis and its attendant cultural amnesia, their work has brought about the necessity of foregrounding vulnerability, exposure, risk, citizenship, and trauma when considering disease. By way of probing "rawness" and its varying iterations, this volume gathers analyses of HIV/AIDS productions from the 1980s to today in the service of excavating lessons learned by those living in proximity to disease. These lessons provide important tools to understand and discuss both the ongoing HIV and SARS-CoV-2 pandemics. The volume thus highlights the specificities of the former while offering solutions on how to discuss and mitigate the latter.

This book examines evolving pop culture representations of sex and relationships from the 1970s onwards, to demonstrate parallels between the strength of the feminist movement and positive portrayals of women's sexuality. In charting changes in the sex and relationship content of women's magazines over time, this analysis reveals that despite surface-level changes in sexual and relationship content, the underlying paradigm of hetero-monogamy remains unchanged. Despite a seemingly more diverse, empowered and liberated sexuality for women in contemporary magazines, in reality, such feminist rhetoric masks an enduring model of sexuality, which rests on women's sexual and emotional maintenance of male partners and their own self-objectification and self-surveillance. Where substantive changes can be identified, they rise and fall in tandem with feminism. By demonstrating this empirical relationship between cultural products and feminist organising, the book validates an assumption that has rarely been tested: that a feminist social milieu improves cultural narratives about sexuality for women. Sex, Feminism and Lesbian Desire builds on ground-breaking feminist texts such as Susan Faludi's Backlash to present an empirically focused, comprehensive study interrogating changes in content over the lifetime of women's magazines. By charting the representation of sex and relationships in two women's magazines-Cosmopolitan and Cleo-since the 1970s through an analysis of over 6,500 magazine pages and 1,500 articles, this timely work interrogates-and ultimately complicates-the apparent linear progression of feminism. This book is suitable for researchers and students in women's and gender studies, queer studies, LGBT studies, media studies, cultural studies and sociology.

Authored by one of the most respected figures in the field of personal ethnographic narrative, this book serves as both a memoir and a sociological study, telling the story of one lesbian couple's lifelong journey together. Are You Two Sisters? is Susan Krieger's candid, revealing, and engrossing memoir about the intimacies of a lesbian couple. Krieger explores how she and her partner confront both the inner challenges of their relationship and the invisibility of lesbian identity in the larger world. Using a lively novelistic and autoethnographic approach that toggles back and forth in time, Krieger reflects on the evolution of her forty-year relationship. She describes building a life together, from sharing pets and travels to getting married. Are You Two Sisters? addresses not only questions of gender and sexuality, but also of disability, as Krieger explores how the couple adapts to her increasing blindness. Krieger's title comes from a question asked by a stranger outside a remote desert bar as she and her partner traveled in the Southwest. Her apprehension about answering that question suggests how, even after the legalization of gay marriage, lesbianism often remains hidden-an observation that makes Krieger's poignant narrative all the more moving.

Authored by one of the most respected figures in the field of personal ethnographic narrative, this book serves as both a memoir and a sociological study, telling the story of one lesbian couple's lifelong journey together. Are You Two Sisters? is Susan Krieger's candid, revealing, and engrossing memoir about the intimacies of a lesbian couple. Krieger explores how she and her partner confront both the inner challenges of their relationship and the invisibility of lesbian identity in the larger world. Using a lively novelistic and autoethnographic approach that toggles back and forth in time, Krieger reflects on the evolution of her forty-year relationship. She describes building a life together, from sharing pets and travels to getting married. Are You Two Sisters? addresses not only questions of gender and sexuality, but also of disability, as Krieger explores how the couple adapts to her increasing blindness. Krieger's title comes from a question asked by a stranger outside a remote desert bar as she and her partner traveled in the Southwest. Her apprehension about answering that question suggests how, even after the legalization of gay marriage, lesbianism often remains hidden-an observation that makes Krieger's poignant narrative all the more moving.

What does it mean to queer a concept? If queerness is a notion that implies a destabilization of the normativity of the body, then all cultural systems contain zones of discomfort relevant to queer studies. What then might we make of such zones when the use of the term queer itself has transcended the fields of sex and gender, becoming a metaphor for addressing such cultural phenomena as hybridization, resignification, and subversion? Further still, what should we make of it when so many people are reluctant to use the term queer, because they view it as theoretical colonialism, or a concept that loses its specificity when applied to a culture that signifies and uses the body differently? Translating the Queer focuses on the dissemination of queer knowledge, concepts, and representations throughout Latin America, a migration that has been accompanied by concomitant processes of translation, adaptation, and epistemological resistance.

- Help students understand digital media and digital cultures created, for, about or by queer and transgender people, activists, educators, and artists who work with or research ways to use digital means and measures to combat different forms of oppression, and explore self-expression and identity. - Contributions are written by researchers, activists, and academics whose diverse international experiences as LGBTQ advocates and community workers have provided them with unique access and insights into this traditionally marginalized populace and their use of social media and digital technology. - Examines questions of inclusion and, perhaps, more importantly, exclusions of certain voices and the different ways, age, race, class and disability intersect in specific social, cultural and global contexts throughout the collection. - Encourages dialogue and investigation of the transformative potential of digital activism and platforms from a global perspective.

- Help students understand digital media and digital cultures created, for, about or by queer and transgender people, activists, educators, and artists who work with or research ways to use digital means and measures to combat different forms of oppression, and explore self-expression and identity. - Contributions are written by researchers, activists, and academics whose diverse international experiences as LGBTQ advocates and community workers have provided them with unique access and insights into this traditionally marginalized populace and their use of social media and digital technology. - Examines questions of inclusion and, perhaps, more importantly, exclusions of certain voices and the different ways, age, race, class and disability intersect in specific social, cultural and global contexts throughout the collection. - Encourages dialogue and investigation of the transformative potential of digital activism and platforms from a global perspective.

In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.

With careful reasoning supported by wide-ranging scholarship, this study exposes the fallacies of 'social constructionist' theories within lesbian and gay studies and makes a forceful case for the autonomy of queer identity and culture. It presents evidence that queers are part of a centuries-old history, possessing a unified historical and cultural identity. The volume reviews the fundamental historiographical issues about the nature of queer history, arguing that a new generation of queer historians will need to abandon authoritarian dogma founded upon politically-correct ideology rather than historical experience. Norton offers a clear exposition of the evidence for ancient, indigenous and pre-modern queer cultural continuity, revealing how knowledge of that history has been suppressed and censored and sets out the 'queer cultural essentialist' position on the key topics of queer history - role, identity, bisexuality, orientation, linguistics, social control, homophobia, subcultures, and kinship patterns.

Karen Tracy examines the identity-work of judges and attorneys in state supreme courts as they debated the legality of existing marriage laws. Exchanges in state appellate courts are juxtaposed with the talk that occurred between citizens and elected officials in legislative hearings considering whether to revise state marriage laws. The book's analysis spans ten years, beginning with the U.S. Supreme Court's overturning of sodomy laws in 2003 and ending in 2013 when the U.S. Supreme Court declared the federal government's Defense of Marriage Act (DOMA) unconstitutional, and it particularly focuses on how social change was accomplished through and reflected in these law-making and law-interpreting discourses. Focal materials are the eight cases about same-sex marriage and civil unions that were argued in state supreme courts between 2005 and 2009, and six of a larger number of hearings that occurred in state judicial committees considering bills regarding who should be able to marry. Tracy concludes with analysis of the 2011 Senate Judiciary Committee Hearing on DOMA, comparing it to the initial 1996 hearing and to the 2013 Supreme Court oral argument about it. The book shows that social change occurred as the public discourse that treated sexual orientation as a "lifestyle " was replaced with a public discourse of gays and lesbians as a legitimate category of citizen.

This book explores how queerness and representations of queerness in media and culture are responding to the shifting socio-political, cultural and legal conditions in post-Soviet Russia, especially in the light of the so-called 'antigay' law of 2013. Based on extensive original research, the book outlines developments historically both before and after the fall of the Soviet Union and provides the background to the 2013 law. It discusses the proliferating alternative visions of gender and sexuality, which are increasingly prevalent in contemporary Russia. The book considers how these are represented in film, personal diaries, photography, theatre, protest art, fashion and creative industries, web series, news media and how they relate to the 'traditional values' rhetoric. Overall, the book provides a rich and detailed, yet complex insight into the developing nature of queerness in contemporary Russia.

This revised third edition of The Male Dancer updates and enlarges a seminal book that has established itself as the definitive study of the performance of masculinities in twentieth century modernist and contemporary choreography. In this authoritative and lively study, Ramsay Burt presents close readings of dance works from key moments of social and political change in the norms around gender and sexuality. The book's argument that prejudices against male dancers are rooted in our ideas about the male body and behaviour has been extended to take into account recent interdisciplinary discussions about whiteness, intersectionality, disability studies, and female masculinities. As well as analysing works by canonical figures like Nijinsky, Graham, Cunningham, and Bausch, it also examines the work of lesser-known figures like Michio Ito and Eleo Pomare, as well as choreographers who have recently emerged internationally like Germaine Acogny and Trajal Harrell. The Male Dancer has proven to be essential reading for anyone interested in dance and the cultural representation of gender. By reflecting on the latest studies in theory, performance, and practice, Burt has thoroughly updated this important book to include dance works from the last ten years and has renewed its timeliness for the 2020s.

In The Intersectional Other, Alex Rivera reimagines the history of power in the United States for queer BIPOC (Black, Indigenous, People of Color) who have been marginalized and othered. Rivera critiques the white colonialism and heteronormativity that is evident in psychological and medical literature, rejecting the deficiencies that have been projected onto those who are othered. Rivera compels her readers to envision a world in which intersectional others hold power and have the capacity to evoke societal transformations through creativity, self-love, and revolution. Rivera boldly reimagines the margins, creating a radical space for readers to de-vilify otherness and envision a better future for intersectional others.

This text offers secondary ELA educators guided instructional approaches for including queer-themed young adult (YA) literature in the English language arts classroom. Each chapter spotlights the reading of one queer-themed YA novel, and offers pre-, during-, and after reading activities that guide students to a deeper understanding of the content while increasing their literacy practices. While each chapter focuses on a specific queer-themed YA novel, readers will discover the many opportunities for cross-disciplinary study. Thw emphasis on English language arts content as a focus for teaching LGBTQ young adult literature marks a shift from the first edition.

This text offers secondary ELA educators guided instructional approaches for including queer-themed young adult (YA) literature in the English language arts classroom. Each chapter spotlights the reading of one queer-themed YA novel, and offers pre-, during-, and after reading activities that guide students to a deeper understanding of the content while increasing their literacy practices. While each chapter focuses on a specific queer-themed YA novel, readers will discover the many opportunities for cross-disciplinary study. Thw emphasis on English language arts content as a focus for teaching LGBTQ young adult literature marks a shift from the first edition.

The BBC and HBO series Gentleman Jack brought Anne Lister to international attention, awakening tremendous interest in her diaries, which run to nearly five million and are partly written in her secret code. They record in intimate detail Anne's intellectual energy and her challenges to so many of society's expectations of women at the time. In As Good as a Marriage, the sequel to Female Fortune, Jill Liddington's edited transcriptions of the diaries show us Anne from 1836-38. She guides the reader through life at Shibden Hall after Anne's unconventional 'marriage' to wealthy local heiress Ann Walker. The book explores the daily lives of these two women, from convivial evenings together to her ruthless pursuit of her own business and landowning ambitions. Yet the diaries' coded passages also record tensions and quarrels, with Ann Walker often in tears. Was their relationship really as fragile as Anne's coded writing suggests? This question is at the heart of As Good as a Marriage. -- .

Drawing on border thinking, postcolonial and transnational feminisms, and queer theory, Gender, Sexuality and Identities of the Borderlands brings an intersectional feminist and queer lens to understandings of borderlands, liminality, and lives lived at the margins of socio-cultural and sexual normativities. Bringing together new and contemporary interdisciplinary research from across diverse global contexts, this collection explores the lived experiences of what Gloria Anzaldua might have called 'threshold people', people who live among and in-between different worlds. While it is often challenging, difficult, and even dangerous, inhabiting marginal spaces, living at the borders of socio-cultural, religious, sexual, ethnic, or gendered norms can create possibilities for developing unique ways of seeing and understanding the worlds within which we live. This collection casts a spotlight on the margins, those 'queer spaces' in literary, cinematic, and cultural borderlands; postcolonial and transnational feminist perspectives on movement and migration; and critical analyses of liminal lives within and between socio-cultural borders. Each chapter within this unique book brings a critical insight into diverse global human experiences in the 21st Century.