The most ambitious project of Henry Avray Tipping, the influential architectural editor of Country Life, Mounton was a new country house and garden, designed without limitations of expense to be the perfect expression of his immense knowledge of history, architecture and horticulture. All was designed to impress a distinguished social circle. However, within weeks of its completion, the Great War started. The world of English country-house living changed irrevocably, so Tipping never saw his hopes for the house come to fruition. Featuring a wealth of previously unseen material including correspondence, articles and illustrations, this book insightfully details the design and building of the home H. Avray Tipping created for himself with the help of the young Chepstow architect Eric Carwardine Francis. It also gives a rich and evocative portrait of Tipping and his friends, with visits from Lloyd George and from Tipping's gardening colleagues, including Harold Peto, Gertrude Jekyll and William Robinson. The grand layout of the Mounton gardens on the plateau above a limestone gorge included a 24-pillar pergola, terraces overlooking the Severn estuary, a two-storey tea house, a rock garden and remarkable and innovative water gardens. Over time, the house was neglected and the magnificent gardens became overgrown. Mounton could so easily have been demolished and yet, a hundred years after Tipping completed it, a loving work of restoration of house and gardens was launched. The final two chapters reveal the careful adaptation of the interiors of Mounton House and the spectacular remaking of the gardens by the renowned garden designer Arne Maynard, all fully illustrated with plans and striking new photography. This is the story of the creation, destruction and regeneration of a singular vision.

In Istanbul, urban transformation and housing production processes are so intricately entwined and intertwined that they elicit a plethora of predictable and unexpected subject matters to be studied holistically. This book provides an insight into the scales, thresholds, and dilemmas of housing transformations in Istanbul from past to present, with a focus on cause-and-effect relationships. It scrutinizes Istanbul from new perspectives as the primary scene, target, and playground for neoliberal market acts and actors, on the one hand, and seeks to shed light on future prospects with regard to housing needs and expectations of twenty-first century users in line with the unique dynamics of Istanbul, a city without ends, on the other hand.

Residences occupy a pivotal position in Japanese architecture. As an extension of the residential space, the Japanese courtyard garden is unique, featuring symbolic garden elements and designs that date back to centuries. This book is a collection of more than 30 residential courtyard design works interpreted for the modern-day home, sometimes extending beyond the traditional defines of a Japanese courtyard. It not only selects a wealth of pictures, which shows their visual beauty, but also provides technical drawings to reflect the design in better detail. The Japanese courtyard pursues the ultimate in being an area of calm, held in nature's embrace, where one may reflect and rest in quietude to contemplate the deeper meaning of life. And every rock arrangement, tree placement, element/nature symbolised, and even scenery framed is meticulously thought out to achieve this. This book seeks to inspire residential and landscape designers to behold nature within a home with fresh eyes and to let rest old methods as new connections and perceptions are sought, in order to build a different kind of residential space that draws on the essence of a Japanese courtyard.

"Treehouses are special experiences. They offer a primordial spatial and sensual experience, close to nature, while demonstrating their uniqueness, and the individuality of their designers and owners. The style of construction of a treehouse depends on the builder's taste. Generally speaking, treehouses tend to be associated with a fairytale, traditional vernacular. They are often little huts in a tree with gabled roof or lattice windows. However, the treehouse is increasingly being discovered as a design playground. This book presents over thirty innovative examples of contemporary treehouses, with various conceptions designed by architect, Andreas Wenning, whose clients are increasingly investors in tree house hotels."

Pavilion Living looks at the architecture of three recently completed pavilions by Peter Zimmerman Architects on the gardens of a large private house on Philadelphia’s Main Line, and the associated characteristics that accompany these beautifully conceived and carefully built structures.

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona, his clothes were so shabby that passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering surface textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his buildings enjoy global popularity and acclaim; his magnum opus, the Sagrada Familia, is the most-visited monument in Spain and seven of his works are UNESCO World Heritage Sites. Packed full of expert texts and hundreds of full-color illustrations, including new photography, this book presents Gaudi's complete oeuvre. Like a personal tour through Barcelona, we explore his residential, religious, and public projects. We see how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

In the wake of an unparalleled housing crisis at the end of the Second World War, Glasgow Corporation rehoused the tens of thousands of private tenants who were living in overcrowded and unsanitary conditions in unimproved Victorian slums. Adopting the designs, the materials and the technologies of modernity they built into the sky, developing high-rise estates on vacant sites within the city and on its periphery. This book uniquely focuses on the people's experience of this modern approach to housing, drawing on oral histories and archival materials to reflect on the long-term narrative and significance of high-rise homes in the cityscape. It positions them as places of identity formation, intimacy and well-being. With discussions on interior design and consumption, gender roles, children, the elderly, privacy, isolation, social networks and nuisance, Glasgow examines the connections between architectural design, planning decisions and housing experience to offer some timely and prescient observations on the success and failure of this very modern housing solution at a moment when high flats are simultaneously denigrated in the social housing sector while being built afresh in the private sector. Glasgow is aimed at an academic readership, including postgraduate students, scholars and researchers. It will be of interest to social, cultural and urban historians particularly interested in the United Kingdom.

Building Community is an in-depth, wide-ranging survey of contemporary apartment buildings, not as raw canvases for interior decoration but as a building type of growing significance. An introduction presents the history of multiple-occupancy housing through its most innovative 20th-century exemplars, from the urbane blocks of Auguste Perret and Henri Sauvage in Paris, to the landscaped housing estates of Weimar Germany and the visionary schemes of Le Corbusier. The heart of the book features 39 recent or ongoing projects, designed by leading international studios and rising talents. Buildings range from social housing and micro apartments to urban villages, megastructures and innovative high-rises. Each project is considered for the way in which it enriches the lives of residents and the city, and is shown through drawings and photographs, taken from the street and within. The book also includes interviews with such contemporary masters of apartment design as Michael Maltzan, Lorcan O'Herlihy, Edouard Francois and Bjarke Ingels. As our cities grow more crowded, it is critical that we produce creative buildings that enhance the lives of their inhabitants, their surroundings and the urban environment as a whole. Building Community offers dozens of proven successes to designers and apartment-dwellers. With 348 illustrations in colour

Whilst our outside world is modifying into a more complex and hybrid networked world, our most intimate dwelling, our home, is at risk of falling behind as for many it seems to have remained the same as it has been for many decades. This book explores what it means to have a home in such a networked world. It describes what architecture can, or perhaps should, contribute to enable a more participatory role for inhabitants. This forward-thinking book will try to answer the question - What is the role and position of technology in our most intimate locations both now and what could it be like in the future?

Renovation continues to be an important and fundamental part of modern architecture, whether it be through a desire to preserve history, or resurrect an old family home. This book provides a useful overview of nearly 30 case studies from across the globe, providing inspiring examples of how to refresh an old structure through sensitive modifications without changing the original architectural type. An inspiring guide to the daunting task of renovation, this book covers the whole process of renovating an old house, and provides fitting examples of work from around the world. Covering the entire process of renovation, the book includes "before" and "after" photos to clearly illustrate the skillful work involved in adapting an older residence. The decision to renovate rather than rebuild brings its own set of complications, but this book reminds us that this is not a hopeless endeavour but rather one that refreshes the architecture and provides a revamped home, perfect for the modern world.

This book focuses on the housebuilding boom of the interwar years, when Britain became a nation of homeowners. It investigates the ways in which ordinary people expressed new class and gender identities through the design, architecture and decoration of interwar homes then and now. It argues that these 'ideal' homes combine nostalgia for the past and longing for the future resulting in a new specifically suburban modernism. -- .

In this book the author explores the sociological foundations of domestic design in eighteenth-century France, the acknowledged leader of domestic architecture in this period. Focusing on the Place Vendôme, which was developed by the financiers of Paris, she examines the representational strategies and dilemmas of French elites, which were crucial to the formation of a French mode of design. Through analyses of social distinctions and ambitions, Ziskin explores the manner in which the dwellings of the Place Vendôme embodied beliefs about the nature of society and the appropriate relations among social groups.

San Francisco is not known for detached houses with landscaped setbacks, lining picturesque, park-side streets. But between 1905 and 1924, thirty-six such neighborhoods, called residence parks, were proposed or built in the city. Hundreds like them were constructed across the country yet they are not well known or understood today. This book examines the city planning aspects of residence parks in a new way, with tracing how developers went about the business of building them, on different sites and for different markets, and how they kept out black and Asian residents.

Pemba: Spontaneous Living Spaces looks at self-built dwellings and settlements in the case study city of Pemba in the Cabo Delgado region of Mozambique. Self-built houses born from need, in haste and with limited economical resources are often considered to be temporary structures but frequently become an integral part of the urban fabric, representative of a local culture of living. The study is part of the Spontaneous Living Spaces research project, and through a variety of documentation tools, it investigates the evolution of the architectural and urban elements that characterize self-built dwellings in Pemba. The evolution of the spontaneous living culture creates new forms of living in the city connected to local cultural expressions and the environment. These are placed in relation to the traditional and contemporary living cultures, settlement trends and the natural environment. Covering a history of housing in Mozambique and unpacking four settlement types in Pemba, this book is written for academics, professionals and researchers in architecture and planning with a particular interest in African architecture and urbanism.

Despite its cozy image, the bungalow in literature and film is haunted by violence even while fostering possibilities for personal transformation, utopian social vision and even comedy. Originating in Bengal and adapted as housing for colonialist ventures worldwide, the homes were sold in mail-order kits during the "bungalow mania" of the early 20th century and enjoyed a revival at century's end. The bungalow as fictional setting stages ongoing contradictions of modernity-home and homelessness, property and dispossession, self and other-prompting a rethinking of our images of house and home. Drawing on the work of writers, architects and film directors, including Katherine Mansfield, E. M. Forster, Amitav Ghosh, Frank Lloyd Wright, Willa Cather, Buster Keaton and Walter Mosley, this study offers new readings of the transcultural bungalow.

In the wake of an unparalleled housing crisis at the end of the Second World War, Glasgow Corporation rehoused the tens of thousands of private tenants who were living in overcrowded and unsanitary conditions in unimproved Victorian slums. Adopting the designs, the materials and the technologies of modernity they built into the sky, developing high-rise estates on vacant sites within the city and on its periphery. This book uniquely focuses on the people's experience of this modern approach to housing, drawing on oral histories and archival materials to reflect on the long-term narrative and significance of high-rise homes in the cityscape. It positions them as places of identity formation, intimacy and well-being. With discussions on interior design and consumption, gender roles, children, the elderly, privacy, isolation, social networks and nuisance, Glasgow examines the connections between architectural design, planning decisions and housing experience to offer some timely and prescient observations on the success and failure of this very modern housing solution at a moment when high flats are simultaneously denigrated in the social housing sector while being built afresh in the private sector. Glasgow is aimed at an academic readership, including postgraduate students, scholars and researchers. It will be of interest to social, cultural and urban historians particularly interested in the United Kingdom.

Far and away the best narrative of western architecture in existence...it stands out as an intellectual triumph. - Sir John Summerson In this highly acclaimed, classic reference work David Watkin traces the history of western architecture from the earliest times in Mesopotamia and Egypt to the late twentieth century. For this seventh edition, revising author Owen Hopkins provides a new introduction contextualizing Watkin's approach. The final chapter on the twenty-first century has been completely rewritten by Hopkins, who brings the story right up to date with the inclusion of such topics as re-use, digital cities and virtual architecture.

The Front Room: Diaspora Migrant Aesthetics in the Home, originally published in 2009, has become a beloved and much-praised source, providing fascinating revelations into the post-war British experience of immigrants, the decoration of their living spaces and their position in society in relation to decolonisation. The 'front room' (emanating from the Victorian parlour) provides an outlet to respond to the feelings of displacement, exile and alienation and the rebuilding of a home in a strange land. Primarily concerned with Caribbean homes, The Front Room also looks at Moroccan, Surinamese, Antillean and Indonesian migrant groups in Holland-encompassing, through texts, archival documents and artistic photographs, the important cultural markers that are expressed through the domestic interiors of migrants. The author examines how this intimate space within the home raises issues of class, race, migration, aspiration, religion, family, gender, identity and alienation. He also looks at the transition from the colonial post-colonial modernity by placing the book in the context of his own family's migrant experience. While this revised edition includes updates of the original essays from leading social commentators Stuart Hall, Denise Noble, Carol Tulloch and Dave Lewis, as well as poems by Khadijah Ibrahiim and Dorothea Smartt, and paintings by Sonia Boyce, Kimathi Donkor and Njideka Akunyili Crosby. It also examines the iteration of the 'front room' in post apartheid South Africa and discusses how sound system culture emerged from the front room, as well as adding to the rich oral histories from different generations reflecting on their personal experiences of the front room and discussing the artefacts and objects found in them in terms of their cultural significance. The Front Room documents how the 'Windrush' generation's settlement in Britain contributed to the making of multicultural society, and raises questions about our lived experience and notions of the 'home', as many more people globally look for a roof over their heads in the 21st century. The book is richly illustrated with intriguing photographs of installations based on front rooms of the time and the contemporary living room and their associated objects.

Creative souls have always craved a space in which to bring forth their artistic ideas and develop their practice. Continuing the tradition of the contemporary arts practitioner working from a home studio, many creative folk will often prefer to carve out a space within their own residence. Artists' Homes examines the residences of a select group of professional artists who work across a broad range of artistic styles, from writing, photography, and painting through to music, sculpture, and pottery (and more). As well as presenting an exciting journey through the design, construction, and function of these spaces, this book provides a unique glimpse into these artists' beautiful home environs from around the world, and shares how each of these modern craftspeople and artists takes inspiration from the transformation of their home interiors and surroundings to live a creative life.

As the residential buildings sector accounts for around 30 percent of the final energy demand in Germany, this sector is increasingly becoming the focus of public attention with regard to climate change. In this book, decisions on energy consumption by private households are examined. The analyses are based on several empirical methods. The results show that the road to more sustainable energy consumption in residential buildings is not hampered by a lack of will on behalf of the consumers. However one should be realistic that there are many instances where improving thermal institution involves additional economic costs for individual households.

Residential Open Building, the result of a CIB Task Group 'Open Building Implementation', provides a state-of-the-art review of open building, fundamental principles, recent developments, and international coverage of current projects on both the public and private arena. Open Building is a highly flexible and economical method of building which has far reaching advantages for urban designers, architects, contractors, developers and end users.

Since launching his practice in 2001 with The Lawns, which was shortlisted for the Stirling Prize, Nick Eldridge has become renowned for his beautiful bespoke houses. This book provides a wide-ranging survey of his key projects up to the present day including the Manser Medal-winning house, Greenways in Coombe Park. Eldridge is an architectural storyteller: thoughtfully responding to different landscapes, settings, histories and clients, each house explores fresh narratives, while at the same time, being connected by strong threads to a cohesive body of work. Throughout the book, from earliest projects to new work, including a beach house in Shoreham, a barn conversion in Cornwall and an innovative modern modular house in Devon, Eldridge's work explores and experiments: his houses feel fresh and different, lifted by an innovative approach to tectonic engineering and form fused with a passion for artisanal interiors, fine detailing and characterful materials. They show the architect's varied influences: from Arts & Crafts and mid-century modern through to hi-tech design - Eldridge spent six years with Norman Foster. The projects analysed in the book are broadly divided into two main sections: new build projects, and highly imaginative, responsive adaptations, extensions and reinventions of existing buildings.