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Books > Arts & Architecture > Architecture > Residential buildings, domestic buildings > General
The overall aim of the first chapter is to improve the knowledge
about the simulation of thermal indoor climate for buildings in
different climate conditions and its application for computer-based
simulations. The work is done in order to simplify the use of CFD
as a powerful tool in order to model the temperature distribution
within the building envelope in two real cases in Switzerland, and
promote a comfortable indoor environment with a maximum reduction
of energy consumption. High energy materials like cement, glass,
brick and steel are typically used in building construction.
However, it is possible to reduce the environmental impact of any
structure through the use of alternative, low-energy materials such
as Silica aerogels (aerogel-based plasters), Expanded Polystyrene
(EPS), Polyurethane foams (PU), and Mineral wool (Stone or Glass).
Increased interest has focused on the development of advanced
sustainable construction materials (Nano thermal insulation
materials, aerogels, etc.) with adequate mechanical properties and
durability performance. The most convenient way to get the most out
of their investment in a building is to use energy modeling
software. The second chapter will be primarily concerned with the
choice of materials, then the suitability of insulation exterior
facades. Geothermal is the most energy efficient and
environmentally friendly method of heating and cooling buildings.
The design of borehole thermal energy, as a common type of
geothermal energy, is presented in Chapter Three. The calculation
is based on heat transfer principles, including a case study of a
BHE for a one-story house with all the properties related to
analyze the BHE, e.g., to calculate the changes in the temperature
of the circulating fluid. Economic analysis of implementing
renewable energy technologies in buildings is especially important
for a transition away from the greenhouse emitting energies since a
great majority of the current capital stock and infrastructure of
today's economic systems are adjusted based on fossil-fuel
energies. Chapter Four presents a diverse collection of examples
with economic analysis of costs and paybacks covering warm vs cold,
social complexes vs private houses, and new vs historical
buildings. Solar energy has various uses besides more energy
production and it can be incorporated in applications with cooling,
heating and desalination processes. The main objectives of Chapter
Five are to assess the degree of energy reduction using solar
energy in buildings and to establish the requirements for
energy-efficient design of buildings in cold/hot regions. Payback
period analysis that evaluates the cost savings resulting from
energy efficiency improvements is also addressed.
Innovation by Reduction How can architecture create a pleasant
indoor climate using construction techniques and as little
technology as possible? Researchers from four different departments
at the Technical University of Munich joined forces with the
engineering firm Transsolar Energietechnik to explore integral
strategies for simple, energy-efficient construction. The
architecture firm Florian Nagler Architekten implemented the plans
developed by the TUM project for three prototype buildings made of
solid wood, masonry and lightweight concrete in monolithic
construction. Using these apartment buildings as examples, the
guide vividly elucidates the six core principles of simple
construction. Analysis of three exemplary apartment buildings
Monolithic structures in wood, lightweight concrete, and brick The
result of an interdisciplinary research project at the Technical
University of Munich (TUM)
A reconstruction of the 'Strand palaces', where England's
early-modern and post-Reformation elites jostled to build and
furnish new, secular cathedrals This book reconstructs the
so-called "Strand palaces"-eleven great houses that once stood
along the Strand in London. Between 1550 and 1650, this was the
capital's "Golden Mile": home to a unique concentration of patrons
and artists, and where England's early-modern and post-Reformation
elites jostled to establish themselves by building and furnishing
new, secular cathedrals. Their inventive, eclectic, and yet
carefully-crafted mix of vernacular and continental features not
only shaped some of the greatest country houses of the day, but
also the image of English power on the world stage. It also gave
rise to a distinctly English style, which was to become the symbol
of a unique architectural period. The product of almost two decades
of research, and benefitting from close archival investigation,
this book brings together an incredible array of unpublished
sources that sheds new light on one of the most important chapters
in London's architectural history, and on English architecture more
broadly. Distributed for the Paul Mellon Centre for Studies in
British Art
A stunningly original portrait of one of England's grandest country
houses No house embodies the spirit of one dynasty better than
Chatsworth. Set in an unspoilt Derbyshire valley, surrounded by
wild moorland, and home to the Cavendish family for sixteen
generations, this treasure house is filled with works of art and
objects - from Nicolas Poussin's The Arcadian Shepherds and Antonio
Canova's Endymion to great contemporary paintings by Lucian Freud
and David Hockney - which have all, in their time, represented the
very best of the new. As Stoker Cavendish, the twelfth Duke of
Devonshire, likes to point out: 'Everything was new once.'
Following the completion of a decade-long programme of renovations,
the exterior of Chatsworth is gleaming, its stone facade newly
cleaned and its window frames freshly gilded. Inside, through the
inspired juxtaposition of old and modern, its rooms fizz with
creative energy. Chatsworth, Arcadia, Now tells the story of this
extraordinary place through seven scenes from its life, alongside a
stunning photographic portrait of the house and its collections,
captured at a moment of high optimism in its long history. With a
foreword by the Duke and Duchess of Devonshire.
The Tiny House Movement: Challenging Consumer Culture features
in-depth interviews with movement residents, builders, and
advocates, as well as the author's insights from her fieldwork of
living tiny. In it, we learn how the movement is challenging
consumerism, overwork, and environmental destruction and
facilitating a more meaningful understanding of home. This book
highlights that the tiny house movement is more than a lifestyle
choice and that the movement challenges the consumerist lifestyle.
In Canada and the United States, we are taught that bigger is
better and that constant growth in our personal wealth,
accumulation, and in the economy is a sign of our success. We
sacrifice well-being and life satisfaction because of our
relationship with 'stuff.' This leads to personal debt and
unsustainability in our relationships, communities, and the
environment. This is the first book to examine the tiny house
movement as a challenge to consumer culture by demonstrating its
potential to offer individual, collective, and societal change.
Early nomadic shelters, including caves, animal skin tents, and
igloos, were used for protection against wind, rain, snow,
sunlight, and other forces of nature. These basic homes also
provided defence against predators and were used to store a few
important possessions. They were temporary, and proximity to a
water source was of prime importance. For hunters and gatherers,
shelter was an important aspect of survival. Health and comfort
were not yet under consideration. As civilisation evolved, housing
became more permanent, with increasing attention to well-being. The
housing and utilities available in rich countries are vastly
different from those in poorer settings. Unlike in industrialised
countries where piped-in water, indoor toilets, and sewage systems
are the norm, in the developing world these facilities are often
not available. Waterborne enteric diseases, preventable by the
supply of safe water, hand washing, and appropriate sanitation,
continue to be a major disease burden in poor countries.
Vector-borne diseases that can be controlled by screening and other
barrier methods also remain an important health problem. Safe,
comfortable, and healthy homes are an essential requisite for
healthy living around the world, irrespective of culture or
socio-economic status. Throughout the tropics there is a huge
diversity in house design and use of building supplies based on
centuries of indigenous experience, customs, and availability of
local resources for construction. These differences in building
style and materials affect the indoor conditions and comfort of
occupants, which in turn influence the occupants' exposure to
certain infectious diseases. In this book the authors describe the
architectural designs and materials of rural houses in two
countries in Asia (Thailand, Philippines) and two in Africa (The
Gambia, Tanzania). They analyse the effect of design on the indoor
climate and relate these factors to health, notably the risk of
mosquito-borne infectious diseases such as malaria. Based on their
findings and a detailed understanding of local building styles and
preferences, they describe a series of house modifications that
could enhance comfort whilst reducing health risks.
First published in 1989 by Rizzoli International Publications, Inc.
The fundamental significance of the Weissenhofsiedlung in Stuttgart
for the history of early modern architecture should not be
underestimated. Almost all the influential architects of the 20th
century built their proposed solutions in response to the theme "a
home for modern city dwellers" on the beautifully located slope on
the north side of Stuttgart. The choice of architects and the fact
that a project of this type could be implemented at all so few
years after World War I and the inflation, is one of the
outstanding characteristics of this building exhibition". The
German Werkbund is aware, and points out most emphatically that so
important a task can only be successful and have a major impact if
it is not only carried out in a technically flawless manner but
also creates trend-setting architectonic solutions. The Werkbund
therefore recommends to the city of Stuttgart that leading
architects be commissioned with planning the exhibition and thus
assuming a leading role in the construction of modern housing both
in Germany and abroad. This memorandum, dated January 1926,
concludes with the following appeal: It is now up to the municipal
council whether this event, so crucial for the promotion of our
housing, will be able to take place in Stuttgart in 1927. An
interesting situation thus arose: members of the municipal council
had to decide on the merits of this pioneering project. The
majority voted for it. The result: 25 yes votes, 11 no votes and 6
abstentions. How did this project ever come to Stuttgart, anyway?
What made it possible was a favourable constellation of both
personnel and chronological circumstances. Gustaf Stotz must be
regarded as the project's initiator. It was he who managed to fire
up the enthusiasm of the leadership of the German Werkbund and of
the city about the project. It is also thanks to him that Mies van
der Rohe undertook to be its artistic director. Mies and many of
the architects of the Weissenhofsiedlung were relatively young and
not established. They had a fine reputation in avantgarde circles,
but hardly outside them. Moreover, in the German Werkbund the
entire project was regarded as not really important -- a sort of
practice piece for a "world building exhibition" that would take
place in Berlin in 1930.
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