“Sy bly nog steeds ná 50 jaar in die vermaaklikheidsbedryf ’n nooi soos Min!” – André H. van Dyk

In hierdie pragboek word foto’s en memento’s uit Min Shaw se persoonlike fotoalbums en plakboeke opgeneem. Min se herinneringe aan haar kinderdae, haar transformasie van onderwyseres tot sang- en filmster, en die mense wat haar op haar pad na sukses gehelp het, word in haar eie woorde weergegee. Min deel verder snaakse staaltjies uit haar verlede, skoonheidsgeheime en interessante “Min-feite”. Sy vertel hoe haar geloof haar positief en plat op die aarde hou. Boodskappe aan Min van bekendes soos Corlea Botha, Franz Marx, Lance James en Leon van Nierop word ook ingesluit.

The Irish have always been a travelling people. In the centuries after the fall of Rome, Irish missionaries carried the word of Christianity throughout Europe, while soldiers and mariners from across the land ventured overseas in all directions. Since 1800 an estimated 10 million people have left the Irish shores and today more than 80 million people worldwide claim Irish descent.

The advent of the British Empire ignited a slow but extraordinary exodus from Ireland. The pioneering explorers of the Tudor Age were soon overtaken in number by religious refugees, the ‘Wild Geese’ who opted to live outside of the Protestant state and to take their chances in the Spanish or French empires, or in America. The Irish played a pivotal role in the foundation of the United States of America, just as they would in the Civil War that followed eighty-five years later. The lives of Irish emigrants wove in and out of the major events of global history, including the Abbé Edgeworth, confessor to King Louis XVI at his execution during the French Revolution; Margaretta Eagar, governess to the daughters of Nicholas II, the last Tsar of Russia; and William Lamport, who travelled from County Wexford to Central America, and became Don Guillén, a martyr for Mexican independence.

Turtle Bunbury explores the lives of those men and women, great and otherwise, whose journeys – whether driven by faith, a desire for riches and adventure, or purely for survival – have left their mark on the world.

With 29 illustrations, 19 in colour

Dis ? fassinerende verslag van die lewe in maksimumsekuriteit-gevangenisse, met ? vars invalshoek: China was hondemeester, aan die voorfront tydens tronkgevegte. Gewapen slegs met ? knuppel en sy hond moes hy messtekers en oproeriges afweer. Hy is ? mensch, ? ongeslypte diamant met hart en ondernemingsgees.

Hy herinner aan Bennie Griessel: hy rook en drink straf, sy huwelik is op die rotse, hy sukkel om gevoelens te wys, maar oor ? hond wat doodgaan, grens hy. Sy eerste pos, toe hy net 16 was, was op Robbeneiland, waar hy ? lang, breedgeskouerde gevangene met ? vriendelike gesig gesien skerm het. Hy was self ? bokser en kon sien die man het ? besonderse tegniek, dat hy lig op sy voete soos ? weltergewig was.

Die bokser was Nelson Mandela. Saans het Mandela deur sy tralies vir die seun hardgekookte eiers wat hy afgeskil het, aangegee, dan eet hulle saam en gesels. Mandela het hom altyd aaangepor om verder te gaan leer.

Multiple award-winning author Elsa Joubert's memoir about life after the death of her beloved husband. She must come to terms with the loss of independence, friends who die and the changes in her memory and bodily powers. Vivid memories of her eventful life as a celebrated writer are skilfully woven into her story. Filled with wisdom, compassion and humour, this book will leave no reader untouched.

“I saw my mommy walking to the court with a hoodie on and a scarf covering her face. She looked almost like someone that was poor. People were cursing at her… and that broke me. This is the woman who was there for me every day, making lunch for me and my friends when we came from school, and now here she is on television being called a criminal.”

The kidnapping of baby Zephany Nurse from the cot beside her mother’s hospital bed made headline news. Desperate pleas from her parents to return her safely went unanswered. There was no trace of the baby. For 17 years, on her birthday, the Nurse family lit candles and hoped and prayed.

Living not far away from the Nurses, 17-year-old Miché Solomon had just started Matric. She had a boyfriend. She had devoted parents. She was thinking about the upcoming school dance and the dress her mother was going to make for her. She had no idea that a new girl at her school, who bore an uncanny resemblance to her, and a DNA test would shake her world to its foundations.

Miché is now 22. This is her story – for the first time in her own words. Told with astonishing maturity, honesty and compassion, it is also a story of what it means to love and be loved, and of claiming your identity.

Bukeng ena e ntle le e tletseng kgothatso, Mofts Afrika Borwa, Shudufhadzo Musida, o pheta pale ya moo a tswang teng bophelong; ho tsa mmino le ho tantsha le ho ba sebueng motsaneng o bitswang Ha-Vhangani, a potapotilwe ke lerato haholoholo le tswang ho mme wa hae le Nkgono Gugu.

Empa dintho di a senyeha ha Shudu a fallela toropong e ntjha mme o hloriswa ke bomphato ba hae ka tlelaseng.

Bala kamoo Shudu a hlolang tlhonamo le mathata ao a kopaneng le ona, mme e eba ngwanana, le ho ba motho e moholoya ithutileng ho ithata!

A young girl on the Cape Flats is gifted in exchange for a bottle of alcohol, a woman is beaten by her boyfriend and told to bezekela (persevere), a businesswoman is asked for sexual favours to secure a contract, while a child rapist is released on bail after three years...

South Africa is a country at war with its women. Rarely a woman can be found who has not been the victim of some kind of abuse or does not know a friend or a family member who has. Gender-based violence takes many different forms – emotional, financial, physical, sexual and structural – and it can be meted out by strangers, intimate partners or a family member.

Many women are overcome by a sense of shame when they are sexually or emotionally abused but sharing what was once a secret, helps to break shame’s hold. ‘I am not defined by the abuse I have suffered,’ writes Sue Nyathi. ‘I am not a victim; I am a survivor.’

In When Secrets Become Stories, women from all walks of life, across racial lines, age and income demographics, boldly speak out. With contributions by Lorraine Sithole, Desiree-Anne Martin, Mamokgethi Phakeng, Shafinaaz Hassim, Cathy Park Kelly and Olivia Jasriel, who as a child was sexually abused by tennis star Bob Hewitt.

A laugh-out-loud funny collection of insightful and razor-sharp essays on motherhood in our post-apocalyptic world from comedian Natasha Leggero. When Natasha Leggero got pregnant at forty-two after embarking on the grueling IVF process, she was over the moon. But once her feelings of bliss dissipated, she couldn't help but shake the lingering question: Am I doing this right? And then, Should I be doing this if the world is about to end? In The World Deserves My Children, Natasha explores themes like "geriatric" motherhood, parenting in an environmental panic, fear and love, discipline (and conflicting schools of thought on how not to raise a brat), and more. Ultimately, Natasha determines that motherhood is worth it. After all, where do you think the next five generations of humans will be if the only people who are having kids don't believe in science? The world deserves my children.

The Real Interior not only allows the reader a behind-the-scenes peek into the glitz and glamour of design and décor, but into a career once never considered an option for a young girl, born in Soweto.

As one of the first black and very recognisable faces of Interior Design in Africa, Nthabi Taukobong was thrust into the limelight from the very start of her profession. Spanning a career of more than 23 years she has worked on esteemed residential and leisure projects for presidents, African royalty, captains of industry and five-star hotels, to name but a few. Through the rough and often very challenging terrain of her chosen career, sprinkled generously with the high-end glamour of prestigious interiors that Nthabi has been privileged to work on, she learned that she, in fact, had to be seated right within her own interior before she could offer anything further to those in search of her creative gift.

And as she searched and explored the greater world of design, trying to grasp what it really took to be an esteemed designer, the journey unexpectedly brought her right back into her own home. Not only Nthabi’s physical home, but also to her inner-home, the place that she refers to as her ‘real interior’. It was in writing a letter one evening, congratulating herself on reaching the milestone of 21 years in her career, that Nthabi discovered she was not only writing to herself, but to every creative.

Her letter ended up being an entire book and Nthabi finally understood how her unique story could inspire and encourage others.

Once in a while a publisher receives a book submission that makes them sit back in their chair, read out loud what is in front of them and laugh at the pure joy the writing and imagery evoke. This was the case with the first three short stories author Yusuf Daniels submitted to Jacana Media.

They were instantly recognisable. They were funny as hell. The nostalgia, triggered by the mere mention of a sight, sound or smell, instantly transported the reader to a time and place that spoke to Coloured culture and lived experiences on the Cape Flats and surrounding townships. There was something magical about the way Daniels recollected his memories from his childhood in those first three stories, which he had also posted on Facebook, eliciting a slew of likes, shared experiences and feedback from his followers to “write more” and “do you remember, Yussie …”.

Living Coloured (because Black and White were Already Taken) is a compilation of short stories that is an ode to an era all Cape Coloured people will instantly recognise – from the nightclubbing at Space Odyssey and the shenanigans at the Mitchells Plain public swimming pool, to the traditions of delectable food exchanges during Ramadan among Muslims and Christians, alike. This book truly is a tribute to all that the Coloured community holds dear and sings of the spirit which helped them eek out an existence on the dusty flat plains of the Cape.

But as you read story after story, you will also be confronted with the blatant racism that was the Group Areas Act, the legacy of a people removed and dumped in this windswept place that wasn’t of their own making, and the constant forging ahead to make life worthwhile under very harsh political and economic circumstances. The stories will also leave you seething with anger at the sheer brutality of what this community had to endure (and still do), while their black counterparts in the township next door lived even harsher realities.