Exploring America's material culture, "Common Places" reveals the history, culture, and social and class relationships that are the backdrop of the everyday structures and environments of ordinary people. Examining America's houses and cityscapes, its rural outbuildings and landscapes from perspectives including cultural geography, decorative arts, architectural history, and folklore, these articles reflect the variety and vibrancy of the growing field of vernacular architecture.

In essays that focus on buildings and spaces unique to the U.S. landscape, Clay Lancaster, Edward T. Price, John Michael Vlach, and Warren E. Roberts reconstruct the social and cultural contexts of the modern bungalow, the small-town courthouse square, the shotgun house of the South, and the log buildings of the Midwest. Surveying the buildings of America's settlement, scholars including Henry Glassie, Norman Morrison Isham, Edward A. Chappell, and Theodore H. M. Prudon trace European ethnic influences in the folk structures of Delaware and the houses of Rhode Island, in Virginia's Renish homes, and in the Dutch barn widely repeated in rural America.

Ethnic, regional, and class differences have flavored the nation's vernacular architecture. Fraser D. Neiman reveals overt changes in houses and outbuildings indicative of the growing social separation and increasingly rigid relations between seventeenth-century Virginia planters and their servants. Fred B. Kniffen and Fred W. Peterson show how, following the westward expansion of the nineteenth century, the structures of the eastern elite were repeated and often rejected by frontier builders. Moving into the twentieth century, James Borchert tracks the transformation of the alley from an urban home for Washington's blacks in the first half of the century to its new status in the gentrified neighborhoods of the last decade, while Barbara Rubin's discussion of the evolution of the commercial strip counterpoints the goals of city planners and more spontaneous forms of urban expression.

The illustrations that accompany each article present the artifacts of America's material past. Photographs of individual buildings, historic maps of the nation's agricultural expanse, and descriptions of the household furnishings of the Victorian middle class, the urban immigrant population, and the rural farmer's homestead complete the volume, rooting vernacular architecture to the American people, their lives, and their everyday creations.

The architects of atelier Arcau are always sensitive to the elements of the contexts where they are called on to work. This could be almost the firm's hallmark, if it were visible, but it is a quality that precedes all visibility. The practice does not produce chameleon architecture, with every project tinged with a local character. Atelier Arcau's architecture is not versatile, but neither does it rest on a hard line which produces a style identifiable at first glance. It not only sets itself firstly and necessarily in the service of its first function, or simply submits to it, but enhances its value. * Xavier Fraud - You can't get away from the contextual reading. On whatever terrain it may be, even if it's really ordinary, our questions will always be the same. How will the project be installed on the site? What will it be able to say? What sense should we give to our intentions? How will the residents and users live in it? All the dimensions of this new arrangement are concerned. Architecture, city planning and landscape are inseparable, and we believe that their combination lead to harmonious places. * Julien Veyron - In the ongoing relationship between things urban and architecture, each way of thinking informs the other. What interests us is getting to know the site and who we're dealing with... The studio approach is first of all anthropological. The logic of projects does not have to do with the form of projects. It has to do with the urbanness you have to reckon with, and the urbanness that we want to develop. Concept is virtual, process is pragmatic. * Xavier Fraud - We've never confined ourselves within a response mode or plan. Does the Arcau studio have a style? I don't think so. It doesn't concern me. The architectural expression which has to come out of it can't be predetermined, so as to preserve always more desire and more freedom.

The Pelican Guide to Old Homes of Mississippi Volume II: Columbus and the North features the following areas: Macon, Columbus, Starkville, Aberdeen, Corinth, Holly Springs, Oxford, Sardis, Como, Carrollton, Grenada, and the Greenville Delta. This volume includes all the essential information that will make the area a sightseer's delight: photographs of famous homes and landmarks, locations, hours open, significant features, notable history, and admission policies. Author Helen Kerr Kempe is a former associate editor of the Louisiana Almanac. She has also written The Pelican Guide to Old Homes of Mississippi Volume I Natchez and the South. Her Mississippi guides are significant contributions to the Pelican Guide Series.

Instant Houses presents in more than 450 photos the wide variety of beautiful prefabricated houses.

City Houses presents in more than 450 images the wide variety of houses possible in an urban setting.

Modern Residential Construction Practices provides easy-to-read, comprehensive and highly illustrated coverage of residential building construction practices that conform to industry standards in the United States and Canada. Each chapter provides complete descriptions, real-world practices, realistic examples, three-dimensional (3D) illustrations, and related tests and problems. Chapters cover practices related to every construction phase including: planning, funding, permitting, codes, inspections, site planning, excavation, foundations and flatwork, floors, walls, roofs, finish work and cabinetry; heating, ventilating, and air conditioning (HVAC); electrical, and plumbing. The book is organized in a format that is consistent with the process used to take residential construction projects from preliminary concept through all phases of residential building construction. An ideal textbook for secondary and college level construction programs, the book is packed with useful features such as problems that challenge students to identify materials and practices, along with research and document information about construction materials and practices, useful summaries, key notes, a detailed glossary, and online materials for both students and educators.

RESIDENSITY: A Carbon Analysis of Residential Typologies is the culmination of a seven-year study analysing nine building typologies to understand the relationships between building densities and the amount of land and infrastructure required to support them. The book investigates how much embodied and consumed carbon is used in each typology and how it affects density and open space from the viewpoint of sustainability, carbon emissions, and carbon sequestration. The study determines which building typology is the most sustainable on a comparative basis. Nine prototypical buildings were designed - Megatall, Supertall, High-Rise, Mid-Rise, Low-rise, Courtyard, Three-Flat, Urban Single-Family, and Suburban Single-Family - set within nine prototypical communities. The study designates an archetypal residential community of 2,000 units with an average unit size of 150 sm as a reasonable and representative cross section of different housing typologies.

The photography of Julius Shulman (1910-2009) transported a West Coast dream around the world. His images of midcentury Southern Californian architecture captured not only the distinctive structural, functional, and design elements of a building but also the context of its surroundings and inhabitants in a holistic, evocative sense of lifestyle. Over time, Shulman's talents would take him around the world, steadily crafting one of the most compelling chronologies of modern architecture. Offering an immense cultural cache for an even lower price, this fresh edition of TASCHEN's Modernism Rediscovered features over 400 architectural treasures from the Shulman archives. Each project and photograph was personally selected from over 260,000 photographs by publisher Benedikt Taschen, who enjoyed a close relationship with Shulman and his work since first publishing Julius Shulman: Architecture and Its Photography (1998). Documenting the reach of modernist aesthetics, the projects span not only the West Coast but also the rest of the United States, as well as Mexico, Israel, and Hong Kong, all captured with Shulman's characteristic understanding of space and situation, as well as his brilliant and intuitive sense of composition. The pictures are contextualized with an introduction by photography critic Owen Edwards, an extensive biography by University of Southern California historian Philip J. Ethington, captions on decorative elements by Los Angeles Modern Auctions founder Peter Loughrey, and biographies of key architects. In addition, the book includes personal reflections from Shulman himself, with an oral history and portrait of the period crafted via months of interviews with arts writer Hunter Drohojowska-Philp.

The Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books On Architecture), the most successful architectural treatise of the Renaissance and one of the two or three most important books in the literature of architecture. First published in Italian in 1570, it has been translated into every major Western language.This is the first English translation of Palladio in over 250 years, making it the only translation available in modern English. Until now, English-language readers have had to rely mostly on a facsimile of Isaac Ware's 1738 translation and the eighteenth-century engravings prepared for that text. This new translation by Robert Tavernor and Richard Schofield contains Palladio's original woodcuts, reproduced in facsimile and positioned correctly, adjacent to the text. The book also contains a glossary that explains technical terms in their original context, a bibliography of recent Palladio research, and an introduction to Palladio and his times.The First Book discusses building materials and techniques, as well as the five orders of architecture: Tuscan, Doric, Ionic, Corinthian, and Composite. Palladio describes the characteristics of each order and illustrates them. The Second Book discusses private town houses and country estates, almost all designed by Palladio. The Third Book discusses streets, bridges, piazzas, and basilicas, most of ancient Roman origin. The Fourth Book discusses ancient Roman temples, including the Pantheon.

Text in English & German. Johannes Peter Hoelzinger studied architecture at the Stadelschule in Frankfurt am Main from 1954 to 1957. After a residency fellowship at the Deutsche Akademie Villa Massimo in Rome he founded a "planning association for new forms of the environment" in 1965 together with Zero artist Hermann Goepfert, who has since died. One of the most successful results of his work with Goepfert was a new design for the Schlosspark in Karlsruhe on the occasion of the Bundesgartenschau in 1967, which won a major German architectural prize, the Hugo-Haring-Preis. From 1991 until his retirement in 2002 Hoelzinger directed the art and public-space course at the Akademie der bildenden Kunste in Nuremberg. Individualistic and oppositional in comparison to other post-World War II architectural achievements, the design of Hoelzinger's buildings is very distinctive. The playful elements of Postmodernism are as alien to his work as the functionalism of New Building. Because of his association with Hermann Goepfert, Hoelzinger is much more closely connected with the art scene of his time. The integration of art and architecture is a unique feature of his buildings. If we try to assign a category to this "object architecture" (a term he coined himself), we will find less overlap with architecture than with fine art. From the very beginning Hoelzinger saw architecture as an artistic discipline. Light kinetics offered him important new perspectives. Lighting design and the resulting colour changes of white walls play a vital role in his work.

Zweisprachige Ausgabe (deutsch/englisch) / Bilingual edition (English/German) Wo sich wahrend des NS-Regimes die Zentralen der Gestapo, der SS und des Reichssicherheitshauptamtes befanden, ist mitten in Berlin ein Lern- und Erinnerungsort mit jahrlich mehr als einer Million Besucher*innen entstanden. In diesem Band berichtet Historiker Andreas Nachama, von 1994 bis 2019 Direktor der Stiftung Topographie des Terrors, von seinen ersten persoenlichen Begegnungen mit dem Ort und zeichnet den Weg von der Entstehung und Etablierung der Topographie des Terrors nach, an der er seit den 1980er-Jahren entscheidend mitwirkte. Die Architektin und Ausstellungsgestalterin Ursula Wilms und der Landschaftsarchitekt Heinz W. Hallmann legen die Leitgedanken ihres Entwurfs fur die Neugestaltung der Topographie des Terrors dar - ein Gesamtkonzept aus Architektur, Landschaftsarchitektur und Ausstellungsgestaltung. Erstmals werden in dem Band die Fotografien Friederike von Rauchs veroeffentlicht, in denen die Kunstlerin die Atmosphare des Ortes kurz vor dessen Fertigstellung im Jahr 2010 festgehalten hat.

A stunningly original portrait of one of England's grandest country houses No house embodies the spirit of one dynasty better than Chatsworth. Set in an unspoilt Derbyshire valley, surrounded by wild moorland, and home to the Cavendish family for sixteen generations, this treasure house is filled with works of art and objects - from Nicolas Poussin's The Arcadian Shepherds and Antonio Canova's Endymion to great contemporary paintings by Lucian Freud and David Hockney - which have all, in their time, represented the very best of the new. As Stoker Cavendish, the twelfth Duke of Devonshire, likes to point out: 'Everything was new once.' Following the completion of a decade-long programme of renovations, the exterior of Chatsworth is gleaming, its stone facade newly cleaned and its window frames freshly gilded. Inside, through the inspired juxtaposition of old and modern, its rooms fizz with creative energy. Chatsworth, Arcadia, Now tells the story of this extraordinary place through seven scenes from its life, alongside a stunning photographic portrait of the house and its collections, captured at a moment of high optimism in its long history. With a foreword by the Duke and Duchess of Devonshire.

A reconstruction of the 'Strand palaces', where England's early-modern and post-Reformation elites jostled to build and furnish new, secular cathedrals This book reconstructs the so-called "Strand palaces"-eleven great houses that once stood along the Strand in London. Between 1550 and 1650, this was the capital's "Golden Mile": home to a unique concentration of patrons and artists, and where England's early-modern and post-Reformation elites jostled to establish themselves by building and furnishing new, secular cathedrals. Their inventive, eclectic, and yet carefully-crafted mix of vernacular and continental features not only shaped some of the greatest country houses of the day, but also the image of English power on the world stage. It also gave rise to a distinctly English style, which was to become the symbol of a unique architectural period. The product of almost two decades of research, and benefitting from close archival investigation, this book brings together an incredible array of unpublished sources that sheds new light on one of the most important chapters in London's architectural history, and on English architecture more broadly. Distributed for the Paul Mellon Centre for Studies in British Art

Industrial archeologists study towns and landscapes created over the past several centuries that were planned to integrate home and work. This ground-breaking book features architectural case studies of company towns in 48 locations - workers' villages, mill towns, mining towns, cite ouvrieres, bruk stader, colonias industriales, villaggi operai - many of which are UNESCO World Heritage sites. Extensive illustrations and images document the ways in which architectural experiments responded to the entrepreneurial initiatives that were the basis of these communities. The authors, two esteemed professors whose work focuses on the conservation of industrial heritage, examine the role of architectural and urban culture in creating the identity of these unique towns, and the consequences of their abandonment.

Scandinavian design is a movement characterised by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Norway, Sweden, Finland, Denmark, and Iceland. Scandinavian designers are known especially for household goods including furniture, textiles, ceramics, lamps, and glass, but Scandinavian design has been extended to be an influential movement in architecture and industrial design. High On...Scandinavian Architects presents twenty-eight architects from Scandinavia with their latest projects from the areas of residential, commercial and public buildings. Whether large or small, sharp-edged or soft, coarse or fine, the architecture depicted in this volume is characterised by the iconoclastic flair of Scandinavia.

The Home has emerged as an elementary figure in architectural research and practice over the last decade. This book highlights the variety of ways in which Home has been individually articulated and explored. In text and images it takes an original look at projects such as MVRDV's Hagen Island residential units, AZL's Slit House in Nanjing, Haus Walter in Malans by Bearth and Deplazes, and the Rudin house by Herzog & de Meuron.

One House Per Day no.001-365 collects the first 365 drawings from Andrew Bruno’s project One House Per Day, along with a foreword by Keith Krumwiede and essay contributions by Malcolm Rio, Alessandro Orsini & Nick Roseboro, and Clark Thenhaus. The drawings are high quality 1:1 reproductions of the originals, and the 7.5” trim size matches the size of the sketchbooks that the originals were drawn in. The drawings are each given a full page, with a subsequent section including a brief description of each drawing. While the drawings themselves are mute, and their descriptions relatively deadpan, the essays contemplate the place of the detached house in American culture from social, political, and economic perspectives. The book is 392 pages long and is softbound in grey recycled paper. The front cover features 365 debossed circles to represent the 365 houses; these give the book a unique tactile quality.

The lack of available surface area, budget restraints or solely seasonal use are the main criteria for the construction of these small-scale dwellings. This book showcases the expertise of architects in tackling a project despite the determining factors that may limit them. Small urban homes, holiday chalets, studio apartments, lofts, duplexes, prefab houses and even tree houses illustrate the pages of this book

In the South of France, sited on a hill of olive trees, pinus pinea, and a vineyard, a family retreat was designed with a key mission of maintaining the vitality of the site. A small agricultural plot, the site offered the possibility of amplification. With the introduction of a garden and many outdoor living spaces, the family had the intention of cultivating the landscape as part of their stewardship. In part a response to a programmatic brief, but moreover, a discursive response to architectural predicaments of geometry, typology, and anomaly, the house is also a response to Preston Scott Cohen's pedagogies on architecture.

In recent years, guest houses have become exceptionally popular and attractive for people who live in the city but want to escape from the hustle and bustle. This book contains 42 case studies of guest houses. The book provides a professional analysis of the projects, accompanied with pictures of the projects. This book offers a good reference to anyone interested in guest houses, be it guest house owners or architects.

For some time now, school buildings have represented an important field in architecture, and there is an enduring interest in the challenges this design task presents. This publication explains in eleven chapters the central parameters for this architectural typology: The role of the school in the community or neighborhood, questions of sustainability, flexible spaces for learning, the role of furniture, participation in the design process, learning outside the classroom, landscape design, opportunities and challenges of special schools, and the role of new pedagogical concepts. Each theme is thoroughly investigated and illustrated with numerous buildings presenting model solutions for specific problems or aspects.

Fully revised and updated edition of the classic, stunningly illustrated guide to the country houses in the care of the National Trust, encompassing both interior and exterior design. The National Trust cares for a wealth of houses and historic buildings of all types, ranging from the grand to the quirky to the humble. This captivating book, fully revised and updated and featuring more houses than ever before, is a guide to some of the greatest architectural treasures of Britain, encompassing both interior and exterior design. The houses covered include spectacular mansions such as Petworth House and Waddesdon Manor, and more lowly dwellings such as the Birmingham Back to Backs and estate villages like Blaise Hamlet, near Bristol. In addition to houses, the book also covers fascinating buildings as diverse as churches, windmills, dovecotes, castles, follies, barns and even pubs. The book also acts as an overview of the country's architectural history, with every period covered: the medieval stronghold of Bodiam Castle, Tudor eccentricity in Hardwick Hall, 18th-century grandeur at Kedleston Hall, Victorian fantasy at Tyntesfield, and the clean-lined Modernism of The Homewood. The book teems with stories of the people who lived and worked in these buildings: wealthy collectors (Charles Wade at Snowshill), captains of industry (William Armstrong at Cragside), prime ministers (Winston Churchill at Chartwell) and pop stars (John Lennon at Mendips). Written in evocative, imaginative prose and illustrated with glorious images from the National Trust's photographic library, this book is an essential guide to the built heritage of England, Wales and Northern Ireland.

The farmhouse gained a contemporary freshness while respecting existing elements and using only a few external measures. Inside, a surprisingly multifaceted world has been created that impresses with its high-quality finishing, humour and consistency. The conversion thrives on surprising moments: the tension created by differently proportioned rooms, the varied interior furbishing and the direct nature of specific solutions that pick up on original uses. Text in English and German.