In a world submerged by rising seas, What We Can Know spans the past, present and future to ask profound questions about who we are and where we are going.

2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found.

2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.

Tom Metcalfe, a scholar at the University of the South Downs, part of Britain's remaining archipelagos, pores over the archives of the early twenty-first century, captivated by the freedoms and possibilities of human life at its zenith.

When he stumbles across a clue that may lead to the great lost poem, revelations of entangled love and a brutal crime emerge, destroying his assumptions about a story he thought he knew intimately.

When Gerda Charles says she is the cousin of Robert Dudley, the lover of Queen Elizabeth I, she isn't joking. And for most of the past 500 years she's been trying to find a way to die. Thanks to the help of a big-busted girl called Lalla and the man who narrates this gleefully strange story, it looks like she may well have found a way. Although the narrator isn't very happy about it at all?

The intimate, sweeping tale of one Palestinian man’s restless search for home the world over, as the pendulum of fate swings between loss and life, grief and euphoria, regret and hope.

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

LONGLISTED FOR THE 2026 WOMEN'S PRIZE FOR FICTION.

Ná drie jaar op ’n passasierskip smag Jean Botha na ’n plek wat syne is en waar hy gewoon net mens kan wees. Tans verkeer hy elders: iewers en tegelykertyd nêrens.

Die oomblik toe hy terug op eie bodem vir Renette Brink op Stellenbosch ontmoet, weet Jean een ding vir seker: Hy sal haar nooit weer kan vergeet nie. Maar Renette is verloof aan Martin Hoogendyk, ’n gesiene boer van die Oos-Vrystaat.

Toe sy vriend Duncan Weston aanbied dat Jean op sy plaas naby Bethlehem gaan toesig hou oor die bedrywighede daar, gryp hy die die geleentheid dadelik aan. Op Heuningkrans slyp hy sy nuutgevonde kunstalent en begin sy eie skilderye te verkoop. Hy besoek selde die dorp en vermy so enige onverwagse herontmoeting met Renette.

Intussen is onheil besig om in die pasgetroude Hoogendyks se huishouding te ontvou. Gaan Renette betyds die regte besluit maak?

’n Meesleurende roman oor twee mense wat hulself vir die keuses van die verlede moet vergewe voor hulle ’n ware tuiskoms en liefde kan vind.

A non-fiction classic from Orwell. Part I documents his sociological investigations of the living conditions amongst the working class in Lancashire and Yorkshire in the industrial north of England in the 1930s. Part II covers his middle-class upbringing, the development of his political conscience, and a discussion of British attitudes towards socialism.

Christmas is just around the corner, and Ronja and Melissa's father is out of work. When ten-year-old Ronja hears about a job selling Christmas trees, she thinks it might be the stroke of luck they all need. Soon, the fridge fills with food and their father comes home smiling, covered in spruce needles. But the local pub has an irresistible pull and he quickly abandons his responsibilities.

Melissa decides to take his place at the Christmas tree stand, working before and after school, and bringing Ronja with her. On rare breaks in the dark of a Norwegian December they dream of a brighter place of kindness and plenty - and find there are some people in the world who might help them.

Small in stature but with an outsize impact on the reader, Brightly Shining has all the markings of a magical modern classic.

 Five men survive a South Seas shipwreck and wash up on a seemingly deserted beach, only to discover that five beautiful, winged women inhabit the island. Dazzled and soon in love, the men will do anything to possess these flying women . . . but what they plan, and how the magical women respond, is tellingly—and predictably—human.

First published in 1914, and praised by Ursula K. LeGuin as “a real rediscovery—romantic, satiric, funny, fanciful, and a good read,” Angel Island is an adventure story and a genre-defining tale about women’s rights. 

A Bookseller in Madrid is ultimately a story about dreams--dreaming with courage when nothing seems to make sense and dreaming with hope when words printed on a page are all you can hold on to.

For as long as she can remember, Barbara Spiel has always found solace in books. Born in Germany and having come of age in a tumultuous era, she flees her home country as the Nazis rise to power in the early 1930s. Her destination? Madrid. There she's determined to realize her long-held dream of opening a bookshop and creating a safe haven for young idealists and independent thinkers to come together to transform the world.

Yet Spain isn't immune from its own troubles. The winds of change are blowing through both city and countryside, and it's impossible to predict what will happen. When the outbreak of the Spanish Civil War puts Barbara and everyone around her in peril--including the Spanish Socialist parliamentarian she's fallen deeply in love with--the terror and hatred seem all too familiar. It's like Germany all over again, only with its own cast of extremist characters.

Hounded simultaneously by Stalinist checas, Francoist Facists, and the German Gestapo, Barbara fights to keep her bookstore the safe haven that she's always imagined it would be. But with war brewing both inside Spain and outside its borders throughout the entirety of Europe--and beyond--Barbara isn't sure who exactly she can trust, or if people really are who they claim to be.

Sally Holt has always been mystified by the things her older sister, Kathy, seems to have been born knowing. Kathy has answers for all of Sally's questions about life, about love and about Billy Barnes, the high school basketball star who runs the refreshment stand at the local pool. Billy's unfathomable, otherworldly cool puts him on a different planet - until a tragedy leaves Sally's life forever intertwined with his.

Opening in the early nineties and charting almost two decades of shared history and missed connections, Notes on Your Sudden Disappearance is a dazzlingly unconventional love story that brims with unexpected moments of joy.

"What an amazing and intriguing novel!" Can a cynical, nonconformist, dry-goods salesman, a disgruntled blacksmith, and a musing mendicant all find true fulfillment in ancient Palestine? And at what cost? Find out in this intriguing 2020 Readers Favorites award winner.

Attending your best friend’s wedding should be a piece of (wedding) cake, but not for bestselling mystery author Eleanor Dash. Because murder seems to follow her every time she goes on holiday – and is her uninvited plus-one to this special occasion . . .

Eleanor’s best friend, Emma, is starring in a movie alongside her co-star and fiancé, Fred. As filming wraps, they invite the whole cast and crew to their wedding at nearby Catalina Island.

There may be a storm headed their way – because of course there is – but nothing will stop their nuptials. That is until Emma receives a note that says: Someone is going to die at the wedding.

Eleanor is practically a professional detective at this point, and she’ll do everything she can to uncover the murderer. But will this be a destination wedding to die for in more ways than one?

A sharply funny and moving debut in which a young woman accepts a job that takes her though the Italian Dolomites and into an international mystery far greater—and more personal—than she could have ever expected.

For someone who hates secrets, Las Vegas hairdresser Lucy Rey is about to be faced with a whole bunch of them. After discovering that her fiancé has left her without so much as a goodbye, Lucy finds herself short on funds and desperate for a change of scenery. Enter a most unusual job opportunity: a Bearer of Bad News.

Sure, it’s a little strange—the job description has few details, and the bad news is more like a vaguely worded threat—but Lucy can’t say no to the perks: an all-expenses-paid trip to the Italian Dolomites, plus a generous bonus if she proves she’s delivered the message. Then she learns that her task is just the tip of the iceberg.

Launched into a world of betrayal and greed involving eighty-year-old secrets, stolen jewels, and a World War II-era mystery, Lucy is in way over her head—and she’s connected to this story in ways she never could have imagined.

For fans of Maria Semple’s Where’d You Go, Bernadette and Nita Prose’s The Maid, Elisabeth Dini’s Bearer of Bad News is an exhilarating romp that deftly explores the weight of secrets, the power of friendship, and how, by healing the wounds of the past, we can build a brighter tomorrow.

Salento, Italy, June 1934: A coach stops in the main square of Lizzanello, a tight-knit village where everyone knows each other. A couple gets off: The man, Carlo, a child of the South, is happy to be back home after a long time away; the woman, Anna—his wife—is a stranger from the North. Carlo’s brother is there to meet them, and he and everyone else can’t help but notice that Anna is as beautiful as a Greek statue.

But Anna is not like the other wives. She doesn’t gossip or attend church. She reads books no one else has ever heard of, exploring ideas that some find threatening. She even wears pants, just like a man, and thinks a woman should have rights, just like a man.

There aren’t many options for a woman with Anna’s sensibilities, so when she learns that the post office is hiring, she leaps at the opportunity. A female letter carrier? It is unthinkable! But Anna passes the postal exam and soon becomes the invisible thread connecting the town as she delivers letters between clandestine lovers, families waiting to hear news of loves ones away at war, and even helping those who can’t read.

Letters connect people, and they convey information and emotion. But for some in Lizzanello, letters are too little and too late.

The Letter Carrier taps into the universal feeling of connection—and what happens when that connection perhaps comes at the wrong time.

Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent. Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

From USA Today and Wall Street Journal bestselling author Sierra Simone comes her steamy, TikTok-famous Priest series, in which sinners and saints alike test the bonds of religion, love, and lust. He's a priest, and here is his confession. There are many rules a priest can't break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God. Tyler Bell has had no problem playing by the rules for the last three years after a family tragedy set him on the path to priesthood. That all changes when the delicious, sultry voice of Poppy Danforth sinks its claws in him through the screen of his confessional booth, and he can't get her sins out of his head. It should be easy to put his impure thoughts of her to rest, considering the vows Tyler has taken. It should be nothing to overcome what the sight and sound of her does to him, when his life with the Church means everything. But once he has his first forbidden taste of those red lips, Tyler can't help but break all his rules for Poppy-no matter what it might cost them both.

Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collected editions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition. The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of the five so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition.

Oona Kelly Webster is an editor at a prestigious New York publishing house. Married with two children, her twenty-five-year relationship falls apart when she books a silver wedding anniversary getaway at a luxurious château in France and her husband Charles suddenly drops a bombshell which will shatter her carefully built world.

Although devastated, Oona decides to travel to France without Charles, but soon after her arrival in the charming village of Milly-la-Forêt, the world comes to a standstill due to a terrifying pandemic and all travel is forbidden. Isolated and fearful, Oona then receives another shock when she discovers her job has been made redundant. The only thing which helps her to face the tragedy taking place across the world is that she can remain in France, where the beautiful surroundings and slower pace of life will slowly begin to heal her.

And when a chance encounter with her new neighbour, a well-known Hollywood actor who is also stranded far from home, blossoms into something deeper than friendship, Oona wrestles with the risks of opening her heart again— especially to a younger, very famous man who has two young children grieving for their mother.

With a second chance at happiness before her, Oona must be brave enough to stay open to even greater life changes at a time when the world is experiencing great fear and turmoil . . .

Cara is ná twee wêreldoorloë eindelik op pad terug na haar geboorteland. Sy is destyds wettig deur die Du Toits aangeneem en sy en Clarabelle het  saam grootgeword. Na haar weggaan het die twee gereeld gekorrespondeer, maar later het die oorlog tussenbeide gekom. Sy word goed ontvang en almal is begaan oor haar welstand, maar sy bly verward en eensaam. Vir haar voel dit soms of sy vir die res van haar lewe op reis sal wees. Het sy eindelik haar bestemming bereik? Tyd sal wel leer.