Exploring America's material culture, "Common Places" reveals the
history, culture, and social and class relationships that are the
backdrop of the everyday structures and environments of ordinary
people. Examining America's houses and cityscapes, its rural
outbuildings and landscapes from perspectives including cultural
geography, decorative arts, architectural history, and folklore,
these articles reflect the variety and vibrancy of the growing
field of vernacular architecture.
In essays that focus on buildings and spaces unique to the U.S.
landscape, Clay Lancaster, Edward T. Price, John Michael Vlach, and
Warren E. Roberts reconstruct the social and cultural contexts of
the modern bungalow, the small-town courthouse square, the shotgun
house of the South, and the log buildings of the Midwest. Surveying
the buildings of America's settlement, scholars including Henry
Glassie, Norman Morrison Isham, Edward A. Chappell, and Theodore H.
M. Prudon trace European ethnic influences in the folk structures
of Delaware and the houses of Rhode Island, in Virginia's Renish
homes, and in the Dutch barn widely repeated in rural America.
Ethnic, regional, and class differences have flavored the
nation's vernacular architecture. Fraser D. Neiman reveals overt
changes in houses and outbuildings indicative of the growing social
separation and increasingly rigid relations between
seventeenth-century Virginia planters and their servants. Fred B.
Kniffen and Fred W. Peterson show how, following the westward
expansion of the nineteenth century, the structures of the eastern
elite were repeated and often rejected by frontier builders. Moving
into the twentieth century, James Borchert tracks the
transformation of the alley from an urban home for Washington's
blacks in the first half of the century to its new status in the
gentrified neighborhoods of the last decade, while Barbara Rubin's
discussion of the evolution of the commercial strip counterpoints
the goals of city planners and more spontaneous forms of urban
expression.
The illustrations that accompany each article present the
artifacts of America's material past. Photographs of individual
buildings, historic maps of the nation's agricultural expanse, and
descriptions of the household furnishings of the Victorian middle
class, the urban immigrant population, and the rural farmer's
homestead complete the volume, rooting vernacular architecture to
the American people, their lives, and their everyday creations.
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