Renowned for their illustrious ceramic manufacturing heritage, the Staffordshire Potteries originally centred upon six towns: Tunstall, Burslem, Hanley, Stoke-upon-Trent, Fenton and Longton. The modern city of Stoke-on-Trent was created from these six towns and around fifty villages. In The Potteries Through Time, author Mervyn Edwards presents a nostalgic visual chronicle of the towns and villages in the Potteries across the decades. In his previous Through Time books, Mervyn Edwards focused upon each of the six towns individually. This latest volume explores the hills and hollows between the centres whilst also offering new archive photographs of the main towns. We find shabby backstreets cowering in the shadow of enormous coal tips - the Potteries' own 'black hills' - and there are industrial hotspots and busy suburbs. Then there are the proud old chapels and pubs and the even prouder people that patronised them. Stoke-on-Trent was not a pretty place, but as the proverb tells us, 'where there is muck there is brass', and the fascinating landscape came to be captured by all manner of writers, artists and photographers. This collection of archive photographs is an engaging book that charts changing times and the shifting identity of the Potteries. It will be of immense interest to local residents, visitors and all those with links to the area.

High Renaissance maiolica, produced in Italy in the orbit of Raphael and other artists, is widely known and has been extensively studied. This istoriato, or narrative, maiolica graces the collections of many of the world's greatest museums. But not for almost 100 years has attention been focused on magnificent works that preceded it in the 14th and 15th centuries, which were at times prized by contemporary patrons more highly than precious metals. Maiolica before the age of Raphael refocuses the spotlight of contemporary scholarship onto the birth of design in Italian maiolica, and its evolution from c. 1350 up until 1500. It was during this formative period that its characteristic tin-based glaze, with the pure and brilliant white surface it offered the late-medieval potter, engendered some of the most rapid and exciting innovations in all ceramic art. Potters began to decorate the surfaces of their earthenware vessels (of an increasingly varied spectrum of shapes and forms) with squirming, meticulous designs of unparalleled ingenuity and expression that incorporated multisensory influences from luxury contemporary textiles, metalwork, and exotic lustreware from Islamic Spain. Presenting over forty rare objects from the foremost centres of production that have survived in private hands, this catalogue explores the spread and evolution of the medium, as well as the history of collecting and the changing taste for Italian pre-Renaissance pottery in the modern era.

In this book, Xiaolong Wu offers a comprehensive and in-depth study of the Zhongshan state during China's Warring States Period (476-221 BCE). Analyzing artefacts, inscriptions, and grandiose funerary structures within a broad archaeological context, he illuminates the connections between power and identity, and the role of material culture in asserting and communicating both. The author brings an interdisciplinary approach to this study. He combines and cross-examines all available categories of evidence, including archaeological, textual, art historical, and epigraphical, enabling innovative interpretations and conclusions that challenge conventional views regarding Zhongshan and ethnicity in ancient China. Wu reveals the complex relationship between material culture, cultural identity, and statecraft intended by the royal patrons. He demonstrates that the Zhongshan king Cuo constructed a hybrid cultural identity, consolidated his power, and aimed to maintain political order at court after his death through the buildings, sculpture, and inscriptions that he commissioned.