RESIDENSITY: A Carbon Analysis of Residential Typologies is the culmination of a seven-year study analysing nine building typologies to understand the relationships between building densities and the amount of land and infrastructure required to support them. The book investigates how much embodied and consumed carbon is used in each typology and how it affects density and open space from the viewpoint of sustainability, carbon emissions, and carbon sequestration. The study determines which building typology is the most sustainable on a comparative basis. Nine prototypical buildings were designed - Megatall, Supertall, High-Rise, Mid-Rise, Low-rise, Courtyard, Three-Flat, Urban Single-Family, and Suburban Single-Family - set within nine prototypical communities. The study designates an archetypal residential community of 2,000 units with an average unit size of 150 sm as a reasonable and representative cross section of different housing typologies.

Text in English & German. Johannes Peter Hoelzinger studied architecture at the Stadelschule in Frankfurt am Main from 1954 to 1957. After a residency fellowship at the Deutsche Akademie Villa Massimo in Rome he founded a "planning association for new forms of the environment" in 1965 together with Zero artist Hermann Goepfert, who has since died. One of the most successful results of his work with Goepfert was a new design for the Schlosspark in Karlsruhe on the occasion of the Bundesgartenschau in 1967, which won a major German architectural prize, the Hugo-Haring-Preis. From 1991 until his retirement in 2002 Hoelzinger directed the art and public-space course at the Akademie der bildenden Kunste in Nuremberg. Individualistic and oppositional in comparison to other post-World War II architectural achievements, the design of Hoelzinger's buildings is very distinctive. The playful elements of Postmodernism are as alien to his work as the functionalism of New Building. Because of his association with Hermann Goepfert, Hoelzinger is much more closely connected with the art scene of his time. The integration of art and architecture is a unique feature of his buildings. If we try to assign a category to this "object architecture" (a term he coined himself), we will find less overlap with architecture than with fine art. From the very beginning Hoelzinger saw architecture as an artistic discipline. Light kinetics offered him important new perspectives. Lighting design and the resulting colour changes of white walls play a vital role in his work.

Zweisprachige Ausgabe (deutsch/englisch) / Bilingual edition (English/German) Wo sich wahrend des NS-Regimes die Zentralen der Gestapo, der SS und des Reichssicherheitshauptamtes befanden, ist mitten in Berlin ein Lern- und Erinnerungsort mit jahrlich mehr als einer Million Besucher*innen entstanden. In diesem Band berichtet Historiker Andreas Nachama, von 1994 bis 2019 Direktor der Stiftung Topographie des Terrors, von seinen ersten persoenlichen Begegnungen mit dem Ort und zeichnet den Weg von der Entstehung und Etablierung der Topographie des Terrors nach, an der er seit den 1980er-Jahren entscheidend mitwirkte. Die Architektin und Ausstellungsgestalterin Ursula Wilms und der Landschaftsarchitekt Heinz W. Hallmann legen die Leitgedanken ihres Entwurfs fur die Neugestaltung der Topographie des Terrors dar - ein Gesamtkonzept aus Architektur, Landschaftsarchitektur und Ausstellungsgestaltung. Erstmals werden in dem Band die Fotografien Friederike von Rauchs veroeffentlicht, in denen die Kunstlerin die Atmosphare des Ortes kurz vor dessen Fertigstellung im Jahr 2010 festgehalten hat.

A stunningly original portrait of one of England's grandest country houses No house embodies the spirit of one dynasty better than Chatsworth. Set in an unspoilt Derbyshire valley, surrounded by wild moorland, and home to the Cavendish family for sixteen generations, this treasure house is filled with works of art and objects - from Nicolas Poussin's The Arcadian Shepherds and Antonio Canova's Endymion to great contemporary paintings by Lucian Freud and David Hockney - which have all, in their time, represented the very best of the new. As Stoker Cavendish, the twelfth Duke of Devonshire, likes to point out: 'Everything was new once.' Following the completion of a decade-long programme of renovations, the exterior of Chatsworth is gleaming, its stone facade newly cleaned and its window frames freshly gilded. Inside, through the inspired juxtaposition of old and modern, its rooms fizz with creative energy. Chatsworth, Arcadia, Now tells the story of this extraordinary place through seven scenes from its life, alongside a stunning photographic portrait of the house and its collections, captured at a moment of high optimism in its long history. With a foreword by the Duke and Duchess of Devonshire.

The Home has emerged as an elementary figure in architectural research and practice over the last decade. This book highlights the variety of ways in which Home has been individually articulated and explored. In text and images it takes an original look at projects such as MVRDV's Hagen Island residential units, AZL's Slit House in Nanjing, Haus Walter in Malans by Bearth and Deplazes, and the Rudin house by Herzog & de Meuron.

One House Per Day no.001-365 collects the first 365 drawings from Andrew Bruno’s project One House Per Day, along with a foreword by Keith Krumwiede and essay contributions by Malcolm Rio, Alessandro Orsini & Nick Roseboro, and Clark Thenhaus. The drawings are high quality 1:1 reproductions of the originals, and the 7.5� trim size matches the size of the sketchbooks that the originals were drawn in. The drawings are each given a full page, with a subsequent section including a brief description of each drawing. While the drawings themselves are mute, and their descriptions relatively deadpan, the essays contemplate the place of the detached house in American culture from social, political, and economic perspectives. The book is 392 pages long and is softbound in grey recycled paper. The front cover features 365 debossed circles to represent the 365 houses; these give the book a unique tactile quality.

The Neue Nationalgalerie on the Berlin Kulturforum is an architectural icon as well as the crowning conclusion of architect Ludwig Mies van der Rohe's life work. An outstandingly successful and sensitive refurbishment and modernization project was carried out for the building's most significant overhaul since its opening in 1968. It complies with the requirements of a contemporary museum exhibition facility, as well as monument-preservation guidelines. David Chipperfield Architects developed the renovation concept under the motto of "As much Mies as possible." This publication provides deep insight into the planning, execution, monument preservation, and restoration from the perspective of those involved. The exemplary handling of the historical fabric is presented in design documents and numerous large-format photographs that impressively illustrate the design stage, the construction site, and the refurbishment results. With articles by David Chipperfield, Bernhard Furrer, Gunny Harboe, Joachim Jager, Dirk Lohan, Fritz Neumeyer, Alexander Schwarz, Gerrit Wegener, and some 30 project managers

In the South of France, sited on a hill of olive trees, pinus pinea, and a vineyard, a family retreat was designed with a key mission of maintaining the vitality of the site. A small agricultural plot, the site offered the possibility of amplification. With the introduction of a garden and many outdoor living spaces, the family had the intention of cultivating the landscape as part of their stewardship. In part a response to a programmatic brief, but moreover, a discursive response to architectural predicaments of geometry, typology, and anomaly, the house is also a response to Preston Scott Cohen's pedagogies on architecture.

More than seventy sensational properties showcase the talents of some of the world's most innovative modernist architects. Many of the homes are built on challenging sites, reaching levels of engineering sophistication that could only have been executed by the most creative design firms. Ranging geographically from Thailand to Turkey, New York to Norway, and Mexico to South Africa, these pristine homes are successful experiments in space, volume, and building materials. They also define luxury, affording their owners an unusually high level of comfort and aesthetic pleasure. Many of these stunning dwellings have never before appeared in print, and each includes a brief description of the location and how the architects solved the puzzle of client and site.

Age of Concrete is a history of the making of houses and homes in the subúrbios of Maputo (Lourenço Marques), Mozambique, from the late 1940s to the present. Often dismissed as undifferentiated, ahistorical "slums," these neighborhoods are in fact an open-air archive that reveals some of people's highest aspirations. At first people built in reeds. Then they built in wood and zinc panels. And finally, even when it was illegal, they risked building in concrete block, making permanent homes in a place where their presence was often excruciatingly precarious. Unlike many histories of the built environment in African cities, Age of Concrete focuses on ordinary homebuilders and dwellers. David Morton thus models a different way of thinking about urban politics during the era of decolonization, when one of the central dramas was the construction of the urban stage itself. It shaped how people related not only to each other but also to the colonial state and later to the independent state as it stumbled into being. Original, deeply researched, and beautifully composed, this book speaks in innovative ways to scholarship on urban history, colonialism and decolonization, and the postcolonial state. Replete with rare photographs and other materials from private collections, Age of Concrete establishes Morton as one of a handful of scholars breaking new ground on how we understand Africa's cities.

In recent years, guest houses have become exceptionally popular and attractive for people who live in the city but want to escape from the hustle and bustle. This book contains 42 case studies of guest houses. The book provides a professional analysis of the projects, accompanied with pictures of the projects. This book offers a good reference to anyone interested in guest houses, be it guest house owners or architects.

Fully revised and updated edition of the classic, stunningly illustrated guide to the country houses in the care of the National Trust, encompassing both interior and exterior design. The National Trust cares for a wealth of houses and historic buildings of all types, ranging from the grand to the quirky to the humble. This captivating book, fully revised and updated and featuring more houses than ever before, is a guide to some of the greatest architectural treasures of Britain, encompassing both interior and exterior design. The houses covered include spectacular mansions such as Petworth House and Waddesdon Manor, and more lowly dwellings such as the Birmingham Back to Backs and estate villages like Blaise Hamlet, near Bristol. In addition to houses, the book also covers fascinating buildings as diverse as churches, windmills, dovecotes, castles, follies, barns and even pubs. The book also acts as an overview of the country's architectural history, with every period covered: the medieval stronghold of Bodiam Castle, Tudor eccentricity in Hardwick Hall, 18th-century grandeur at Kedleston Hall, Victorian fantasy at Tyntesfield, and the clean-lined Modernism of The Homewood. The book teems with stories of the people who lived and worked in these buildings: wealthy collectors (Charles Wade at Snowshill), captains of industry (William Armstrong at Cragside), prime ministers (Winston Churchill at Chartwell) and pop stars (John Lennon at Mendips). Written in evocative, imaginative prose and illustrated with glorious images from the National Trust's photographic library, this book is an essential guide to the built heritage of England, Wales and Northern Ireland.

Eastern European prefabricated housing blocks are often vilified as the visible manifestations of everything that was wrong with state socialism. For many inside and outside the region, the uniformity of these buildings became symbols of the dullness and drudgery of everyday life. "Manufacturing a Socialist Modernity" complicates this common perception. Analyzing the cultural, intellectual, and professional debates surrounding the construction of mass housing in early postwar Czechoslovakia, Zarecor shows that these housing blocks served an essential function in the planned economy and reflected an interwar aesthetic, derived from constructivism and functionalism, that carried forward into the 1950s.
With a focus on prefabricated and standardized housing built from 1945 to 1960, Zarecor offers broad and innovative insights into the country's transition from capitalism to state socialism. She demonstrates that during this shift, architects and engineers consistently strove to meet the needs of Czechs and Slovaks despite challenging economic conditions, a lack of material resources, and manufacturing and technological limitations. In the process, architects were asked to put aside their individual creative aspirations and transform themselves into technicians and industrial producers.
"Manufacturing a Socialist Modernity" is the first comprehensive history of architectural practice and the emergence of prefabricated housing in the Eastern Bloc. Through discussions of individual architects and projects, as well as building typologies, professional associations, and institutional organization, it opens a rare window into the cultural and economic life of Eastern Europe during the early postwar period.

The farmhouse gained a contemporary freshness while respecting existing elements and using only a few external measures. Inside, a surprisingly multifaceted world has been created that impresses with its high-quality finishing, humour and consistency. The conversion thrives on surprising moments: the tension created by differently proportioned rooms, the varied interior furbishing and the direct nature of specific solutions that pick up on original uses. Text in English and German.

In his second book, Jürgen Geiselhart presents private residences in several newly constructed villas that are oriented stylistically toward extremely diverse models in the history of architecture and art. His individual architectures and interior architectures from the years 2017 to 2022 are based firstly on the wishes of the clients and search for a contemporary implementation with respect to the execution of details and materials on this basis. In a very personal conversation, Jürgen Geiselhart describes the creation history and design ideas of the private residences, which are presented over 280 pages of expressive digital photography. Text in English and German.

Spatializing Justice calls for architects and urban designers to do more than design buildings and physical systems. Architects should take a position against inequality and practice accordingly. With these thirty short, manifesto-like texts-building blocks for a new kind of architecture-Spatializing Justice offers a practical handbook for confronting social and economic inequality and uneven urban growth in architectural and planning practice, urging practitioners to adopt approaches that range from redefining infrastructure to retrofitting McMansions. These building blocks call for expanded modes of practice, through which architects can imagine new spatial procedures, political and economic strategies, and modalities of sociability. Challenging existing exclusionary policies can advance a more experimental architecture not bound by formal parameters. Architects must think of themselves as designers not only of things but of civic processes, complicate the ideas of ownership and property, and imagine new sites of research, pedagogy, and intervention. As one of the texts advises, "the questions must be different questions if we want different answers."

A new edition of this long unavailable classic reproduces photographic prints made from original negatives and features an extensive analytical introduction by the noted architectural historian Dell Upton.Before the 1936 publication of The Early Architecture of Western Pennsylvania, the architectual heritage of a region prominent in the history of early America had been almost totally neglected. Based on a four-year survey conducted by the Pittsburgh chapter of the American Istitute of Architects, Charles Morse Stotz's book provides the definitive description and analysis of structures ranging from log houses to colonial and Georgian structures to examples of the pre-Civil War Gothic revival. The volume defines the local architectural idiom as an expression of the frontier and early industrial societies that played such an important part in the history of nineteenth century America.This oversized volume of 416 black-and-white photographs, 81 measured drawings and an extensive text presents a splendid array of early dwellings, barns, and other outbuildings, churches, arsenals, banks, inns, commercial buildings, tollhouses, mills, and even tombstones. Time has proved this work to be the definitive record of an architectural heritage that was fast disappearing with the economic boom of World War II and the postwar years.The Early Architecture of Western Pennsylvania is also a work of precision, beauty, and integrity. The drawings ignore alterations made after 960 and shoe the buildings in their original condition, giving special attention to details such as window sashes, shutters, cornices, and roofs. The floor plan of each structure is included, and line drawings display the profiles of moldings and ornamentation. Signature stones and hardware convey the quality of the early craftsmen's work. In all cases, stone joining has been faithfully drawn, joint for joint, to record the charm of old wall patterns.This new edition makes a landmark book available to a new generation of readers - one especially aware of the importance of architectural preservation and guarding the history of the Western Pennsylvania region.

A city famous for its rapid growth and high cost of living, London is not a place one immediately associates with social housing. Yet the British capital has a long history of such projects: from Henry Roberts' works for the Society for Improving the Condition of the Labouring Classes in the nineteenth century to the contemporary, RIBA-award-winning Dujardin Mews. Divided by period rather than architectural style, this guide focuses on the developments in this often-overlooked field, beginning at the close of the nineteenth century and finishing at the present day. Twentieth-century buildings thus make up the bulk of the guide: the pre-First World War Hampstead Garden Suburb, quintessentially English Mock-Tudor estates, and brutalist icons such as the Barbican are all included. Alongside these well-known works, there are lesser-known works. The urban planner Tjerk Ruimschotel showcases residences in both the heart of the metropolis and its outer suburbs. Location details, tube stations and maps accompany the projects for easy navigation, and a comprehensive reading list provides inspiration for further investigation. Architectural Guide: London offers an alternative way to view the city's diverse architecture - where remarkable buildings are frequently hidden in plain sight.

The legacies of theatres, hotels, fire stations, flour mills, and more -- torn down, burned down, and otherwise lost -- are uncovered in this bittersweet collection. Using archival photographs, blueprints, and written reports, Raymond Biesinger has rendered a selection of Canada's most iconic lost buildings in his signature minimalist style. Accompanying Biesinger's illustrations are Alex Bozikovic's descriptions which capture each building's historical, cultural, and architectural significance. Bozikovic draws on local histories, archived building permits and his own extensive knowledge of the Canadian urban architectural landscape and its history -- from the letters passed through Kelowna's unlikely art deco post office to the destruction of a home in Halifax's Africville -- to offer fascinating, sometimes forgotten stories about each building and its significance. An impossible architectural walking tour, 305 Lost Buildings of Canada spans the country, its cities and countryside, and its history. Cities change, buildings come and go, but in this fact-filed compendium, you'll find the lost wonders of Canada's architecture.

This famous study of the planning, financing and building of the New Town in Edinburgh brings to life one of the most remarkable urban expansion programmes ever undertaken. A. J. Youngson brings to life the vigour of the planning debates, the fundraising schemes, the administrative and legislative infrastructure of planning, the construction of public buildings as poles of attraction for speculative building, and all the hopes, quarrels, victories and civic bankruptcy that went into this great experiment. Superbly illustrated with photographs by acclaimed photographer Edwin Smith, along with a selection of contemporary images and a preface by Colin McLean, this book is a classic work of economic and social history, and a fascinating account of the shaping of one of the most beautiful cities in the world.

Scandinavian residences are not only aesthetically simple and minimalist, they are mindfully built to minimise their impact on the environment, without sacrificing beauty. This book brings together a collection of beautifully designed Scandinavian homes with their simple, fresh, natural and warm decor. Each home is presented through stunning photography and features insights from the designers themselves, including soft decoration such as colours, materials and lighting. A valuable source of inspiration for design agencies, designers or those with a passion for minimalist design and living.

William Lumpkin's residential designs speak volumes about the fusion of styles -- Spanish colonial, Pueblo, Art Deco -- in the Southwest. This book shows his distillation of the pure architectural elements of Pueblo style -- the heart of 'Santa Fe' style -- in 47 modern adobe projects. A skilled manipulation of this truly American architectural form. Also demonstrated is Lumpkin's adept talent for incorporating modern living standards into historic architecture with pleasing functional results.

In formulating a design concept into a viable plan, architects oscillate constantly between two planes of observation: the actual design task in the context of planning typologies such as residential buildings, office buildings, museum, or airport, and the individual room, meaning the kitchen, office, classroom, sanitary rooms, storage rooms, and so on. Planning Architecture offers architects and students a thought-out planning tool, in which two main sections reciprocally complement one another: the "spaces" and the "typologies" between which the planner can flexibly oscillate depending on his or her plane of observation. All relevant planning information is presented in a detailed clear fashion, and in context. These two sections are flanked by an introductory chapter explaining the basis and framework for typological design, as well as a "reference section" at the end of the book that clearly lists general dimensions and units, regulations and standards.

Fallingwater""is the most famous modern house in America. Indeed, readers of the "Journal of the American Institute of Architects" voted it the best American building of the last 125 years Annually, more than 128,000 visitors seek out Fallingwater in its remote mountain site in southwestern Pennsylvania. Considered Frank Lloyd Wright's domestic masterpiece, the house is recognized worldwide as the paradigm of organic architecture, where a building becomes an integral part of its natural setting.
This charming and provocative book is the work of the man best qualified to undertake it, who was both apprentice to Wright and son of the man who commissioned the house. Edgar Kaufmann, Jr., closely followed the planning and construction of Fallingwater, and lived in the house on weekends and vacations for twenty-seven years-until, following the deaths of his parents, he gave the house in 1963 to the Western Pennsylvania Conservancy to hold for public enjoyment and appreciation.
This is a personal, almost intimate record of one man's fifty-year relationship to a work of genius that only gradually revealed its complexities and originality. With full appreciation of the intentions of both architect and client, Mr. Kaufmann described this remarkable building in detail, telling of its extraordinary virtues but not failing to reveal its faults. One section of the book focuses on the realities of Fallingwater as architecture. A famous building right from its beginnings (only partly because it was Wright's first significant commission in more than a decade), Fallingwater has accumulated considerable publicity and analysis-much of it off the mark. Mr. Kaufmann outlined and dealt with the common misunderstandings that have obscured the building's true values and supplied accurate information and interpretations. In another section Mr. Kaufmann provided an in-depth essay on the subtleties of Fallingwater, the ideology underlying its esthetics. A key element of this is the close interweaving of the house and its rugged, challenging setting, which he explicated in fascinating detail.
The author maintained throughout the direct approach of one who knew and loved Fallingwater. As an apprentice and loyal admirer of the architect, Mr. Kaufmann was well attuned to the architecture. And as a retired professor of architectural history and frequent lecturer and panelist, he had considerable experience in presenting and interpreting Wright's ideas. Thoroughly versed in the books, articles, drawings, and buildings of Frank Lloyd Wright, Mr. Kaufmann was eminently situated to place Fallingwater in that context. This unique record was presented in celebration of Fallingwater's fiftieth anniversary.
Special features of this volume include: numerous never-before published photographs of the house under construction, during its entire history, and of the family in residence; a room-by-room pictorial survey in full color taken especially for this volume; isometric architectural perspectives that explain visually how the house was constructed; and the first accurate, measured plans of the house as built.