Dramatic social and political change marks the period from the end of the Late Bronze Age into the Iron Age (ca. 1300 700 BCE) across the Mediterranean. Inland palatial centers of bureaucratic power weakened or collapsed ca. 1200 BCE while entrepreneurial exchange by sea survived and even expanded, becoming the Mediterranean-wide network of Phoenician trade. At the heart of that system was Kition, one of the largest harbor cities of ancient Cyprus. Earlier research has suggested that Phoenician rule was established at Kition after the abandonment of part of its Bronze Age settlement. A reexamination of Kition s architecture, stratigraphy, inscriptions, sculpture, and ceramics demonstrates that it was not abandoned. This study emphasizes the placement and scale of images and how they reveal the development of economic and social control at Kition from its establishment in the thirteenth century BCE until the development of a centralized form of government by the Phoenicians, backed by the Assyrian king, in 707 BCE."

Originally published in 1923, this book examines the history of glass-making in England from its origins in Imperial Roman techniques to the end of WWI. The text is richly illustrated with drawings and photographs of examples of glass and glass-making techniques though history. This book will be of value to anyone with an interest in the history of this decorative and practical art.

* 25 full-size, realistic patterns for common North American trees * Includes a color sample for each pattern * Species include American holly, Carolina ash, flowering dogwood, fanleaf hawthorn, sweet cherry, quaking aspen, white oak, and 18 more

First published in 1933, as the second edition of a 1913 original, this book was written to provide the general reader with a guide to surviving English stained and painted glass from before 1714. The text begins with Norman and Early English styles before moving chronologically through various periods to the beginning of the eighteenth century. The connections between glass-painting and other arts ancillary to architecture are also touched upon, with special reference to their common objects and use. Numerous illustrative figures are included throughout. This book will be of value to anyone with an interest in stained glass and art history.

"Magnificent color, skilled craftsmanship and creative design make Blenko America's most colorful name in glass," touted a Blenko catalog advertisement. First begun in the late nineteenth century in Milton, West Virginia, Blenko remains one of the few glass factories in the United States where modern hand-blown glass is still in production. Recently, Blenko glass designs from the 1950s and 1960s have caught collectors' eyes. This book presents an exact, full-color reprinting of the yearly Blenko company catalogs from 1962 through 1971, thus offering a complete, well-illustrated record of Blenko glass products, including original retail prices and current market values. This book is most useful for the dealers and collectors of glass who appreciate the beauty and "timely glass design" of Blenko.

Originally published in 1897, this book was written to provide both archaeologists and visitors with an accessible guide to Greek vases in the Fitzwilliam Museum: 'to publish and make accessible to archaeologists a record of the vases it contains, and to assist the visitor, and more especially the student in observing the history and technique of Greek vase-painting'. The text contains illustrations of every vase in the collection, except those that reproduce well-known and common types; these illustrations replace lengthy description and allow for easy identification of subject and style. This is a beautifully presented book that will be of value to anyone with an interest in the collections of the Fitzwilliam Museum, archaeology and Greek vases.

This striking gift book features luminous photos of world-renowned glass artist Paul Stankard's astonishing art paired with insightful writing for all who seek out and appreciate creative energy. Stunning, full-page photos of Stankard's paperweights show fascinating worlds: bees captured in flight, botanically exact bouquets, and miniature humanlike creatures are captured in bursting colour. His unmatched technical skill is one-half of what has made Stankard a master in glass art; the other half is his artistry, which he explores his insights on, sharing his thoughts about the energy behind the pieces. Stankard discusses key topics for all artists, such as building a routine, learning from failure, and fusing spirituality and art making. Stories of his own challenges and successes through the decades offer examples of how to navigate both with an open mind and readiness to learn. Collectors and aficionados of fine craft will enjoy this immersive experience in fine art, and especially in what leads up to it.

Aimee McCulloch, an accomplished modern glass artist, goes beyond traditional stained-glass techniques and makes glass into modern and contemporary works of art. Enjoy that contemporary focus in this complete guide as she first teaches beginner stained-glass skills (cutting glass, soldering, etc.) before launching you into 10 ambitious, exciting, and inspiring projects that can be displayed at home or given as gifts. By learning each of these techniques, you'll be able to continue working and experimenting with stained glass to combine techniques and create your own special designs. With McCulloch's help, combine new, contemporary techniques with historical ones to bring this popular art form into the present day.

This checklist is the first in a series of volumes describing the silver-stained glass roundels and unipartite panels from the 15th to the 18th centuries to be found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium); as well as documented roundels and unipartite panels whose whereabouts are presently unknown or which have been moved to other locations or collections in the past. The checklist also mentions all known related material, and where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. The related material includes direct designs, like drawings or engravings, and drawings and roundels which belong to either the same series or which are copies of these series. The present volume covers the Province of Antwerp. The publication of the checklists for the provinces of West Flanders, East Flanders (Vol. 2) and Limburg and Flemish Brabant (Vol.3) are planned for the near future. An inventory of the roundels in The Netherlands is also foreseen.

Collared Urns represent a unified pottery tradition in the prehistory of the British Isles. They serve the archaeologist not only as a source for defining the Bronze Age, but as the basis for understanding regional diversities and as a context for explaining social and cultural development. In this definitive study Dr Longworth bases his new and exhaustive analysis on a complete corpus of known Collared Urns. Each surviving example has been studied; this volume presents a detailed description, notes on the archaeological context and wherever possible, an analytical drawing. The resultant catalogue will serve as a reference book for all concerned with the prehistory of Britain and Ireland, while the discussion of the urns and their prehistoric context sets a firm foundation for the understanding of the Bronze Age.

This book examines how Romans used their pottery and the implications of these practices on the archaeological record. It is organized around a flow model for the life cycle of Roman pottery that includes a set of eight distinct practices: manufacture, distribution, prime use, reuse, maintenance, recycling, discard, reclamation. J. Theodore Pe??a evaluates how these practices operated, how they have shaped the archaeological record, and the implications of these processes on archaeological research through the examination of a wide array of archaeological, textual, representational, and comparative ethnographic evidence. The result is a rich portrayal of the dynamic that shaped the archaeological record of the ancient Romans that will be of interest to archaeologists, ceramicists, and students of material culture.

For nearly seven decades the ebullient art of Joan Miro (1893-1983), Spanish painter, sculptor, ceramist and mythmaker, has intrigued and enchanted art lovers worldwide. This collection of his writings presents a portrait of the artist in his own words. Miro's notebooks, letters, and interviews reveal the work and life of a brilliant artist revered for his uncanny expression of the subconscious. "Joan Miro" centres on Paris during the vibrant era between the wars, when Miro became the intimate of almost everyone in that scene - boxing with young Hemingway, working with Max Ernst on the Ballets Russes, drinking, painting and arguing with Picasso, Braque, Dubuffet, Matisse, Breton and many others. Miro engagingly recounts all of this, as well as stories of his exile during World War II. Miro's virtuosity encompassed drawing, painting, sculpture, ceramics, poetry, stage sets, costumes, murals and tapestries; he vividly describes the creation of these artworks in these pages.

The brightly colored tin-enameled earthenware called maiolica was among the major accomplishments of decorative arts in 16th-century Italy. This in-depth look at the history of maiolica, told through 140 exemplary pieces from the world-class collection at the Metropolitan Museum, offers a new perspective on a major aspect of Italian Renaissance art. Most of the works have never been published and all are newly photographed. The ceramics are featured alongside detailed descriptions of production techniques and a consideration of the social and cultural context, making this an invaluable resource for scholars and collectors. The imaginatively decorated works include an eight-figure group of the Lamentation, the largest and most ambitious piece of sculpture produced in a Renaissance maiolica workshop; pharmacy jars; bella donna plates; and more. Published by The Metropolitan Museum of Art / Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (08/29/16-02/26/17)

One of the first personalities to be identified in Etruscan art, the Micali Painter (sixth century BC), is also one of the liveliest of ancient vase-painters, and the leading exponent of a black-figure style that owed more to native imagination than the influence of imported Athenian vases. He is named after Guiseppe Micali (1769-1844), who recognized the hoard of vases discussed in this book as being the work of one man. This book presents the first full stylistic study of the painter, together with a catalogue of his surviving work (some two hundred pieces) and an account of his development and influence within the course of archaic Etruscan painting. Much of the material is hitherto unpublished, and the illustrations have been chosen to furnish a full documentation of the Micali Painter's range and originality.

Now available in its sixth edition, The Potter's Dictionary of Materials and Techniques presents a comprehensive survey of all aspects of making ceramics for craft potters and ceramic artists. With its sound, practical explanations of ceramic processes, this indispensable reference book has gained a reputation as "the potter's bible." Professional potters, beginners, students, and collectors will find authoritative information clearly and logically presented. Frank and Janet Hamer explain the sources and character of materials, the behavior of clays and glaze minerals during forming and firing processes, forming methods, and glaze construction. In addition to brief outlines and detailed articles with cross references to illustrations, color photographs illustrate glaze effects and surfaces featured in the work of inventive, contemporary potters. The varied techniques of Raku, maiolica, crystalline glazes, salt and soda, stoneware, and porcelain are also presented. This new edition features over 500 full-color photographs and illustrations. With more than 300 diagrams to clarify everything in the ceramic world, in its sixth edition The Potter's Dictionary of Materials and Techniques will continue to serve as the authority on all things ceramic.

Transform your plain pottery into exciting, colourful and contemporary pieces for the home in a trice! You don't need pottery classes, or even a kiln to glaze your creations - you can make gorgeous items quickly and easily by painting plain, shop-bought ceramic items and baking them in a domestic oven. With 22 colourful projects to make, there are decorative plates, bowls, cups and pots, vases, a lamp - and even earrings and a necklace. With simple techniques to follow, all explained in clear and simple terms, you just need a few brushes, some ceramic paints and some plain pottery and away you go! If you love painted ceramics, patterns and making little gifts - this book is for you!

A practical guide to all forms of decoration for pots and sculpture. This step-by-step guide encourages you to explore the full range of surface treatment techniques and teaches you how to obtain a professional finish to your work by suggesting an appropriate finish choice. Surface Decoration looks at all manner of surface decoration techniques, at every stage of the ceramic process and from a practical perspective explains how to achieve these effects. The book explores a variety of innovative and contemporary approaches to surface finish including sgrafitto, resist methods, sprigging, trailing, glaze layering, lustre, transfer, impressing, incising and textural methods amongst others. This is the perfect guide for any ceramic artist interested in exploring new surface decoration techniques.