This volume, Volume 2, is a supplementary text and consists of a text edition of his astronomical legacy, prepared for the printing press in the 1650s, but only now finalized and published. Volume 1 presents Marggrafe's stunning biography. Georg Marggrafe (1610-1643) is today hailed as the principal author of an influential account of the natural history of Northern Brazil and as compiler of the first accurate map of the area, which is considered as one of the most elegant products of seventeenth-century Dutch cartography. But initial he had the ambition to become known in astronomy. With the support Johan Maurits van Nassau-Siegen, then governor-general of colonial Dutch Brazil, he built in Recife the first European-style astronomical observatory on the South-American continent, where he systematically charted the southern stars. He intended to supplement the famous astronomer Tycho Brahe, who charted the Northern sky half a century before. But Marggrafe's untimely death (and the negligence of a Leiden professor) prevented the publication of his valuable observations. As a result, Marggrafe did not achieve fame in astronomy, but instead became famous for his equally remarkable other achievements.

Met haar innemende en boeiende vertelstyl teken Dot Serfontein in Systap onder die juk verhale oor die lewens van ’n versameling merkwaardige mense op.

Die leser leer ken ’n groep Noord-Vrystaters wat aan dié wêreld sy sonderlinge geskiedenis en karakter verleen het. Dit is ’n distrik “lankal reeds bewoon deur verantwoordelike, stoere mense wat hulle deur niemand laat voorsê nie”, soos dit in die titelverhaal gestel word.

Van hierdie stoere mense is byvoorbeeld die unieke tant Hannie Wolmarans. Die staaltjies oor haar het vir die skryfster as kind so onwaarskynlik geklink dat hulle in dieselfde klas as sprokies geval het. Daar is byvoorbeeld ook oom Lood, wat selfs in die eienaardige Serfontein-familie, hom kon onderskei as ’n eienaardige mens. Die luimige aard van die vertellings word ook in hierdie bundel deurweef met waardering en deernis, veral vir haar ma Boeta en pa Oupats.

Imagine what it would be like to walk in freedom, to break through past pain and trauma, to become whole and healed? What if your broken marriage could find strength for tomorrow, hope and healing like never before?

Lucy shares her own broken journey, traveling through the pain and trauma of some of life's most difficult trials - persevering through sexual and verbal abuse, bullying, chronic illness and pain, a marriage torn apart, a life and death diagnosis, and even terrifying natural disasters. This book was written for those who are seeking to become whole again, longing for restoration and clarity, ready to break free and find healing. Is this you? What do you do with your broken heart? Through Lucy's story, you will discover hope and witness the healing power of God's love through Jesus that she experienced exploring her own broken road and path to restoration.

Lucy set out to write her story, isolated in the woods at her cabin, when a forest fire broke out. The fire raged closer and closer as she alternated between fire updates and her writing. Who knew this was supposed to be about the past and the here and now? God knew...he had a plan. After a terrifying night with the wind howling and shaking the windows, the smell of smoke filling the house, she was evacuated with the fire just a half mile away. The title to the book emerged; Through the Fire, Traveling the Broken Road to Hope and Healing.

Let Lucy's inspiring story open your heart and eyes to the healing power of grace and redemption through walking hand in hand with Christ. Rejoice with Lucy at the healing and wholeness found in Him alone. In Him all is made new, in Him nothing is impossible, in Him we find healing and wholeness.

A captivating and insightful account of Dr Max Price’s journey at the helm of a major South African university during a period of immense upheaval.

As Vice-Chancellor of the University of Cape Town for two terms from 2008 to 2018, he offers a candid look at the challenges he faced during his time including transformation, rights of artistic expression, institutional culture, clemencies and amnesties, restorative justice and ethical decision, and of course, #FeesMustFall protests – which shook the country's higher education sector to its core.

Drawing on his experiences, Price delves into the complexities of multi-stakeholder decision-making, crisis management, and the importance of values such as academic freedom in an increasingly polarised world. Part memoir, part insider's view of history, and part leadership guide, Statues and Storms is a must-read for anyone interested in higher education, South African history, or the art of leadership during times of crisis.

In the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes ’zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them.

But despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet.

Determined to hold on to all that was left of one of his closest friends—his memories—Hua turned to writing. Stay True is the book he’s been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.

Orwell's personal account of his experiences and observations in the Spanish Civil War.

Each year brings a glut of new memoirs, ranging from works by former teachers and celebrity has-beens to disillusioned soldiers and bestselling novelists. In addition to becoming bestsellers in their own right, memoirs have become a popular object of inquiry in the academy and a mainstay in most MFA workshops. Courses in what is now called life-writing study memoir alongside personal essays, diaries, and autobiographies. Memoir: An Introduction proffers a concise history of the genre (and its many subgenres) while taking readers through the various techniques, themes, and debates that have come to characterize the ubiquitous literary form. Its fictional origins are traced to eighteenth-century British novels like Robinson Crusoe and Tom Jones; its early American roots are examined in Benjamin Franklin's Autobiography and eighteenth-century captivity narratives; and its ethical conundrums are considered with analyses of the imbroglios brought on by the questionable claims in Rigoberta Menchu's I, Rigoberta, and more notoriously, James Frey's A Million Little Pieces. Alongside these more traditional literary forms, Couser expands the discussion of memoir to include film with what he calls "documemoir" (exemplified in Nathaniel Kahn's My Architect), and graphic narratives like Art Spiegleman's Maus. In sum, Memoir: An Introduction provides a succinct and comprehensive survey to today's most popular form of life-writing.

Kaizer Nyatsumba, renowned journalist and commentator turned senior business executive, tells his remarkable story of transition and integrity. From his birth in poverty on a farm at White River in Mpumalanga, to his studies at the University of Zululand, Georgetown University in the United States and the University of Hull in the United Kingdom, becoming a journalist and newspaper editor, and finally a senior business executive on listed and non-listed companies in South Africa.

During the late-nineteenth and early-twentieth century a growing number of ordinary citizens had the feeling that all was not as it should be. Men who were making money made prodigious amounts, but this new wealth somehow passed over the heads of the common people. As this new breed of journalists began to examine their subjects with scrutiny, they soon discovered that those individuals were essentially "simple men of extraordinary boldness." And it was easy to understand how they were able to accomplish their sinister purposes: "at first abruptly and bluntly, by asking and giving no quarter, and later with the same old determination and ruthlessness but with educated satellites who were glad to explain and idealize their behavior."[i] "Nothing is lost save honor," said one infamous buccaneer, and that was an attitude that governed the amoral principles and extralegal actions of many audacious scoundrels. Relying on secondary sources, magazine and newspaper articles, and personal accounts from those involved, this volume captures some of the sensational true stories that took place in the western United States during the late-nineteenth and early-twentieth century. The theme that runs through each of the stories is the general contempt for the law that seemed to pervade the culture at the time and the consuming desire to acquire wealth at any cost-what Geoffrey C. Ward has called "the disposition to be rich." ------------------------------------------------------------ End Notes Introduction [i]Louis Filler, Crusaders for American Liberalism (Yellow Springs, OH: Antioch Press, 1964), 14.

Samuel Daniell can be described as one of the most accomplished yet least-known artists from the era of British exploration. He travelled around southern Africa between 1800 and 1803, and lived in Ceylon until his death in 1811.

His vivid sketches, drawings and watercolours are individuated and accomplished art works. Daniell’s representations of people of colour are remarkable for their perceptiveness and are perhaps unmatched in their sensitivity in the colonial era.

He also produced many drawings and paintings of animals that are noteworthy for their accuracy. His biography is a fascinating example of how art contributed to the accumulation of scientific knowledge and the extension of British imperial power.

Daniell’s drawings are widely scattered, and mostly unpublished. This biography reconstructs his life and travels by bringing together his known works from collections across the world.

In The 50 Greatest Players in Chicago Bears History, sports historian Robert W. Cohen ranks the top 50 players ever to perform for one of the NFL's most historic franchises. This work includes quotes from the subjects themselves and former teammates, photos, recaps of memorable performances and greatest individual seasons, as well as a statistical summary of each player's career with the Bears. The Bears' best are profiled here in what is bound to be a much discussed book among the team's broad fan base. An added bonus are the "honorable mentions," the next 25 players who have contributed to the Bears' astounding run as one of America's great sports teams.

In Running from the Shadows Stephanie Hickey tells, in her own words, how she survived abuse at the hands of a trusted family member and of how running, a simple physical activity helped her achieve mindfulness, but also to rediscover love and faith in her body - to reclaim it. Charting her life growing up in the rolling countryside of Waterford in the safety of her beloved family to the moment her childhood was shattered, to the court case where she waived her anonymity, to how she was able to reclaim a sense of herself through the sport which became like a therapy, Running from the Shadows is told with humour, strength and incredible courage -- a book that reveals how, even when things seem at their bleakest, a run through the Irish countryside, can bring you back into the light.

After Vanessa Goosen is imprisoned for smuggling drugs out of Thailand she gives birth to Felicia in Lard Yao Prison.

Felicia is sent back to South Africa when she turns three. Here she is lovingly raised by her mom's best friend. But Felicia feels desolated and she does not know how to voice her feelings. Years of rebellion and self harming follows.

In her student years Felicia's life turns around, and she becomes a wounded healer, reaching out to others bringing a message of hope.

Oliver Sacks, one of the great humanists of our age – who describes himself in these pages as a ‘philosophical physician’ and an ‘astronomer of the inward’ – wrote to an eclectic array of family and friends. Most were scientists, artists, and writers, even statesmen: Francis Crick, Antonio Damasio, Jane Goodall, W. H. Auden, Susan Sontag, Stephen Jay Gould, Björk, and his first cousin, Abba Eban. But many of the most eloquent letters in this collection are addressed to the ordinary people who wrote to him with their odd symptoms and questions, to whom he responds with a sense of generosity and wonder.

With some correspondents, Sacks shares his struggle for recognition and acceptance both as a physician and as a gay man, providing intimate accounts as well of his passions for competitive weightlifting, motorcycles, botany, and music. With others, he chronicles his penchant for testing the boundaries of authority, the discovery of his writer’s voice, and his explosive seasons of discovery with the patients who populate his book Awakenings.

His descriptions of travels as a young man and the extraordinary people he encounters can be lyrical, ferocious, penetrating and hilarious. Many of his musings include the first detailed sketches of an essay forming in his mind, or miniature case histories rivalling those in his beloved essay collections.

Sensitively selected and introduced by Kate Edgar, Sacks’s longtime editor, the letters trace the arc of a remarkable life and reveal an often surprising portrait of Sacks as he wrestles with the workings of his own brain and mind.

Considered by many to be the iconic French memoirist's defining work, The Years is a narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present, cultural habits, language, photos, books, songs, radio, television, advertising and news headlines. Annie Ernaux invents a form that is subjective and impersonal, private and communal, and a new genre - the collective autobiography - in order to capture the passing of time. At the confluence of autofiction and sociology, The Years is 'a Remembrance of Things Past for our age of media domination and consumerism' (New York Times), a monumental account of twentieth-century French history as refracted through the life of one woman.

The phenomenal Korean bestseller translated by international booker shortlistee Anton Hur.

PSYCHIATRIST: So how can I help you?

ME: I don't know, I'm – what's the word – depressed? Do I have to go into detail?

Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her – what to call it? – depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgemental of others. She hides her feelings well at work and with friends; adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting, overwhelming, and keeps her from forming deep relationships. This can't be normal.

But if she's so hopeless, why can she always summon a desire for her favourite street food, the hot, spicy rice cake, tteokbokki? Is this just what life is like?

Recording her dialogues with her psychiatrist over a 12-week period, Baek begins to disentangle the feedback loops, knee-jerk reactions and harmful behaviours that keep her locked in a cycle of self-abuse. Part memoir, part self-help book, I Want to Die but I Want to Eat Tteokbokki is a book to keep close and to reach for in times of darkness.