Creating Aging-Friendly Communities (CAFC) examines the need to redesign America's communities to respond to the realities of our rapidly aging society. The text focuses on the interface between individuals and their environments, and the ways in which communities can enhance individual and community well-being. What differentiates CAFC from other books is its breadth of focus, its comprehensive and evidence-based consideration of key concepts, its inclusion of social as well as physical infrastructure characteristics, and its intensive examination of models of community change for fostering aging-friendliness. It presents a conceptually and empirically-based model of aging-friendliness, identifies environmental modifications that could enhance individual and community well-being, outlines a typology of community change approaches, and considers the potential efficacy of those approaches. This book identifies practical implications for policies, programs, and knowledge development designed to help communities become more aging-friendly.

Since the appearance of simplified 3D sketching programs like SketchUp, architects and interior designers have been called on to use both freehand and 3D CAD drawings, often at very earliest stages of design. Since we must often go back and forth between analytical plan views and 3D visual views, it's important that this be a seamless process, requiring little disruptive action or break in the workflow. Integrated Drawing Techniques closes the gap between creativity and geometry, teaching beginner architects and interior designers how to design their residential interiors using freehand sketching and computer-aided design simultaneously. From concept planning to 3D rendering, this book is a comprehensive guide to designing residences by hand and computer.

In "The Appearances of Memory," the Indonesian architectural and urban historian Abidin Kusno explores the connections between the built environment and political consciousness in Indonesia during the colonial and postcolonial eras. Focusing primarily on Jakarta, he describes how perceptions of the past, anxieties about the rapid pace of change in the present, and hopes for the future have been embodied in architecture and urban space at different historical moments. He argues that the built environment serves as a reminder of the practices of the past and an instantiation of the desire to remake oneself within, as well as beyond, one's particular time and place.

Addressing developments in Indonesia since the fall of President Suharto's regime in 1998, Kusno delves into such topics as the domestication of traumatic violence and the restoration of order in the urban space, the intense interest in urban history in contemporary Indonesia, and the implications of "superblocks," large urban complexes consisting of residences, offices, shops, and entertainment venues. Moving farther back in time, he examines how Indonesian architects reinvented colonial architectural styles to challenge the political culture of the state, how colonial structures such as railway and commercial buildings created a new, politically charged cognitive map of cities in Java in the early twentieth century, and how the Dutch, in attempting to quell dissent, imposed a distinctive urban visual order in the 1930s. Finally, the present and the past meet in his long-term considerations of how Java has responded to the global flow of Islamic architecture, and how the meanings of Indonesian gatehouses have changed and persisted over time. "The Appearances of Memory" is a pioneering look at the roles of architecture and urban development in Indonesia's ongoing efforts to move forward.

Traditional designs for British farm buildings--barns, mills, pigsties, cowsheds, dovecotes, and other types--originated in the Middle Ages and developed through the various agricultural revolutions, until the slump of the 1880s brought an end to new building. Since then changes in the rural economy have led to buildings designed principally for professional and commercial activity. But traditional farm buildings still survive in remarkable numbers, and they form essential elements in the British landscapes of villages and countryside, although they are no longer appropriate to modern farming.
This informative book combines text with diagrams and specially taken photographs to explain and illustrate the farm buildings still seen today. It records the origins and uses of traditional building types, then explores the conflicting demands of conservation and re-use and the dangers of enthusiastic restorers who may unwittingly destroy the character of that which they desire to preserve.

In Artists' Homes, writer and photographer Tom Harford Thompson presents some thirty individual, eccentric houses and workspaces, from a music producer's studio in Hackney to an eco-warrior's treehouse on the Sussex Downs. His evocative photographs show how our live/work spaces, whether a tumbledown cottage, a country farmhouse or a reclaimed factory, are beautiful because of the lives we live in them. With work no longer separate from home life, we see how these artists function in the homes that inspire them, pursuing the life creative. Among the artists and craftspeople featured are Billy Childish, co-founder of the Stuckist art movement; Penny Rimbaud and Gee Vaucher, creative partners who set up their home and studio as an `anarchist-pacifist open house' (Dial House, in Essex); music producer Liam Watson of the famed London studio Toe Rag; vintage motorcycle dealer Ian Hatton, of cult shop Verrall's; vintner Peter Hall of Breaky Bottom Vineyard, one of the first wineries in the UK; and many more.

We wanted the house to lie amid the woods | Landscape, esthetics, and common sense are the three axes that direct the work of Argentine architect Luciano Kruk. This book illustrates in great detail one of his most representative works: his own summer house. And it is precisely because it tackles a self-imposed need that his deepest insights about architecture are condensed in this house. | L4 HOUSE is one of Kruk's most mature works, one in which he managed to stretch his esthetic and spatial search to the extreme. The author's philosophy and architectural values emerge through a thorough study of this house. "You learn watching", Luciano sometimes says. | In this project as in all of his other buildings, Kruk seeks to create essential spaces where the esthetic pleasures can be enjoyed. His structures aim to provide an harmonious integration with the landscape, since he cosiders houses to be shelters.

Houses on the side of a mountain, on rocky terrain, or on cliffs by the sea--a perfect blend of contextual architecture and interior design that channels our shared desire for peace and tranquility. Whether because of their impossible location in many cases, or the irregularity of the terrain, the slope of the plots and their geological characteristics, innovative solutions are required in the planning of the structures and the building of the foundations.

This comprehensive reference work contains scale drawings of every type of detailing used in contemporary residential architecture. Each section contains at least 50 drawings drawn to a set range of scales: 1:5, 1:10 or 1:50, with detailed keys explaining construction and material. Each drawing is cross-referenced to other details from the same house. The opening section of the book forms a directory that shows interior and exterior images of the source houses, together with credits, a brief descriptive text and information as to which details from that house are included. The houses in this section are organized by main construction material (wood, concrete, glass etc). The book will be an invaluable reference work for all architects showing the best examples of residential detailing from around the world.

The lack of affordable housing and the climate crisis are two of the most pressing challenges facing cities today. Green affordable housing addresses both by providing housing stability, safety, and financial predictability while constructing and operating the buildings to reduce environmental and climate impacts. Blueprint for Greening Affordable Housing is the most comprehensive resource on how green building principles can be incorporated into affordable housing design, construction, and operation. In this fully revised edition, Walker Wells and Kimberly Vermeer capture the rapid evolution of green building practices and make a compelling case for integrating green building in affordable housing. The Blueprint offers guidance on innovative practices, green building certifications for affordable housing, and the latest financing strategies. The completely new case studies share detailed insights on how the many elements of a green building are incorporated into different housing types and locations. The new edition includes basic planning tools such as checklists to guide the planning process, and questions to encourage reflection about how the content applies in practice. While Blueprint for Greening Affordable Housing is especially useful to housing development project managers, the information and insights will be valuable to all participants in the affordable housing industry: developers, designers and engineers, funders, public agency staff, property and asset managers, housing advocates, and resident advocates. Every affordable housing project can achieve the fundamentals of good green building design and practice. By sharing the authors' years of expertise in guiding hundreds of organizations, Blueprint for Greening Affordable Housing, Revised Edition gives project teams what they need to push for excellence.

Since 1987, Eileen Joy Liebman and Fernando Villavecchia have produced a series of diverse projects from their studio in Barcelona, Spain, with an emphasis on residential architecture and the renovation of historic buildings in a range of rural and urban contexts. Over the years, they have gradually developed an oeuvre with a special "reserve" and with particular and measured attention to spatial expression. Projects include the careful restoration and adaptation of the 1958 Casa Coderch Mila in Cadaques (2017) and the Casa Sant Llorenc (2014) in the mountains of Lerida. Text in English and German.

Age of Concrete is a history of the making of houses and homes in the suburbios of Maputo (Lourenco Marques), Mozambique, from the late 1940s to the present. Often dismissed as undifferentiated, ahistorical "slums," these neighborhoods are in fact an open-air archive that reveals some of people's highest aspirations. At first people built in reeds. Then they built in wood and zinc panels. And finally, even when it was illegal, they risked building in concrete block, making permanent homes in a place where their presence was often excruciatingly precarious. Unlike many histories of the built environment in African cities, Age of Concrete focuses on ordinary homebuilders and dwellers. David Morton thus models a different way of thinking about urban politics during the era of decolonization, when one of the central dramas was the construction of the urban stage itself. It shaped how people related not only to each other but also to the colonial state and later to the independent state as it stumbled into being. Original, deeply researched, and beautifully composed, this book speaks in innovative ways to scholarship on urban history, colonialism and decolonization, and the postcolonial state. Replete with rare photographs and other materials from private collections, Age of Concrete establishes Morton as one of a handful of scholars breaking new ground on how we understand Africa's cities.

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona, his clothes were so shabby that passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering surface textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his buildings enjoy global popularity and acclaim; his magnum opus, the Sagrada Familia, is the most-visited monument in Spain and seven of his works are UNESCO World Heritage Sites. Packed full of expert texts and hundreds of full-color illustrations, including new photography, this book presents Gaudi's complete oeuvre. Like a personal tour through Barcelona, we explore his residential, religious, and public projects. We see how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Prefabricated housing is a pressing issue - for those looking for affordable homes as well as for refugees fleeing wars or natural disasters. In common with politicians, architects were caught unawares by the largest wave of migration since the end of the Second World War. However, are tent cities and containers the best solution for cheap, dignified, and quickly assembled accommodation for displaced persons? This challenging situation, along with the changing urban landscape, with its ever-diminishing space, calls into question existing standards in relation to serial housing. Bold and unconventional ideas are called for if architects are to offer high-quality solutions. From eccentric experiments all the way to projects that have already been realized, international design teams present their work between the twin poles of unconventional developments and life-saving shelters in this volume spanning more than 250 pages. Introduced with articles on design principles, and divided into three sections according to the form the structures take when delivered - cuboid, panels and custom units - the book covers everything from playful follies to architectural constructions for the homeless and out patient medical stations which offer a response to social problems and space shortages. The text, photographs and plans put forward ideas as to how more can be done than the mere assembling of containers. Should we not first consider notions bordering on the absurd in order to come up with workable solutions for housing today?

The residential construction market may have its ups and downs, but the need to keep your construction knowledge current never lets up.

Now, with the latest edition of "Architectural Graphic Standards for Residential Construction," you can keep your practice at the ready. This edition was expertly redesigned to include all-new material on current technology specific to residential projects for anyone designing, constructing, or modifying a residence. With additional, new content covering sustainable and green designs, sample residential drawings, residential construction code requirements, and contemporary issues in residential construction, it's a must-have resource. And now it's easier to get the information you need when you need it with references to the relevant building codes built right into the details and illustrations. These new "smart" details go beyond dimensions with references to the International Residential Building Code--presenting all the information you need right at your fingertips. New features and highlights include: Loads of previously unpublished content--over 80% is either new or entirely revisedSustainable/ green design information in every chapter--a must today's practicing building and construction professionalsCoverage of contemporary issues in residential construction--aging in place, new urbanism, vacation and small homes, historic residences...it's all here.Coverage of single- and multi-family dwellings--complete coverage of houses, row homes and quadraplexes as dictated by the International Residential Building Codes.

'Patio, channel of sky/The patio is the window/Through which God watches souls/The patio is the slope/Down which the sky follows into the house/Serene' - Jorge Luis Borges Bedmar & Shi's Chancery Lane is the apotheosis of their ongoing interaction with a new language of tropical residential architecture. Evocative of the simple, open structures of time's past, yet possessed of a modernity of spirit perfectly in keeping with contemporary life. Set around an open courtyard space, with a series of demarcated private abodes, Chancery Lane perfectly embodies the tenets of personal privacy heightened and brought together through shared experience. Subtle and serene, this is a residence borne of a coalescence between the environmental, the aesthetic, and the spatial. A true gem.

During the 1920s, enterprising realtors, housing professionals, and builders developed the models that became the inspiration for the subdivision tract housing now commonplace in the U.S. Originally published in 2001. Suburban subdivisions of individual family homes are so familiar a part of the American landscape that it is hard to imagine a time when they were not common in the U. S. The shift to large-scale speculative subdivisions is usually attributed to the period after World War II. In Entrepreneurial Vernacular: Developers' Subdivisions in the 1920s, Carolyn S. Loeb shows that the precedents for this change in single-family home design were the result of concerted efforts by entrepreneurial realtors and other housing professionals during the 1920s. In her discussion of the historical and structural forces that propelled this change, Loeb focuses on three typical speculative subdivisions of the 1920s and on the realtors, architects, and building-craftsmen who designed and constructed them. These examples highlight the "shared set of planning and design concerns" that animated realtors (whom Loeb sees as having played the "key role" in this process) and the network of housing experts with whom they associated. Decentralized and loosely coordinated, this network promoted home ownership through flexible strategies of design, planning, financing, and construction which the author describes as a new and "entrepreneurial" vernacular.

The idea of an environmentally respectful house is appealing to more and more people. In the last decade, architects from all over the world have been especially interested in the possibilities of an innovative home in a natural environment, with ecological solutions and a low impact on the environment. There is a great variety of this style of architecture both in terms of its use and in geographic location. This book serves as inspiration and progress for the world of architecture and the new generation.

It is by no coincidence that another collaborative project is spear-headed by K2LD. Following the success of the Lien Villa Collective at Holland Park, Singapore in 2009, Ko Shiou Hee was asked to look at a similar concept for the Dalvey Estate property and to select and lead a group of architects in the making of a unique architecture expression and yet functional outcome, suitable for contemporary living and fit for rental. It was learning from Game Theory that Ko Shiou Hee succeeded in persuading his clients to adopt this sharing strategy both in the Lien Collective and the Dalvey 7 group. The selected architects must all adhere to the rules of the game and work on the same fees and briefs. All have to consider each other's placements and planning to maximise the benefit for all parties as a whole and eventually benefit the client. As architects, each firm, and their practicing architects, has been educated to work with social, economic, and environmental sensitivity. The world that architects operate in is driven by developers and stakeholders who maximise their gain through development strategies, but leave little chance to be true to the architectural profession. It is perhaps even more pressing for architects to address this issue of true collaborative spirit in this increasingly distortive egocentric world. Through this Dalvey 7 project, there is hope in the idea outlined in Game Theory to perpetuate and flourish in this profession to encourage sharing and collaboration. Perhaps more form of joint venture in various scales like big firm-small firm, local firm-foreign firm, developer-architect venture, design-built etc, will begin to surface.