Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collected editions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition. The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of the five so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition.

Cara is ná twee wêreldoorloë eindelik op pad terug na haar geboorteland. Sy is destyds wettig deur die Du Toits aangeneem en sy en Clarabelle het  saam grootgeword. Na haar weggaan het die twee gereeld gekorrespondeer, maar later het die oorlog tussenbeide gekom. Sy word goed ontvang en almal is begaan oor haar welstand, maar sy bly verward en eensaam. Vir haar voel dit soms of sy vir die res van haar lewe op reis sal wees. Het sy eindelik haar bestemming bereik? Tyd sal wel leer.

Natasja bevind haar vroegoggend op die snelweg, tien ure noord van Kaapstad. Al haar besittings is agter in die kar en sy sweer sy sit haar voete nooit weer naby Johnny nie. Eers nadat sy op die N18 afgedraai het, onthou Natasja: George, haar pa se boesemvriend, woon nog op Lelievlei. Miskien moet sy gaan aanklop?

In dié aangrypende roman herinner die skrywer ons hoe die liefde ons almal raak. En soms skenk die heelal vir jou ’n beskermengel wanneer jy dit die nodigste het.

Sarah het geen begeerte om met grasie oud te word nie. Sy dra onpaar oorbelle, ’n groot sonbril en haar hare is bloedrooi gekleur. Wat sy wel nie op haar ouderdom verwag het nie, is om na haar 55ste martriekreünie genooi te word. En boonop vereis die uitnodiging dat sy ’n metgesel saambring  – wat sy, ’n weduwee, wáár moet kry? Sy is nuuskierig oor die affêre, maar om na haar grootworddorp terug te keer gaan ou wonde oopkrap. En sy gaan vir Franco, die hartevertrapper, weer in die oë moet kyk!

From USA Today and Wall Street Journal bestselling author Sierra Simone comes her steamy, TikTok-famous Priest series, in which sinners and saints alike test the bonds of religion, love, and lust. He's a priest, and here is his confession. There are many rules a priest can't break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God. Tyler Bell has had no problem playing by the rules for the last three years after a family tragedy set him on the path to priesthood. That all changes when the delicious, sultry voice of Poppy Danforth sinks its claws in him through the screen of his confessional booth, and he can't get her sins out of his head. It should be easy to put his impure thoughts of her to rest, considering the vows Tyler has taken. It should be nothing to overcome what the sight and sound of her does to him, when his life with the Church means everything. But once he has his first forbidden taste of those red lips, Tyler can't help but break all his rules for Poppy-no matter what it might cost them both.

Attending your best friend’s wedding should be a piece of (wedding) cake, but not for bestselling mystery author Eleanor Dash. Because murder seems to follow her every time she goes on holiday – and is her uninvited plus-one to this special occasion . . .

Eleanor’s best friend, Emma, is starring in a movie alongside her co-star and fiancé, Fred. As filming wraps, they invite the whole cast and crew to their wedding at nearby Catalina Island.

There may be a storm headed their way – because of course there is – but nothing will stop their nuptials. That is until Emma receives a note that says: Someone is going to die at the wedding.

Eleanor is practically a professional detective at this point, and she’ll do everything she can to uncover the murderer. But will this be a destination wedding to die for in more ways than one?

A contemporary version of the story of David and Bathsheba. When David Samuel, chairman of Globe Oil, a multinational oil company, becomes a widower, his world is turned upside down. His old friend, Nathan - also a work colleague - and his wife have provided support and care for him, as has his friend and colleague, Rich Hampton. Rich has recently married the beautiful Beth. Then David notices a beautiful girl on a train and is very attracted to her. Later it becomes devastatingly clear that this is the new Mrs Hampton. David plans to get Rich out of the way by sending him on an assignment abroad, and begins an affair with his wife; but Beth becomes pregnant. When conscientious Rich won't return home, there's only one solution in David's mind. he has Rich murdered. Played against a strong backdrop of good supporting characters (including Beth's sister, Cerys, whose husband has an affair and leaves her), Beth ultimately loses the baby. But David has an epiphany; fasting for the child and the woman he loves, he meets with God. He is a chastened and changed man. Beth too has her own experience with God, and throws herself into charitable work. At the end, they come together again, different, but still in love.

THE JURA EDITION with new introduction by Alex Massie 'For him Jura was home' - Richard Blair on his father George Orwell 'The book of the twentieth century . . . haunts us with an ever-darker relevance' - Ben Pimlott, Independent 'The greatest British novel to have been written since the war' - Time Out 'His final masterpiece . . . enthralling and indispensable for understanding modern history' - New York Review of Books The year is 1984 and war and revolution have left the world unrecognisable. Great Britain, now known as Airstrip One, is ruled by the Party, led by Big Brother. Mass surveillance is everything and The Thought Police are employed to ensure that no individual thinking is allowed. Winston Smith works at The Ministry of Truth, carefully rewriting history, but he dreams of freedom and of rebellion. It is here that he meets and falls in love with Julia. They start a secret, forbidden affair - but nothing can be kept secret, and they are forced to face consequences more terrifying than either of them could have ever imagined. In this new edition of a modern classic, Alex Massie's introduction highlights the importance that Jura had on the writing of one of the twentieth century's most important works of fiction.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an aspiring artist herself, knows otherwise, and she is determined to find out the story of these three enigmatic figures.

Twenty-five years earlier, in a distant seaside town, a group of teenagers find refuge from their bruising home lives by spending long summer days on an abandoned pier, telling silly jokes, sharing secrets, and committing small acts of rebellion. These lost souls find in each other a reason to get up each morning, a reason to dream, a reason to love.

Out of that summer emerges a transcendent work of art, a painting that will unexpectedly be placed into eighteen-year-old Louisa’s care. She embarks on a surprise-filled cross-country journey to learn how the painting came to be and to decide what to do with it. The closer she gets to the painting’s birthplace, the more nervous she becomes about what she’ll find. Louisa is proof that happy endings don’t always take the form we expect in this stunning testament to the transformative, timeless power of friendship and art.

Meet Lalla Rook. Lalla has a lot on her plate: She needs to guarantee her husband makes partner, secure her dream house in Hampstead, and get her daughter into a prestigious prep school. And on the afternoon she stabs a stranger seven times after he breaks into her living room, she has a four-year-old’s birthday party to host.

With an unambitious partner, two demanding children, and a barely adequate large house in a nice (if not quite fashionable) part of town, Lalla’s life isn’t quite perfect yet. And she can’t pretend she hasn’t missed the adrenaline rush that comes with transgressing. Besides, as a wife and mother, she’s already an expert multi-tasker. So, disposing of a body, framing a friend, and being the world’s best mother can easily be managed alongside the usual domestic minutiae.

It’s just that her husband Stephen seems distracted, her daughter’s drowning of the class hamster is affecting her academic future, and then there is the unexpected intruder. Who is this man and what does he want from her? Because Lalla has a past she’d rather keep hidden—and the sudden appearance of the police means that avoiding them will be yet another task to cross off her to-do list.

Funny, calculating, hypercompetent, and ambitious, Lalla is your next favorite antiheroine. Just don’t mention it to her mother-in-law.

Aldous Huxley's 1932 dystopian classic Brave New World predicts - with eerie clarity - a terrifying vision of the future, which feels ever closer to our own reality.

Far in the future, the World Controllers have created the ideal society. Through clever use of genetic engineering, brainwashing and recreational sex and drugs all its members are happy consumers. Bernard Marx seems alone harbouring an ill-defined longing to break free. A visit to one of the few remaining Savage Reservations where the old, imperfect life still continues, may be the cure for his distress...

Huxley's ingenious fantasy of the future sheds a blazing light on the present and is considered to be his most enduring masterpiece.

As Hollywood prepares for its most glamorous evening, five actresses compete to see who will claim the top prize.

Adria, a dignified and highly regarded grand dame of the movie industry, is intent on cementing her legacy as one of the greatest thespians of all time, even as the younger generation creeps up quickly behind her. Bitty must keep a nervous breakdown—and an increasingly debilitating alcohol addiction—at bay, as she searches for genuine closeness in an unforgiving landscape. Contessa, a former child star, is determined to make the world, and her leading man, take her seriously. Davina attempts to find her footing in superficial Los Angeles, a far cry from her roots as a serious London stage actress. And Jenny—always the underdog to her rival, Adria—sees this award season as her personal redemption, a chance to atone for past mistakes and make up for missed opportunities.

With humor, wit, and an insider’s insight, The Talent peels back the layers of women who are in the business of being perceived. And while they work to push their careers forward and maintain the public’s goodwill, all five are forced to control truths about themselves that they would rather ignore: Could Adria and Jenny have been a team all these years, rather than bitter enemies? Is it their responsibility to offer a lifeline to poor Bitty, who is clearly teetering on the edge? Should Contessa and Davina dim their own rising stars to make those around them more comfortable? What do women in the spotlight owe to each other, and themselves?

It’s move-in day at Tiffin Academy and amidst the happy chaos of friends reuniting, selfies uploading, and cars unloading, shocking news arrives: America Today just ranked Tiffin the number two boarding school in the country. It’s a seventeen-spot jump – was there a typo? The dorms need to be renovated, their sports teams always come in last place, and let’s just say Tiffin students are known for being more social than academic. On the other hand, the campus is exquisite, class sizes are small, and the dining hall is run by an acclaimed New York chef. And they do have fun—lots of parties and school dances, and a piano man plays in the student lounge every Monday night.

But just as the rarefied air of Tiffin is suffused with self-congratulation, the wheels begin to turn – and then they fall off the bus. One by one, scandalous blind items begin to appear on phones across Tiffin’s campus, thanks to a new app called ZipZap, and nobody is safe. From Davi Banerjee, international influencer and resident queen bee, to Simone Bergeron, the new and surprisingly young history teacher, to Charley Hicks, a transfer student who seems determined not to fit in, to Cordelia Spooner, Admissions Director with a somewhat idiosyncratic methodology – everyone has something to hide.

As if high school wasn’t dramatic enough...As the year unfolds, bonds are forged and broken, secrets are shared and exposed, and the lives of Tiffin’s students and staff are changed forever. The Academy is Elin Hilderbrand’s fresh, buzzy take on boarding school life, and a thrilling new direction from one of America’s most satisfying and popular storytellers.

An immensely powerful epic of colonialism, set in 18th-century Greenland, about the great forces of nature, the meeting of cultures and fathers and sons. 1728: The doomed Danish King Fredrik IV sends a governor to Greenland to establish a colony, in the hopes of exploiting the country's allegedly vast natural resources. A few merchants, a barber-surgeon, two trainee priests, a blacksmith, some carpenters and soldiers and a dozen hastily married couples go with him. The missionary priest Hans Egede has already been in Greenland for several years when the new colonists arrive. He has established a mission there, but the converts are few. Among those most hostile Egede is the shaman Aappaluttoq, whose own son was taken by the priest and raised in the Christian faith as his own. Thus the great rift between two men, and two ways of life, is born. The newly arrived couples - composed of men and women plucked from prison - quickly sink into a life of almost complete dissolution, and soon unsanitary conditions, illness and death bring the colony to its knees. Through the starvation and the epidemics that beset the colony, Egede remains steadfast in his determination - willing to sacrifice even those he loves for the sake of his mission. Translated from Danish by Martin Aitken, Kim Leine's The Colony of Good Hope explores what happens when two cultures confront one another. In a distant colony, under the harshest conditions, the overwhelming forces of nature meet the vices of man.

When art-thief and gambler Jim Markham falls foul of Satan, he must undergo the ordeal of the seven footprints in order to avoid slavery or death. If he fails he will be forced to carry out Satan's demonic bidding for the next year of his life.

Pride and Prejudice, which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it the garrulous and empty-headed Mrs Bennet has only one aim - that of finding a good match for each of her five daughters. In this she is mocked by her cynical and indolent husband. With its wit, its social precision and, above all, its irresistible heroine, Pride and Prejudice has proved one of the most enduringly popular novels in the English language.

Published during the heyday of fascism in Europe, It Can't Happen Here is a chilling cautionary tale by one of the greatest American writers of the twentieth century, which is still startlingly relevant almost a century later. Charting the rise to power of Berzelius 'Buzz' Windrip, who whips his supporters into a frenzy while promising drastic reform under a banner of patriotism and traditional values, It Can't Happen Here decries the tactics used by politicians to mobilise voters, and exposes the danger of authoritarianism arising from populist platforms, and the chaos such regimes can leave in their wake.