How Venetian glass influenced American artists and patrons during the late nineteenth century Sargent, Whistler, and Venetian Glass presents a broad exploration of American engagement with Venice's art world in the late nineteenth century. During this time, Americans in Venice not only encountered a floating city of palaces, museums, and churches, but also countless shop windows filled with dazzling specimens of brightly colored glass. Though the Venetian island of Murano had been a leading center of glass production since the Middle Ages, productivity bloomed between 1860 and 1915. This revival coincided with Venice's popularity as a destination on the Grand Tour, and resulted in depictions of Italian glassmakers and glass objects by leading American artists. In turn, their patrons visited glass furnaces and collected museum-quality, hand-blown goblets decorated with designs of flowers, dragons, and sea creatures, as well as mosaics, lace, and other examples of Venetian skill and creativity. This lavishly illustrated book examines exquisitely crafted glass pieces alongside paintings, watercolors, and prints of the same era by American artists who found inspiration in Venice, including Thomas Moran, Maria Oakey Dewing, Robert Frederick Blum, Charles Caryl Coleman, Maurice Prendergast, and Maxfield Parrish, in addition to John Singer Sargent and James McNeill Whistler. Italian glass had a profound influence on American art, literature, and design theory, as well as the period's ideas about gender, labor, and class relations. For artists such as Sargent and Whistler, and their patrons, glass objects were aesthetic emblems of history, beauty, and craftsmanship. From the furnaces of Murano to American parlors and museums, Sargent, Whistler, and Venetian Glass brings to life the imaginative energy and unique creations that beckoned tourists and artists alike. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC October 8, 2021-May 8, 2022 Amon Carter Museum of American Art, Fort Worth, Texas June 25-September 11, 2022

Learning from others' mistakes is always more efficient and less costly than committing them yourself. This book is packed with practical information that will enable potters to successfully complete the many steps in pottery production. Making functional pottery or ceramic sculpture entails different skill sets and processes in forming clay, drying clay, glazing, and firing. Any one of these steps can cause failures. As ceramics consultant Jeff Zamek points out, under ideal conditions a beginning or advanced student would be guided by a teacher at every step; mistakes and bad habits would be caught as they occurred and corrected. While such learning situations are rare today, this book fills the gap. As Zamek says, "This book offers you forty years of wisdom, generated by my students' and my client ceramics companies' issues with clays, glazes, and kiln firing." With its solutions to common problems, this guide helps potters to succeed.

283 color photos of American Sandwich glass objects, including fine cut, etched and engraved ware; household, commercial, and scientific glassware; and bottles marketed in the 1800s. A supplement features objects not available when the other 4 volumes in this series were written. A roster of 1500 employees and their occupations is fascinating. Items from $10 to $35,000.

This book is an edited record of the papers given at the two-day symposium 'Italian Maiolica and Europe' held in Oxford on 22 and 23 September 2017. It is, in effect, a celebration of his long service in the Ashmolean Museum as the Keeper of Western Art. Museum collections develop their great strengths in one of two ways: through gifts of private collections and through the knowledge and enthusiasm of curators. The Ashmolean's renowned and important collection of Italian Maiolica owes its foundation to the former and the bequest of C.D.E. Fortnum. But it has grown and developed in remarkable ways over the last three decades thanks to the energy and expertise of Professor Timothy Wilson. During his 27 years as Keeper of Western Art, Tim was responsible for a truly extraordinary range and number of important acquisitions across the fine and decorative arts. As one of the world's leading scholars of Italian Maiolica, it was only natural that he would continue to build on Fortnum's legacy.

This volume presents 455 inscribed pottery fragments, or ostraka, found during NYU's excavations at Amheida in the western desert of Egypt. The majority date to the Late Roman period (3rd to 4th century AD), a time of rapid social change in Egypt and the ancient Mediterranean generally. Amheida was a small administrative center, and the full publication of these brief texts illuminates the role of writing in the daily lives of its inhabitants. The subjects covered by the Amheida ostraka include the distribution of food, the administration of wells, the commercial lives of inhabitants, their education, and other aspects of life neglected in literary sources. The authors provide a full introduction to the technical aspects of terminology and chronology, while also situating this important evidence in its historical, social and regional context. Online edition available as part of the NYU Library's Ancient World Digital Library and in partnership with the Institute for the Study of the Ancient World (ISAW).

"The author makes an eloquent plea for marine biodiversity conservation."-Library Journal "Harvell seems to channel the devotion that motivated the Blaschkas."-The Guardian Winner of the 2016 National Outdoor Book Award, Environment Category It started with a glass octopus. Dusty, broken, and all but forgotten, it caught Drew Harvell's eye. Fashioned in intricate detail by the father-son glassmaking team of Leopold and Rudolf Blaschka, the octopus belonged to a menagerie of unusual marine creatures that had been packed away for decades in a storage unit. More than 150 years earlier, the Blaschkas had been captivated by marine invertebrates and spun their likenesses into glass, documenting the life of oceans untouched by climate change and human impacts. Inspired by the Blaschkas' uncanny replicas, Harvell set out in search of their living counterparts. In A Sea of Glass, she recounts this journey of a lifetime, taking readers along as she dives beneath the ocean's surface to a rarely seen world, revealing the surprising and unusual biology of some of the most ancient animals on the tree of life. On the way, we glimpse a century of change in our ocean ecosystems and learn which of the living matches for the Blaschkas' creations are, indeed, as fragile as glass. Drew Harvell and the Blaschka menagerie are the subjects of the documentary Fragile Legacy, which won the Best Short Film award at the 2015 Blue Ocean Film Festival & Conservation Summit. Learn more about the film and check out the trailer here.

This important book forms part of the Handmade in Britain partnership between the V&A and the BBC. Published as the culmination of a year-long season of programming over three series, it explores the history of making in Britain, looking across all media within the decorative arts. Handmade in Britain expands on the programmes, featuring key objects and makers in the V&A's collection as well as contributions from contemporary practitioners. It traces Britain's status as an unsophisticated importer of luxury Renaissance goods, to becoming one of the leading worldwide exporters of decorative arts by the end of the nineteenth century, and discusses present-day making - particularly the relationship between industrialized and craft-based processes and practice. It also shows how the history of making in Britain is not a London-centric story, but one of regional centres across the country often suited to different manufacturers for specific reasons. Like the programmes, the book takes each tradition in turn, looking at ceramics, metalwork, wood, textiles and stained glass.

For any ceramic artist who has ever dreamed of making cuerda seca (literally "dry line") tile, this practical and comprehensive handbook covers every aspect of the process, from formulating the right clay body to final installation. Studio layout, equipment, tools, materials, design methods, and printing techniques are discussed clearly and succinctly, with an eye toward making you comfortable and confident with the process. Design considerations and constraints are illustrated with real-life examples, so that you can make informed choices about patterns and glazes. Delve into cuerda seca's history and context in the societies of India, the Middle East, Spain, and the western United States to understand the roots of this stunning tile. The exuberance of cuerda seca will inspire you to take this delightful art form further and higher still. An invaluable resource for individual ceramists and production studios alike, this is the perfect companion on the cuerda seca journey.

A highly detailed look at the English country house interior, offering unprecedented access to England's finest rooms. In this splendid book, renowned historian Jeremy Musson explores the interiors and decoration of the great country houses of England, offering a brilliantly detailed presentation of the epitome of style in each period of the country house, including the great Jacobean manor house, the Georgian mansion, and the Gothic Revival castle. For the first time, houses known worldwide for their exquisite architecture and decoration--including Wilton, Chatsworth, and Castle Howard--are seen in unprecedented detail. With intimate views of fabric, gilding, carving, and furnishings, the book will be a source of inspiration to interior designers, architects, and home owners, and a must-have for anglophiles and historic house enthusiasts.
The fifteen houses included represent the key periods in the history of English country house decoration and cover the major interior fashions and styles. Stunning new color photographs by Paul Barker-who was given unparalleled access to the houses-offer readers new insights into the enduring English country house style. Supplementing these are unique black-and-white images from the archive of the esteemed "Country Life "magazine.
Among the aspects of these that the book covers are: paneling, textile hangings (silks to cut velvet), mural painting, plasterwork, stone carving, gilding, curtains, pelmets, heraldic decoration, classical imagery, early upholstered furniture, furniture designed by Thomas Chippendale, carved chimney-pieces, lass, use of sculpture, tapestry, carpets, picture hanging, collecting of art and antiques, impact of Grand Tour taste, silver, use of marble, different woods, the importance of mirror glass, boulle work, English Baroque style, Palladian style, neo-Classical style, rooms designed by Robert Adam, Regency, Gothic Revival taste, Baronial style, French 18th century style, and room types such as staircases, libraries, dining rooms, parlors, bedrooms, picture galleries, entrance halls and sculpture galleries.
Houses covered include: Hatfield - early 1600s (Jacobean); Wilton - 1630/40s (Inigo Jones); Boughton - 1680/90s (inspired by Versailles); Chatsworth -1690/early 1700s (Baroque); Castle Howard - early 1700s (Vanbrugh); Houghton - 1720s (Kent); Holkham - 1730s-50s (Palladian); Syon Park - 1760s (Adam); Harewood - 1760s/70s (neo-Classical); Goodwood - 1790s/1800s (neo-Classical/Regency); Regency at Chatsworth/Wilton/C Howard etc - 1820/30s; Waddesdon Manor - 1870/80ss (French Chateau style); Arundel Castle -1880s/90s (Gothic Revival); Berkeley Castle -
1920/30s (period recreations and antique collections); Parham House - 1920s/30s (period restorations and antique collections). The range is from the early 17th century to present day, drawn from the authenticated interiors of fifteen great country houses, almost all still in private hands and occupied as private residences still today. The book shows work by twentieth-century designers who have helped evolve the country house look, including Nancy Lancaster, David Hicks, Colefax & Fowler, and David Mlinaric

Accompanying an exhibition at the Staatliche Kunstsammlungen Dresden, this publication presents the glass swallow works Perched, created by the artist Feleksan Onar. While drawing on sources from her personal history as well as collective memory, Feleksan Onar's works in glass deal with notions of identity, constructed narratives, historical relations and impacts of politics on society. In her recent project Perched, her story-telling in glass reflects on the Syrian refugee situation. Triggered by witnessing the helpless refugees strolling around the streets of Istanbul, after being forced to leave their homelands, Perched has been exhibited in the Pergamon Museum, Berlin, the New Jersey Visual Arts Center and the Victoria& Albert Museum, London. The work was interpreted as "a visceral expression of the fact that in spite of differences of religion, culture, and individual histories, what we all want most is to be in the place we call home," by the art critic Lisa Morrow. A reading of Louis de Bernieres' novel Birds Without Wings was an inspiration for Onar to create the series. Glass works, inspired by a book, create its own history over time and turn into a book again. This book marks the most comprehensive publication on Perched to date. The result here is a complementary structure addressing the aesthetic and political concepts inherent in Feleksan Onar's art. Contiguity and fragility are the core of this project and provides the form for this book. Newly commissioned essays initiate sections that engage particular aspects of Onar's work. Renowned author Louis de Bernieres contributes a short story; Prof. Dr. Stefan Weber, Mariam Rosser-Owen and Stefanie Bach propose a reading of Perched through the exhibitions in the Pergamon Museum, the Victoria& Albert Museum and the Staatliche Kunstsammlungen Dresden; and Nadania Idriss questions how is art supposed to foster a culture of peace and muses on being perched. Producing glass art, to use Onar's own words, "not only expresses my past and present, but also my anxieties and expectations for future. Through glass, I speak, breathe and live." This is the story of birds standing together in different places with their various colors and holding a vital crisis in their silence, breath and life.

Of the many media used by companies to bring attention to their products or services, none seem to have had the overall appeal of porcelain enamel. The process of creating porcelain signs is an art in itself, and the influx of new collectors in the market place attests to porcelain enamel advertising's beauty. Few collectibles are made with such long-lasting properties or have been found in such diversity. With hundreds of full color photographs, this new book will give you an idea of the beauty and diverse graphics that can be found in this very collectible area of Americana. Discover the powerful graphics that were so effective on these signs and see the wide range of advertisers who used the medium. The book is divided by manufacturing design with one chapter devoted to gasoline pump signs, a particularly popular area of collecting. Informative captions include a description, measurements, and the approximate age of the sign. This is simply the best illustrated guide to porcelain enamel advertising ever published, and an important reference to collectors and historians alike.

Beauty in imperfection! Learn the ancient Japanese art of kintsugi and understand why, in the way of kintsugi artists, broken is better than new. This is your guide to putting the pieces back together to restore broken plates, vases, and other ceramics and glass items to be even better than before. Starting with repairing a simple dent or crack, you'll gain the skills to reconstruct goblets, vases, plates, spherical objects, and statues. Transform your broken pieces and heirlooms or create new works of art and wearable art with this method. Explore kintsugi's fascinating origins in 1400s Japan, its history, and its philosophy, along with ways to push the boundaries for your creations today. As you repair ceramic and glass objects-kintsugi works both for precious and thrift-store-level items-you'll learn the traditional methods as well as modern methods not taught elsewhere. You'll soon appreciate why kintsugi is the only Japanese art form that has taken a spiritual philosophy as its very purpose.

Pioneers in fused studio and production glass since the 1940s, Michael and Frances Higgins continue to create some of today's most collectible glass objects. Higgins: Adventures in Glass chronicles their careers and accomplishments in the studio, at Dearborn Glass Company and at Haeger Potteries. A must-have for glass collectors and 1950s/1960s fans alike, this new book features 645 full-color photos, company catalog, vintage advertising, interviews with the artists and price guide. The Higgins' "modern miracles with everyday glass" will appeal to all with an interest in mid-20th century design and collectibles.

Clay is an exciting material that has been used to make both practical and decorative items since prehistoric times. With this practical guidebook, learn all the skills you need to start creating your own beautiful ceramics. Step-by-step photographs and clear instructions will guide you through the core techniques, including pinching and coiling and throwing and trimming. Discover inspirational projects as your skills progress, from simple coiled vases with painted decoration to marbled clay boxes with transparent glazes. Learn how to decorate and fire your clay vessels with myriad textures, using methods such as inlays, slips, sgraffito, feathering, burnishing and resist. Following the impressive projects inside, you can put your new-found skills into practice and develop your creativity.

Dan Klein and Alan J. Poole began collecting in the late 1970s and over the subsequent thirty years assembled on the most comprehensive collections of modern British and Irish glass. The book includes work by over one hundred makers at the very cutting edge of their art. This dazzling collection was gifted to National Museums Scotland in 2009.

Have you ever wanted to create your own ceramics but had no idea how to begin? Expert ceramicist Melisa Dora teaches you everything you need to know to make exquisite ceramic tableware. Step-by-step instructions clearly outline the techniques for forming and building your pieces, throwing the clay, firing, and glazing. Explore the best practices for using clay and different glazes -- and even how to make your own glazes. Discover how to reuse, recycle, and reclaim your materials. Learn tips for troubleshooting and advice for photographing and selling your finished work. Once you've mastered the techniques, use them to create mugs, plates, bowls, serving dishes, vases, and more. Melisa Dora makes it easy for you to design and create ceramic pieces that will adorn your home and brighten your life.

Nearly 600 brilliantly detailed photos capture the work of 112 glass artists and show the tremendous diversity, depth, and breadth of how this ancient medium is used in the twenty-first century. New and emerging glass artists are featured together with well-known experts, and all of them challenge the boundaries of familiar techniques. Many of these artists also teach or continue research into the capabilities of glass. Many have won major awards; still others have been the subject of media attention; and many are mentors and leaders of contemporary glass art. Their towering installations, miniscule insects, glass kimonos, and more will inspire everyone interested in appreciating, working with, or collecting glass.

Concrete is in. And no wonder: it's inexpensive, durable, and makes unique, stunning pieces with which to decorate your home. With just a bag of ready-mixed concrete, water and a few utensils and moulds you can find around the house, you can create beautiful, minimalist items in no time at all; from clocks, vases, lampshades and bowls through to jewellery, wine coolers and desk organisers. Each project is equipped with easy-to-follow, step-by-step instructions and tips, and all can be made with very little know-how - making it a perfect craft for beginner concrete artisans, as well as the more experienced mason. A perfect mix of power, presence and practicality, bring concrete into your home today and discover a new-found love for this often overlooked but remarkable building material.

DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina.

This is a large illustrated volume on the work of the legendary master glassmaker Lino Tagliapietra. On the occasion of the seventieth anniversary of his career, this book traces the artist s life, encounters, and works, focusing in particular on his most recent production.

Focusing on the pottery surface, Carve Your Clay covers a wide range of decorative carving techniques, from piercing, etching, inlaying to sgraffito, faceting, and fettling. The techniques are taught through 20 projects in Hilda's signature style, with clear, step-by-step photography and easy-to-follow instructions to achieve beautiful results. With easy guides on how to create form as well as glazing and firing, this is a comprehensive guide suitable for new and practising potters alike.

The Handbook of Glaze Recipes is an essential studio companion for any potter. Covering a comprehensive range of glazes including porcelain, crystalline and raku as well as stoneware and earthenware, each recipe is illustrated with a useful test tile to demonstrate the effects of opaque, matte, and transparent glazes on different clays and at varying temperatures, and numbered for ease of reference. The book also features an introduction to the basics of mixing, applying and adjusting glazes, and correcting typical glaze faults. It also includes many clay body recipes, including a variety of ones for porcelain, wood firing and even Egyptian paste. Compiled by studio potter and glaze expert Linda Bloomfield, and based not only on on years of meticulously recorded tests, but also researched from a large assortment of established ceramic artists, The Handbook of Glaze Recipes is a must-have resource for any potter wishing to experiment or expand their glazes and clay bodies.

The term 'jar' refers to any man-made shape with the capacity to enclose something. Few objects are as universal and multi-functional as a jar - regardless of whether they contain food or drink, matter or a void, life-giving medicine or the ashes of the deceased. As ubiquitous as they may seem, such containers, storage vessels and urns are, as this book demonstrates, highly significant cultural and historical artefacts that mediate between content and environment, exterior worlds and interior enclosures, local and global, this-worldly and otherworldly realms. The contributors to this volume understand jars not only as household utensils or evidence of human civilizations, but also as artefacts in their own right. Asian jars are culturally and aesthetically defined crafted goods and as objects charged with spiritual meanings and ritual significance. Transformative Jars situates Asian jars in a global context and focuses on relationships between the filling, emptying and re-filling of jars with a variety of contents and meanings through time and throughout space. Transformative Jars brings together an interdisciplinary team of scholars with backgrounds in curating, art history and anthropology to offer perspectives that go beyond archaeological approaches with detailed analyses of a broad range of objects. By looking at jars as things in the hands of makers, users and collectors, this book presents these objects as agents of change in cultures of craftsmanship and consumption.