Speel jy al 'n ruk lank met mosaiekwerk, maar voel jy moet dit nou op 'n hoer vlak beoefen? Of is jy 'n beginner wat soek na 'n uitdaging? Dan is hierdie boek net wat jy nodig het. Dit bied mosaiekwerk aan as 'n kunsvorm waar lyn, kleur en tekstuur almal saamwerk om pragtige resultate te lewer. Die treffende foto's op elke bladsy is inspirerend en leersaam. Die skrywer, wat oorspronklik 'n tekstiel ontwerper was, besef hoe belangrik die keuse van 'n ontwerp is wanneer jy 'n mosaiekprojek wil onderneem. Hierdie boek sal jou leer hoe om die regte ontwerp te kies en dit as 'n ontwerptekening weer te gee. Die tegniese inligting wat verskaf word, sal jou lei deur die proses om 'n ontwerp te kies, jou leer van die verskillende teels wat beskikbaar is, oppervlakke waarop jy kan werk en watter vir bepaalde toestande gebruik moet word, die materiaal en gereedskap wat nodig is, sowel as die verskillende mosaiektegnieke wat vir die voltooiing van jou projek gebruik kan word. Daar is selfs voorstelle vir alternatiewe as benodigdhede in jou omgewing moeilik bekombaar is. Die stap-vir-stap-projekte is pragtig en kan presies gevolg word, maar die skrywer moedig mosaiekwerkers aan om die projekte hul eie te maak deur met kleur en tekstuur te speel. Die projekte sluit groot en klein items in wat jy in jou huis of as geskenke kan gebruik, en gee alternatiewe voorstelle en idees ingeval jy 'n ander voorkoms of gevoel sou verkies. Mosaiekkuns behels soveel meer as die blote plasing van teels langs mekaar, en met Doen Mosaiek in die hand sal jy ontdek hoe geweldig bevredigend hierdie handwerkvorm kan wees.

An explanatory introduction on materials and tools, types of glass and safety, is followed by step-by-step techniques and tips for tracing, cutting, grinding, foiling, assembly, soldering, tinning and the application of patina. The wide range of projects includes lampshades, candleholders, mobiles, frames, wall clocks, mirrors and much more, in both traditional and contemporary styles. The initial projects are illustrated with detailed step-by-step photographs to lay the groundwork for further items where specific details are highlighted. From simple to more challenging, all the items included beautifully showcase the splendid range of glass available nowadays. Good use is also made of additions in the form of beads and glass mosaicing. With excellent colour photographs of all finished items, technical tips throughout, gallery shots with extended captions for additional inspiration, and templates for the projects, this book will be an asset on any crafters shelf.

Master the craft of glass art in your own home studio

The Glass Artist's Studio Handbook is a robust review of three popular glass art styles--stained glass, fusing, and lampworking--that brings learning new skills and making glass art within everyone's reach. With the right tools, classic techniques, and several "teaching projects," you will soon be making beautiful glass art at home.

Artist Cecilia Cohen walks you through planning your work space, selecting tools and materials, mastering basic glasswork techniques, and applying your new skills to original pieces. In addition, "The Glass Artist's Studio Handbook "encourages good organization, unique and inspired design, and eco-friendly practices, ensuring it will remain an invaluable resource for artists.

The Glass Artist's Studio Handbook

- Invites you into the studios of 18 glass artists from around the world

- Teaches fundamental glass-art techniques--cutting glass, soldering, flameworking, kilnwork, and more--in full-color photographs

- Illustrates the steps for crafting beautiful pieces of glass art, including suncatchers, jewelry, boxes, beads, and a kaleidoscope

Whether you are new to the art and want to set up your first studio and learn the basics, or an experienced artist looking to expand your repertoire and stimulate your creativity with advanced projects, The Glass Artist's Studio Handbook is for you.

This interdisciplinary volume is a 'one-stop location' for the most up-to-date scholarship on Southern Levantine figurines in the Iron Age. The essays address terracotta figurines attested in the Southern Levant from the Iron Age through the Persian Period (1200-333 BCE). The volume deals with the iconography, typology, and find context of female, male, animal, and furniture figurines and discusses their production, appearance, and provenance, including their identification and religious functions. While giving priority to figurines originating from Phoenicia, Philistia, Jordan, and Israel/Palestine, the volume explores the influences of Egyptian, Anatolian, Mesopotamian, and Mediterranean (particularly Cypriot) iconography on Levantine pictorial material.

Die inleiding beskryf al die materiale en toerusting, die soorte glas en veiligheidsmaatreels, en word gevolg deur stap-vir-stap-tegnieke en wenke oor die natrek en uitsny van patrone, slyp- en foeliewerk, hoe om die stukke saam te stel, soldeerwerk, vertinning en die aanwending van patina. Die wye reeks projekte - in tradisionele en kontemporere style - sluit lampkappe, kershouers, bewertjies, rame, muurhorlosies, spieels en nog vele meer in. Die eerste paar projekte word geillustreer met gedetailleerde stap-vir-stap-foto's om die grondslag neer te le vir die daaropvolgende projekte waarin meer spesifieke besonderhede uitgelig word. Al die items in die boek - hetsy dit eenvoudig of meer uitdagend is - beeld die wonderlike verskeidenheid glas wat deesdae beskikbaar is pragtig uit. Met die puik kleurfoto's van al die voltooide items, tegniese wenke regdeur die boek, foto's uit die studio met uitgebreide byskrifte vir ekstra inspirasie, en patrone vir die projekte is hierdie boek in moet vir elke handwerker.

In Painted Pottery of Honduras Rosemary Joyce describes the development of the Ulua Polychrome tradition in Honduras from the fifth to sixteenth centuries AD, and critically examines archaeological research on these objects that began in the nineteenth century. Previously treated as a marginal product of Classic Maya society, this study shows that Ulua Polychromes are products of the ritual and social life of indigenous societies composed of wealthy farmers engaged in long-distance relationships extending from Costa Rica to Mexico. Drawing on concepts of agency, practice, and intention, Rosemary Joyce takes a potter's perspective and develops a generational workshop model for innovation by communities of practice who made and used painted pottery in serving meals and locally meaningful ritual practices.

The ultimate illustrated guide for sourcing, processing and using wild clay. Potters around the world are taking to the local landscape to dig their own wild clay, discover its unique properties, and apply it to their craft. This guide is the ideal starting point for anyone - from novices, improvers and experts to educators and students - who wants to forge a closer bond between their art and their surroundings. Testing and trial and error are key to finding a material's best use, so the authors' tips, drawn from long experience in the US and Japan (but which can be applied to clays anywhere) provide an enviable head-start on this rewarding journey. A clay might be best suited to sculpture and tile bodies, throwing clay bodies, handbuilding and slab bodies, or simply be applied as a glaze or slip. The specific properties of found materials can create a diverse range of effects and surfaces, or, even when not fired, can be adapted for use as colorful pastels or pigments. Beautiful illustrations and helpful technical descriptions explain the formation of various clays; how to locate, collect and assess them; how to test their properties of shrinkage, water absorption, texture and plasticity; the best ways to test-fire them; and how to adapt a clay's characteristics by blending appropriate materials. From prospecting in the field to holding your finished product, there is helpful advice through every stage, and a gallery of work by international potters who have embraced the clays found around them.