A sharply funny and moving debut in which a young woman accepts a job that takes her though the Italian Dolomites and into an international mystery far greater—and more personal—than she could have ever expected.

For someone who hates secrets, Las Vegas hairdresser Lucy Rey is about to be faced with a whole bunch of them. After discovering that her fiancé has left her without so much as a goodbye, Lucy finds herself short on funds and desperate for a change of scenery. Enter a most unusual job opportunity: a Bearer of Bad News.

Sure, it’s a little strange—the job description has few details, and the bad news is more like a vaguely worded threat—but Lucy can’t say no to the perks: an all-expenses-paid trip to the Italian Dolomites, plus a generous bonus if she proves she’s delivered the message. Then she learns that her task is just the tip of the iceberg.

Launched into a world of betrayal and greed involving eighty-year-old secrets, stolen jewels, and a World War II-era mystery, Lucy is in way over her head—and she’s connected to this story in ways she never could have imagined.

For fans of Maria Semple’s Where’d You Go, Bernadette and Nita Prose’s The Maid, Elisabeth Dini’s Bearer of Bad News is an exhilarating romp that deftly explores the weight of secrets, the power of friendship, and how, by healing the wounds of the past, we can build a brighter tomorrow.

In ancient Persia, Sazana creates exquisite pottery as Queen Esther's artisan but keeps her Jewish identity hidden from her tyrannical master, Haman, and his ten vengeful sons. When tragedy strikes, Sazana must join forces with Jadon, the man who broke her heart, to locate an ancient artifact and thwart the impending threat to their people.

Sazana of Persia creates exquisite pottery that graces Susa's finest tables, but her master, Lord Haman, does not know her secret: Sazana is one of the Jews he despises. When Haman discovers her true identity, he forces her into indentured servitude. In an unexpected reversal, at Haman's downfall, Queen Esther becomes the new master of the pottery workshop, restoring Sazana to her rightful place. But her troubles are not over. The loss of their inheritance has enraged Haman's ten sons, so the queen assigns one of her men to the workshop, posing undercover to root out any spies.

Sazana is shocked to discover that the queen's agent is none other than the man who left her heart in ruins years ago. On assignment from the queen, Jadon safeguards the workshop, yet the situation escalates with the need to discover an ancient artifact. Can Jadon and Sazana set aside past heartache and unearth the secrets that will allow them to thwart the impending tragedy threatening their people?

Rooted in biblical truths and detailed historical research, Tessa Afshar paints a moving and captivating tale of life, love, and intrigue in Queen Esther's royal court in The Royal Artisan.

Bram Stoker's bestseller "Dracula was first published in 1897. In 1901, Stoker revised and edited the book for a new edition. As the last work Stoker did on the book, it stands as the definitive author's cut-but has been out of print ever since. All other versions in print use the out-of-date text from 1897.

Includes Stoker's story "Dracula's Guest" and an introduction written by Stoker in 1901 for the Icelandic edition of "Dracula.

'In this vivid, affecting novel of intertwined destinies and the enduring power of love against the bleakest odds, Levensohn weaves a tale saturated with historical accuracy and yet surprisingly intimate. A Jewish Girl in Paris delivers romance and intrigue to spare, but the novel's real power lies in its portrayal of how deeply and sometimes mysteriously we can find ourselves connected to the past, and to each other.' - Paula Mc Lain, New York Times bestselling author of The Paris Wife and When the Stars Go Dark Paris, 1940, a city under German occupation. A young Jewish girl, Judith, meets a young man, the son of a wealthy banker and Nazi sympathizer - his family will never approve of the girl he has fallen in love with. As the Germans impose more and more restrictions on Jewish Parisians, the couple secretly plan to flee the country. But before they can make their escape, Judith disappears . . . Montreal, 1982. Shortly before his death, Lica Grunberg confesses to his daughter, that she has an older half-sister, Judith. Lica escaped the Nazis but lost all contact with his first-born daughter. His daughter promises to find the sister she never knew. The search languishes for years, until Jacobina is spurred on by her young friend Beatrice. Soon the two women discover a dark family secret, stretching over two continents and six decades, that will change their lives forever . . . Inspired by true events and set against the backdrop of the Second World War, Melanie Levensohn's A Jewish Girl in Paris is a powerful novel about forbidden love, adapted from a translation by Jamie Lee Searle.

Reis saam na eerste-eeuse Rome en ontdek hoekom hierdie klassieke reeks miljoene lesers oor die wêreld heen geïnspireer het. Die drie boeke in die Merk van die Leeu-reeks word as ’n spesiale geskenkstel aangebied.

’n Stem in die wind is die eerste boek in die reeks. Dit vertel die verhaal van Hadassa, ’n jong Joodse meisie wat as slaaf weggevoer is, maar steeds vashou aan haar geloof in God. Al voel sy verskeur deur haar liefde vir ’n aantreklike jong edelman, word Hadassa ’n baken van hoop en lig te midde van die duisternis en verval rondom haar.

’n Eggo in die duisternis vertel die verhaal van Markus, ’n welgestelde Romeinse edelman. Diep geraak deur Hadassa se opregte geloof, begin hy wonder of daar nie méér in die lewe is nie. In sy soeke na betekenis en geloof, word hy gelei deur ’n sagte fluistering uit die verlede wat hom kan bevry van die duisternis in sy siel.

Die trilogie sluit af met So seker as wat die dag breek. Dit vertel die verhaal van Atretes, ’n Germaanse stamleier wat sy vryheid as gladiator verdien het. Atretes wil saam met sy babaseun teruggaan na Germanië, maar wat van Rispa, die gelowige weduwee wat sedert sy geboorte vir die seun gesorg het?

A family on a remote island. A mysterious woman washed ashore. A rising storm on the horizon.

Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world's largest seed bank, Shearwater was once full of researchers, but with sea levels rising, the Salts are now its final inhabitants. Until, during the worst storm the island has ever seen, a woman mysteriously washes ashore.

Isolation has taken its toll on the Salts, but as they nurse the woman, Rowan, back to strength, it begins to feel like she might just be what they need. Rowan, long accustomed to protecting herself, starts imagining a future where she could belong to someone again.

But Rowan isn't telling the whole truth about why she set out for Shearwater. And when she discovers sabotaged radios and a freshly dug grave, she realizes Dominic is keeping his own secrets. As the storms on Shearwater gather force, they all must decide if they can trust each other enough to protect the precious seeds in their care before it's too late--and if they can finally put the tragedies of the past behind them to create something new, together.

A novel of breathtaking twists, dizzying beauty, and ferocious love, Wild Dark Shore is about the impossible choices we make to protect the people we love, even as the world around us disappears.

Moby Dick is the story of Captain Ahab's quest to avenge the whale that 'reaped' his leg. The quest is an obsession and the novel is a diabolical study of how a man becomes a fanatic. But it is also a hymn to democracy. Bent as the crew is on Ahab's appalling crusade, it is equally the image of a co-operative community at work: all hands dependent on all hands, each individual responsible for the security of each. Among the crew is Ishmael, the novel's narrator, ordinary sailor, and extraordinary reader. Digressive, allusive, vulgar, transcendent, the story Ishmael tells is above all an education: in the practice of whaling, in the art of writing. Expanding to equal his 'mighty theme' - not only the whale but all things sublime - Melville breathes in the world's great literature. Moby Dick is the greatest novel ever written by an American.

The intimate, sweeping tale of one Palestinian man’s restless search for home the world over, as the pendulum of fate swings between loss and life, grief and euphoria, regret and hope.

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

LONGLISTED FOR THE 2026 WOMEN'S PRIZE FOR FICTION.