With gracious residential boulevards, soaring cathedrals, and some of this country's first skyscrapers nestled amid bustling city blocks, St. Louis is home to buildings city blocks, St. Louis is home to buildings designed by some of America's best-known architects, including Cass Gilbert and Louis Sullivan. But no single architectural firm has shaped the style of the city known as the Gateway to the West more than Maritz & Young. Starting at the beginning of the twentieth century, Raymond E. Maritz and W. Ridgely Young built more than a hundred homes in the most affluent neighborhoods of St. Louis County, counting among their clientele a who's who of the city's most prominent citizens. The Architecture of Maritz & Young is the most complete collection of their work, featuring more than two hundred photographs, architectural drawings, and original floor plans of homes built in a variety of styles, from Spanish Eclectic to Tudor Revival. Alongside these historic images, Kevin Amsler and L. John Schott have provided descriptions of each residence detailing the original owners. Lovingly compiled from a multitude of historical sources and rare books, this is the definitive history of the domestic architecture that still defines St. Louis.

Exploring the aristocratic villas and court culture of Cordoba, during its 'golden age' under the reign of the Umayyad dynasty (r. 756-1031 AD), this study illuminates a key facet of the secular architecture of the court and its relationship to the well-known Umayyad luxury arts. Based on textual and archaeological evidence, it offers a detailed analysis of the estates' architecture and gardens within a synthetic socio-historical framework. Author Glaire Anderson focuses closely on the CA(3)rdoban case study, synthesizing the archaeological evidence for the villas that has been unearthed from the 1980s up to 2009, with extant works of Andalusi art and architecture, as well as evidence from the Arabic texts. While the author brings her expertise on medieval Islamic architecture, art, and urbanism to the topic, the book contributes to wider art historical discourse as well: it is also a synthetic project that incorporates material and insights from experts in other fields (agricultural, economic, and social and political history). In this way, it offers a fuller picture of the topic and its relevance to Andalusi architecture and art, and to broader issues of architecture and social history in the caliphal lands and the Mediterranean. An important contribution of the book is that it illuminates the social history of the Cordoban villas, drawing on the medieval Arabic texts to explain patterns of patronage among the court elite. An overarching theme of the book is that the Cordoban estates fit within the larger historical constellation of Mediterranean villas and villa cultures, in contrast to long-standing art historical discourse that holds villas did not exist in the medieval period.

"Houses can become poetic expressions of longing for a lost past, voices of a lived present, and dreams of an ideal future." Carel Bertram discovered this truth when she went to Turkey in the 1990s and began asking people about their memories of "the Turkish house." The fondness and nostalgia with which people recalled the distinctive wooden houses that were once ubiquitous throughout the Ottoman Empire made her realize that "the Turkish house" carries rich symbolic meaning. In this delightfully readable book, Bertram considers representations of the Turkish house in literature, art, and architecture to understand why the idea of the house has become such a potent signifier of Turkish identity.

Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity--as well as the social roles of women and the family--could be approached, contested, revised, or embraced during this period of tumultuous change.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Capitalize on a Comprehensive New Process for Planning and Designing Sustainable Green Communities Written by internationally renowned architect Avi Friedman, Sustainable Residential Development equips you with a much-needed process and examples for planning and designing green communities. This landmark resource explains the principles of green building and how to apply them to residential development, presenting guidelines for creating communities that balance social, economic, and environmental needs. Filled with plans, elevations, and vignettes, the book shows how to incorporate wind direction, sun exposure, tree preservation, topography, and public spaces into site plan. It also shows how to design high-density neighborhoods...apply green design and construction principles by using local materials and techniques, solar power, waste management, and water efficiency...as well as rehabilitate neighborhoods while respecting their heritage. Sustainable Residential Development features: Expert guidelines for planning and designing communities that balance social, economic, and environmental needs A wealth of international and U.S. case studies and examples that illustrate the principles of sustainable community design Over 100 downloadable plans and elevations that offer a head start for planning and designing sustainable communities Inside this Green Planning and Design Guide: * Defining and Applying Principles of Sustainability in Neighborhood Development * Learning Lessons from the Past: The Rise of Suburbia * Site Selection and Analysis * Strategies for High-Density Neighborhoods: The New Urbanism * Planning, Design, and Construction Principles for Sustainability * The Urban Renewal Process and Architectural Heritage * Balancing Environmental, Cultural, and Economic Needs: A Framework for Greener Neighborhoods

In this detailed history of domestic architecture in West Africa, Peter Mark shows how building styles are closely associated with social status and ethnic identity. Mark documents the ways in which local architecture was transformed by long-distance trade and complex social and cultural interactions between local Africans, African traders from the interior, and the Portuguese explorers and traders who settled in the Senegambia region. What came to be known as "Portuguese" style symbolized the wealth and power of Luso-Africans, who identified themselves as "Portuguese" so they could be distinguished from their African neighbors. They were traders, spoke Creole, and practiced Christianity. But what did this mean? Drawing from travelers accounts, maps, engravings, paintings, and photographs, Mark argues that both the style of "Portuguese" houses and the identity of those who lived in them were extremely fluid. "Portuguese" Style and Luso-African Identity sheds light on the dynamic relationship between identity formation, social change, and material culture in West Africa."

An ethnographic study of modern Mayan houses, domestic settlement and activities and the use of space. A number of studied examples are given following a brief outline of the history of the northern part of the Yucatan, and the nature of pre-hispanic and colonial settlement.

The doors are wide open and you're welcome to wander through. Don't worry about the carpets as you enter through stately doorways, cozy up to collosal fireplaces, and climb poetic staircases. For those who love the old homes of the New England area, this is a chance to enter and inspect the window sills and cupboards up close. Nearly 400 photographs and illustrations, along with helpful tips, are provided to guide the remodeller of Jacobean, Colonial, Georgian, and Federal homes toward duplicating these antique architectural features, plus there are architectural drawings from the Library of Congress and by Asher Benjamin, one of the leading New England builders and most influential designers of the late eighteenth and nineteenth centuries.

Arguing that past scholarship has provided inadequate methodological tools for understanding ordinary housing in Canada, Peter Ennals and Deryck Holdsworth present a new framework for interpreting the dwelling. Canada's settlement history, with its emphasis on staples exports, produced few early landed elite or houses in the grand style. There was, however, a preponderance of small owner-built 'folk' dwellings that reproduced patterns from the immigrants' ancestral homes in western Europe.

As regional economics matured, a prospering population used the house as a material means to display their social achievement. Whereas the elites came to reveal their status and taste through careful connoisseurship of the standard international 'high style, ' a new emerging middle class accomplished this through a new mode of house building that the authors describe as 'vernacular.' The vernacular dwelling selectively mimicked elements of the elite houses while departing from the older folk forms in response to new social aspirations. The vernacular revolution was accelerated by a popular press that produced inexpensive how-to guides and a manufacturing sector that made affordable standardized lumber and trim. Ultimately the triumph of vernacular housing was the 'prefab' house marketed by firms such as the T. Eaton Company.

The analysis of these house-making patterns are explored from the early seventeenth century to the early twentieth century. Though the emphasis is on the ordinary single-family dwelling, the authors provide an important glimpse of counter-currents such as housing for gang labour, company housing, and the multi-occupant forms associated with urbanization. The analysis is placed in the context of a careful rendering of the historical geographical context of an emerging Canadian space, economy, and society.

This is an examination of the cultural, economic, and psychological influences which shaped the evolution of domestic architecture in Greenville, Virginia. Greenville is located along what was the old Shenandoah Valley Turnpike in Augusta County. The book is organised around a brick house built on Main Street in 1829. When constructed, this house exemplified the vernacular architecture of the Valley during the early 19th Century. Later changes to the house reflected some of the influences that shaped the town and surrounding region during subsequent years. The region's changing architectural landscape is interpreted so as to provide a better understanding of everyday life in Greenville and similar towns throughout the Shenandoah Valley during an era when the valley was a major conduit for settlers moving west. This was an exciting time in American history as Old World traditions were giving way to the emergence of a new American ethic. This book is relevant not only to an understanding of the historical landscape of Greenville and environs, but also to an understanding of the dynamics of cultural landscapes and the records of change embodied in architectural features everywhere.

Housing represents by far the largest segment of the construction industry. This design reference features, in graphic and text mode, emerging trends in housing design and technology, new forms of multi-unit housing, new demands from housing owners (such as the home office) and new zoning and controls on site size and location.

This readable and thoroughly documented volume relates the fascinating story of the French Legation in Austin. The oldest house in the city, it was built in 1840-1841 as the residence of the French charge d'affaires to the fledgling Republic of Texas. Alphonse Dubois, the self-styled "Count de Saligny," dazzled frontier Texans with elegant parties until he was recalled after less than a year in Austin.

From the stately Gothic Revival and Regency-style houses of Savannah to the majestic, multicolumned plantation homes that punctuate rolling farmlands throughout the state, David King Gleason presents a splendid pictorial record of Georgia's fines pre-Civil War residences.The book begins with the town houses of Savannah, which include such landmark residences as the Andrew Low House, built in 1848 in the style of an early Victorian Renaissance villa, and the imposing Gree-Heldrim House, a Gothic Revival mansion that was the most expensive house built in Savannah prior to the Civil War. Wild Heron, located just south of Savannah on the Little Ogeechee River, is the oldest plantation house still standing in Georgia. A one-and-a-half story farmhouse built in the style of a West India cottage, it is being restored to reflect the period of the early 1800s.

Farther to the interior, in the area around Augusta, are such homes as Fruitlands, now the clubhouse of the Augusta national Golf Club; Meadow Garden; Ware's Folly; and Montrose, built in 1849 and one of the Loveliest Greek Revival houses in the area. Houses photographed along the Plantation Trail, from Athens to Macon, include the white-columned President's House, home since 1949 to the presidents of the University of Georgia; the Howell Cobb House, in Athens; Whitehall, in Covington; Glan Mary, in Sparta; and the Woodruff House, in Macon.

Gleason devotes considerable attention to the homes of the western side of the state, from Chickamauga to Thomasville. The Gordon-Lee House, constructed in 1847, was headquarters fro the Union army during the battle of chickamauga. Other houses in this part of Georgia are valley View, which overlooks the Etowah River, west of Cartersville; the Archibald Howell House, near downtown Marietta; Lovejoy, in Clayton Country; The oaks, in the vicinity of LaGrange; and Greenwood and Pebble Hill, near Thomasville.

In all, Gleason captures more than one hundred of Georgia's most beautiful antebellum homes, including many lesser-known houses. In addition to exterior photographs, Antebellum Homes of Georgia contains a number of interior views as well as aerial photographs that show the relationship between the houses and their environs: outbuildings, formal gardens, and recd clay fields that were once white with cotton. Captions provide brief histories of the houses and their owners as weel as notes on construction and outstanding architectural details.

Form and resistance are the essence of all architectural work. This is especially clear in the interaction between the effect and construction method of façades. They orchestrate the transition between interior and exterior worlds, they manifest the underlying approach and the way buildings behave towards their surroundings. In their articulation of engineering and aesthetics, supporting and loads, proportion and practicality, and rhythm and materiality, they reflect both varying production methods and social value systems. The architect Lando Rossmaier worked with students at the University of Lucerne to study the range of architectural means of construction and expression with respect to Swiss townhouse façades. This anthology presents a selection of around 80 buildings with sensitively developed tectonics, dating from the 20th-century to the present day, all of which have formed a backdrop for an urban way of life for decades. Like a manual, the effect is demonstrated using a photographic portrait and a description of the construction method, using detailed tectonic isometrics. The collection is supplemented by ten projects by contemporary Swiss architects, with essays on their understanding of tectonics. Text in German. Articles: Dr. Bettina Köhler, Roger Boltshauser, Buol & Zünd Architekten, Edelaar Mosayebi Inderbitzin Architekt*innen, Enzmann Fischer Partner Architekten, Joos & Mathys Architekten, Käferstein & Meister Architekten, Knapkiewicz & Fickert Architekten, Loeliger Strub Architektur, Lütjens Padmanabhan Architekt*innen, Bosshard Vaquer Architekten, Caruso St John Architects

As treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich-the aesthetic, conceptual cosmos and life's work of the aristocratic artist Franz von Stuck-this unique volume integrates the artist's house as a category into the international context and is the first to assign these buildings the status of major works. About twenty examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures, and photographs closely related to the houses, plans and models convey the correlation between art and life as well as the kind of harmony of the arts expressed in Richard Wagner's historical concept of the total work of art. Houses featured (selection): Sir John Soane's Museum, London; William Morris Red House, Bexleyheath; Louis Comfort Tiffany's Tiffany House, New York City; Mortimer Menpes's flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle's villa and garden, Marrakesh; Kurt Schwitters' MERZbau, Hannover; Max Ernst's house, Arizona

Welcome to the hybrid home, in which the bathroom has become a temple of wellness, the living room an online couch, and the kitchen a lounge. Everything appears tidy and chic, perfect for social media. In the Instagram Age, even micro-apartments are mutating into semi-public places. The German journalist Oliver Herwig has been studying the transformation of living spaces and dream interiors for years. In this book, he portrays a society in the throes of digital transformation. The lines between work, leisure and rest have been blurred, as our homes become temporary, multipurpose work, fun and multimedia spaces; the office has invaded the home, and the world of smart shopping is always just a word away thanks to Alexa. Nothing quite fits anymore, yet everything must have its place. Welcome to the hybrid home. Easy reading about the difficult transitions in our living spaces Smart and analytical, the book reveals the hidden desires that shape how we live Designed and illustrated by Studio fur Gestaltung, Cologne Available in English and German

The Open Call in Flanders (the Dutch-speaking, northern part of Belgium) is more than just another architecture competition: any governmental agency or public institution can choose to work with an Open Call for any given construction project. Since its invention by the first Flemish Government Architect bOb Van Reeth in 2000, more than 700 assignments have been published in this procedure, resulting in almost 350 completed public architectural and infrastructural projects so far. This volume compiles 70 of these, from all over Flanders-from its west coast to the Dutch border in the east-to illustrate the astounding quality of these projects. They prove that public architecture can be daring, thought-provoking, cooperative, and well-done at the same time. The book takes an extensive look at how this procedure works, how it is received by architects, politicians, and clients-and ultimately, at the outstanding public architecture in Flanders as an example for other countries to study closely. Including buildings by 51N4E, Bovenbouw Architectuur, Compagnie O, Dierendonckblancke, KAAN, Ney & Partners, noAarchitecten, NU architectuuratelier, OFFICE Kersten Geers David Van Severen, RCR Arquitectes, Robbrecht en Daem, Sergison Bates, Eduardo Souto de Moura, Xaveer de Geyter, Zaha Hadid, among others

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) In recent years, few German buildings have received as much public attention as the capital's new airport, designed by von Gerkan, Marg and Partners Architects. Since opening in October 2020, BER can now be experienced by everyone. This volume of the gmp FOCUS series offers insight into the design and planning of the airport, which is characterized by short distances, a high degree of modularity, and flexibility of use. Based on a universal planning and design manual, all elements of the airport are integrated into an axial system and form an architectural-functional unit. An essay by architecture critic Falk Jaeger and an interview with the designing architects provide background information on the project.