Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collected editions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition. The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of the five so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition.

Cara is ná twee wêreldoorloë eindelik op pad terug na haar geboorteland. Sy is destyds wettig deur die Du Toits aangeneem en sy en Clarabelle het  saam grootgeword. Na haar weggaan het die twee gereeld gekorrespondeer, maar later het die oorlog tussenbeide gekom. Sy word goed ontvang en almal is begaan oor haar welstand, maar sy bly verward en eensaam. Vir haar voel dit soms of sy vir die res van haar lewe op reis sal wees. Het sy eindelik haar bestemming bereik? Tyd sal wel leer.

Sarah het geen begeerte om met grasie oud te word nie. Sy dra onpaar oorbelle, ’n groot sonbril en haar hare is bloedrooi gekleur. Wat sy wel nie op haar ouderdom verwag het nie, is om na haar 55ste martriekreünie genooi te word. En boonop vereis die uitnodiging dat sy ’n metgesel saambring  – wat sy, ’n weduwee, wáár moet kry? Sy is nuuskierig oor die affêre, maar om na haar grootworddorp terug te keer gaan ou wonde oopkrap. En sy gaan vir Franco, die hartevertrapper, weer in die oë moet kyk!

Natasja bevind haar vroegoggend op die snelweg, tien ure noord van Kaapstad. Al haar besittings is agter in die kar en sy sweer sy sit haar voete nooit weer naby Johnny nie. Eers nadat sy op die N18 afgedraai het, onthou Natasja: George, haar pa se boesemvriend, woon nog op Lelievlei. Miskien moet sy gaan aanklop?

In dié aangrypende roman herinner die skrywer ons hoe die liefde ons almal raak. En soms skenk die heelal vir jou ’n beskermengel wanneer jy dit die nodigste het.

Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent. Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

Having grown up in the long shadow of the Korean War, Yewon is stuck in her small village.

She dreams of a hotel, where there are infinite keys to infinite rooms - and a quiet terror she is desperate to escape.

But when her little brother is conscripted into the South Korean army, Yewon's dreams start to seep into her reality, and she is forced to confront the unsettling truth about her country...

Stylish, visceral and haunting, The Invisible Hotel is an unforgettable literary horror about the human consequences of war, and the toll of being born into a conflict that shows no signs of stopping.

A contemporary version of the story of David and Bathsheba. When David Samuel, chairman of Globe Oil, a multinational oil company, becomes a widower, his world is turned upside down. His old friend, Nathan - also a work colleague - and his wife have provided support and care for him, as has his friend and colleague, Rich Hampton. Rich has recently married the beautiful Beth. Then David notices a beautiful girl on a train and is very attracted to her. Later it becomes devastatingly clear that this is the new Mrs Hampton. David plans to get Rich out of the way by sending him on an assignment abroad, and begins an affair with his wife; but Beth becomes pregnant. When conscientious Rich won't return home, there's only one solution in David's mind. he has Rich murdered. Played against a strong backdrop of good supporting characters (including Beth's sister, Cerys, whose husband has an affair and leaves her), Beth ultimately loses the baby. But David has an epiphany; fasting for the child and the woman he loves, he meets with God. He is a chastened and changed man. Beth too has her own experience with God, and throws herself into charitable work. At the end, they come together again, different, but still in love.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an aspiring artist herself, knows otherwise, and she is determined to find out the story of these three enigmatic figures.

Twenty-five years earlier, in a distant seaside town, a group of teenagers find refuge from their bruising home lives by spending long summer days on an abandoned pier, telling silly jokes, sharing secrets, and committing small acts of rebellion. These lost souls find in each other a reason to get up each morning, a reason to dream, a reason to love.

Out of that summer emerges a transcendent work of art, a painting that will unexpectedly be placed into eighteen-year-old Louisa’s care. She embarks on a surprise-filled cross-country journey to learn how the painting came to be and to decide what to do with it. The closer she gets to the painting’s birthplace, the more nervous she becomes about what she’ll find. Louisa is proof that happy endings don’t always take the form we expect in this stunning testament to the transformative, timeless power of friendship and art.

What would you do to inherit a million dollars? Would you be willing to change your life? Jason Stevens is about to find out. Red Stevens has died, and the older members of his family receive their millions with greedy anticipation. But a different fate awaits young Jason, whom his great-uncle Stevens believed might be the last vestige of hope in the family. "Although to date your life seems to be a sorry excuse for anything I would call promising, there does seem to be a spark of something in you that I hope we can fan into a flame. For that reason, I am not making you an instant millionaire." What Stevens does give Jason leads to The Ultimate Gift. Young and old will take this timeless tale to heart.

Pride and Prejudice, which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it the garrulous and empty-headed Mrs Bennet has only one aim - that of finding a good match for each of her five daughters. In this she is mocked by her cynical and indolent husband. With its wit, its social precision and, above all, its irresistible heroine, Pride and Prejudice has proved one of the most enduringly popular novels in the English language.

A novel tracing a father’s disappearance across time, nations, and memory, from the author of Trust Exercise.

One summer night, Louisa and her father take a walk on the breakwater. Her father is carrying a flashlight. He cannot swim. Later, Louisa is found on the beach, soaked to the skin, barely alive. Her father is gone. She is ten years old.

Louisa is an only child of parents who have severed themselves from the past. Her father, Serk, is Korean, but was born and raised in Japan; he lost touch with his family when they bought into the promises of postwar Pyongyang and relocated to North Korea. Her American mother, Anne, is estranged from her Midwestern family after a reckless adventure in her youth. And then there is Tobias, Anne’s illegitimate son, whose reappearance in their lives will have astonishing consequences.

But now it is just Anne and Louisa, Louisa and Anne, adrift and facing the challenges of ordinary life in the wake of great loss. United, separated, and also repelled by their mutual grief, they attempt to move on. But they cannot escape the echoes of that night. What really happened to Louisa’s father?

Shifting perspectives across time and character and turning back again and again to that night by the sea, Flashlight chases the shock waves of one family’s catastrophe, even as they are swept up in the invisible currents of history.

A monumental new novel from the National Book Award winner Susan Choi, Flashlight spans decades and continents in a spellbinding, heartgripping investigation of family, loss, memory, and the ways in which we are shaped by what we cannot see.

The chilling new Scandinavian thriller from a New York Times bestselling author, perfect for fans of Stieg Larsson and Jo Nesbo. Praise for Max Seeck: 'Finland's answer to Jo Nesbo' Sunday Times 'Relentlessly tense' Wall Street Journal 'One of the best books I have read. Ever' Emilie Schepp ___________ Are you ready for the darkest case of Jessica Niemi's career? A young woman's corpse washes up on a near-frozen beach. Then, two famous Instagram influencers go missing. All three have ties to a cult, famous for their cruel and violent worship. But before Jessica can save the girls, an old enemy emerges and threatens to destroy her. Soon, she is hunting for much more than just the truth . . . ___________ Praise for The Witch Hunter: 'Short, sharp, present-tense chapters add to its relentless tension and a resolution as bleak as anything Poe might have conjured' - Wall St Journal 'If you only read one Nordic noir novel this autumn, make it The Witch Hunter' - Culture Fly '[A] riveting, multi-layered debut, blending masterful police procedural with a chilling exploration of the occult' - Sara Blaedel #1 International Bestselling Author 'One of the best books I have read. Ever' - Emelie Schepp, author of Slowly We Die 'Exceptional story, exceptional characters, exceptional writing, and shocking twists - exceptional everything' - Chris Mooney, author of Blood World 'A disturbing tale of murder and madness' - Kirkus Reviews 'A rich, intensely suspenseful thriller' - Booklist Starred Review 'A riveting procedural with a deliciously creepy undertone' - Publishers Weekly Starred Review

An immensely powerful epic of colonialism, set in 18th-century Greenland, about the great forces of nature, the meeting of cultures and fathers and sons. 1728: The doomed Danish King Fredrik IV sends a governor to Greenland to establish a colony, in the hopes of exploiting the country's allegedly vast natural resources. A few merchants, a barber-surgeon, two trainee priests, a blacksmith, some carpenters and soldiers and a dozen hastily married couples go with him. The missionary priest Hans Egede has already been in Greenland for several years when the new colonists arrive. He has established a mission there, but the converts are few. Among those most hostile Egede is the shaman Aappaluttoq, whose own son was taken by the priest and raised in the Christian faith as his own. Thus the great rift between two men, and two ways of life, is born. The newly arrived couples - composed of men and women plucked from prison - quickly sink into a life of almost complete dissolution, and soon unsanitary conditions, illness and death bring the colony to its knees. Through the starvation and the epidemics that beset the colony, Egede remains steadfast in his determination - willing to sacrifice even those he loves for the sake of his mission. Translated from Danish by Martin Aitken, Kim Leine's The Colony of Good Hope explores what happens when two cultures confront one another. In a distant colony, under the harshest conditions, the overwhelming forces of nature meet the vices of man.

An intriguing and complex family story. I was hooked from the first sentence.’ – Nozizwe Cynthia Jele, author of The Ones with Purpose

What is the cost of giving a gift? What is the cost of receiving one?

At eleven years old, Julian Flint prefers to remain invisible, safe inside the architecture of adults provided by his mother, his uncle and his aunt. But when his mother, Emma, a celebrated sculptor, takes them all on a family holiday to a hotel by the sea, he meets the captivating and irreverent Clare and everything he thought he knew begins to shift – setting off a chain of events that will determine each of their fates.

From the award-winning author of The Dream House and The White Room comes Craig Higginson’s most gripping and nuanced novel to date. Moving from the lush beaches of uMhlanga Rocks to the stark midwinter wastes of Johannesburg and the rich and strange coral reefs of Mauritius, this masterfully plotted novel explores the fault-lines between loyalty and betrayal, innocence and accountability, blindness and perception, entrapment and flight. The Book of Gifts dives into the deepest and most hazardous reaches of human consciousness in order to catch the brightest fish.

Little Women is one of the best-loved children's stories of all time, based on the author's own youthful experiences. It describes the family of the four March sisters living in a small New England community. Meg, the eldest, is pretty and wishes to be a lady; Jo, at fifteen is ungainly and unconventional with an ambition to be an author; Beth is a delicate child of thirteen with a taste for music and Amy is a blonde beauty of twelve. The story of their domestic adventures, their attempts to increase the family income, their friendship with the neighbouring Laurence family, and their later love affairs remains as fresh and beguiling as ever.

Muhammad has always tried to be the praise-worthy son. In the close-knit Muslim community in Cape Town where he was raised by his fiercely religious mother, Zaynab, he performs his prayers on time and he lives by the rules of his faith. But beneath the surface, Muhammad feels trapped between who he is expected to be and who he truly is.

When Muhammad meets Riyaaz at a braai one evening, his world suddenly shifts in drastic and unexpected ways.

Set against the vivid backdrop of Cape Malay culture and the complexities of Coloured identity, Haram is both tender and unflinching. The novel captures the rhythms of prayer as well as the secrets that families hide – in a bustling city alive with unspoken desires.

Acclaimed Italian author Donatella Di Pietrantonio’s best-selling novel to date, The Brittle Age is a powerful mother and daughter story and a profound exploration of human fragility and the haunting shadows of the past

In the 1990s, deep in the Maiella mountains of Central Italy, a brutal crime shatters the peace of the local community. Two young women are murdered, a third left for dead. Lucia is twenty years old back, and the only survivor is her best friend.   

Now, Lucia is a physiotherapist, separating from her husband, her daughter Amanda studying in Milan.  When the pandemic forces Amanda to return to the family’s home near Pescara, Lucia’s memories are reawakened, and with them the impact of past trauma. 

Set against the backdrop of the rugged Apennine mountains, this gripping psychological family drama weaves Lucia and Amanda’s personal struggles with the mystery of the tragedy that marked their familial land decades earlier.  

Inspired by true events, The Brittle Age is a tale of individual resilience, and a commentary on the indelible impact of historical events on personal lives and the broader community. 

With an Introduction and Notes by David Herd, Lecturer in English and American Literature at the University of Kent at Canterbury and co-editor of 'Poetry Review'. Moby Dick is the story of Captain Ahab's quest to avenge the whale that 'reaped' his leg. The quest is an obsession and the novel is a diabolical study of how a man becomes a fanatic. But it is also a hymn to democracy. Bent as the crew is on Ahab's appalling crusade, it is equally the image of a co-operative community at work: all hands dependent on all hands, each individual responsible for the security of each. Among the crew is Ishmael, the novel's narrator, ordinary sailor, and extraordinary reader. Digressive, allusive, vulgar, transcendent, the story Ishmael tells is above all an education: in the practice of whaling, in the art of writing. Expanding to equal his 'mighty theme' - not only the whale but all things sublime - Melville breathes in the world's great literature. Moby Dick is the greatest novel ever written by an American.