Clay body additions can introduce remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen reveals a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice. Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms. The book is lavishly illustrated throughout with both unique making methods and the beautiful finished works of ceramic artists from around the world. Additions to Clay Bodies is an inspiring introduction to the art of using additions and an essential companion for any artist wishing to expand their practice.

Old, broken objects can become more beautiful than ever! The thought of throwing away a cherished dish or mug can be heartbreaking. If you've ever wanted to repair a treasured piece rather than tossing it in the trash--but didn't know how--the traditional Japanese art of Kintsugi ("gold repair") offers the perfect solution! A Beginner's Guide to Kintsugi teaches you the traditional Japanese techniques of pottery and glass repair based on the ancient Wabi Sabi idea that imperfections are beautiful, and visible repairs are part of the "life story" of an object. Author Michihiro Hori provides simple, safe, and inexpensive methods that you can do at home using tools and materials that are readily available online. Hori guides you through the entire process--from assembling and mixing the materials to reconstructing replacements for hopelessly shattered shards. With this book, you'll learn how to: Reinforce cracks, rebuild shattered areas, and apply the time-honored staple technique Fix broken handles so they are fully functional again Safely work with lacquer and metallic powders to achieve beautiful, visible repairs Work with a variety of repair materials from gold leaf to washi paper Repair pottery and glass using traditional techniques for stunning results As you take the time to prepare your materials and work closely with the pieces, you'll find yourself becoming attuned to the mindful philosophy at the heart of Kintsugi and the Wabi Sabi principle of appreciating old and imperfect objects. Most of all, the meditative process of Kintsugi will help you look at broken objects in a new way.

Paperclay is an extremely versatile material for the contemporary potter. Now firmly established in the ceramics world, this mix of clay and paper fibers is remarkably flexible, strong, and easy to repair. This highly workable medium allows expressive freedom and imagination at every stage in the creative process, even after drying and firing. In Paperclay, artists will discover the world of possibilities offered by this blend of earth, paper, and water. Building on the success of her previous books, artist and teacher Rosette Gault explains how potters and clay sculptors can make, fire, and reshape paperclay. This comprehensive guide covers a range of methods from dry modeling to slurry state. Going beyond the basics, the book introduces advanced techniques for building armatures, sculpting figures, and forming wall hangings. It also includes information on recycled and sustainable ingredients. Paperclay features all-new color photographs and diagrams of techniques and tools, as well as inspiring works by today's leading international ceramicists. Packed with photographs and clear instructions, Gault's book is an essential introduction to paperclay for ceramics artists and educators.

H. Leslie Moody and Frances Johnson Moody never owned the company outright, but their dreams shaped North Carolina's Hyalyn Porcelain, Inc. and drove it forward to the satisfaction of an emerging, increasingly modern post-World War II America. Hyalyn's reputation for high quality led to its association with top designers like Michael and Rosemary Lax, Eva Zeisel, Georges Briard, Charles Leslie Fordyce, Herbert Cohen, Erwin Kalla, and Esta Brodey. Before moving to North Carolina in 1945, ceramic engineer and designer Less Moody prepared to organize and operate Hyalyn Porcelain, Inc. From Zanesville's Mosaic Tile Company, Ohio State University's ceramics department, Love Field Pottery, Abingdon Pottery, San Jose Potteries, and Rookwood Pottery, he gained expertise in clay formulation, glaze chemistry, product design, plant operation, project planning, advertising, and employee management. With the aid of investors, his dream came true when, in 1946, Hyalyn's first lamp bases and flower containers emerged from the shop's tunnel kiln. Thoroughly documented and illustrated with 425 images, hyalyn: America's Finest Porcelain is a complete history of Hyalyn Porcelain, Inc., and its successors, Hyalyn Cosco, Hyalyn, Ltd., and Vanguard Studios.

If you enjoy the adventure of alternative firing but have only an electric kiln, this is the guide for you. Learn how to use an electric kiln to attain the natural earthy colors and spontaneous patterns of alternative firing methods. Step-by-step instructions together with nearly 200 photos show how to get good results with saggar firing in an electric kiln, without damaging your kiln. Understand every aspect, from making the saggar and understanding your work's requirements to using terra sigillata, firing the kiln, and more. Along with clearly supplying the exact parameters you need to succeed, the guidance here also allows you the space to experiment and use your own creativity. This resource helps you extend your work with the colors and freedom of alternative firing.

Artists are increasingly interested in producing work that is not only beautifully designed and produced, but is also environmentally friendly and socially responsible. In Sustainable Ceramics, pioneer Robert Harrison draws on more than four decades of making, and a wealth of experience shared by other artists to present practical possibilities for ceramic artists. This book covers all the factors to consider when going 'green', from fuels and alternative firing technology to energy-saving methods, sustainable ways to collect and use clay itself, and ways to deal with or recycle waste materials and save water. He suggests simple and achievable methods by which to reduce the carbon footprint of ceramic art, and draws on interviews and examples throughout by practitioners who reclaim, reuse and recycle in their studio or work. Sustainable Ceramics is an essential resource for any ceramicist, studio or school looking for ideas on how to reduce the impact of their practice on the environment.

Let go of your pretensions squeeze, shape, knead & play your way to spiritual growth.

I am being formed by the clay. I am reconnecting with the earth, and with the other basic elements, too air, water, fire and life itself. Every gesture leaves its trail in the clay. Every fingerprint, a message. My breath fills the cavity. My touch curves the wall of a bowl. And inwardly, I am being formed by the outward practice. I am learning to trust the process, to lean into the possibilities rather than striving for some predetermined goal. I am being hollowed out, stretched and constricted, trimmed and sometimes reworked entirely. from the Prologue

Drawing from her first-hand experience of working with clay, Marjory Zoet Bankson takes you through the seven-step process of making clay into a pot, drawing parallels at each stage to the process of spiritual growth: Grounding Connecting with our core elements Kneading Awakening to the inner realm Centering Gathering everything togetherShaping Focusing inner and outer pressures Finishing Trimming away the excessDecorating Adding a playful touch Firing Committing to transformation

This simple connection with the earth has the potential to put you in touch with the whole of creation and, at the same time, your soul s longing to participate as an artist, creating something new and unique.

Through reflective questions in each chapter along with a wealth of unique clay projects that even beginners can do Bankson invites you on a journey of spiritual discovery, a path of reconnecting with your body and spirit, and with the earth itself."

In her own charming, spirited, and readable style, Beatrice Wood tells us the story of her unorthodox life and her influence on 20th-century art. Rebellious, radical, and romantic, Wood (1893-1998) defied propriety to become a true national, and international, treasure. Her absorbing autobiography includes vintage documents and her own personal photos and sketches of her many famous friends and acquaintances in the art world. She became romantically involved with the Dadaist Marcel Duchamp, and offers rare glimpses into the lives of her circle, including key cultural figures like Constantin Brancusi, Isadora Duncan, Edna St. Vincent Millay, Anais Nin, and Krishnamurti. At age forty Wood studied ceramics and went on to become one of the major ceramists of the 20th century, working until her death at age 105. This captivating chance to enjoy Wood's rare charisma and spirit provides a better understanding of American art and the people who have shaped it.

Written by Bernard Leach, the father of British studio pottery, this seminal book is the first treatise to be written by a potter on the workshop traditions handed down from the greatest period of Chinese ceramics in the Sung dynasty. With this book, potters can learn everything from how to adapt recipes for pigments and glazes to designing kilns.

This one-of-a-kind book describes some 1400 different glass cutters collected from around the world by the author during the past 35 years. A brief history of flat window glass describes its manufacture, application, taxation, etc. from the time of the Romans, through France and England to the United States. The early use of flint tools and grozing yrnes for cutting and shaping the glass is noted. These tools were used for shaping the stained glass in the early cathedrals. Five hundred U.S. glass cutter patents and 28 U.S. glass cutter design patents beginning in 1860 through 2009 are listed by date, inventor, and title. A list of corporate, product line, distributor, etc. names are also described further as being in one or more of the 23 "Style Categories" the author has set up that show pictures of 600 cutters and detailed descriptions of all 1400 different glass cutters. An extensive bibliography is included.

A major figure in the Arte Povera movement of the late 1960s, the renowned Italian artist Giuseppe Penone is known for his exploration of the relationship between art and the natural world in a body of work that includes sculpture, performance, works on paper, and even garden design. His first works in porcelain, the exquisite disks presented here draw attention to the moment of touch—the convergence of surface and skin—that underpins so much of his work. Published to accompany The Frick Collection, New York’s temporary installation of works by Penone, this new volume comprises eleven porcelain disks that the artist made during his 2013 residency at the Manufacture Nationale de Sèvres, the influential porcelain factory founded in the 18th century. A continuation of his Propagazioni (Propagations) series, begun in 1995, which includes various media, each disk bears the imprint of one of the artist’s fingertips. One of them is in gold, its imprint a variation on the artist’s index finger. Never before presented to the public, the installation of the disks in a gallery adjacent to the Frick’s early Italian paintings on gold grounds and the porcelain room kindles a rich artistic dialogue with both porcelain and gold.

With the invention of eyeglasses around 1280 near Pisa, the mundane medium of glass transformed early modern optical technology and visuality. It also significantly influenced contemporaneous art, religion, and science. References to glass are found throughout the Bible and in medieval hagiography and poetry. For instance, glass is mentioned in descriptions of Heavenly Jerusalem, the Beatific Vision, and the Incarnation. At the same time, a well-known Islamic scientific treatise, which likened a portion of the eye's anatomy to glass, entered the scientific circles of the Latin West. Amidst this complex web of glass-related phenomena early modern Italian artists used glass in some of their most important artworks but, until now, no study has offered a comprehensive consideration of the important role glass played in shaping the art of the Italian Renaissance. Seeing Renaissance Glass explores how artists such as Giotto, Duccio, Nicola Pisano, Simone Martini, and others employed the medium of glass-whether it be depictions of glass or actual glass in the form of stained glass, gilded glass, and transparent glass-to resonate with the period's complex visuality and achieve their artistic goals. Such an interdisciplinary approach to the visual culture of early modern Italy is particularly well-suited to an introductory humanities course as well as classes on media studies and late medieval and early Renaissance art history. It is also ideal for a general reader interested in art history or issues of materiality.

Once upon a time pottery schools saw an increase in enrolments whenever the film Ghost aired on television. Today it is all year round. Not since the 1970s has there been this level of interest and appreciation for pottery and ceramics. The return to the handmade has been driven by our increasingly digital lives and there are now more makers, sellers and collectors than ever. There is also a new desire for unique objects made by hand and the imperfections associated with the marks of the maker. Pottery is the vehicle that most aptly captures this authenticity. From decorative pieces to the primarily functional to sculptural works pushing the boundaries of the medium, Clay surveys the richly creative output of over 50 studio potters from around the world. It is a celebration of a new generation of artisans working in clay, a snapshot not necessarily of what is happening at elite gallery level, but rather a behind-the-scenes look at the unique and eclectic offerings from small studios around the world.

An essential handbook for studio potters working towards achieving a fantastic spectrum of colourful glazes. Colour in Glazes teaches you all the methods for achieving colour in glazes, focusing on colouring oxides in detail, including the newly available rare earth oxides. Find out about the types of base glazes and the fluxes used to make them in relation to colour response as well as using colouring oxides to achieve depth and variety of colour, rather than resorting to commercial ceramic stains. Discover the practical aspects of mixing, applying, testing and adjusting glazes, and explore a large section of test tiles and glaze recipes for use on white earthenware, stoneware and porcelain fired in electric, gas and salt kilns. This new edition, fully updated and revised, contains advances in technology and new discoveries in the Periodic Table. It is an infallible handbook to achieving the colour you want, and to help you broaden your palette.

A new coloring book featuring 30 drawings of beautiful Pueblo pottery designs for you to complete Pueblo pottery is renowned for its extraordinary beauty and craftsmanship. Pueblo is a Spanish wording meaning 'town' or 'village'. When the Spanish arrived in 1540 in what is now known as the American Southwest, they referred to the Indigenous communities and their settlements as Pueblos. The Pueblos are among the oldest settlements in North America, and their pottery-making tradition is as old as the ancient Pueblos themselves. Pottery is used throughout the life of a Pueblo person, and various forms are made for cooking, gathering water, food storage, and ceremonial use. The Coloring Book of Pueblo Pottery features more than 30 drawings for you to complete, whether by reproducing the traditional palettes or by finding inspiration in the swirling or geometric patterns and stylized motifs for a unique design of your own. Made predominantly by women, the pots are created from natural clay using a coil method; they are hand-painted and then fired outdoors. Designs vary from one Pueblo to another, but symbols and motifs relating to the natural world - birds, deer, plants, and water - are common. Today, such pottery is highly collectible and is found in museums and private collections around the world. This delightful coloring book allows you to create your very own masterpieces of this celebrated and cherished art form.

The evolution and proliferation of plain and predominantly wheel-made pottery presents a characteristic feature of the societies of the Near East and Eastern Mediterranean since the fourth millennium B.C. This plain pottery has received little detailed archaeological attention in comparison to aesthetically more pleasing and chronologically sensitive decorated traditions. Yet, their simplicity and standardization suggest they are products of craft specialists, the result of high-volume production, and therefore important in understanding the social systems in early complex societies. This volume-reevaluates the role and significance of plain pottery traditions from both historically specific perspectives and from a comparative point of view;-examines the uses and functions of this pottery in relation to social negotiation and group identity formation;-helps scholars understand cross-regional similarities in development and use.

Greek myth-makers crafted the downfall of Troy and its rulers into an archetypal illustration of ruthless conquest, deceit, crime and punishment, and the variability of human fortunes. This book examines the major episodes in the archetypal myth - the murder of Priam, the rape of Kassandra, the reunion of Helen and Menelaos, and the escape of Aineias - as witnessed in Archaic Greek epic, fifth-century Athenian drama, and Athenian black- and red-figure vase painting. It focuses in particular on the narrative artistry with which poets and painters balanced these episodes with one another and intertwined them with other chapters in the story of Troy. The author offers the first comprehensive demonstration of the narrative centrality of the Ilioupersis myth within the corpus of Trojan epic poetry, and the first systematic study of pictorial juxtapositions of Ilioupersis scenes on painted vases.

Handmade Tile is a contemporary guide for ceramic artists and anyone interested in custom tile installations-from making, designing, and decorating to designing your space and installation. No matter how many years of experience you have as a ceramic artist or how many home-improvement projects you've tackled, nothing prepares you for the unique world of ceramic tile. From concept and design, through firing and installation, ceramic tiling is one of the few places in a home where art is permanently installed as a feature of a room. In Handmade Tile, Forrest Lesch-Middelton shares everything he's learned as the founder and owner of the custom tile business FLM Ceramics and Tile. From his years as a one-man operation to his current production facility, Forrest has seen it all and helps you every step of the way. Whether you want to make your own tile, or want to use artistic and custom-made tile in your home, this book has everything you need. Key features of the book include: Making Tile: key tools, rolling, cutting, extruding Decorating: glazes, image transfer, cuerda seca, underglaze, slip Designing Your Space: tile in context, choosing your tile, codes and standards Installation: removing old tile, backing, preparing surfaces, setting, grouting Galleries and interviews with today's top workings artists in tile round out the package. Featured artists include Allison Bloom, Boris Aldridge, Disc Interiors, PV Tile, and more.

The total number of extant Apulian red-figured vases cannot fall far short of 10,000, and the present work (the first of two volumes) is the first attempt to survey the history and development of the fabric as a whole, from its beginnings in the later fifth century BC to its end around 300. It does not attempt to give a complete corpus, but the authors have tried to include all the more significant workshops and to give a representative selection of the minor pieces. Many Apulian vases display a very high level of technical and artistic competence, and the representations upon them are often of remarkable interest, not only for their illustrations of mythological and theatrical themes but also for the light they shed upon the daily life, customs, and religious beliefs of the Greek colonists and native inhabitants of Apulia.

This rich account of potters in a southern Catalan village traces the history of pottery production and marketing and the responses of the potters to changing contexts of consumption. By juxtaposing the local, micro-history of a small group of producers (numbering no more than fifty people) with that of Spain's changing economic and social climate, the author presents a local perspective of producers as affected by and acting upon global developments, ultimately localizing the European transition to one single integrated market economy. Maintaining a dual focus on subject and object, and thereby combining social and material history, this book demonstrates how physical transformations in the pottery resulted from and affected its role in the social relations people formed as they produced, marketed and consumed it. Rob van Veggel obtained his PhD in anthropology from the University of Chicago and has since been applying his insights into material culture in product development research, marketing, brand strategy and governmental policies.

Conservation and Restoration of Glass is an in-depth guide to the materials and practices required for the care and preservation of glass objects. It provides thorough coverage of both theoretical and practical aspects of glass conservation. This new edition of Newton and Davison's original book, Conservation of Glass, includes sections on the nature of glass, the historical development and technology of glassmaking, and the deterioration of glass. Professional conservators will welcome the inclusion of recommendations for examination and documentation. Incorporating treatment of both excavated glass and historic and decorative glass, the book provides the knowledge required by conservators and restorers and is invaluable for anyone with glass objects in their care.