Aubrie Elliot is a middle-aged lesbian who isn't quite sure what that means or how she got there. But everything suddenly seems bittersweet as she grapples with her new body, her old relationship, and her surprise at suddenly being "halfway there." Told in a series of humorous vignettes, Aubrie offers a franklook at the ups and downs that come with looking forward and back. It's like sitting down with an old friend!

The volume takes a field which has become established over the past 40 years, and applies it to a marginalized sector of society, enabling students of oral history, and history more generally to engage with, question and develop new conversations around the field. Oral history is increasingly becoming an established part of the modern history canon and more and more developments within its parameters are being raised and studied - this book represents a key up-coming area. The only book to look specifically at LGBTQ positions and the specific issues it raises within oral history.

Here is an important book for social scientists interested in the influence of gender on certain types of behavior. Several perspectives are presented on the general topic of biopolitics and gender, including the points of view of brain science, endocrinology, ethology, psychophysiology, and such conventional interests as political attitudes, socialization, participation, social structure, and political hierarchy. The varied and provocative ideas explored in this volume will broaden discussions of gender beyond an exclusive focus on sex links to oppression and discrimination.

To read this book is to glimpse gay culture in its first morning. . . . It offers a comprehensive and poignant overview of a very special moment in gay culture. Read it, and if you're still too macho to weep, or too insufficiently radical/feminist to scream, at least shed a tear for lost innocence."
--"The Advocate"

The influence of gays and lesbians on language, literature, theater, poetry, dance, music, and the arts is unmeasurable. In the era before AIDS, gay and lesbian culture had a defining, if unrecognized, influence on American life, an influence that is only now being acknowledged.

This reissue of the classic anthology, "Lavender Culture," serves as a provocative, dynamic, and wide-ranging reminder of American gay and lesbian culture in the days before the status of gay people received widespread attention in the media, religion, and politics, before Newsweek saw it fit to feature a cover story on LESBIANS, and before gays and lesbians took center stage in America's cultural landscape.

Here we find the young, assertive voices of such activists, authors, and artists as Rita Mae Brown, Barbara Grier, John Stoltenberg, Julia Penelope, Andrea Dworkin, Andrew Kopkind, Jane Rule, Arthur Bell, Charlotte Bunche, and dozens more. Including essays on such diverse subjects as gay bath houses, the gay male image in classical ballet, images of gays in rock music, Judy Garland, lesbian humor, sports and machismo, the growing business of women's music, and the Cleveland bar scene in the 1940s, Lavender Culture, with new introductory essays by the editors and Cindy Patton, offers a panoply of gay and lesbian life, tracing the current influence and visibility of gay and lesbianculture back to its origins.

This fascinating book demonstrates the diversity of Connecticut's women's feminist activities in pre- and post-suffrage eras and refutes the notion that feminist activism died out with the passage of the Nineteenth Amendment.

A collection of original papers on the nature of AIDS social research, this volume brings together anthropologists, sociologists, psychologists, and public health researchers to consider the methodological, empirical, and conceptual aspects of the problem. Unlike other studies, which focus on the medical and epidemiological aspects of AIDS, this study specifically focuses on the social aspects of the disease, the response of the community and medical profession, and the effects of the epidemic upon the gay subculture. Consideration is given to methodological shortcomings in the research on the social aspects of AIDS as well as reports of original research.

The Safety Trap: Why We Need Diverse and Brave Spaces explains how the histories and currency of safe spaces are determined by those with privilege and power; those who choose to invite us in or leave us out. Whether we encounter boundaries at national borders, bathrooms, or birth certificates, our personal safety and wellbeing is at stake. Gender-diverse and queer non-binary people, have bodies, brains, and hearts that challenge traditional ways of being male, female, gay, straight, Black, white, good, and bad. These practitioners-at the interfaces of government policy, architecture, queer art curation, group work, sex work, and tattooing-explore cancel culture and free speech, considering what it takes to be brave. In our current times of global conflict and binary oppositions, they address the urgent need for accessible and inclusive spaces everywhere. To listen and speak across the ideological voids that divide us, we must understand the differences that underpin our feelings of safety and discomfort.

This book looks at the historic and contemporary links between music's connection to emotions and men's supposed discomfort with their own emotional experience. Looking at music tastes and distaste, it demonstrates how a sociological analysis of music and gender can actually lead us to think about emotions and gender inequalities in different ways.

An up-close look at how porn permeates our culture Pictures of half-naked girls and women can seem to litter almost every screen, billboard, and advertisement in America. Pole-dancing studios keep women fit. Men airdrop their dick pics to female passengers on planes and trains. To top it off, the last American President has bragged about grabbing women "by the pussy." This pornification of our society is what Bernadette Barton calls "raunch culture." Barton explores what raunch culture is, why it matters, and how it is ruining America. She exposes how internet porn drives trends in programming, advertising, and social media, and makes its way onto our phones, into our fashion choices, and into our sex lives. From twerking and breast implants, to fake nails and push-up bras, she explores just how much we encounter raunch culture on a daily basis-porn is the new normal. Drawing on interviews, television shows, movies, and social media, Barton argues that raunch culture matters not because it is sexy, but because it is sexist. She shows how young women are encouraged to be sexy like porn stars, and to be grateful for getting cat-called or receiving unsolicited dick pics. As politicians vote to restrict women's access to birth control and abortion, The Pornification of America exposes the double standard we attach to women's sexuality.

A "riveting and enlightening account" (Bookreporter) of a mostly unknown chapter in the life of Eleanor Roosevelt--when she moved to New York's Greenwich Village, shed her high-born conformity, and became the progressive leader who pushed for change as America's First Lady. Hundreds of books have been written about FDR and Eleanor, both together and separately, but yet she remains a compelling and elusive figure. And, not much is known about why in 1920, Eleanor suddenly abandoned her duties as a mother of five and moved to Greenwich Village, then the symbol of all forms of transgressive freedom--communism, homosexuality, interracial relationships, and subversive political activity. Now, in this "immersive...original look at an iconic figure of American politics" (Publishers Weekly), Jan Russell pulls back the curtain on Eleanor's life to reveal the motivations and desires that drew her to the Village and how her time there changed her political outlook. A captivating blend of personal history detailing Eleanor's struggle with issues of marriage, motherhood, financial independence, and femininity, and a vibrant portrait of one of the most famous neighborhoods in the world, this unique work examines the ways that the sensibility, mood, and various inhabitants of the neighborhood influenced the First Lady's perception of herself and shaped her political views over four decades, up to her death in 1962. When Eleanor moved there, the Village was a zone of Bohemians, misfits, and artists, but there was also freedom there, a miniature society where personal idiosyncrasy could flourish. Eleanor joined the cohort of what then was called "The New Women" in Greenwich Village. Unlike the flappers in the 1920s, the New Women had a much more serious agenda, organizing for social change--unions for workers, equal pay, protection for child workers--and they insisted on their own sexual freedom. These women often disagreed about politics--some, like Eleanor, were Democrats, others Republicans, Socialists, and Communists. Even after moving into the White House, Eleanor retained connections to the Village, ultimately purchasing an apartment in Washington Square where she lived during World War II and in the aftermath of Roosevelt's death in 1945. Including the major historical moments that served as a backdrop for Eleanor's time in the Village, this remarkable work offers new insights into Eleanor's transformation--emotionally, politically, and sexually--and provides us with the missing chapter in an extraordinary life.

'Do I practice safe sex? If you're talking about carrying around pepper spray for all the freaks I come across, yeah I'm looking into it.' Most people go to parties for free booze, good music and the chance of copping off with someone hot, but Rich Harrison got much more than he bargained for after meeting an eccentric young gigolo. Talked into trying his hand at becoming a male escort, Rich revels in the idea of raking in the money - after all, who wouldn't want to be paid for something they enjoyed? In between his tragic clients with bizarre fetishes, Rich still holds out hope to meet his Mr Right and fall in love, and after a chance meeting with a handsome stranger, perhaps he's met him...or has he? Follow Rich on his hilarious journey as he tries to balance his new job, a potential boyfriend, two alcoholic best friends and a mentor who has a passion for hot men and sushi.

How do we represent the experience of being a gender and sexual outlaw? In Queer Forms, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments-from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth-and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind's eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms, including the sequential format of comic strip serials, the stock figures or character-types of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist film, literature, and visual culture including Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz shows how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern United States. Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities, Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions.

Focusing on British and European women, this is an accessible study of lesbian history since the 17th century. Each chapter documents and examines a woman's life and work, or the nature of a particular partnership. Some of the women featured are famous, such as Greta Garbo, Ethel Smyth, Eve Balfour and Queen Anne, while others have been forgotten or undocumented. Collis's study raises many profound and seminal issues including the visibility of lesbians in different social contexts, the influence of social status and background on their ability to be open about their sexuality, the importance of sexuality to contemporary women, and the existence and creation of role models.

This book addresses the 'three moments' in lesbian, gay, bisexual, transgender and intersex (LGBTI) asylum seekers' and refugees' efforts to secure protection: The reasons for their flight, the Refugee Status Determination process, and their integration into the host community once they are recognized refugee status.The first part discusses one of the most under-researched areas within the literature devoted to asylum claims based on sexual orientation and gender identity, namely the reasons behind LGBTI persons' flight. It investigates the motives that drive LGBTI persons to leave their countries of origin and seek sanctuary elsewhere, the actors of persecution, and the status quo of LGBTI rights. Accordingly, an intersectional approach is employed so as to offer a comprehensive picture of how a host of factors beyond sexual orientation/gender identity impact this crucial first stage of LGBTI asylum seekers' journey.In turn, the second part explores the challenges that LGBTI asylum seekers face during the RSD process in countries of asylum. It first examines these countries' interpretations and applications of the process in relation to the relevant UNHCR guidelines and questions the challenges including the dominance of Western conceptions and narratives of sexual identity in the asylum procedure, heterogeneous treatment concerning the definition of a particular social group, and the difficulties related to assessing one's sexual orientation within the asylum procedure. It subsequently addresses the reasons for and potential solutions to these challenges.The last part of the book focuses on the integration of LGBTI refugees into the countries of asylum. It first seeks to identify and describe the protection gaps that LGBTI refugees are currently experiencing, before turning to the reasons and potential remedies for them.

Through focusing on the sexual politics that have emerged out of post-apartheid South Africa, Spurlin investigates textual and cultural representations of same-sex desire outside of the Euroamerican axes of queer culture and politics, and considers the ways in which queer cultural productions in southern Africa do not merely intersect with western queer identity politics and cultural representations but also resist them. "Imperialism Within the Margins" therefore provides an engaged and much-needed critique of the long-present "heterosexist" biases of postcolonial studies and the "western" biases of academic queer theory.

Addressing the lack of understanding regarding the lives of same sex-couples, this book examines the sociodemographic characteristics of partnered gay men and lesbians. Ultimately, this book provides a foundation for future research, policy law, and understanding.

This is the definitive visual account of the gay liberation movement in New York, following the Stonewall uprising in Greenwich Village in 1969, an event that marked the coming-out of New York's gay community. As a direct outcome of Stonewall, gay pride marches were held in 1970 in San Francisco, Los Angeles, and New York. Fifty years later Pride will be celebrated in thousands of cities across the world. Including more than 190 photographs by Fred W. McDarrah chronicling the movement in all its glory, the book includes reflective essays by major figures such as Alan Ginsbery, Hilton Als and Sir Ian McKellan.

With contributions from established and emerging scholars, this collection draws on original research to consider recent theoretical and methodological debates, shifts in law and policy, and social and cultural changes around sexuality. The book bridges identified gaps between theory, research methods and practice, and lived experiences across time and place. It reflects on the current wave of interdisciplinary work, setting out new ways of conceptualizing and researching sexuality and explores persistently marginalized, re-traditionalized and normative sexual practices, subjectivities and identities. This distinctive consideration of innovative contributions from across the humanities and social sciences places emergent debates, enduring legacies and new queries within its 'reflections' and 'futures'.

"A defining chronicle of strength and spirit" (Kirkus Reviews), Surpassing Certainty is a portrait of a young woman searching for her purpose and place in the world-without a road map to guide her. This memoir "should be required reading for your 20s" (Cosmopolitan). A few months before her twentieth birthday, Janet Mock is adjusting to her days as a first-generation college student at the University of Hawaii and her nights as a dancer at a strip club. Finally content in her body after her teenage transition, she vacillates between flaunting and concealing herself as she navigates dating and disclosure, sex and intimacy, and most important, letting herself be truly seen. Under the neon lights of Club Nu, Janet meets Troy, a yeoman stationed at Pearl Harbor naval base, who becomes her first. The pleasures and perils of their relationship serve as a backdrop for Janet's progression through all the universal growing pains-falling in and out of love, living away from home, and figuring out what she wants to do with her life. Fueled by her dreams and an inimitable drive, Janet makes her way through New York City intent on building a career in the highly competitive world of magazine publishing-within the unique context of being trans, a woman, and a person of color. Hers is a timely glimpse about the barriers many face-and a much-needed guide on how to make a way out of no way. Long before she became one of the world's most respected media figures and lauded leaders for equality and justice, Janet learned how to advocate for herself before becoming an advocate for others. In this "honest and timely appraisal of what it means to be true to yourself" (Booklist), Surpassing Certainty offers an "exquisitely packaged gift of her experiences...that signals something greater" (Bitch Magazine).

This book is part of a new generation of historical research that challenges prevailing arguments for the medical and legal construction of male homosexual identities in late nineteenth and early twentieth-century Britain. British society could not tolerate the discussion necessary to form medical or legal concepts of 'the homosexual'. The development of masculinity as a social status is examined, for its influence in shaping societal attitudes towards sex and sexuality between men and fostering resistance to any kind of recognition of these phenomena. Imperatives to bolster masculinity as a social status precluded public recognition of the existence of sex and sexuality between men, even in terms that were hostile and pejorative.

"This assortment of touching, hilarious, and very smart essays moves lesbian and gay history to a new place, geographically and analytically. Ranging widely from deep South to upper South, from rural areas to urban centers, across differences of race class and gender, the authors explore the intersecting meanings of southernness and sexuality with attention to the widest angles of vision, and to the telling details of daily experience."
--Lisa Duggan
coauthor with Nan D. Hunter of "Sex Wars: Sexual Dissent and Political Culture"

To date, lesbian and gay history has focused largely on the East and West coasts, and on urban settings such as New York and San Francisco. The American South, on the other hand, identified with religion, traditional gender roles, and cultural conservatism, has escaped attention. Southerners celebrate their past; lesbians and gays celebrate their new-found visibility; historians celebrate the South--yet rarely have the three crossed paths.

John Howard's groundbreaking anthology casts its net widely, examining lesbian and gay experiences in Mississippi, South Carolina, Georgia, Florida, Louisiana, and Tennessee. James Schnur, by virtue of a Freedom of Information Act query, sheds light on the sinister machinations of the Johns Committee, whose clandestine duty it was to ferret out suspected homosexuals during the McCarthy years. In his essay on the great Southern writer William Alexander Percy, William Armstrong Percy provides tangible evidence that Southern citizens, historians, and archivists have long sought to repress or obscure certain individuals within what C. Vann Woodward described as the perverse section. Moving chronologically throughAmerica's past, from the antebellum and postbellum periods, through the Jim Crow era and the Cold War, to the present, this volume introduces an important new framework to the field of lesbian and gay history--that of regional history.