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Books > Arts & Architecture > Art forms, treatments & subjects > Ceramic arts, pottery, glass > General
This book surveys four thousand years of pottery production and presents totally unexpected fresh information, using technical and analytical methods. It provides a study of ancient pottery of Jerusalem, from the earliest settlement to the medieval city and brings to light important aspects that cannot be discovered by the commonly accepted morphological pottery descriptions. Thus, third millennium BCE pottery appears to have been produced by nomadic families, mb ceramics were made by professional potters in the Wadi Refaim, the pottery market of the IA.II pottery cannot be closely dated and is still produced during the first centuries after the exile. The new shapes are made by Greek immigrant potters. The book contains a chapter on the systematics of ceramic studies and numerous notes about the potters themselves. H. J. Franken is Emeritus Professor at the State University Leiden, The Netherlands.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Are you ready to take the 'Next Step in Fused Glass Forming? The innovative Mold Block System presented in this book is certain to trigger a creative leap to the next level in glass fusing. These Mold Blocks are particularly well suited for use in portable tabletop kilns, offering the ability to create glass forms that are difficult to produce any other way. It's fun and exciting to design unique mold configurations that continually offer a twist to standard fused glass shapes. This title is presented in an easy to follow self-directed format starting with an examination of the mold material and cutting the mold block components. Then the book moves into a complete guide from start to finish through the creation of a glass project, including an essential tutorial describing the process to manually fire a tabletop kiln. This book is the first title in the new "Next Step Art Glass" series by Wardell Publications Inc. The basic concept for this series will be to offer focused instruction for advanced or specialised techniques to guide a crafter from their current skill set to the Next Step in art glass.
The blue and white porcelain exported by China in the eighteenth and early nineteenth centuries is an important category of artifacts and antiques, a fashion-sensitive commodity that was affected by the ebbs and flows of style and consumer demand. In this copiously illustrated, comprehensive guide to Chinese export porcelain, Andrew Madsen offers both a broad overview and detailed identification and context information for the most common styles and motifs. His focus on the determination of manufacture dates, which are based primarily on data collected from armorial decorated export wares, porcelain cargoes from dated shipwrecks, and tightly dated archaeological contexts, will allow students, scholars, and collectors to refine associations with Chinese export porcelain, revealing the untapped quantity of information that mass-produced Chinese export porcelain has to offer.
Revised edition of The Glassmakers: a history of Owens-Illinois Incorporated by Jack Paquette.
The indispensable compendium of essential knowledge and troubleshooting tips for potters. Just like having an expert on call 24 hours a day - here are the answers to any ceramic questions or dilemmas you might have. Step-by-step photographs, diagrams and clear instructions will guide you through each stage of your work, or you can dip in for help with a particular problem. Discover how to improvise tools using kitchen implements, find a shortcut to rolling faultless coils, build the perfect spout and learn a foolproof method for removing a vessel from the wheel without it distorting. Every section features 'try it' and 'fix it' panels, suggesting ways of developing skills and avoiding common errors.
This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.
A new coloring book featuring 30 drawings of beautiful Pueblo pottery designs for you to complete Pueblo pottery is renowned for its extraordinary beauty and craftsmanship. Pueblo is a Spanish wording meaning 'town' or 'village'. When the Spanish arrived in 1540 in what is now known as the American Southwest, they referred to the Indigenous communities and their settlements as Pueblos. The Pueblos are among the oldest settlements in North America, and their pottery-making tradition is as old as the ancient Pueblos themselves. Pottery is used throughout the life of a Pueblo person, and various forms are made for cooking, gathering water, food storage, and ceremonial use. The Coloring Book of Pueblo Pottery features more than 30 drawings for you to complete, whether by reproducing the traditional palettes or by finding inspiration in the swirling or geometric patterns and stylized motifs for a unique design of your own. Made predominantly by women, the pots are created from natural clay using a coil method; they are hand-painted and then fired outdoors. Designs vary from one Pueblo to another, but symbols and motifs relating to the natural world - birds, deer, plants, and water - are common. Today, such pottery is highly collectible and is found in museums and private collections around the world. This delightful coloring book allows you to create your very own masterpieces of this celebrated and cherished art form.
This book offers creative ways to transform plain glass bowls, vases, mirrors, picture frames, plant pots and other home accessories. You can use the timeless craft skills of painting glass, stained-glass construction and glass mosaic to produce traditional and contemporary objects to decorate your home. You can paint small decorative motifs to champagne glasses, paint bold, abstract designs on an unusual window hanging, or 'etch' a design into a glass vase. You can make a trinket box or a decorative planter using easy-to-follow techniques of cutting glass and soldering, reproduce the effect of stained-glass windows with self-adhesive lead, or learn the art of mosaic using glass tesserae to decorate plant pots, lantems and a tabletop. Working creatively with glass is a skill that anyone can learn and the range of specialist craft materials and equipment available is increasing, helping to make light work of traditional crafts. This practical, highly illustrated book presents over 40 beautiful projects to create.Using the distinct techniques of painting glass, cutting and glass construction, stained-glass effects and glass mosaics, each chapter opens with material and equipment lists as well as pages of techniques that explain all you need to know to achieve success. From a Venetian perfume bottle and leaded picture frames to stylish glass window decorations these projects are sure to inspire.
In Conscious Crafts: Pottery, maker Lucy Davidson reveals the meditative nature of working with clay and its wellbeing benefits for slowing down, creativity and mindfulness. Making is mindfulness made practical, and pottery is a popular meditative craft. Drawing on the traditions of hand making, Lucy has created 20 modern makes with air dry and polymer clay - all without the need for a wheel or kiln: imperfect pots; coasters; necklace beads; abstract earrings; terrazzo-style bracelets; bird brooches; pinch pot tea holders; light pull; incense holder; botanical & feather wall hangings; festive decorations; potted herb markers; clay 'leaf' bowls; plant hanger pots; indoor planters; miniature bunting; serving dishes; and seaside vases. She shares the basic techniques to pottery and shows how these can be explored and personalized for different projects, as well as making your own clay and memories. Clean photography, contemporary illustration and heart-affirming text are beautifully mixed together to celebrate art of making for a handmade future. Packed with inspiring ideas and practical guidance, Conscious Crafts: Pottery gives you the raw skills to get started with this fulfilling craft, and shows how the pottery experience and the satisfaction of creating your own unique makes can create happiness. The Conscious Crafts series places mindfulness and well-being at the heart of making. Picking out proven meditative crafts and bespoke authors, these practical, contemporary guides are an inviting introduction to reconnecting head, heart, and hands. Also available from the series: Conscious Crafts: Quilting/Knitting/Whittling.
During the eighteenth century, porcelain held significant cultural and artistic importance. This collection represents one of the first thorough scholarly attempts to explore the diversity of the medium's cultural meanings. Among the volume's purposes is to expose porcelain objects to the analytical and theoretical rigor which is routinely applied to painting, sculpture and architecture, and thereby to reposition eighteenth-century porcelain within new and more fruitful interpretative frameworks. The authors also analyze the aesthetics of porcelain and its physical characteristics, particularly the way its tactile and visual qualities reinforced and challenged the social processes within which porcelain objects were viewed, collected, and used. The essays in this volume treat objects such as figurines representing British theatrical celebrities, a boxwood and ebony figural porcelain stand, works of architecture meant to approximate porcelain visually, porcelain flowers adorning objects such as candelabra and perfume burners, and tea sets decorated with unusual designs. The geographical areas covered in the collection include China, North Africa, Spain, France, Italy, Britain, America, Japan, Austria, and Holland.
An essential guide to working with porcelain, from its history and composition, to building, decorating and firing. For thousands of years, the special properties of porcelain - its delicacy, translucency and remarkable strength - have fascinated and inspired, and these qualities continue to appeal to ceramic artists. However, porcelain is also a notoriously demanding medium that presents unique challenges. In this inspiring practical guide, porcelain artist Vivienne Foley introduces you to the material she has been working with for more than forty years. The book takes a comprehensive look at all aspects of porcelain, and covers everything from its composition and workability, to decorating and glazing. Learn about methods of throwing and building - with a focus on techniques and faults specific to porcelain, explore drying and firing, and make use of a useful troubleshooting section on all the most likely problems and faults along with suggested remedies. Beginning with the fascinating history of making in porcelain, from the Imperial kilns of China to the Meissen factory of Germany and beyond, this book gives you an insight into the way porcelain has been used in the past and how it has been adapted and developed for contemporary work, by current artists who are constantly looking to push the boundaries of possibility. Illustrated throughout with helpful how-to images, as well as the beautiful works of current artists, Porcelain is the essential handbook for any ceramic student or artist seeking to understand and work with this extraordinary material.
Discover a world of creative and colourful jewellery making from the comfort of your own home. In this comprehensive guide to modern polymer clay techniques, artist and designer Heidi Helyard reveals the simple techniques that can be used to create one-off, contemporary jewellery pieces with minimal tools and equipment. Polymer clay is possibly one of the most accessible yet versatile art materials currently available. As readily accessible and easy to use as paint, you can make everything (and anything) with it, from sculptures and figurines, to artworks, decorations, homewares, and wearable jewellery. It's lightweight, flexible and strong. No special tools or equipment is required to cure it, it is relatively cheap, and you only need to start with the primary colours, plus black and white, to mix any colour you like. Polymer clay, which has been around for nearly 80 years, is currently finding itself popular amongst contemporary jewellery makers as the bright colours and sheer versatility of the material allows makers to create bold and graphic modern designs. The beauty of polymer clay is that it presents so many opportunities to explore colour combinations, patterns and texture. In this book you will learn 10 easy yet exciting techniques including slab and cane making, marbling and colour mixing, inlay techniques, printing onto clay, surface embellishments and more to create 20 unique jewellery pieces. The projects in this book vary in complexity, but are accessible to both novice and advanced makers alike. If you are a beginner, the extensive step-by-step photos and instructions will help you develop your polymer clay skills and complete the projects with confidence. As you build your skills and learn the techniques via the book, you will realise that you can combine techniques to create all-new results. The skills you learn in this book will open up a limitless world of further experimentation for you to discover. Just make, bake and wear!
A comprehensive guide with recipes for making your own lustres and techniques for applying and firing them. A lustre is a thin layer of metal which is deposited onto the surface of the pot during firing and which produces a lustrous surface. Lustres are very sought after, fabulous surfaces which can lure you in and keep you spellbound. They can be coloured as golds, coppers, reds and blues, or have a colourless sheen like mother of pearl. Although lustre is a complex technique, this handbook explains and simplifies the process of creating various types of lustre for you to enjoy producing spectacular results. The book offers various recipes for making your own lustres and techniques for applying and firing, and shows you the results of Greg Daly's extensive testing to point you in the right direction. One of the most commonly used lustres today is a resin lustre (known as the 'commercial' lustre) which contains some dangerous carcinogens thinners. There is therefore an advantage to making your own lustre using more natural materials, which will also give you an infinite variety of effects.
A concise and accessible introduction to throwing, with step-by-step instructions and tips. Throwing is an important skill for any potter to master, using only a few tools, the guidance of their hands, and the momentum of a wheel. This book is an essential companion for anyone attempting to master the art of forming pots on the wheel. Having spent his life making pots and teaching others to make them, Richard Phethean describes essential techniques for working on the wheel with an eye for the practical. Learn about a range of forms, from simple domestic pots such as mugs, jugs, bowls and teapots to more complex vessels with oval shapes or cut edges, with the aim of building your confidence in throwing techniques. The book features clearly illustrated step-by-step instructions and diagrams for creating each type of vessel. Finally, get some inspiration from the work of contemporary potters discussing their techniques and featuring some of their stunning pieces.
When your favorite cup is broken, kitsugi can bring new life. Instead of lamenting the breakage embrace and love the opportunity to create something new and beautiful through mending. This is the appeal of kintsugi. Kintsugi is the mindful Japanese art of repairing broken ceramics and glassware by appreciating the cracks and chips as design elements--bringing new life to cherished items. Kintsugi:The Wabi Sabi Art of Japanese Ceramic Repair shares traditional methods you can practice in your own home. Step-by-step lessons in repairs suited to every level of experiences--filling cracks to completely rebuilding and finishing a broken piece--fill the pages of this in-depth yet unintimidating guide. Ceramics and lacquer guru Kaori Mochinaga offers a complete course in using urushi lacquer and metallic powder in the traditional Japanese way. Your broken piece soon becomes whole again, and more meaningful than ever before. From assessing the damages and selecting the repair methods, to applying the finishing touches, you'll learn all the essential kintsugi techniques, including: How to seal a fine crack or repair a chipped rim Techniques for rebuilding a shard, restoring a handle, even reconstructing a multi-shard piece And much more--and all of it with the use of non-toxic lacquers and powders There's something here for every type of repair--from clean, simple breaks to more challenging reconstructions as you learn the techniques. Assemble your tools, set up your workspace, and let this book guide you through the mindful art of kintsugi!
Preston Studios made a big impression with their first book, "Windows of Enduring Beauty" and this second book of their work is sure to impress as well. The images in this collection capture the imagination of the chic designer in all of us. Stained glass has been around for hundreds of years and it has never been more popular than it is today. Preston Studios takes the art of glass to a new level with their colourful and creative designs. Many works are photographed showing the interior setting of the room to present the installation in its local environment. This book contains over 80 colour photographs of stained glass creations, 58 shown within the room setting. In addition you will find artist comments and design details for each installation, plus an interesting account of the studio's history and their design philosophy.
Stroll through Victorian Europe to the German state Silesia and trace the escape route used by members of the Ohme family as they fled from Russian soldiers in World War II. Visit the tomb of Hermann and his wife Anna in Dresden which had been thought to be lost forever. Discover the endless variety of the beautiful porcelain pieces and the secrets to correctly identifying your Ohme collection. This book is an in-depth look at identifying and classifying Old Ivory China and Clear Glaze Porcelains. See clear and accurate photos of newly discovered marks, blanks and patterns to satisfy your desire to identify every piece of your cherished collection. For Ohme collectors everywhere. ALMA HILLMAN is an antique dealer for over 30 years who has specialized in the porcelain of Hermann Ohme since moving to Maine in 1986. She and her husband Les, ran a successful antiques shop in Searsport, Maine for the next twenty years. Along with David Goldschmitt, she published the groundbreaking book on the elusive topic of Old Ivory China, entitled "Old Ivory China: The Mystery Explored" through Collector's Books in 1998. A charter member of the national Society for Old Ivory and Ohme Porcelain, she served as president, vice president and auction chairman. After traveling to Germany and Poland to further research Ohme porcelain she and David began the arduous task of an expanded and updated resource. DAVID GOLDSCHMITT has been a practicing Emergency Physician for the past 25 years with a specialty in Disaster Medicine and Homeland Security. He has been an avid collector of porcelain for over twenty years with a passion to solve a good mystery. Born and raised in New Jersey, his ties to Maine date back to his childhood. Old Ivory China, imported so heavily in Maine, is the representation of this second home. He is also the author of "Medical Disaster Response."
Let go of your pretensions squeeze, shape, knead & play your way to spiritual growth. I am being formed by the clay. I am reconnecting with the earth, and with the other basic elements, too air, water, fire and life itself. Every gesture leaves its trail in the clay. Every fingerprint, a message. My breath fills the cavity. My touch curves the wall of a bowl. And inwardly, I am being formed by the outward practice. I am learning to trust the process, to lean into the possibilities rather than striving for some predetermined goal. I am being hollowed out, stretched and constricted, trimmed and sometimes reworked entirely. from the Prologue Drawing from her first-hand experience of working with clay, Marjory Zoet Bankson takes you through the seven-step process of making clay into a pot, drawing parallels at each stage to the process of spiritual growth: Grounding Connecting with our core elements Kneading Awakening to the inner realm Centering Gathering everything togetherShaping Focusing inner and outer pressures Finishing Trimming away the excessDecorating Adding a playful touch Firing Committing to transformation This simple connection with the earth has the potential to put you in touch with the whole of creation and, at the same time, your soul s longing to participate as an artist, creating something new and unique. Through reflective questions in each chapter along with a wealth of unique clay projects that even beginners can do Bankson invites you on a journey of spiritual discovery, a path of reconnecting with your body and spirit, and with the earth itself."
Contemporary Raku is a complete guide to this exciting, dramatic and beautiful art form. It explains the making, glazing and firing methods employed for producing Raku-ware, and features contributions and insights from leading makers. Recognizing the deeper values of the practice, the book also considers the influences and sources of inspiration behind the work of these makers. It introduces the necessary tools and equipment, and advises on essential health and safety measures. It explains how to make vessels and forms with step-by-step photo sequences. Recipes for clay bodies and glazes for the beginner and the more experienced maker are included. Details are given on the Raku-firing process and the range of kilns used. Finally, it explores the practice of 'Naked Raku'. With over 300 illustrations, it is a stunning and detailed account to this magical process.
H. Leslie Moody and Frances Johnson Moody never owned the company outright, but their dreams shaped North Carolina's Hyalyn Porcelain, Inc. and drove it forward to the satisfaction of an emerging, increasingly modern post-World War II America. Hyalyn's reputation for high quality led to its association with top designers like Michael and Rosemary Lax, Eva Zeisel, Georges Briard, Charles Leslie Fordyce, Herbert Cohen, Erwin Kalla, and Esta Brodey. Before moving to North Carolina in 1945, ceramic engineer and designer Less Moody prepared to organize and operate Hyalyn Porcelain, Inc. From Zanesville's Mosaic Tile Company, Ohio State University's ceramics department, Love Field Pottery, Abingdon Pottery, San Jose Potteries, and Rookwood Pottery, he gained expertise in clay formulation, glaze chemistry, product design, plant operation, project planning, advertising, and employee management. With the aid of investors, his dream came true when, in 1946, Hyalyn's first lamp bases and flower containers emerged from the shop's tunnel kiln. Thoroughly documented and illustrated with 425 images, hyalyn: America's Finest Porcelain is a complete history of Hyalyn Porcelain, Inc., and its successors, Hyalyn Cosco, Hyalyn, Ltd., and Vanguard Studios. |
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