With an Introduction and Notes by Keith Wren, University of Kent at Canterbury. The story of Edmund Dantes, self-styled Count of Monte Cristo, is told with consummate skill. The victim of a miscarriage of justice, Dantes is fired by a desire for retribution and empowered by a stroke of providence. In his campaign of vengeance, he becomes an anonymous agent of fate. The sensational narrative of intrigue, betrayal, escape, and triumphant revenge moves at a cracking pace. Dumas' novel presents a powerful conflict between good and evil embodied in an epic saga of rich diversity that is complicated by the hero's ultimate discomfort with the hubristic implication of his own actions. Our edition is based on the most popular and enduring translation first published by Chapman and Hall in 1846. The name of the translator was never revealed.

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Is Mr. Heathcliff a man? If so, is he mad? And if not, is he a devil?

Set on the bleak moors of Yorkshire, Lockwood is forced to seek shelter at Wuthering Heights, the home of his new landlord, Heathcliff. The intense and wildly passionate Heathcliff tells the story of his life, his all-consuming love for Catherine Earnshaw and the doomed outcome of that relationship, leading to his revenge.

Poetic, complex and grand in its scope, Emily Bronte's masterpiece is considered one of the most unique gothic novels of its time."

Brother Caleb, a Cistercian monk,has lived undisturbed in the Monasteryof the Holy Trinity for many years.When the young, alluring, red-hairedRosa stays on retreat, he becomesobsessed with her. But her presence unearthsthe ghost of an old, pre-monasticromance. Caleb experiences a terriblestruggle between his spiritual andcarnal nature, a struggle that canonly end in tragedy....

They knew they were changing history.
They didn’t know they would change each other.

Oxford, 1920. For the first time in its 1000-year history, the world’s most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship.

Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way – and her own friends – for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won’t be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone – even The Eights – if she is to succeed.

But Oxford’s dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.

The Eights is a captivating debut novel about sisterhood, self-determination, courage, and what it means to come of age in a world that is forever changed.

The Tiny Things Are Heavier follows Sommy, a Nigerian woman who comes to the United States for graduate school two weeks after her brother, Mezie, attempts suicide. Plagued by the guilt of leaving Mezie behind, Sommy struggles to fit into her new life as a student and an immigrant. Lonely and homesick, Sommy soon enters a complicated relationship with her boisterous Nigerian roommate, Bayo, a relationship that plummets into deceit when Sommy falls for Bryan, a biracial American, whose estranged Nigerian father left the States immediately after his birth. Bonded by their feelings of unbelonging and a vague sense of kinship, Sommy and Bryan transcend the challenges of their new relationship.

During summer break, Sommy and Bryan visit the bustling city of Lagos, Nigeria, where Sommy hopes to reconcile with Mezie and Bryan plans to connect with his father. But when a shocking and unexpected event throws their lives into disarray, it exposes the cracks in Sommy's relationships and forces her to confront her notions of self and familial love.

A daring and ambitious novel rendered in stirring, tender prose, The Tiny Things Are Heavier is a captivating portrait that explores the hardships of migration, the subtleties of Nigeria's class system, and how far we'll go to protect those we love.

Jane Austen, one of the nation's most beloved authors, whose face adorns our currency, surely needs no introduction, but while many are familiar with her groundbreaking novels, few have come across her short burlesque work The History of England. Billed a history 'from the reign of Henry IV to Charles I by a partial, prejudiced and ignorant historian', The History of England pokes fun at the overly verbose and grand histories of Austen's day. Written when she was just fifteen, this is a comic tour de force that shows Austen's wit developing into the satirical prowess she is remembered for.

Beloved Prophet; What made St John's Gospel so different from the other gospels in the New Testament? "Prophecy", as we see in the New Testament, was an activity of Christians in many different parts of the young, expanding Church. Calvin Ward proposes a way to gauge its distinctive effect on St John's Gospel, and he shares the insight it provides into the life and experiences of the First Century Christians in the Johannine community. In a final chapter he highlights the spirituality of St John's Gospel with its continuing value for Christian discipleship today

You've seen the show. Now meet the woman behind the scenes . . .

Los Angeles, 1964.

For two decades, Del and Dinah Newman and their sons, Guy and Shep, have ruled television as America’s Favourite Family. Millions of viewers tune in every week to watch them play flawless, black-and-white versions of themselves. But now the Sixties are in full swing, and the Newmans’ perfection suddenly feels woefully out of touch.

Ratings are in free fall, as are the Newmans themselves. Del is keeping an explosive secret from his wife, and Dinah is slowly going numb. Steady, stable Guy is hiding the truth about his love life, and rock ‘n' roll idol Shep may finally be in real trouble.

When Del is in a mysterious car accident, Dinah decides to take matters into her own hands. She hires Juliet Dunne, an outspoken young reporter, to help her write the final episode. But Dinah and Juliet have wildly different perspectives about what it means to be a woman, and a family, in 1964 America.

Can Dinah Newman bring her family together to change television history?

Or will she be cancelled before she ever had the chance?

Maybe it’s time for perfection to fall out of style . . .