These thick-walled, asymmetrical, and freeform pieces are a visual feast, presented in a rich format with 563 color prints sure to delight anyone interested in Tiffin glass, fifties glass, art glass, or just wonderful examples of modern decorative arts. Valuable information including color and optics identification guides will make this book a hit among Tiffin glass collectors and help introduce many to the modern designs of this important American glass company. Some of the pieces look like Steuben and are of the same high quality. Others are easily mistaken for fifties Scandinavian glass because creative and talented Swedish glassmakers worked in Tiffin, Ohio at mid-century.

The transformation of the Venetian glass industry during the Renaissance was not only a technical phenomenon, but also a social one. In this volume, Patrick McCray examines the demand, production and distribution of glass and glassmaking technology during this period and evaluates several key topics, including the nature of Renaissance demand for certain luxury goods, the interaction between industry and government in the Renaissance, and technological change as a social process. McCray places in its broader economic and cultural context a craft and industry that has been traditionally viewed primarily through the surviving artefacts held in museum collections. McCray explores the social and economic context of glassmaking in Venice, from the guild and state level down to the workings of the individual glass house. He tracks the dissemination of Venetian-style glassmaking throughout Europe during the sixteenth and seventeenth centuries and its effects on Venice's glass industry. Integrating evidence from a wide variety of sources - written documents such as shop records and recipe books, pictorial representations of glass and glassmaking, and the careful physical and chemical analysis of glass pieces that have survived to the present - he examines the relation between consumer demand and technological change. In the process, he traces the organizational changes that signified a transition from an older and more traditional manner of 'artisan' manufacture to a modern, 'factory-style' manner of production.

Ardmore ceramics are found in major collections in several European countries, the United States and South Africa and have been given as state gifts to, among others, Bill Clinton, Jacques Chirac, Queen Elizabeth II and Empress Michiko of JapanGiraffe stretch out their necks and bat-eared foxes curl their tails to make handles for jugs, vases and tureens. Inquisitive monkeys peer over the edge of a planter, teasing the leopards below them. Magical creatures wear cloaks of flowers, spots and stripes; a turbanned Zulu figure sits astride a hippo Colorful, imaginative, vibrant, delicate and dramatic these are just some of the hallmarks of the artworks that have garnered international accolades for Ardmore Ceramic Art in rural KwaZulu-Natal. It is here, in South Africa s most successful ceramics studio set in the verdant Midlands, that exquisitely handcrafted and highly detailed figurative works and functional ware are created by more than fifty artists who draw on Zulu traditions and folklore, history, the natural world, and their own lives for inspiration.In turn, it is the lives of the sculptors and painters of Ardmore that fire the vision of the woman behind it all: Fee Halsted is an artist whose love of teaching and determination to fight poverty and AIDS have set others on the path of creative self-discovery and ultimately worldwide acclaim."Ardmore We Are Because of Others" tells the extraordinary story of this famous studio from its humble beginnings in a poverty-stricken corner of South Africa to its fame as a producer of exceptional and irresistible objets d art prized by collectors, galleries and museums throughout the world. It is also the story of the indomitable Fee Halsted who is the driving force behind the enterprise, and the artists whose inventive spirit and fearless creativity are at the heart of Ardmore."

Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.

A nostalgic glimpse at the glass counter jars, tins, boxes, and display racks which held American's favorite cookies, candies, and snack foods in America's country stores. These items are chronicled and illustrated in over 390 color photographs. Histories of over 75 companies which used them, covering over 100 year, from Adams Gum and Dixie Biscuit to Planter's Peanuts and Wise Potato Chips are provided along with detailed listings of the variations among their distribution jars and lids over the decades. Mergers among the snack food giants are recorded and mention is made of over 200 companies that profoundly affected every type of snack food from chewing gum to cookies. Major marketing and distribution trends and the dates associated with them are also revealed. Values for the counter jars and their variations are provided.

Handbuilding with clay offers a unique opportunity to experiment, requiring few tools, and allowing intuition and imagination to come to the fore. In this overview of a fast-developing practice, artist Claire Loder explains time-honoured methods of handbuilding, as well as introducing the fascinating new approaches of contemporary ceramicists.

The basic techniques, from coiling and pinching to working with slabs, are explained with practical instructions and helpful accompanying images. Equipment, clay bodies and studio advice are thoroughly covered. Through the work of today's makers, the book then looks at new methods of building by hand, including mixed media work, sculptural methods, vessels and surface decoration, illuminating a wide variety of forms and styles.

Sculpting and Handbuilding is an essential guide for any ceramic artist or student wishing to learn the basics of handbuilding, or seeking inspiration to integrate and adapt conventional methods.

Developing your own glazes can be tricky and success is dependent on many factors. In this book, ceramicist Greg Daly aims to demystify the process with practical advice and complete, step-by-step instructions. He covers all the essentials, from planning your recipes and recording results to mixing glazes and finding the correct firing temperature. This hands-on technical guidance is supported with helpful how-to images and example tests and recipes.

For any potter beginning to experiment with fired colour, texture and decoration in their work, Developing Glazes is an essential reference, revealing workable, exciting methods for achieving the glaze results you want.

Whimsical Victorian novelties in clear and colored glass are displayed in over 590 beautiful color photos and over 80 black and white vintage advertisements and catalog images. Novelty candy containers, decanters, perfume bottles, paperweights, toothpick and match holders, shakers, butter dishes, condiment jars, celeries, and tableware in fanciful forms ranging from animals and humans to fruit, vegetables, personal apparel, furniture, and vehicles all have their place in this fascinating book. The text provides valuable information about the many companies that made these varied and amusing wares, including Fostoria Glass*TM, Hocking Glass*TM, Indiana Tumbler & Goblet*TM, Specialty Glass*TM, United States Glass*TM, and Wheeling Glass Letter & Novelty Company*TM, to name just a few. A bibliography and values in the captions are also provided.

Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda Domain traces the development of one of Japan's best-documented ceramic types, from its beginnings around 1600 until the abolition of the domain system in 1871. Using historical records, archaeological material from early kilns and consumer sites, and the results of comparative chemical analysis, this study explores the operation of Takatori as the official ceramic workshop of the Kuroda, lords of one of the largest domains in Japan. Spanning cultural, aesthetic, economic and practical aspects, this book presents Takatori ware as an ideal archetype with which to compare developments in elite ceramics in other parts of Japan throughout the Edo period. In addition to its scholarly examination of the operation of a domain-sponsored ceramics workshop over more than 250 years, the book includes illustrations of examples from each of the seven Takatori workshop locations, including beautiful pieces that have never before appeared in print.

This is the black and white paperback edition of Toast & Marmalade and Other Stories, published in hardback in 2014 by Saltyard Books. If you would like the original colour illustrated version of Toast & Marmalade it is available in hardback. 'Emma Bridgewater, queen of kitchenware, proves herself to be queen of the memoir too.' Stephen Fry 'What a great read - a true British inspiration story - I loved it!' Cath Kidston 'Emma Bridgewater's captivating recipe for a happy family life: food, passion, work, love.' Meg Rosoff Plunge into the world of pottery, family, childhood, work, motorway service stations, holidays, beaches, markets, recipes, dressing-up boxes, patchworking, country & western music, picnics, camping and the lost world of telephone calls costing 2p. Emma Bridgewater looks back on her life and work, with a wonderful patchwork of stories that show the inspirations behind the Bridgewater business and how it all started after a failed attempt to find the perfect birthday present...

This comprehensive two-volume catalogue covers the outstanding collection of English and French medieval stained glass in the Metropolitan Museum of Art in New York. Written by curator Jane Hayward, the catalogue is posthumously published as Part I in the Corpus Vitrearum series and represents the culmination of Hayward's pioneering work in the field. 123 panels are examined in depth, ranging from 12th-century border ornaments from the Abbey Church of Saint-Denis to early 16th-century English Passion glass. The catalogue is illustrated with over 500 black and white reproductions and 40 colour plates. It includes discussions on provenance, collection history, dating, style, and iconography, as well as detailed descriptions, restoration charts, and considerations of the current condition of each panel.

“Roll-up-your-sleeves advice on throwing pottery, growing dahlias, cooking her tried-and-true recipes, and everything in between.”—Martha Stewart Living“Suited to any type of creative, offering up lessons on inspiration and creativity that are sure to bring out your inner talent.” —House Beautiful, Best New Design Books What makes a creative life? For an artist like Frances Palmer, it’s knitting all of one’s passions—all of one’s creativity—into the whole of life. And what an inspiration it is. A renowned potter, an entrepreneur, a gardener, a photographer, a cook, a beekeeper, Palmer has over the course of three decades caught the attention not only of the countless people who collect and use her ceramics but also of designers and design lovers, writers, and fellow artists who marvel at her example. Now, in her first book, she finally tells her story, in her own words and images, distilling from her experiences lessons that will inspire a new generation of makers and entrepreneurs.Life in the Studio is as beautiful and unexpected as Palmer’s pottery, as breathtakingly colorful as her celebrated dahlias, as intimate as the dinners she hosts in her studio for friends and family. There are insights into making pots—the importance of centering, the discovery that clay has a memory. Strategies for how to turn a passion into a business—the value to be found in collaboration, what it means to persevere, how to develop and stick to a routine that will sustain both enthusiasm and productivity. There are also step-by-step instructions (for throwing her beloved Sabine pot, growing dahlias, building an opulent flower arrangement). Even some of her most tried-and-true recipes. The result is a portrait of a unique artist and a singularly generous manual on how to live a creative life.

The evolution and proliferation of plain and predominantly wheel-made pottery presents a characteristic feature of the societies of the Near East and Eastern Mediterranean since the fourth millennium B.C. This plain pottery has received little detailed archaeological attention in comparison to aesthetically more pleasing and chronologically sensitive decorated traditions. Yet, their simplicity and standardization suggest they are products of craft specialists, the result of high-volume production, and therefore important in understanding the social systems in early complex societies. This volume-reevaluates the role and significance of plain pottery traditions from both historically specific perspectives and from a comparative point of view;-examines the uses and functions of this pottery in relation to social negotiation and group identity formation;-helps scholars understand cross-regional similarities in development and use.

Sea Glass Crafts includes twenty step-by-step projects for you to create beautiful works with your collection of sea glass. Accompanying each project are beautiful full-color photographs which visually aid readers in the instructions as well as display the finished product. Sea glass is the beautiful result of broken glass being naturally polished and smoothed by the ocean's currents for extended periods of time. These beautiful jewels become weathered and frosted from abrasion and erosion in salt water, giving them a distinctly beautiful, jewel-like appearance that is perfect for all sorts of crafting! From jewelry to other lavish lifestyle crafts, this book will give skills needed to learn the art of creating beautiful homemade pieces: Basic Flowers Sea Glass Shadow Box Gel Candle with Sea Glass Terra Cotta Pot Candle Holder Memory Locket Bird Bath Bedside Table Sea Glass Wine Stoppers Sea Glass earrings Napkin Rings Sea Glass Wreath Picture Snowman Ornament And more! Sea glass can be purchased in bulk online, but it is way more fun to collect on your own. On your next trip to the beach, when you find yourself swimming in these treasures, be sure to utilize the lessons in this book to create something truly homemade, unique, and beautiful. It's a perfect activity for anyone interested in jewelry-making or crafting, or for someone looking to learn a new hobby.

Fully updated and revised, with new photographs and glaze recipes, this is the third edition of this classic guide to ash glazes. Forever curious and eager to learn new things about ceramics, Phil Rogers constantly tinkered with clay bodies, glaze formulae and approaches to firing. This volume is his seminal work on transforming ash into glaze: an essential text for all potters and ceramicists with additional relevance today with its focus on prioritising the use of natural resources. Ash Glazes examines the practicalities of collecting and testing wood ashes, demonstrates the process of making them into glazes and offers a step-by-step guide to using them to decorate your pots. This edition, updated and revised by Hajeong Lee Rogers, is a celebration of pottery at its best. Starting with an introduction to the history of ash glazes, then moving on to a wide range of practical advice and methods, the book is enlivened by photographs of the work of potters from around the world, who use ash in colourful and imaginative ways. It provides true inspiration for working potters and delight for all those interested in contemporary ceramics.

The Imperial Glass Company produced a wide range of beautiful glassware in many patterns and forms from 1901 to 1984. A thorough text and over 540 beautiful photos explore the many patterns, unique items, art glass pieces, private mould objects, wares made for customers to alter or decorate, and the glassware made in non-production colors that were produced by this prolific firm. Among the patterns displayed are Washington, New Rochelle, Pillar Flute, Laced Edge, Empire, Hobnail, Monticello, Cathay, "Molly," and "Zippered Heart." The text provides a brief history of Imperial, discussions of the firm's patterns, wares, the companies that contracted with Imperial for special items, and a detailed bibliography. Prices for the wares displayed are found in the captions. This book will be a treasure for everyone who appreciates beautiful glassware.

Beginner, intermediate, and skilled crafters will appreciate these 88 workable projects with designs ranging from medieval to modern, with an abundance of Art Nouveau patterns.

This book beautifully illustrates the wide range of artistic innovation and techniques expressed in vitreous, or "hard," enamels on metal. More than 30 experienced enamelists share their specialized knowledge for using cloisonne, plique-A-jour, champleve, and basse-taille techniques on silver, gold, foils, and metal clay to make jewelry, vessels, portraits, and more. Works from an additional 55 artists are also displayed in over 350 color photographs. Their words and work will instruct and inspire beginners and encourage the next generation of metal workers to carry enameling to new heights.

No art form is more associated with the Native Americans of the Southwest than pottery. For centuries, Pueblo people have made beautiful pottery, often painted with intricate designs, for everyday activities such as cooking, food storage and gathering water, and for ceremonial use. Vessels of these types have been found at ancient sites including Chaco Canyon and Mesa Verde. The tradition of pottery-making continues to thrive among Pueblo communities in the Southwest, and while pottery is still made for practical purposes, it is also commonly produced for the art market. Since the time of the Ancestral Puebloans, pottery has been made predominantly by women. The pots are created from natural clay using a coil method; they are hand-painted and then fired outdoors. Designs vary from one Pueblo to another, but many symbols and motifs are shared by the Pueblos. An impressive survey of more than 100 pieces of historic Pueblo pottery, Grounded in Clay is remarkable for the fact that its content has been selected by Pueblo community members. Rather than relying on Anglo-American art historical interpretations, this book foregrounds Native American voices and perspectives. More than 60 participants from 21 Pueblo communities in the Southwest - among them potters and other artists, as well as writers, curators and community leaders - chose one or two pieces from the collections of the Indian Arts Research Center at the School of Advanced Research in Santa Fe, New Mexico, and the Vilcek Collection in New York. They were then given the freedom to express their thoughts in whichever written form they wished, prose or poem. Their lively, varied contributions reveal the pottery to be not only a utilitarian art form but also a powerfully intangible element that sits at the heart of Pueblo cultures. With magnificent photography throughout, Grounded in Clay showcases the extraordinary history and beauty of Pueblo pottery while bringing to life the complex narratives and stories of this most essential of Native American arts.

Paperclay is an extremely versatile material for the contemporary potter. Now firmly established in the ceramics world, this mix of clay and paper fibers is remarkably flexible, strong, and easy to repair. This highly workable medium allows expressive freedom and imagination at every stage in the creative process, even after drying and firing. In Paperclay, artists will discover the world of possibilities offered by this blend of earth, paper, and water. Building on the success of her previous books, artist and teacher Rosette Gault explains how potters and clay sculptors can make, fire, and reshape paperclay. This comprehensive guide covers a range of methods from dry modeling to slurry state. Going beyond the basics, the book introduces advanced techniques for building armatures, sculpting figures, and forming wall hangings. It also includes information on recycled and sustainable ingredients. Paperclay features all-new color photographs and diagrams of techniques and tools, as well as inspiring works by today's leading international ceramicists. Packed with photographs and clear instructions, Gault's book is an essential introduction to paperclay for ceramics artists and educators.

This beautifully illustrated book will attract both beginners and advanced painters, and is written from the heart with unabashed enthusiasm. It shows step-by-step that anyone can paint if they really want to, and provides guidance every step of the way.The author covers all spheres of porcelain decoration, whether it's flowers or fruit, cats or landscapes, portraits or designs. She shows clearly how to work with many materials and techniques, including mineral oxides, gold and silver, raised paste, lustres, grounding and the kiln.Porcelain painting since 1970, her vast knowledge and practical experience is packed within the pages, with a subject for everyone to enjoy.

This is a comprehensive guide to the basic techniques and equipment: all you need to know, from tinning an edge, painting and etching to simple home cutting, delicate folk painting and frosted patterning. The beauty of decorative glass is celebrated in practical, inspirational designs such as herb jars, nightlights, poem vase, copper foil mirror and a stylish Alhambra picture frame. It features examples of the finest glasswork from contemporary craft artists and designers. It presents the definitive modern approach to a traditional craft, with every stage clearly illustrated with photographs in step-by-step instructions for 25 superb projects. It features over 300 photographs of the finished projects so you can what you are aiming at. The availability of easy-to-apply paints in an exciting range of colours means that glass decoration is within the reach of everyone, without the need for specialist equipment. By mastering a few simple skills, you can turn everyday objects into attractive pieces. Here you will find 25 practical projects to inspire you, presented in an easy-to-follow step-by-step format. A variety of basic techniques includes etching, painting, stained-glass construction, wirework and glass-cutting, which are then applied to decorate functional objects such as decorated herb jars and nightlights, and ornamental pieces such as a heraldic bottle and a candle bowl. Further inspiration is provided by the gallery section, in which leading craftspeople display their work, from stained-glass effect mirrors to gilded bowls. This comprehensive guide shows you how to create beautiful objects in a classic medium.

Artists are increasingly interested in producing work that is not only beautifully designed and produced, but is also environmentally friendly and socially responsible. In Sustainable Ceramics, pioneer Robert Harrison draws on more than four decades of making, and a wealth of experience shared by other artists to present practical possibilities for ceramic artists. This book covers all the factors to consider when going 'green', from fuels and alternative firing technology to energy-saving methods, sustainable ways to collect and use clay itself, and ways to deal with or recycle waste materials and save water. He suggests simple and achievable methods by which to reduce the carbon footprint of ceramic art, and draws on interviews and examples throughout by practitioners who reclaim, reuse and recycle in their studio or work. Sustainable Ceramics is an essential resource for any ceramicist, studio or school looking for ideas on how to reduce the impact of their practice on the environment.