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Johannesburg: Egoli to some, Jozi to others. Once a mining town, now the most important commercial city in Africa. It’s been home to renegades and rogues, colonialists and capitalists, the dispossessed and the newly enriched. Today it’s populated by those who call themselves Africans or Afrikaners, by blacks, whites and every shade inbetween, and by immigrants from all over.
There are suburbs where the daily rituals of Jewish culture rival New York’s; elsewhere, the tone is more Lagos than laid-back. Remnants of the colonial era stand alongside contemporary steel and glass. In a town that prides itself on the pursuit of fortune, it’s a challenge to preserve heritage, and it is against this background that Hidden Johannesburg offers a snapshot of 28 notable buildings. From the stately mansions of the Randlords to their downtown headquarters, the clubs where they socialised and the churches where they worshipped, the architecture of early Johannesburg lives on in sandstone, granite, marble and slate. But this is a city that constantly reinvents itself, and where the old is all-too-readily demolished to make way for the next ‘big thing’. Some buildings will survive, others will be consigned to memory.
Hidden Johannesburg reveals fragments of the history of this vibrant city but, perhaps, the book also tells us something about our future, for if we allow our heritage to be swept away in the name of progress, are we advancing at all?
Now revised, this book takes a unique look ‘inside’ 29 of Cape Town’s most notable buildings. If you have ever wondered what lies behind an interesting facade, or wished you could peek behind a closed door, Hidden Cape Town is the book for you. The author and photographer have collaborated to reveal the artworks and architectural secrets that lie behind the doors of some wellknown, and lesser known, landmark buildings in and around the ‘Mother City’. These buildings are part of our collective heritage, reflecting the myriad cultural influences that have shaped our country. These ‘hidden’ interiors include the Sendinggestig Museum, South African National Library, City Hall, Palm Tree Mosque, Welgelegen, the Royal Observatory, Bertram House, the Greek Orthodox Cathedral of St George, Groote Schuur, the Old Synagogue and the officer’s mess of the Cape Town Rifles (‘The Dukes’).
New York is a town of more quartiers and arondissements than Paris, more souks and bazaars than Cairo, a place of havens from overwhelming energy and of studios where that energy is generated. Above all else, it is where everyone wants to make a mark. And for a lot of residents the biggest mark of all is the place they live in - no matter where that is in the infinite diversity of the astonishing tumbling ziggurat that is New York. This book looks at a cross-section of these thrilling spaces for living created by New Yorkers. Ranging from the great mansions of the Upper East Side to the Tribeca loft that provides a live-work space for the high-flying architects of MPA, from the glamour of Kenneth Lane's Murray Hill apartment to Susan Sheehan's Arts and Crafts haven in Union Square, from Hamish Bowles's 'tiny Atlantis' in Greenwich Village to James Fenton's fantasy palace in Harlem, from the ivory tower that is the Modulightor Building in Midtown Manhattan to Miranda Brooks's 'garden in the city' in Brooklyn, this is a visual and literary feast of the marvellous houses and apartments of New York.
From the gothic fantasies of Walpole's Otranto to post-modern takes on the country house by Kazuo Ishiguro and Ian McEwan, Phyllis Richardson guides us on a tour through buildings real and imagined to examine how authors' personal experiences helped to shape the homes that have become icons of English literature. We encounter Jane Austen drinking `too much wine' in the lavish ballroom of a Hampshire manor, discover how Virginia Woolf's love of Talland House at St Ives is palpable in To the Lighthouse, and find Evelyn Waugh remembering Madresfield Court as he plots Charles Ryder's return to Brideshead. Drawing on historical sources, biographies, letters, diaries and the novels themselves, House of Fiction opens the doors to these celebrated houses, while offering candid glimpses of the writers who brought them to life.
Gleason, whose previous full-color photography books have sold close to 100,000 copies, here provides a grand tour of Virginia's distinctive plantation homes. 146 color photos.
London's modest eighteenth-century houses - those inhabited by artisans and labourers in the unseen parts of Georgian London - can tell us much about the culture of that period. This fascinating book examines largely forgotten small houses that survive from the eighteenth century and sheds new light on both the era's urban architecture and the lives of a culturally distinctive metropolitan population. Peter Guillery discusses how and where, by and for whom the houses were built, stressing vernacular continuity and local variability. He investigates the effects of creeping industrialisation (both on house building and on the occupants), and considers the nature of speculative suburban growth. Providing rich and evocative illustrations, he compares these houses to urban domestic architecture elsewhere, as in North America, and suggests that the eighteenth-century vernacular metropolis has enduring influence.
From the stately Gothic Revival and Regency-style houses of Savannah to the majestic, multicolumned plantation homes that punctuate rolling farmlands throughout the state, David King Gleason presents a splendid pictorial record of Georgia's fines pre-Civil War residences.The book begins with the town houses of Savannah, which include such landmark residences as the Andrew Low House, built in 1848 in the style of an early Victorian Renaissance villa, and the imposing Gree-Heldrim House, a Gothic Revival mansion that was the most expensive house built in Savannah prior to the Civil War. Wild Heron, located just south of Savannah on the Little Ogeechee River, is the oldest plantation house still standing in Georgia. A one-and-a-half story farmhouse built in the style of a West India cottage, it is being restored to reflect the period of the early 1800s.
Farther to the interior, in the area around Augusta, are such homes as Fruitlands, now the clubhouse of the Augusta national Golf Club; Meadow Garden; Ware's Folly; and Montrose, built in 1849 and one of the Loveliest Greek Revival houses in the area. Houses photographed along the Plantation Trail, from Athens to Macon, include the white-columned President's House, home since 1949 to the presidents of the University of Georgia; the Howell Cobb House, in Athens; Whitehall, in Covington; Glan Mary, in Sparta; and the Woodruff House, in Macon.
Gleason devotes considerable attention to the homes of the western side of the state, from Chickamauga to Thomasville. The Gordon-Lee House, constructed in 1847, was headquarters fro the Union army during the battle of chickamauga. Other houses in this part of Georgia are valley View, which overlooks the Etowah River, west of Cartersville; the Archibald Howell House, near downtown Marietta; Lovejoy, in Clayton Country; The oaks, in the vicinity of LaGrange; and Greenwood and Pebble Hill, near Thomasville.
In all, Gleason captures more than one hundred of Georgia's most beautiful antebellum homes, including many lesser-known houses. In addition to exterior photographs, Antebellum Homes of Georgia contains a number of interior views as well as aerial photographs that show the relationship between the houses and their environs: outbuildings, formal gardens, and recd clay fields that were once white with cotton. Captions provide brief histories of the houses and their owners as weel as notes on construction and outstanding architectural details.
Good design helps to make the environment more understandable, resulting in huge benefits for everyone. The 25 case studies illustrated in this book demonstrate the principles of good design for people with dementia. The examples are drawn from nine countries across Northern Europe, North America and Australia. This book is an invaluable resource for anyone committed to improving the built environment for people with dementia: from chief executive officers and directors of service providers, through to officials from regulatory authorities, home managers and staff, architects and interior designers, as well as nursing, medical and related professions.
This book looks at a particular type of indigenous architecture that has developed in the Tibetan capital Lhasa. The focus is not on the relatively well documented monastic architecture, but rather on the vernacular residential architecture in the form of the historic Lhasa Town House, as it was built and lived in from the mid-17th to mid-20th century. The book defines the Lhasa House as a distinct variety of traditional Tibetan architecture by providing a technical analysis and discussing the cultural framework and the development of this endangered typology.
The fourth edition of The Virginia Landmarks Register is an entirely new, fully illustrated compilation of the state's buildings, structures, sites, and districts that have been officially designated as historic landmarks by the Virginia Board of Historic Resources over the past thirty years. The assemblage of nearly 1,800 entries--700 more than in the third edition, published in 1986--represents the most comprehensive inventory of Virginia's rich and varied historic patrimony ever published.
An invaluable reference for any Virginian, scholar, planner, architect, or preservationist, the Register is far more than an official list of names. Every registered landmark and district is identified by a brief history documenting its significance and by a brief description. Each entry is accompanied by a photograph showing its current appearance. Arranged alphabetically by county and independent city, the entries include not only many nationally famous places but the entire spectrum of the Commonwealth's cultural resources, from a 1,200-year-old prehistoric archaeological site through twentieth-century commercial architecture, from gristmills and metal-truss bridges and iron furnaces to NASA space exploration installations.
Those interested in traditional Virginia architecture will discover a multiplicity of building types, both high-style and vernacular. Included, too, are important landmarks of black history, the Civil War, education, and industry. The Virginia Landmarks Register, fourth edition, will create for the reader a deeper awareness of a unique legacy and will serve to enhance the stewardship of Virginia's irreplaceable heritage.
This volume illuminates the development of different building styles in timber, stone and brick over a period of 750 years, in one of the oldest areas of Lincoln. High quality and detailed architectural drawings are accompanied by documentary accounts which explain the historical context, and tell some of the fascinating and tragic stories of the people who lived and worked there from the mid-twelfth century until the First World War, including the medieval Jewish community. Steep Hill is already internationally regarded for the quality of its cultural environment as well as its picturesque architecture, and the Strait and the upper part of the long High Street have a wide range of different architectural styles in their buildings, of considerable interest. Steep, Strait and High forms the final volume in a series of architectural and historical surveys of the historic buildings of Lincoln, based on forty-five years of research, originally undertaken by the Survey of Ancient Houses, sponsored by the Lincoln Civic Trust, and now continued in the work of the Survey of Lincoln. Christopher Johnson, Chair of the Survey of Lincoln, was an archivist and latterly service manager at Lincolnshire Archives prior to becoming Information and Records Manager at Lincolnshire County Council; Stanley Jones was a lecturer at Sheffield College of Art, and has been deeply involved in the Survey of Ancient Houses in Lincoln.
A paean to the passage of time in old London domestic interiors. What is it about old pine panelling layered with flaking paint that enchants the eye and tugs at the heart? The soft shine of wooden boards, worn and gappy. Sunlight shafting through an open door out to an unevenly flagged yard where a clay pipe might turn up alongside a Thames oyster shell or a pottery shard. Blue-and-and white export ware; the molten lustre of mahogany or worn silver; the curiosity of tricorn hat boxes or a fragment of Spitalfields silk; portraits whose owners might once have lived here. Would they have believed that these houses would stand 250 years later? Time has imbued all these things with unforgettable patina not only in museums, but even more in old Georgian houses still lived in and loved, repaired, and regenerated. Like pearls, warmed to lustre by the daily caress of a hand or foot. The majority of these extraordinary dwellings began as ordinary terrace houses, built to a pattern, often in pairs or small groups. Clusters exist in the East End of London: in Spitalfields, Whitechapel, Shadwell, Mile End. They are mostly Grade II-listed, and their owners put up with the bone-curdling cold of winter howling through gaps, with mending and colour-matching, patching and piecing. Not just put up with they embrace it. And among them are some unrepentantly furnished with 20th- and 21st-century modern, finding poetic harmony across the centuries.
From a grand sandstone mansion rescued from dilapidation in the scrubby Free State veld, to a romantic Arts & Crafts style double-storey that presides over a halfacre of prime real estate in the high Berea suburb of Durban, Remarkable Heritage Houses of South Africa provides a privileged glimpse inside 20 of the country’s most distinguished, remarkable and treasured private residences.
Predominantly constructed no later than the mid 1950s and chosen for the singular legacy each keeps alive, these are homes that blend architectural integrity with an uncanny sense of place. Some more ‘historic’ than others, they have been sensitively rescued or meticulously preserved, or simply kept current with custodianship that has at all times respected their unique pedigree. Strikingly captured by distinguished photographer, Craig Fraser, they cover the full gamut of locations, architectural genres and interior decorating styles, yet have all been skilfully adapted to meet the demands of modern living.
The American House is an outstanding and extensive collection of contemporary residential designs seen across the United States today. This book follows the incredibly successful and recently published title European House, which also features a gorgeous collection of residential architecture produced by architects from across the globe. The American House contains cutting-edge residential designs by leading architects from across the United States, illuminated with rarely seen photographs and detailed plans, and underlines the sensitivity of today's architects to the natural environment, as well as the care and attention paid to interior design and everyday living. AUTHOR: This book is coordinated by Images Publishing, one of the world's most prestigious international publishers of architecture and design titles. Images specialises in lavishly illustrated and beautifully designed books on architecture and interior design. The Master Architect series has documented the success of many of the world's most inspired architects, and boasts a leading collection of architecture monographs. SELLING POINTS: * Showcases contemporary residential architecture and design across the United States by renowned international architects and designers, illustrated with full-colour photography, informative descriptions and detailed floor plans * Introduced by an acclaimed expert on the profound influences of key architecture and design practitioners, and the topic of building in different environments throughout the United States * Includes selected high-calibre contemporary gems spanning the nation, including multiple projects across a wide range of topographies and environments, from rural to urban, from small-scale apartment dwellings to large rambling villas 400 colour images
From the creators of the hugely popular tumblr site, 'Cabin Porn', comes this collection of breath-taking photography of rural escapes and inspiring stories of people who've created their dream home. A simple shelter, somewhere peaceful, surrounded by nature . . . wherever you dream of having your quiet place, these rural escapes are for anyone yearning for a different kind of existence. Cabin Porn began as an online project created by a group of friends to inspire their own homebuilding. As they collected more photos, their site attracted thousands of submissions from other cabin builders and a passionate audience of more than ten million people. This book is an invitation to slow down, take a deep breath, and enjoy the beauty and serenity that happens when nature meets simple craft.
'Addictive ... a charter for wistfulness' Observer 'An enchanting rabbit hole of handmade houses' The New York Times 'The Bible of pared back, natural living' Der Spiegel 'Take a deep breath and let the inspiration sink in' GQ Cabin Porn began as an on-line project created by a group of friends to inspire their own home building. As they collected more photos, their site attracted thousands of submissions from other cabin builders and a passionate audience of more than ten million people. This book is an invitation to slow down, take a deep breath, and enjoy the beauty and serenity that happens when nature meets simple craft.
Thirty of the world's leading architects, including Norman Foster, Thom Mayne, Tod Williams and Billie Tsien, talk about the houses they designed for themselves over the past decade. What inspired them, what were the constraints, how did their concepts take shape? Michael Webb explores the creative process and traces the influence of architects' houses over the past two hundred years, from Jefferson's Monticello to the creations of Charles and Ray Eames, Toyo Ito and Frank Gehry. Texts, images, sketches and plans are interwoven to illustrate houses that differ widely, in size, material, character and location. There are urban infills, rustic retreats, experiments, and fusions of new and old. They all make a statement, modest or ambitious, and each reflects the personality and tastes of its owner. These architects have accepted the challenge of doing something out of the ordinary, turning constraints to advantage. They give different answers to a crucial question: how can a house enrich lives and its surroundings? Spacious or frugal, refined or rough-edged, daring or reductive, these adventurous dwellings will inspire other architects and everyone who would like to design or commission a house that is one-of-a-kind.
From Dallas-Fort Worth to El Paso, Goodnight to Marfa to Langtry, and scores of places in between, the second of two towering volumes assembled by Gerald Moorhead and a team of dedicated authors offers readers a definitive guide to the architecture of the Lone Star State. Canvassing Spanish and Mexican buildings in the south and southwest and the influence of Anglo- and African American styles in the east and north, the latest book in the Buildings of the United States series serves both as an accessible architectural and cultural history and a practical guide. More than 1,000 building entries survey the most important and representative examples of forts, courthouses, houses, churches, commercial buildings, and works by internationally renowned artists and architects, from the Kimbell Art Museum's Louis Kahn Building to Donald Judd's art installations at La Mansana de Chinati/The Block. Brief essays highlight such topics as the history and construction of federal forts, the growth and spread of Harvey House restaurants, and the birth of Conrad Hilton's hotel empire. Enlivened by 350 illustrations and 45 maps, Buildings of Texas: East, North Central, Panhandle and South Plains, and West affords local and out-of-state visitors, as well as more distant readers, a compelling journey filled with countless discoveries.
Reproduced from a rare original, this 1893 catalog provides nearly 800 detailed illustrations of stair railings, mantels, gables, moldings, and ornaments. Its varied, unusual examples of woodwork make it particularly valuable - woodturners, cabinetmakers, architects, preservationists, restorationists, designers, and students of Victoriana will find it inspiring and instructive.
This latest compilation volume for The Images Publishing Group reveals an enticing glimpse into the exquisite architectural works of innovative and skilled contemporary classicists. While remaining loyal to traditional classical design, the architectural projects featured within display a remarkable talent for versatility and adaptability within the fundamental classical language of architecture. This richly photographed book masterfully presents a number of preeminent classicists, who offer unique insight into their interpretation of the theory of classical design in their works. This compilation also highlights the collaboration between the architects' application of excellent detailing, the use of fine material, and exceptional craftsmanship, and how, all the while, they are creating a refined and seamless fusion with the surrounding landscape and environment. AUTHOR: Introduction written by Phillip James Dodd. A native of Manchester, England, Phillip attended the prestigious Prince of Wales' Institute of Architecture in London where he was taught by many of the architects featured in this book. He received a Degree in Architecture from his hometown university, before moving to America, where he gained a Masters in Architecture from the University of Notre Dame. After training with some of the most recognised residential architectural firms in America, Phillip started his own design firm Phillip James Dodd: Bespoke Residential Design. With a reputation as one of the foremost experts on Classical architecture and interiors, Phillip is fast becoming one of the most sought-after young residential designers practicing today. SELLING POINTS: * Features an insightful introductory essay by Phillip James Dodd, an internationally renowned expert in the fields of Classical architecture and design * Includes dozens of exemplary architectural projects, rich in photographic detail and architectural analysis * Provides a modern take on traditional Classical design themes, with indepth profiles of exterior and interior works, including detailing, use of materials, landscapes and regional variations * Investigates the contemporary works of many eminent Classicists, and highlights their unique methodologies and innovative designs 600 colour images
Discover the latest innovations in tiny space design in this lush compendium in the 150 Best series, showcasing 150 full-color profiles. As the price of large residences have become increasingly out of reach for many people, aspiring home owners have begun to think smaller. 150 Best Tiny Space Ideas is an exciting overview of the smallest living space designs- architectural and decorating trends that combine to make dwellings under 450 square feet feel welcoming and expansive. All the projects featured in this handsome reference were created by internationally renowned architects and designers who have achieved practical, innovative, and stunning solutions adapted to the specific needs and tastes of their clients. Encompassing current trends in small space design, this latest volume in the highly successful 150 Best offers the work of international visionaries who have created and transformed a range of accommodations, from a micro-apartment in Taipei City to a silo in Phoenix to an island shack in British Columbia. Filled with black-and-white and four-color photos throughout, 150 Best Tiny Space Ideas is an inspirational resource for designers, interior decorators, and architects, as well homeowners interested in creating warm and truly livable homes regardless of space limitations.
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