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This book walks you through two different methods of creating designs on your custom art tiles: ONE: Using clay slips to create designs, including tube-lining, stenciling, sgraffito and more, and TWO: working with presses (cookie presses, etc) to create unique relief designs on your own handmade tiles. The custom tiles you see on the cover of this book were created by me, using the methods described in the book. You will also learn how to make a plaster mold of your newly-created prototype tile, so you can produce as many identical tiles as you wish. Filled with practical tips and short-cuts I've learned over the years, plus dozens of (b/w) photos, this book will guide you every step of the way. You should have basic knowledge of working with ceramic clay, modeling tools and kilns.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This easy to follow how-to guide shows you step by step how to create your own unique raised relief art tiles using the 'slip blanket' method developed by Henry Chapman Mercer, founder of The Moravian Tile Works in the late 1800's. Dozens of (b/w) photos plus practical tips guide you through every step of the process, including how to make a plaster mold of your finished piece. Begin creating your own custom art tiles today--Here's how

This book explains two different methods of creating designs on your custom art tiles-1. Rubber Art Stamps including where to purchase, what works, what doesn't, and 2. Commercially Available Stencils to create virtually any relief design on your tile. The custom tiles you see on the cover of this book were created by me, using the methods described in the book. You will also learn how to make a plaster mold of your newly-created prototype tile, so you can produce as many identical tiles as you wish. Filled with practical tips and short-cuts I've learned over the years, plus dozens of (b/w) photos, this book will guide you every step of the way. You should have basic knowledge of working with ceramic clay, modeling tools and kilns.

An Unabridged Printing With Text And All Figures Digitally Enlarged. Originally Titled: Glass Blowing And Working For Amateurs, Experimentalists, And Technicians, With Numerous Illustrations. Chapters Include: Glass Work In Miniature - The Blowpipe And Bellows - Minor Tools And Appliances - Glass; Rods And Tubing, Gauging, Storing, Preservation, Cleaning - Various Methods Of Working And Blowing Glass - Examples Of Special Articles For Laboratory And Other Uses - Coloring And Modifying Materials, Etc. - Aging, Disintegration, And Decay Of Glass, Etc. - Fancy And Decorative Articles Made At The Blowpipe - Glass Making At The Blowpipe And On A Laboratory Scale - The Bibliography Of Glass - Index - (At The End Of The Book There Are Some 30 Pages Containing 60 Recipes For Flint Glass Making, A Second Edition, With An Index).

Showing Their Relation To The Primitive Forms Of Solar And Nature Worship.

Archaeologist James R. cunkle categorizes the primary groups of prchistoric ceramics found in Arizona and describes each in-depth. Includes color insert.

Discover Proof Positive of the Other Side
It's the essential-and seemingly unknowable-question that has haunted mankind since the beginning: What happens after we die? In Life After Death: Some of the Best Evidence, renowned physicist Dr. Jan W. Vandersande surveys evidence for an afterlife and finds a lot of the observed physical phenomena both credible and compelling.
Intended for skeptics and believers alike, Life After Death condenses more than 100 years of literature and testimony-including the author's own psychic experiences as a longtime member of a psychic circle-to sort out the astonishing from the fraudulent. The investigation gives readers a front-row seat to seance rooms to experience such marvels as direct voice, ectoplasm and materializations-messages and events, he shows, that are directed from beyond the grave. As the book makes clear, the occurrences during such episodes, though fantastical, can't be dismissed as mere fantasy or fraud.
Through historical accounts, photographs and personal experience, this engagingly written work adds to a growing body of evidence for the existence of an afterlife that's increasingly difficult to ignore.

"My Dad, The Folk Potter" is a young reader's picture book that shows the complete process of making traditional pottery using methods 19th Century Catawba Valley potters used, including hand-digging local clay, glazing, firing in a ground hog kiln and selling of wares. The book is written from the perspective of a fourth-grader as he watches his dad "turn and burn." Pottery buffs of all ages will appreciate both the educational and artistic value of this book.

This is a reprint of the rare original "concise edition" by Bolas with some additions.

When you hold a Pueblo pot in your hands, you feel a tactile connection through the clay to the potter and to centuries of tradition. You will find no better guide to this feeling than Talking with the Clay. Stephen Trimble's photographs capture the spirit of Pueblo pottery in its stunning variety, from the glittering micaceous jars of Taos Pueblo to the famous black ware of San Ildefonso Pueblo, from the bold black-on-white designs of Acoma Pueblo to the rich red and gold polychromes of the Hopi villages. His portraits of potters communicate the elegance and warmth of these artists, for this is the potters' book. Revealed through dozens of conversations, their stories and dreams span seven generations and more than a century, revealing how potterymaking helps bridge the gap between worlds, between humans and clay, springing from old ways but embracing change. In this revised, expanded, and redesigned edition, Trimble brings his classic into the twenty-first century with interviews and photographs from a new generation of potters working to preserve the miraculous balance between tradition and innovation.

These seventeen papers, from a colloquium held at the XIVth UISPP Congress at the University of Liege in 2001, combine archaeological, ethnographic and technical approaches to present the current state of research in the study of pottery technology. The colloquium's aim was to highlight key topics, such as clay preparation, shaping techniques, decoration and firing and post-firing treatments, whilst addressing problems in methodologies. Ethnographic contributions present case studies from the Amazon, Sub-Saharan Africa, India, Gambi and Senegal; two papers present methods of technical identification; nine papers reconstruct and interpret pottery manufacturing processes in archaeological contexts. These examine assemblages from Neolithic and Chalcolithic sites in Belgium, France, Switzerland, Mauritania and the Levant. Nine papers in English, the rest in French; all have English and French abstracts.

For thousands of years an enigmatic and astonishingly beautiful piece of Roman art has captivated those who have come in contact with it.Made before the birth of Christ, the Portland Vase, as it is called, is renowned for both its beauty and its mystery.

In "The Portland Vase," Robin Brooks takes us on a vivid journey across Europe and through the centuries, as this delicate piece of glass, less than ten inches in height, passes through the hands of a stunning cast of characters, including the first Roman emperor, Augustus; a notorious tomb raider; a reckless cardinal; a princess with a nasty gambling habit; the ceramics genius Josiah Wedgwood; the secretive Duchess of Portland; and a host of politicians, dilettantes, and scam artists.

Rich with passion, inspiration, jealousy, and endless speculation, the story of The Portland Vase spans more than two thousand years and remains one of the art world's greatest enigmas.

Originally published in 1899, this handbook contains, in a form convenient for everyday use, a comprehensive digest of the information on Working Glass by heat and by abrasion and supplies concise instruction on the general principles of the subject. Contents: Appliances used in Glass Blowing Manipulating Glass Tubing Blowing Bulbs and Flasks Jointing Tubes to Bulbs, etc.; Forming Thistle Funnels Utilising Broken Glass Apparatus; Boring and Riveting Glass Hand-working of Telescope Specula Turning, Chipping, and Grinding Glass The Manufacture of Glass

Originally published under the title Experimental Glass Blowing for Boys in the early 20th century, this book contains a series of 80 "experiments" designed to teach the basic techniques of lampwork. The book discusses types of glass, how to cut, bend, and stretch glass tubes and rods, sealing a tube, blowing a bubble, joining tubes, how to cut window glass and bottles, boring a hole in glass, etc. The experiments include kids' stuff like squirt bottles, pea shooters and whistles, as well as more practical fare such as a drinking tube, siphon, nozzles, and a spirit level. Over 100 illustrations. At the time of original publication Carleton J. Lynde, Ph.D., was Professor of Physics at MacDonald College in Quebec, Canada.

Un bello manual que explica desde los materiales necesarios y los distintos tipos de vidrio, hasta las diferentes tecnicas de elaboracion, ilustradas paso a paso, de seis tipos de vidrieras: Tiffany, tradicional, collage, falsa vidriera, grabado al acido y vidriera con grisalla.

The book, originally published in 1904, includes the marks used by factories, patterns, workmen, or decorators in America to the time of this book's original printing. The first attempt to describe the marks of American potters was made by Edwin Barber in his Pottery and Porcelain of the United States in 1893. In that book, less than 100 varieties, found principally in earlier wares, were described. Prior to that time, none of the manuals on potter's marks contained any reference to the United States.

The earliest vitreous materials in Egypt date to c.4000 BC although the production of glass, faience, frit or 'Egyptian blue' does not really take off until the 18th dynasty. Andrew Shortland combines descriptions of various objects made from vitreous materials with an analysis of the processes and techniques used in their production. His study begins with the raw materials, he describes the processing of the materials and the waste products generated, the production and finishing of objects and their final distribution. Focusing largely on evidence from the city of Amarna, a large part of this volume is taken up with analyses of the structure and composition of the vitreous materials.