With an Introduction and Notes by Keith Wren, University of Kent at Canterbury. The story of Edmund Dantes, self-styled Count of Monte Cristo, is told with consummate skill. The victim of a miscarriage of justice, Dantes is fired by a desire for retribution and empowered by a stroke of providence. In his campaign of vengeance, he becomes an anonymous agent of fate. The sensational narrative of intrigue, betrayal, escape, and triumphant revenge moves at a cracking pace. Dumas' novel presents a powerful conflict between good and evil embodied in an epic saga of rich diversity that is complicated by the hero's ultimate discomfort with the hubristic implication of his own actions. Our edition is based on the most popular and enduring translation first published by Chapman and Hall in 1846. The name of the translator was never revealed.

You've seen the show. Now meet the woman behind the scenes . . .

Los Angeles, 1964.

For two decades, Del and Dinah Newman and their sons, Guy and Shep, have ruled television as America’s Favourite Family. Millions of viewers tune in every week to watch them play flawless, black-and-white versions of themselves. But now the Sixties are in full swing, and the Newmans’ perfection suddenly feels woefully out of touch.

Ratings are in free fall, as are the Newmans themselves. Del is keeping an explosive secret from his wife, and Dinah is slowly going numb. Steady, stable Guy is hiding the truth about his love life, and rock ‘n' roll idol Shep may finally be in real trouble.

When Del is in a mysterious car accident, Dinah decides to take matters into her own hands. She hires Juliet Dunne, an outspoken young reporter, to help her write the final episode. But Dinah and Juliet have wildly different perspectives about what it means to be a woman, and a family, in 1964 America.

Can Dinah Newman bring her family together to change television history?

Or will she be cancelled before she ever had the chance?

Maybe it’s time for perfection to fall out of style . . .

Since it was first published in 1954, William Golding's classic debut novel has remained a stark allegory of civilization, survival, and human nature. As dystopian stories like Hunger Games and Battle Royale surge in popularity, this haunting tale of a group of young boys stranded on a desert island still captivates schoolchildren around the world, raising timeless and profound questions about how easily society can slip into chaos and savagery when rules and order have been abandoned.

When a plane crashes on a remote island, a small group of schoolboys are the sole survivors. From the prophetic Simon and virtuous Ralph to the lovable Piggy and brutish Jack, each of the boys attempts to establish control as the reality- and brutal savagery-of their situation sets in.

A teacher himself, Golding clearly understood how to interest children with a gripping story and strong, sympathetic characters. The novel serves as a catalyst for thought-provoking discussion and analysis of universal issues, not only concerning the capabilities of humans for good and evil and the fragility of moral inhibition, but beyond.

The boys' struggle to find a way of existing in a community with no fixed boundaries invites readers to evaluate the concepts involved in social and political constructs and moral frameworks. Symbolism is strong throughout, revealing both the boys' capacity for empathy and hope, as well as illuminating the darkest corners of the human spirit. Ideas of community, leadership, and the rule of law are called into question as the reader has to consider who has a right to power, why, and what the consequences of the acquisition of power may be.

Often compared to Catcher in the Rye, Lord of the Flies also represents a coming-of-age story of innocence lost.

Brother Caleb, a Cistercian monk,has lived undisturbed in the Monasteryof the Holy Trinity for many years.When the young, alluring, red-hairedRosa stays on retreat, he becomesobsessed with her. But her presence unearthsthe ghost of an old, pre-monasticromance. Caleb experiences a terriblestruggle between his spiritual andcarnal nature, a struggle that canonly end in tragedy....

They knew they were changing history.
They didn’t know they would change each other.

Oxford, 1920. For the first time in its 1000-year history, the world’s most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship.

Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way – and her own friends – for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won’t be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone – even The Eights – if she is to succeed.

But Oxford’s dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.

The Eights is a captivating debut novel about sisterhood, self-determination, courage, and what it means to come of age in a world that is forever changed.

Beloved Prophet; What made St John's Gospel so different from the other gospels in the New Testament? "Prophecy", as we see in the New Testament, was an activity of Christians in many different parts of the young, expanding Church. Calvin Ward proposes a way to gauge its distinctive effect on St John's Gospel, and he shares the insight it provides into the life and experiences of the First Century Christians in the Johannine community. In a final chapter he highlights the spirituality of St John's Gospel with its continuing value for Christian discipleship today

The perfect gift for any Bronte Sisters lover.

Each boxset contains seven books, together creating a comprehensive collection of the Bronte Sisters' best and much-loved works.

Beautifully packaged in a rigid slipcase complete with gold blocking detailing, which complements the strikingly beautiful exclusive artwork that adorns this box.

This collection includes:

• Agnes Grey - Anne Brontë
• The Tenant of Wildfell Hall - Anne Brontë
• Jane Eyre - Charlotte Brontë
• The Professor - Charlotte Brontë
• Shirley - Charlotte Brontë
• Villette - Charlotte Brontë
• Wuthering Heights - Emily Brontë