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Books > Arts & Architecture > Architecture > Residential buildings, domestic buildings > General
This book sheds light on environmental control in buildings from
the 17th century onwards. Even before building services became a
hallmark of buildings, in order to address increasing sanitary and
comfort needs, pioneering experiences had contributed to improve
design skills of professionals. After long being determined by
passive features, indoor climate became influenced by installations
and plants, representing the most significant shift of paradigm in
the modern age's construction history. This change was not without
consequences, and the book presents contributions showing the deep
connection between architectural design, comfort requirements and
environmental awareness throughout the 19th century. Taking into
account the differences between different European countries, the
book is a valuable resource for architects, designers and heritage
professionals who are interested in environmental design, enabling
them to develop a deeper knowledge of heritage in order to address
to climate demands, particularly going towards a future in which
energy savings and fuel consumption reduction will dictate our
behaviour. It includes contributions by leading international
experts: Melanie Bauernfeind, Marco Cofani, Lino Vittorio Bozzetto,
Emmanuelle Gallo, Alberto Grimoldi, Dean Hawkes, Angelo Giuseppe
Landi, Mattias Legner, Oriel Prizeman, and Henrik Schoenefeldt.
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Sussex: West
(Hardcover)
Elizabeth Williamson, Tim Hudson, Jeremy Musson, Ian Nairn
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R1,688
R1,599
Discovery Miles 15 990
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This volume covers some of the finest landscape and architecture in
southern England, much of it set within the South Downs National
Park. The county's small towns and villages feature a pleasing mix
of stone, timber, and brick houses of every period. Among numerous
atmospheric country houses are the Tudor ruins of Cowdray, the
Elizabethan mansion at Parham, and the French-inspired Petworth in
its great park, famously captured in Turner's paintings. On the
grandest scale is the mighty Arundel Castle, seat of the Duke of
Norfolk, while Chichester, the only city in West Sussex, boasts one
of the country's most important 12th-century cathedrals. Among many
major ecclesiastical and educational establishments built in the
19th century, none is more impressive than Lancing College set high
above the coast. New research accompanies 130 specially
commissioned color photographs in this authoritative and expert
guide.
The 1930s home presented an exciting new way of living for the
generation that moved out to the suburbs. Young couples who had
previously rented accommodation in urban centres found themselves
able to afford new-build homes with hot running water, a bathroom
indoors and even aerials for the wireless already installed. Some
four million houses were erected, mostly in cosy semi-detached
styles that harked back to traditional cottage architecture. The
design elite rejected this 'Stockbroker Tudor' look and opted
instead for brave, flat-roofed modernist villas. But whether the
house drew on historical references or futuristic ones, interest in
interior decoration boomed. This book introduces the homes that
people fell in love with in the 1930s, and the fixtures and
fittings that went in them. With nearly hundred illustrations and
informative chapters on architectural styles, gardens, furnishings
and technology in the home, this book is the most popular
introductory guide to the houses of the period. It is not only a
practical and valuable companion for people who own or wish to
renovate an inter-war house but also will appeal to all those
interested in period design.
As an innovative thinker about building and planning, Christopher
Alexander has attracted a devoted following. His seminal books--The
Timeless Way of Building, A Pattern Language, and The Oregon
Experiment--defined a radical and fundamently new process of
environmental design. Alexander now gives us the latest book in his
series--a book that puts his theories to the test and shows what
sort of production system can create the kind of environment he has
envisioned.
The Production of Houses centers around a group of buildings which
Alexander and his associates built in 1976 in northern Mexico. Each
house is different and the book explains how each family helped to
lay out and construct its own home according to the family's own
needs and in the framework of the pattern language. Numerous
diagrams and tables as well as a variety of anecdotes make the
day-today process clear.
The Mexican project, however, is only the starting point for a
comprehensive theory of housing production. The Production of
Houses describes seven principles which apply to any system of
production in any part of the world for housing of any cost in any
climate or culture or at any density.
In the last part of the book, "The Shift of Paradigm," Alexander
describes, in detail, the devastating nature of the revolution in
world view which is contained in his proposal for housing
construction, and its overall implications for deep-seated cultural
change.
Das Berliner Zimmer ist seit jeher Zumutung und Angebot zugleich:
dunkel, schwer zu beheizen, ohne klar definierte Funktion. Ein
Raum, der zur kreativen Aneignung einladt, der geliebt und gehasst
wird - aber bisher kaum erforscht wurde. Jan Herres leistet in
diesem Buch Pionierarbeit. Er zeigt auf, wie das Berliner Zimmer ab
dem 18. Jahrhundert entstand und warum es bis heute Eingang in den
Berliner Wohnungsbau findet. Die architekturgeschichtliche
Beschreibung wird durch Fallstudien und Bildstrecken zu heutigen
Formen der Nutzung und Moeblierung erganzt. Durch die Erfassung von
Grundrissen, Groessen und Wohnpraktiken liegt mit Das Berliner
Zimmer. Geschichte, Typologie, Nutzungsaneignung die erste
Anthologie des Berliner Zimmers vor, die zugleich ein Pladoyer
dafur ist, Wohnarchitektur nutzungsoffen und wandelbar fur kunftige
Anforderungen zu planen.
The lack of affordable housing and the climate crisis are two of
the most pressing challenges facing cities today. Green affordable
housing addresses both by providing housing stability, safety, and
financial predictability while constructing and operating the
buildings to reduce environmental and climate impacts. Blueprint
for Greening Affordable Housing is the most comprehensive resource
on how green building principles can be incorporated into
affordable housing design, construction, and operation. In this
fully revised edition, Walker Wells and Kimberly Vermeer capture
the rapid evolution of green building practices and make a
compelling case for integrating green building in affordable
housing. The Blueprint offers guidance on innovative practices,
green building certifications for affordable housing, and the
latest financing strategies. The completely new case studies share
detailed insights on how the many elements of a green building are
incorporated into different housing types and locations. The new
edition includes basic planning tools such as checklists to guide
the planning process, and questions to encourage reflection about
how the content applies in practice. While Blueprint for Greening
Affordable Housing is especially useful to housing development
project managers, the information and insights will be valuable to
all participants in the affordable housing industry: developers,
designers and engineers, funders, public agency staff, property and
asset managers, housing advocates, and resident advocates. Every
affordable housing project can achieve the fundamentals of good
green building design and practice. By sharing the authors' years
of expertise in guiding hundreds of organizations, Blueprint for
Greening Affordable Housing, Revised Edition gives project teams
what they need to push for excellence.
Nomos is an association of architects based in Geneva, Lisbon and
Madrid. They collaborate on projects of all scales, from furniture
to master plans, with a special focus on the cultural context and
the environment. Primarily using drawing to shape their ideas, they
explore new ways of creating community through buildings that seek
to transform constraints into opportunities. They approach each
project with enthusiasm, care and curiosity, always striving for
sustainable beauty. Text in English and German.
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Beulah Books
(Paperback)
Dee McColl, Mari Fourie, Preller Geldenhuys
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R256
Discovery Miles 2 560
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Climate change and increasing resource scarcity together with
rising traffic volumes force us to develop new environmentally
friendly and people-oriented mobility options. In order to provide
a positive mobility experience, the transition from one mobility
mode to another must be managed smoothly and safely, and
individual, shared or public means of transportation must become
convenient and easy. Conceptual as well as existing infrastructure
projects provide models for future sustainable and connected
mobility. This volume focuses on the importance of design,
introducing through photos, plans, and brief texts over 60
groundbreaking projects from the disciplines of product design,
architecture, and urban planning. With this international overview
Mobility Design portrays the current situation of sustainable
mobility systems, while identifying mobility as one of the most
important design tasks of the future. With project texts by Markus
Hieke, Christian Holl, and Martina Metzner
The philosophy of CLB Architects, Inspired by Place, permeates all
the firms design work, from public projects to bespoke homes. Their
portfolio projects - timeless, thoughtful, distinct and beautiful -
are examples of how to tread softly on the land in some of the
world's most iconic landscapes. They introduce a new approach to
form and materiality in a region where the design world is often
limited by a nostalgic view of the past. Inspired By Place
showcases ten homes by CLB Architects, many of which feature
interiors by CLB's design team; these are always sophisticated yet
comfortable and conceived as an extension of the architecture. From
a streamlined modern masterpiece on the banks of the Snake River to
architecture as connected barnlike structures to a private glass
pavilion retreat perfectly oriented for wildlife viewing, CLB's
work references local forms and vernaculars while speaking in a new
architectural language for the Rocky Mountain West.
The Front Room: Diaspora Migrant Aesthetics in the Home, originally
published in 2009, has become a beloved and much-praised source,
providing fascinating revelations into the post-war British
experience of immigrants, the decoration of their living spaces and
their position in society in relation to decolonisation. The 'front
room' (emanating from the Victorian parlour) provides an outlet to
respond to the feelings of displacement, exile and alienation and
the rebuilding of a home in a strange land. Primarily concerned
with Caribbean homes, The Front Room also looks at Moroccan,
Surinamese, Antillean and Indonesian migrant groups in
Holland-encompassing, through texts, archival documents and
artistic photographs, the important cultural markers that are
expressed through the domestic interiors of migrants. The author
examines how this intimate space within the home raises issues of
class, race, migration, aspiration, religion, family, gender,
identity and alienation. He also looks at the transition from the
colonial post-colonial modernity by placing the book in the context
of his own family's migrant experience. While this revised edition
includes updates of the original essays from leading social
commentators Stuart Hall, Denise Noble, Carol Tulloch and Dave
Lewis, as well as poems by Khadijah Ibrahiim and Dorothea Smartt,
and paintings by Sonia Boyce, Kimathi Donkor and Njideka Akunyili
Crosby. It also examines the iteration of the 'front room' in post
apartheid South Africa and discusses how sound system culture
emerged from the front room, as well as adding to the rich oral
histories from different generations reflecting on their personal
experiences of the front room and discussing the artefacts and
objects found in them in terms of their cultural significance. The
Front Room documents how the 'Windrush' generation's settlement in
Britain contributed to the making of multicultural society, and
raises questions about our lived experience and notions of the
'home', as many more people globally look for a roof over their
heads in the 21st century. The book is richly illustrated with
intriguing photographs of installations based on front rooms of the
time and the contemporary living room and their associated objects.
A master of his genre, Scott Mitchell is celebrated for his warm
approach to connecting the built and natural environment. Sought
after for their minimalist, material-driven aesthetic, Mitchell's
houses are studies in space, materiality, and light. Emphasizing an
elegant spatial order, his projects respond to the natural appeal
of their locations, be they bucolic retreats on Long Island or
resplendent beach houses overlooking the Pacific Ocean. The first
volume on his work, Scott Mitchell Houses is a sublime exploration
of the architectural designer's impressive portfolio of projects.
Dynamic compositions of light and shadow with a masterful use of
concrete, Mitchell's monolithic forms draw on the surrounding
environment via floor-to-ceiling windows that open onto vistas so
cinematic that Tom Ford utilized one of Mitchell's homes in his
neo-noir film Nocturnal Animals. Through previously unpublished
photographs, readers are given an exclusive view into eight pivotal
projects that span the globe from the Hamptons to Melbourne,
featuring images by Ross Bleckner, Scott Frances, Trevor Mein, and
Steve Shaw. Sure to appeal to fans of architecture and interiors,
this book is an ode to a becalming modern luxury.
The complete and detailed story of the recovery and transformation
of the 19th century home of the former wine warehouse on the
seaside boulevard of Trieste, with numerous engaging work site
images that reveal the complexity of the building phases, the
specificity of the work processes that were necessary and the shots
of the results upon completion. The design does not modify the
original volume but invades it by excavating the space for another
completely independent, ethereal and translucent building inside
it, sized to reflect the rhythm of the masonry wall of the original
facade. The physical gap between the new 'product' and the
historical screen has become a fascinating locus between internal
and external. The glass that seals the internal shell reflects the
outlines of the warehouse walls and their openings, allowing for
visibility of the activities that are being conducted inside. The
monograph is introduced by critical and descriptive essays and
accompanied by a wealth of iconographic material including
technical drawings at various scales.
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