This book addresses the need for an in-depth study into design quality in new housing. The wider implications of policy and design are examined through a series of case studies of new housing projects in the UK and the Netherlands.

Dutch interdisciplinary design and modern methods of construction are widely considered to be of the highest quality from which much can be learned and understood. This new guide offers architects the best practice for the design, policy and construction of new homes. The author considers proposals for the Thames Gateway and government incentives to create better quality housing, including the 60,000 house and design reviews. The wider implications of skills and training of architects, planners, design professionals and those parties involved in housing are also addressed.

From the stately Gothic Revival and Regency-style houses of Savannah to the majestic, multicolumned plantation homes that punctuate rolling farmlands throughout the state, David King Gleason presents a splendid pictorial record of Georgia's fines pre-Civil War residences.The book begins with the town houses of Savannah, which include such landmark residences as the Andrew Low House, built in 1848 in the style of an early Victorian Renaissance villa, and the imposing Gree-Heldrim House, a Gothic Revival mansion that was the most expensive house built in Savannah prior to the Civil War. Wild Heron, located just south of Savannah on the Little Ogeechee River, is the oldest plantation house still standing in Georgia. A one-and-a-half story farmhouse built in the style of a West India cottage, it is being restored to reflect the period of the early 1800s.

Farther to the interior, in the area around Augusta, are such homes as Fruitlands, now the clubhouse of the Augusta national Golf Club; Meadow Garden; Ware's Folly; and Montrose, built in 1849 and one of the Loveliest Greek Revival houses in the area. Houses photographed along the Plantation Trail, from Athens to Macon, include the white-columned President's House, home since 1949 to the presidents of the University of Georgia; the Howell Cobb House, in Athens; Whitehall, in Covington; Glan Mary, in Sparta; and the Woodruff House, in Macon.

Gleason devotes considerable attention to the homes of the western side of the state, from Chickamauga to Thomasville. The Gordon-Lee House, constructed in 1847, was headquarters fro the Union army during the battle of chickamauga. Other houses in this part of Georgia are valley View, which overlooks the Etowah River, west of Cartersville; the Archibald Howell House, near downtown Marietta; Lovejoy, in Clayton Country; The oaks, in the vicinity of LaGrange; and Greenwood and Pebble Hill, near Thomasville.

In all, Gleason captures more than one hundred of Georgia's most beautiful antebellum homes, including many lesser-known houses. In addition to exterior photographs, Antebellum Homes of Georgia contains a number of interior views as well as aerial photographs that show the relationship between the houses and their environs: outbuildings, formal gardens, and recd clay fields that were once white with cotton. Captions provide brief histories of the houses and their owners as weel as notes on construction and outstanding architectural details.

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) In recent years, few German buildings have received as much public attention as the capital's new airport, designed by von Gerkan, Marg and Partners Architects. Since opening in October 2020, BER can now be experienced by everyone. This volume of the gmp FOCUS series offers insight into the design and planning of the airport, which is characterized by short distances, a high degree of modularity, and flexibility of use. Based on a universal planning and design manual, all elements of the airport are integrated into an axial system and form an architectural-functional unit. An essay by architecture critic Falk Jaeger and an interview with the designing architects provide background information on the project.

Laurent Lin, Alain Robbe and Rolf Seiler are the protagonists of the Geneva office founded in 1999. Since then, a dozen competition successes have resulted in several residential developments, a school building, an old people's home, commercial and administrative buildings, and individual homes. The designs are always pointedly critical and creative engagements with the building programme, the location and building regulations. Text in German and French.

Home Design in an Aging World examines changing norms and social strains in an aging world, and looks at their implications for home design. Comparing the United States tosix other nations with growing populations of seniors, the text explores the ways that home-design is shaped by the interplay of demographics, social norms, and government policy and energized by the availability of new technologies and new building materials. The cross-national discussion follows the growing trend towards a more global understanding of social issues while covering the differences among the nations in terms of the effects of policy on the types of housing available, the design elements, and what people can afford. By raising important issues such as universal design implications, technology and aging in home design, and financing options and implications, this text sensitizes students and professional to unique challenges of designing for the aging.Features- Highlighted key terms and concepts- Study and discussion questions and cross-cultural comparisons at the end of every chapter to encourage critical thinking- An Appendix that explores accessible homes to more livable communities through real case studies. - Instructor's Guide provides suggestions for planning the course and using the text in the classroom

With all of the attention Mies van der Rohe has received over the last few years, it's hard to believe that there could be a pair of "undiscovered" buildings begging for even the slightest consideration and receiving none. Such has been the fate, however, of Mies's Krefeld Villas, a pair of neighboring brick residences of typically restrained elegance built from 1927 to 1930. Their anonymity is, to some degree, Mies's own doing; in 1959, in his only public comment about the projects, he quipped that he would have preferred to use more glass, but the clients objected. "I had great trouble," he said.

As historians Kent Kleinman and Leslie van Duzer show in this carefully researched, eminently readable study, sometimes it's best not to take the architect at his word. Here they guide us through the two villas, which were converted into a joined museum of contemporary art after World War II. Each chapter begins with a study of an artist who has created a site-specific installation within the villas. By analyzing how Yves Klein, Sol LeWitt, Richard Serra, and Ernst Caramelle chose to engage Mies's architecture, they arrive at a truly original understanding of these two forgotten masterworks.

"Everyone, rich or poor, deserves a shelter for the soul." Samuel Mockbee

Based on this simple premise, in 1992 Samuel Mockbee launched the Rural Studio to create homes and community buildings for the poor while offering hands-on architecture training for coming generations. Choosing impoverished Hale County, Alabama, for his bold experiment, Mockbee and his Auburn University students peppered this left-behind corner of the rural South with striking buildings of exceptional design. Most use recycled and curious materials: hay bales, surplus tires, leftover carpet tiles, even discarded 1980 Chevy Caprice windshields. The publication of "Rural Studio" brought this innovative work to the public, and five printings later continues to affect the way people view architecture.

Since Mockbee's death in 2001, the Rural Studio has continued to thrive, a tribute to its founder's vision. In 2004, the American Institute of Architects posthumously awarded Mockbee its highest honor, the Gold Medal for Architecture. Under Mockbee's successor, Andrew Freear, the studio has seeded southwest Alabama with an additional seventeen architectural landmarks, and all are shown here. With thoughtful text from Andrea Oppenheimer Dean and stunning photographs by Timothy Hursley, this new book explains the changes the studio has undergone during the last four years and its continuing ability to "proceed and be bold," as Mockbee counseled.