With wicked humor, genuine poignancy, and BBever insight, this is an unforgettable novel about murder, secrets, and memory that is perfect for fans of Richard Osman and Fredrik Backman, and “will be loved by readers wanting to have their heart strings plucked” (The Guardian).

Rose may be in her eighties and suffering from dementia, but she’s not done with life just yet. Alternately sharp as a tack and spectacularly forgetful, she spends her days roaming the corridors of her assisted living facility, musing on the staff and residents, and enduring visits form her emotionally distant children and granddaughters. But when her friend is found dead after an apparent fall from a window, Rose embarks on an eccentric and determined investigation to discover the truth and uncover all manner of secrets…even some from her own past.

Just about everything has gone wrong for Gwen Gilmore over the past year. She’s lost her mother, her teaching job, and been dumped by her—albeit not that great—long-term boyfriend. Adrift and out of options, she packs her life into her barely functioning car and makes the lonely drive north, to the only place she can think of going: her family’s aging cottage on the Maine coast, Periwinkle, which she’s recently inherited.

The cottage and Port Anna, the foggy Maine town of Gwen’s childhood, are unchanged in many ways. For Gwen, they are full of the ghosts of her past—boyfriends, forgotten creative dreams, and painful memories of a sister lost too young. Periwinkle is also home to some more literal ghosts: The Misses, friendly spirits who have long watched over the cottage, but who now seem strangely unsettled, slamming doors and moving furniture in the night. And behind its charming façade, Port Anna has not escaped the realities of modern life. Family homes are being razed to make space for garish condos, the cottage, coveted by a relentless local realtor, is about to be condemned, and the unsolved disappearance of a teenage girl has set the town on edge. On the face of it, it’s an odd place to try to make a new start.

But there are glimmers of hope everywhere, if only Gwen can open herself up to possibility. Sparks fly with Leandro, an Argentinian artist, as aloof and witty as he is wildly attractive. Old friends and former flames come out of the woodwork, bringing with them new opportunities and chances to laugh again. Even in the face of potential happiness, though, it seems some secrets refuse to stay buried. As the summer crowds return to the city and the locals hunker down for another harsh Maine winter, Gwen will be forced to make choices that will change her life forever.

It may seem odd to seek peace by moving to a war-torn African country, but for medical missionary Dr. Cynthia Myers, it provided a way to escape a shallow life of unearned wealth, a philandering fiance, and a father now square in the public eye as vice president of the United States. At least here she knows her work and life have meaning. But all that is thrown into chaos when she fails to save the life of a local warlord's mortally wounded son. As part of the Army Special Forces "A-Team" on a mission to capture and subdue the warlord, Captain Rick Norton is compelled to use deadly force to save Cynthia's life. Enraged at the violence she witnessed and riddled with guilt that men died because of her, Cynthia tries to hold on to her anger--but an unwanted attraction is taking hold. With two members of his team badly injured and rebels in hot pursuit, Rick will have to draw upon all his strength and cunning to get her out alive . . . because he's beginning to think they just might overcome their differences and be able to make a life together.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

When she was just five years old, Melissa Braxton watched her father take her mother's life. Separated from her sister, Lola, at that time, Melissa grew up with a strong desire to help those stuck in abusive relationships. It's why she became a therapist and opened a domestic abuse shelter. After losing a leg to a gunshot wound in the line of duty, Phil Osbourne has felt like a man without a purpose--until he hears Melissa's story and decides to use his Special Forces contacts to track down her missing sister. He knows what he discovers will break Melissa's heart. What he doesn't realize is that helping the women reunite will bring the cartel down on them like the category 5 hurricane striking Miami. Bruised yet not quite broken, Melissa and Phil battle the storm and the cartel, calling on strength they didn't know they had to escape death, save the innocent, and--just maybe--find healing in each other's arms.

After more than a decade of tumult, Roman warrior Rex and his aristocratic wife, Flavia, are thankful to the God they serve for the peaceful life they are living in the city of Alexandria. But with the Empire in flux, it cannot last. When Rex is called away to serve Constantine in his fight against Licinius, Flavia's loneliness and longing for a baby lead her down the road of temptation. Perhaps one of Egypt's gods will grant her conception? As battles rage both within and without, Rex and Flavia will have to rely on God's forgiveness and protection if they are to survive the trials to come. Their adventures sweep them into the great events of the ancient church, including the forging of the Nicene Creed, terrible murders within the imperial family, the quest for the true cross of Christ in Jerusalem, and the end of pagan Rome as a new Christian empire dawns. Bryan Litfin brings his epic Constantine's Empire series to a thrilling close with this dramatic tale of struggle and redemption.

She’s meant to be catching flights, not catching feelings…

Molly and Andrew are just trying to get home to Ireland for the holidays, when a freak snowstorm grounds their flight.

Nothing romantic has ever happened between them: they’re friends and that’s all. But once a year, for the last ten years, Molly has spent seven hours and fifteen minutes sitting next to Andrew on the last flight before Christmas from Chicago to Dublin, drinking terrible airplane wine and catching up on each other’s lives. In spite of all the ways the two friends are different, it’s the holiday tradition neither of them has ever wanted to give up.

Molly isn’t that bothered by Christmas, but—in yet another way they’re total opposites—Andrew is a full-on fanatic for the festive season and she knows how much getting back to Ireland means to him. So, instead of doing the sane thing and just celebrating the holidays together in America, she does the stupid thing. The irrational thing. She vows to get him home. And in time for his mam’s famous Christmas dinner.

The clock is ticking. But Molly always has a plan. And—as long as the highly-specific combination of taxis, planes, boats, and trains all run on time—it can’t possibly go wrong.

What she doesn’t know is that, as the snow falls over the city and over the heads of two friends who are sure they’re not meant to be together, the universe might just have a plan of its own…

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Will their faith prove to be stronger than their fear? Sensible and independent, Cassie Barton never anticipated being on her own at thirty-two. But after the death of her father and the marriage of her sister, she's found joy in her work as a seamstress. When a minor accident leaves her unable to sew, she decides to use her time to compile a book of stories about the men working on the Santa Fe Railroad. But worry begins to grow in San Marcial as Mexican revolutionaries set out to destroy the railroad--and put many lives in danger. With Europe at war and his longtime friend Cassie injured, railroad worker Brandon DuBarko is burdened by his troubles. He promised Cassie's father he would watch over her, but as their comfortable friendship slowly transforms into something deeper, he feels trapped by a secret from his youth. When a vengeful man reappears in Brandon's life, intent on causing conflict, Brandon must face his past before he can move forward. As the danger intensifies, Cassie and Brandon must rely on God to overcome the obstacles that stand in the way of a brighter future. "The poignant rendering of transformation through faith will resonate with inspirational readers."--Publishers Weekly on Beyond the Desert Sands

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

When millions suffer under oppression, when resentment boils into bloody insurrection, when triumph leads to savage vengeance - can one individual life matter? In A Tale of Two Cities, Charles Dickens sets the intensely personal dramas of Lucie Manette, Charles Darnay, and Sydney Carton against the backdrop of the French Revolution and its terror and chaos. The result is a powerful story of love, sacrifice, and redemption.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.