Painted vases are the richest and most complex images that remain from ancient Greece. Over the past decades, a great deal has been written on ancient art that portrays myths and rituals. Less has been written on scenes of daily life, and what has been written has been tucked away in hard-to-find books and journals. A Guide to Scenes of Daily Life on Athenian Vases synthesizes this material and expands it: it is the first comprehensive volume to present visual representations of everything from pets and children's games to drunken revelry and funerary rituals. John H. Oakley's clear, accessible writing provides sound information with just the right amount of detail. Specialists of Greek art will welcome this book for its text and illustrations. This guide is an essential and much-needed reference for scholars and an ideal sourcebook for classics and art history.

Why are people still handmaking utilitarian pottery in the 21st century? Doesn't industrial production take care of all our storage and cooking and serving needs? Yet, in all corners of the US, pottery is being discovered, studied, developed, produced, sold, collected, used, displayed, preserved, and passed down. Answers to these questions are vividly realized in the words of potters themselves-funny, philosophical, intense, and inspiring life narratives captured by Janet Koplos, an award-winning art critic who has followed American studio ceramics for the last four decades. The depth and breadth of this book are unprecedented in American craft history. Fifty individuals or pairs of potters offer their experiences, their thoughts, and their lessons learned. When art is at home in the kitchen, dining room, or living room, as is the case with functional pottery, the impact on our lives can be profound.

Atlas Of Ceramic Fabrics 1. Italy: North-East, Adriatic, Ionian. Bronze Age: Impasto presents and interprets the petrographic composition of Bronze Age Impasto pottery (23rd-10th centuries BCE) found in the eastern part of Italy. This is the first of a series of Atlases organised according to geographical areas, chronology and types of wares. In this book 935 samples from 63 sites are included, which comprise material obtained as a result of almost 30 years of interdisciplinary archaeological, technological and archaeometric research by the authors' team. 73 petrographic fabrics (the potters' 'recipes') are defined and presented, on their lithological character - a tool that can be used to compare the different components of the ceramic pastes and to check provenance of non-local pots. The volume is organised in chapters focused on methodology, fabric description and distribution, followed by the archaeological implications and the database, with contributions by Daniele Brunelli and Andrea Di Renzoni. Illustrations and descriptions of the fabrics and a complete list of the samples are included in order to provide a rigorous and transparent presentation of the data. The archaeological implications are discussed within the topics such as technology, variability, standardisation, chronology, function, social organisation, circulation, style, typology and cultural identity. It is hoped that this work will be considered as another stepping-stone in demostrating that, in archaeology, technological variability is as important as morphological and stylistic distinctions.

"ROMAN AND LATE ANTIQUE MEDITERRANEAN POTTERY". In November 2008, an ICREA/ESF Exploratory Workshop on the subject of late Roman fine wares was held in Barcelona, the main aim being the clarification of problems regarding the typology and chronology of the three principal table wares found in Mediterranean contexts (African Red Slip Ware, Late Roman C and Late Roman D). The discussion highlighted the need to undertake a similar approach for other ceramic classes across the Mediterranean provinces. In addition, it was perceived that ceramic studies are often dispersed and in such a variety of publications that it is difficult to follow progress in this vast field. Therefore, a series devoted to Roman and late Antique pottery in the Mediterranean was proposed to serve as a reference point for all potential authors devoted to pottery studies on a pan-Mediterranean basis. The creation of such a series would not only serve as a means of publishing the results of the ICREA/ESF workshop but also as a network for publication of in-depth monographs devoted to archaeological ceramics of the Mediterranean in the Roman and late Antique periods. With this first volume on ceramic assemblages and the dating of late Roman fine wares, Archaeopress launch this new series devoted to the publication of ceramics in the Roman Mediterranean and outlying territories from the late Republic to late Antiquity.