Sheldon Soleskin should be having a horrible day. Even though he’s been unexpectedly transferred to a new school right before the holidays, has only one day to set up his new classroom, and just discovered his twin sister's been hiding an invitation to his ex-boyfriend’s Christmas Eve wedding, he’s still ready to take on the world with a smile on his face and a skip in his step.

Theo Berenson just wants to be left alone to his custodial duties. But when the chipper new first-grade teacher needs help moving furniture the Sunday after Thanksgiving, he's forced to do something he detests ... help. To make matters worse, Theo's overbearing parents are coming for Hanukah in a few weeks, and he's told them he has a boyfriend. Except he doesn't. Because who would want to date an oaf like Theo?

Working together, these opposites discover they might be able to help each other out. Agreeing to be each other’s dates, they become friends as they practice for their upcoming events. But when all the rehearsing starts feeling a little too real, and both men's pasts come roaring back to haunt them, will they be able to pull off the ultimate holiday masquerade?

You knew I’d write a book about you someday.

Our narrator understands good love stories—their secrets and subtext, their highs and free falls. But her greatest love story, the one she lived, never followed the simple rules.

In the fall of her senior year of college, she meets two star students from her 17th-Century Lit class: Sam and Yash. Best friends living off campus in the elegant house of a professor on sabbatical, the boys invite her into their intoxicating world of academic fervor, rapid-fire banter and raucous card games. They nickname her Jordan, and she quickly discovers the pleasures of friendship, love and her own intellectual ambition. But youthful passion is unpredictable, and soon she finds herself at the center of a charged and intricate triangle. As graduation comes and goes, choices made will alter these three lives forever.

Decades later, the vulnerable days of Jordan's youth seem comfortably behind her. But when a surprise visit and unexpected news bring the past crashing into the present, she returns to a world she left behind and must confront the decisions and deceptions of her younger self.

Written with the superb wit and emotional sensitivity fans and critics of Lily King have come to adore, Heart the Lover is a deeply moving love story that celebrates literature, forgiveness, and the transformative bonds that shape our lives. Wise, unforgettable, and with a delightful connective thread to Writers & Lovers, this is King at her very best, affirming her as a masterful chronicler of the human experience and one of the finest novelists at work today.

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties - successful, competent and apparently unassailable. But in the wake of their father's death, he's medicating himself to sleep and struggling to manage his relationships with two very different women - his enduring first love Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.

For two grieving brothers and the people they love, this is a new interlude - a period of desire, despair and possibility - a chance to find out how much one life might hold inside itself without breaking.

Harper Lee remains a landmark figure in the American canon – thanks to Scout, Jem, Atticus, and the other indelible characters in her Pulitzer-winning debut, To Kill a Mockingbird; as well as for the darker, late-’50s version of small-town Alabama that emerged in Go Set a Watchman, her only other novel, published in 2015 after its rediscovery. Less remembered, until now, however, is Harper Lee the dogged young writer, who crafted stories in hopes of magazine publication; Lee the lively New Yorker, Alabamian, and friend to Truman Capote; and the Lee who peppered the pages of McCall’s and Vogue with thoughtful essays in the latter part of the twentieth century.

The Land of Sweet Forever combines Lee’s early short fiction and later nonfiction in a volume offering an unprecedented look at the development of her inimitable voice. Covering territory from the Alabama schoolyards of Lee’s youth to the luncheonettes and movie houses of midcentury Manhattan, The Land of Sweet Forever invites still-vital conversations about politics, equality, travel, love, fiction, art, the American South, and what it means to lead an engaged and creative life.

This collection comes with an introduction by Casey Cep, Harper Lee’s appointed biographer, which provides illuminating background for our reading of these stories and connects them both to Lee’s life and to her two novels.

Gentle giant Florian Herscht is an orphan, adopted by a neo-Nazi who has apprenticed him as a graffiti cleaner. The Boss, a Bach fanatic, is enraged that someone is spraying wolf emblems across the monuments to the famed composer in their east German town. He is determined to punish the culprit and Florian has no choice but to join his gang as they devise a plan to catch him. But Florian has bigger things to worry about: having attended Herr Köhler's adult education classes in physics, he can see that the world might end at any moment.

Written in one cascading sentence with the power of atomic particles colliding, Krasznahorkai's novel is a tour de force, a moving character study, a blistering satire and devastating encapsulation of our helplessness at the moral and environmental dilemmas we face today.

A sharply-witted and tender portrait of a young girl's quiet rebellion and her refusal to be broken.

Set in 1960s Bradford, The Mercy Step follows Mercy, a precocious young child facing a world far too big for her small body. She lives with her Windrush-generation parents in a crowded household where her mother's attention is stretched between church and family, and her father's temper is something to be endured or avoided.

Feeling like an outsider within her own home, Mercy retreats into books and the companionship of her beloved doll, Dolly, while learning early how to navigate the flaws and failings of the adults around her. Yet Mercy is nothing if not resilient. Armed with humour, style and fierce imagination, she quietly begins to plot her escape from a traumatic childhood.

A raw and deeply affecting novel of childhood, family and survival in 1960s Britain.

LONGLISTED FOR THE 2026 WOMEN'S PRIZE FOR FICTION.

When Gerda Charles says she is the cousin of Robert Dudley, the lover of Queen Elizabeth I, she isn't joking. And for most of the past 500 years she's been trying to find a way to die. Thanks to the help of a big-busted girl called Lalla and the man who narrates this gleefully strange story, it looks like she may well have found a way. Although the narrator isn't very happy about it at all?

"The past is never done with: always the song continues"

Harlow Donne has devoted his life to the Classical world. When a chance comes up to study an obscure collection of papyrus fragments at Oxford University, he seizes it. Though it means leaving his daughter and fracturing marriage back home in Canada, this is the kind of career break he desperately needs.

In the depths of the Bodleian Library, Harlow discovers a lost account of the Trojan War, a glimpse into the founding of Western civilization itself. He names the epic poem The Psoad, after its protagonist, a Greek commoner identified as Psoas of Midea, but known to all as son of nobody.

As sole translator and interpreter of The Psoad, Harlow dedicates the poem and its footnotes to his daughter, Helen. Under his gaze, the text unlocks echoes of Ancient Greece into the present day, and a personal message to his beloved child appears. Despite the two-thousand-year gap between the two, a thread hasn't frayed: the universal song of homesickness and regret, of ambition, love, and grief.

In this masterpiece of myth, history, and domesticity, Son of Nobody explores how stories become facts, the price we pay to share them, and how we live--then, now, and always.

Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does.

Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

Christmas is just around the corner, and Ronja and Melissa's father is out of work. When ten-year-old Ronja hears about a job selling Christmas trees, she thinks it might be the stroke of luck they all need. Soon, the fridge fills with food and their father comes home smiling, covered in spruce needles. But the local pub has an irresistible pull and he quickly abandons his responsibilities.

Melissa decides to take his place at the Christmas tree stand, working before and after school, and bringing Ronja with her. On rare breaks in the dark of a Norwegian December they dream of a brighter place of kindness and plenty - and find there are some people in the world who might help them.

Small in stature but with an outsize impact on the reader, Brightly Shining has all the markings of a magical modern classic.

Ná drie jaar op ’n passasierskip smag Jean Botha na ’n plek wat syne is en waar hy gewoon net mens kan wees. Tans verkeer hy elders: iewers en tegelykertyd nêrens.

Die oomblik toe hy terug op eie bodem vir Renette Brink op Stellenbosch ontmoet, weet Jean een ding vir seker: Hy sal haar nooit weer kan vergeet nie. Maar Renette is verloof aan Martin Hoogendyk, ’n gesiene boer van die Oos-Vrystaat.

Toe sy vriend Duncan Weston aanbied dat Jean op sy plaas naby Bethlehem gaan toesig hou oor die bedrywighede daar, gryp hy die die geleentheid dadelik aan. Op Heuningkrans slyp hy sy nuutgevonde kunstalent en begin sy eie skilderye te verkoop. Hy besoek selde die dorp en vermy so enige onverwagse herontmoeting met Renette.

Intussen is onheil besig om in die pasgetroude Hoogendyks se huishouding te ontvou. Gaan Renette betyds die regte besluit maak?

’n Meesleurende roman oor twee mense wat hulself vir die keuses van die verlede moet vergewe voor hulle ’n ware tuiskoms en liefde kan vind.

A non-fiction classic from Orwell. Part I documents his sociological investigations of the living conditions amongst the working class in Lancashire and Yorkshire in the industrial north of England in the 1930s. Part II covers his middle-class upbringing, the development of his political conscience, and a discussion of British attitudes towards socialism.

"What an amazing and intriguing novel!" Can a cynical, nonconformist, dry-goods salesman, a disgruntled blacksmith, and a musing mendicant all find true fulfillment in ancient Palestine? And at what cost? Find out in this intriguing 2020 Readers Favorites award winner.

Twelve books. Twelve months. One chance to heal her heart…

When Tilly Nightingale receives a call telling her there’s a birthday gift from her husband waiting for her at her local bookshop, it couldn’t come as more of a shock. Partly because she can’t remember the last time she read a book for pleasure. But mainly because Joe died five months ago....

When she goes to pick up the present, Alfie, the bookshop owner with kind eyes, explains the gift—twelve carefully chosen books with handwritten letters from Joe, one for each month, to help her turn the page on her first year without him.

At first Tilly can’t imagine sinking into a fictional world, but Joe’s tender words convince her to try, and something remarkable happens—Tilly becomes immersed in the pages, and a new chapter begins to unfold in her own life. Monthly trips to the bookstore—and heartfelt conversations with Alfie—give Tilly the comfort she craves and the courage to set out on a series of reading-inspired adventures that take her around the world. But as she begins to share her journey with others, her story—like a book—becomes more than her own.

A sharply funny and moving debut in which a young woman accepts a job that takes her though the Italian Dolomites and into an international mystery far greater—and more personal—than she could have ever expected.

For someone who hates secrets, Las Vegas hairdresser Lucy Rey is about to be faced with a whole bunch of them. After discovering that her fiancé has left her without so much as a goodbye, Lucy finds herself short on funds and desperate for a change of scenery. Enter a most unusual job opportunity: a Bearer of Bad News.

Sure, it’s a little strange—the job description has few details, and the bad news is more like a vaguely worded threat—but Lucy can’t say no to the perks: an all-expenses-paid trip to the Italian Dolomites, plus a generous bonus if she proves she’s delivered the message. Then she learns that her task is just the tip of the iceberg.

Launched into a world of betrayal and greed involving eighty-year-old secrets, stolen jewels, and a World War II-era mystery, Lucy is in way over her head—and she’s connected to this story in ways she never could have imagined.

For fans of Maria Semple’s Where’d You Go, Bernadette and Nita Prose’s The Maid, Elisabeth Dini’s Bearer of Bad News is an exhilarating romp that deftly explores the weight of secrets, the power of friendship, and how, by healing the wounds of the past, we can build a brighter tomorrow.

In a world submerged by rising seas, What We Can Know spans the past, present and future to ask profound questions about who we are and where we are going.

2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found.

2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.

Tom Metcalfe, a scholar at the University of the South Downs, part of Britain's remaining archipelagos, pores over the archives of the early twenty-first century, captivated by the freedoms and possibilities of human life at its zenith.

When he stumbles across a clue that may lead to the great lost poem, revelations of entangled love and a brutal crime emerge, destroying his assumptions about a story he thought he knew intimately.

After a long and happy life with a loving human family, tabby cat Fuuta has passed into the afterlife. But he is not as far from his owner Michiru as it seems. Sometimes the divide between the lands of the living and the dead can be traversed.

Eager to see Michiru again, Fuuta interviews for a position at Café Pont, which sits in the liminal space between the two worlds. The café is known for its unique service: its living customers can request meetings with the person they'd most like to see again, through the specially selected spirits of messenger cats.

Fuuta must investigate and deliver his messages without unnerving the living, or worse, upsetting the balance of the universe itself. It is a weighty task for a tabby cat, but Fuuta rises to the challenge. After all, the job offers a special reward: he will get to see Michiru again. And he'll do anything to reunite with his family.

Salento, Italy, June 1934: A coach stops in the main square of Lizzanello, a tight-knit village where everyone knows each other. A couple gets off: The man, Carlo, a child of the South, is happy to be back home after a long time away; the woman, Anna—his wife—is a stranger from the North. Carlo’s brother is there to meet them, and he and everyone else can’t help but notice that Anna is as beautiful as a Greek statue.

But Anna is not like the other wives. She doesn’t gossip or attend church. She reads books no one else has ever heard of, exploring ideas that some find threatening. She even wears pants, just like a man, and thinks a woman should have rights, just like a man.

There aren’t many options for a woman with Anna’s sensibilities, so when she learns that the post office is hiring, she leaps at the opportunity. A female letter carrier? It is unthinkable! But Anna passes the postal exam and soon becomes the invisible thread connecting the town as she delivers letters between clandestine lovers, families waiting to hear news of loves ones away at war, and even helping those who can’t read.

Letters connect people, and they convey information and emotion. But for some in Lizzanello, letters are too little and too late.

The Letter Carrier taps into the universal feeling of connection—and what happens when that connection perhaps comes at the wrong time.

Having firmly established the characters of Sherlock Holmes and Dr Watson in the novels A Study in Scarlet and The Sign of the Four, Sir Arthur Conan Doyle was retained by The Strand Magazine to contribute a series of twelve short stories, which began with 'A Scandal in Bohemia' in 1891 and were published monthly for the next year. The stories, in which the master sleuth receives a stream of clients presenting him with baffling and bizarre mysteries in his consulting room at 221B Baker Street, were instantly popular and by the time of the publication of the final story, 'The Copper Beeches', they had become the mainstay of the magazine. They included such classic tales as 'The Five Orange Pips' and 'The Adventure of the Speckled Band', and were gathered together in a collection known as The Adventures of Sherlock Holmes, representing some of the finest detective stories ever written.