Journeys Through The Twentieth Century, Stories From One Family is a fascinating study of memory and identity, spanning almost two centuries, using the unique archive of one extended Jewish family.

Journeys Through The Twentieth Century, Stories From One Family is a fascinating study of memory and identity, spanning almost two centuries, using the unique archive of one extended Jewish family.

In 1974 the Queen's Gallantry Medal was instituted to replace awards for gallantry in the Order of the British Empire for actions not quite meriting the award of the George Medal. Since then it has been awarded on 1,044 occasions, which includes 38 posthumous awards and 19 second awards. 'For Exemplary Bravery' explains in detail, for the first time, why the Queen's Gallantry Medal was instituted. It explores the relationship between the Queen's Gallantry Medal and other awards for bravery and, also for the first time, explains why the Royal Warrant was amended in 1977 to allow for posthumous awards. Details of the medal's production are examined - the evolution of its design, the artists involved and how it is manufactured - and the original artwork for the reverse design is revealed. Although intended 'primarily for civilians', the author reveals that the medal has, in fact, been awarded to more military recipients than civilian. The majority of this unique book comprises the register of recipients and their stories of extraordinary bravery. It lists every award; all of the published citations are included, with explanatory notes, the personal recollections of many of the recipients, and the details of their other awards and medals. Also included are citations never before published in the London Gazette. A series of thirteen appendices provides first-hand accounts of events that prompted actions to rescue others, repel pirates, tackle armed and violent robbers or deal with unexploded bombs. 'For Exemplary Bravery' is lavishly illustrated with pictures of the recipients, images from the scenes of the incidents where they reacted so gallantly, and full colour photographs of many of their medals groups.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A few years of diligent and meticulous research has gone into the creation of this book about the history of the ancestors of our wider family.

The melodramatic and romantic cliche s that pervade popular conceptions of working-class Londoners in the 19th and 20th century are debunked in this innovative expose of proletariat London. The individual stories of muted historical figures, including an illiterate silk weaver, a grandmother in an asylum, a deserted family, an abused daughter, and a dead child, are brought to light through interpretations of the scraps they left behind-- gravestone inscriptions, photographs and certificates, the grimy contents of hidden cubbyholes, and even childhood recollections that have been passed down through the generations. The unusual contents of these stories intertwine to evoke a haunting and original picture of working-class London that adds a much-needed, though bleak facet to the city's social history.

The purpose of this book is to highlight the most important documentary evidence available to the family historian wishing to research their Irish ancestry. It is aimed primarily at researchers whose time in Irish repositories is limited, and who want to know what is available locally and online. It covers more than eighteen individual sources of information, making it simpler to organise your search and easier to carry it out both locally and on the ground. Contents: 1. Where to Begin; 2. Administrative Divisions; 3. Civil Registration; 4. Census Returns and Old Age Pension Claims; 5. Census Substitutes; 6. Wills and Testamentary Records; 7. Election Records; 8. Board of Guardian Records; 9. School Records; 10. Migration; 11. Emigration; 12. Landed Estate Records; 13. Taxation and Valuation Records; 14. Church Records; 15. Military Records; 16. Printed Records; 17. Law & Order; 18. Local Government; 19. Researching Online.