Fallingwater""is the most famous modern house in America. Indeed, readers of the "Journal of the American Institute of Architects" voted it the best American building of the last 125 years Annually, more than 128,000 visitors seek out Fallingwater in its remote mountain site in southwestern Pennsylvania. Considered Frank Lloyd Wright's domestic masterpiece, the house is recognized worldwide as the paradigm of organic architecture, where a building becomes an integral part of its natural setting.
This charming and provocative book is the work of the man best qualified to undertake it, who was both apprentice to Wright and son of the man who commissioned the house. Edgar Kaufmann, Jr., closely followed the planning and construction of Fallingwater, and lived in the house on weekends and vacations for twenty-seven years-until, following the deaths of his parents, he gave the house in 1963 to the Western Pennsylvania Conservancy to hold for public enjoyment and appreciation.
This is a personal, almost intimate record of one man's fifty-year relationship to a work of genius that only gradually revealed its complexities and originality. With full appreciation of the intentions of both architect and client, Mr. Kaufmann described this remarkable building in detail, telling of its extraordinary virtues but not failing to reveal its faults. One section of the book focuses on the realities of Fallingwater as architecture. A famous building right from its beginnings (only partly because it was Wright's first significant commission in more than a decade), Fallingwater has accumulated considerable publicity and analysis-much of it off the mark. Mr. Kaufmann outlined and dealt with the common misunderstandings that have obscured the building's true values and supplied accurate information and interpretations. In another section Mr. Kaufmann provided an in-depth essay on the subtleties of Fallingwater, the ideology underlying its esthetics. A key element of this is the close interweaving of the house and its rugged, challenging setting, which he explicated in fascinating detail.
The author maintained throughout the direct approach of one who knew and loved Fallingwater. As an apprentice and loyal admirer of the architect, Mr. Kaufmann was well attuned to the architecture. And as a retired professor of architectural history and frequent lecturer and panelist, he had considerable experience in presenting and interpreting Wright's ideas. Thoroughly versed in the books, articles, drawings, and buildings of Frank Lloyd Wright, Mr. Kaufmann was eminently situated to place Fallingwater in that context. This unique record was presented in celebration of Fallingwater's fiftieth anniversary.
Special features of this volume include: numerous never-before published photographs of the house under construction, during its entire history, and of the family in residence; a room-by-room pictorial survey in full color taken especially for this volume; isometric architectural perspectives that explain visually how the house was constructed; and the first accurate, measured plans of the house as built.

Architectural objects confront their environment. They constitute a boundary, a form with an internalised point of view. Understanding architecture as environmental objects suggests a questioning of these dichotomies of separation between the symbolic landmark and the landscape background. It represents an architecture that amplifies nature, attunes to it and makes us aware of it. Portugal Lessons takes Portugal as a case study for such contextualism going beyond an understanding of design as immunisation. Based on the latest research program conducted by EPFL's Laboratory Basel (laba), it explores the topic of this architectural boundary: with whom we live, to whom we open our house, how permeable the boundary should be. The findings are visualised in striking images, graphics and maps. The book also features proposals for architectural interventions by laba's students, all of them tackling issues of housing.

The worldwide use of building envelopes in steel and glass is one of the characteristic features of modern architecture. Many of these pre- and post-war buildings are now suffering severe defects in the building fabric, which necessitate measures to preserve the buildings. In this endeavor, aspects of architectural design, building physics, and the preservation of historic buildings play a key role. Using a selection of 20 iconic buildings in Europe and the USA, the book documents the current technological status of the three most common strategies used today: restoration, rehabilitation, and replacement. The buildings include Fallingwater House by Frank Lloyd Wright, Farnsworth House by Ludwig Mies van der Rohe, Fagus Factory and Bauhaus Building by Walter Gropius.

The now venerable firm of Royal Barry Wills was founded in a one-room office on Boston's Beacon Street in 1925. Initially fueled by word of mouth and occasional newspaper exposure, the firm gained admiration for Wills s fresh take on various New England styles, including Georgian, Tudor, French Provincial, and Colonial American. Driven by the country's desire for both aesthetic appeal and practicality, the firm's popularity increased dramatically with its focus on the creation of modern homes inspired by the one-and-a-half-story Cape Cod houses, which perfectly balanced the classic and the new. Now run by his son, Richard Wills, the firm has been designing elegant private homes in the classically inspired Colonial New England tradition for more than eighty-five years. As time has passed, their Cape Cod-style homes have proven remarkably adaptable to the demands of contemporary life, while staying true to Wills's original flair for intermingling past and present. This book features examples of the firm's work from its founding to the present, with an emphasis on more recent houses that have been built throughout New England."

In countless neighborhoods across America, the streets are lined with houses representing
no established architectural style. Many of the 80 million homes in the United States
today have only loose-fitting, general names like ranch, duplex, bungalow, and flat.
Most, however, cannot even be identified by these common names, much less by an
architectural type such as Colonial, Italianate, or Queen Anne. The few regionally
recognized vernacular terms-- shotgun, Cape (Cod), three-decker, and the like--remain
exceptions rather than the rule. In this innovative, copiously illustrated guide, Thomas C.
Hubka considers why most ordinary, working-class houses lack an adequate identifying
nomenclature and proposes new ways to name and classify these anonymous structures,
shedding a fresh light on their role in the development of American domestic culture and
its housing landscape.
Popular, developer-built, tract, speculative, everyday--whatever they are called,
these common homes constitute the largest portion of American housing in all regions
and historic periods. Without classification, these dwellings tend to be left out of histories
of American building, neglected in preservation surveys and plans, and ignored when it
comes to considering their impact on American culture. Current methods of interpreting
common houses need not be replaced, Hubka shows, but only modified to include a
broader, more complete spectrum of common dwellings. As Hubka explains, by applying
an order of census and a floor-plan analysis, scholars can adequately characterize
the actual homes in which most Americans live, particularly in recent times after the
widespread growth of suburban homes.
Based on years of field observations, measured drawings, and surveys of regional
house types, this handbook provides a working vocabulary for the study and appreciation
of America¹s common houses and will prove useful to preservationists, academics, and
architects, as well as owners and residents of America¹s most ubiquitous residences.

The Robie House in Chicago is one of the world's most famous houses, a masterpiece from the end of Frank Lloyd Wright's early period and a classic example of the Prairie House. This book is intended as a companion for the visitor to the house, but it also probes beneath the surface to see how the design took shape in the mind of the architect. Wright's own writings, rare working drawings from the period, and previously unpublished photographs of the house in construction help the reader look over the shoulder of the architect at work. Beautiful new photographs of the Robie House and related Wright houses have been specially taken to illustrate the author's points, and a bibliography on Wright is provided.

Adrian Smith + Gordon Gill Architecture's, 2006-2021 monograph showcases the spectacular work of the firm from the first 15 years of its practice through drawings, renderings, model photography, photography of built work, competition entries, exhibition materials, master plans, interiors, and special research projects and publications. The projects featured in the monograph cover a wide variety of AS+GG's high-performance, energy-efficient, aesthetically striking architecture on an international scale in a wide range of typologies and scales, from low- and mid-rise residential, commercial, and cultural buildings to mixed-use supertall towers. Projects explored include supertall towers, large-scale mixed-use complexes, corporate offices, exhibition facilities, cultural facilities and museums, civic and public spaces, hotels and residential complexes, institutional projects, and high-tech laboratory facilities.

As treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich-the aesthetic, conceptual cosmos and life's work of the aristocratic artist Franz von Stuck-this unique volume integrates the artist's house as a category into the international context and is the first to assign these buildings the status of major works. About twenty examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures, and photographs closely related to the houses, plans and models convey the correlation between art and life as well as the kind of harmony of the arts expressed in Richard Wagner's historical concept of the total work of art. Houses featured (selection): Sir John Soane's Museum, London; William Morris Red House, Bexleyheath; Louis Comfort Tiffany's Tiffany House, New York City; Mortimer Menpes's flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle's villa and garden, Marrakesh; Kurt Schwitters' MERZbau, Hannover; Max Ernst's house, Arizona

Florian Nagler's work is a veritable "recherche patiente", as his buildings have an experimental character. For instance the "research buildings" in Bad Aibling are exercises on what building with wood, plastered brick and concrete can each mean. The Wohnen am Dantebad housing development reinterprets the traditional pergola. Text in English and German.

Taking the Soviet Union Apart Room by Room investigates what happens to domestic spaces, architecture, and the lives of urbanites during a socioeconomic upheaval. Kateryna Malaia analyzes how Soviet and post-Soviet city dwellers, navigating a crisis of inadequate housing and extreme social disruption between the late 1980s and 2000s, transformed their dwellings as their countries transformed around them. Soviet infrastructure remained but, in their domestic spaces, urbanites transitioned to post-Soviet citizens. The two decades after the collapse of the USSR witnessed a major urban apartment remodeling boom. Malaia shows how, in the context of limited residential mobility, those remodeling and modifying their homes formed new lifestyles defined by increased spatial privacy. Remodeled interiors served as a material expression of a social identity above the poverty line, in place of the outdated Soviet signifiers of well-being. Connecting home improvement, self-reinvention, the end of state socialism, and the lived experience of change, Malaia puts together a comprehensive portrait of the era. Malaia shows both the stubborn continuities and the dramatic changes that accompanied the collapse of the USSR. Making the case for similarities throughout the former Soviet empire, this study is based on interviews and fieldwork done primarily in Kyiv and Lviv, Ukraine. Many of the buildings described are similar to those damaged or destroyed by Russian bombings or artillery fire following the invasion of Ukraine on February 24, 2022. A book about major historic events written through the lens of everyday life, Taking Soviet Union Apart is also about the meaning of home in a dramatically changing world.

Powerful, memorable architecture in response to diverse conditions and briefs, conceived and developed by the Geneva architectural couple Kristina Sylla Widmann and Marc Widmann: this volume presents five school buildings and facilities with a high architectural quality, as well as several outstanding residential and administrative buildings. Text in English and German.

From the moment a project is launched, the team at Ferguson & Shamamian work in close collaboration with the world s leading decorators, landscape designers, and artisans to create contemporary houses anchored in tradition and regional character. Distinguished by their dedication to craftsmanship and creativity, the firm s residences balance artistic integrity, historic precedent, and the latest innovations in design, but always with a sense of comfort and innate elegance that endures for generations. The captivating stories behind these singular homes are revealed through gorgeous photography and texts narrating the genesis and evolution of each property. Working closely with their clients and teams of exceptional designers and craftspeople, Ferguson & Shamamian created these distinctive, one-of-a-kind homes that embody the personalities of their owners yet are timeless in their design. An extensive section of drawings and plans enriches the narrative and offers a glimpse inside the firm s creative process.

The two Bern architects Bernhard Aebi and Pascal Vincent have designed an impressive portfolio of works since 1996, including renovations of historical buildings such as the Bundeshaus in Bern, but also many residential and administrative buildings, mostly following competition successes and always achieving great architectural qualities. Text in English and German.

Laurent Lin, Alain Robbe and Rolf Seiler are the protagonists of the Geneva office founded in 1999. Since then, a dozen competition successes have resulted in several residential developments, a school building, an old people's home, commercial and administrative buildings, and individual homes. The designs are always pointedly critical and creative engagements with the building programme, the location and building regulations. Text in English and German.

Peter Baumberger and Karin Stegmeier are young architects who have produced high-quality Zurich housing in recent years. In addition to their highly refined residential architecture, they have designed inspired buildings such as the extension to the Dietlikon village school or the extension to the primary school centre in Laufen. Text in English and German.