Coloring book of many popular house plans available at dantyree.com.

This book looks at a selection of apartments which show a wide variety of architectural and design solutions suitable for different kinds of properties--from a small studio loft to a two or three-storey home. It looks at the work of international designers and architects, showcasing the latest trends in contemporary international design in private homes all over the world. The book is arranged according to the numbers of rooms in each apartment, excluding the bathroom and the kitchen.

The design of a new house, or the remodel of an existing home, requires not only creativity and insight but also a structured and organized approach to its planning and development. As a full service architectural firm specializing in residential design we have written this book to help facilitate this organization for a successfully planned and designed project. We also want to prepare you to take well grounded and informed steps forward in how you work with your architect and builder. Over the past twenty years of our practice, we have found that the information, questions, comments and observations presented in this book, are the basic and essential core elements of a good project. This is the information that should not be overlooked in the design of a new house, or remodel of an existing home.

"George Washington Frank's Stone House on the Nebraska Prairie" is an easy to read architectural study of a fascinating 1889 stone house. The design was based on two architectural styles-the Richardsonian Romanesque and the Shingle Style.The Stone House is a two-and-a-half story structure that gives an impression as a three-story house on its exterior. The red Colorado sandstone and the English golden oak are the main materials of the house. The sandstones were sculpted on site and the stone chips were used as the foundation of the house.There are five stone chimneys, has barrel-shaped clay tile roof, ten fireplaces, two indoor bathrooms, originally wired for electricity, had electrical lights and doorbells, and has a 5" x 10" Tiffany stained glass window located at the top of the second landing.The elements of the created architectural style are discussed and presented in color photographs that make the reading more fun for all ages.

When architect Peter Cowman dreamed up his groundbreaking Be Your Own Architect concept he quickly discovered that his university education had neglected to teach him the rudiments of house design Realising that people had always practiced a vernacular architecture he set out to revive this tradition. Vernacular styles of building are characterised by their simplicity, by their use of local materials and by the ease with which they can be constructed. The knowledge required for their creation was long regarded as being common knowledge and freely available to all. Information on how to create vernacular architecture has been forgotten due to the oral nature of the tradition While there are many books which detail aspects of house design, instruction on how to utilise this wealth of information is virtually non-existent. In this innovative and supremely practical Manual Peter Cowman articulates what can only be described as the secrets of vernacular architecture, or, as he calls it, sheltermaking . With its emphasis on the positive, the practical and the affordable The Sheltermaker s Manual articulates a proven design methodology for the creation of versatile and meaningful designs suited to the modern world, information which can be applied both to new as well as to existing buildings - in whatever part of the world one happens to live.

There are many hidden aspects to the process of sheltermaking . Peter Cowman refers to these as the invisible architecture . Unseen yet powerful in their effect, one will ignore these at one s peril We are invited to think of this invisible architecture not just in terms of physical buildings but also in terms of our dream world and the lives we have to live. When we become aware of the power of this living of one s architecture we are presented with a dynamic tool for practical change in our lives. In this indispensable companion to Volume 1, revelation of the mysteries of sheltermaking can be said to be complete. With its roots in Sacred Geometry, Feng Shui and Vastu Shastra traditions this Manual will forever change how we think of architecture, houses and even ourselves Building on the firm foundation laid down in Volume 1 this volume deals with the selection of appropriate materials and their assembly. Also covered are plumbing, drainage and electrical services, planning and site selection, and, the all important layout when the plan is assembled. Costing and the preparation of planning and working drawings are covered also.

Tune in to HGTV, visit your local bookstore's magazine section, or flip to the 'Homes' section of your weekend newspaper, and it becomes clear: domestic spaces play an immense role in our cultural consciousness. The Domestic Space Reader addresses our collective fascination with houses and homes by providing the first comprehensive survey of the concept across time, cultures, and disciplines.

This pioneering anthology, which is ideal for students and general readers, features writing by key scholars, thinkers, and writers including Gaston Bachelard, Mary Douglas, Le Corbusier, Homi Bhabha, Henri Lefebvre, Mrs. Beeton, Ma Thanegi, Diana Fuss, Beatriz Colomina, and Edith Wharton. Among the many engaging topics explored are: the impact of domestic technologies on family life; the relationship between religion and the home; nomadic peoples and housing; domestic spaces in art and literature, and the history of the bedroom, the kitchen, and the bathroom. The Domestic Space Reader demonstrates how discussions of domestic spaces can help us better understand our inner lives and challenge our perceptions of life in particular times and places.

Text in English & German. Johannes Peter Hoelzinger studied architecture at the Stadelschule in Frankfurt am Main from 1954 to 1957. After a residency fellowship at the Deutsche Akademie Villa Massimo in Rome he founded a "planning association for new forms of the environment" in 1965 together with Zero artist Hermann Goepfert, who has since died. One of the most successful results of his work with Goepfert was a new design for the Schlosspark in Karlsruhe on the occasion of the Bundesgartenschau in 1967, which won a major German architectural prize, the Hugo-Haring-Preis. From 1991 until his retirement in 2002 Hoelzinger directed the art and public-space course at the Akademie der bildenden Kunste in Nuremberg. Individualistic and oppositional in comparison to other post-World War II architectural achievements, the design of Hoelzinger's buildings is very distinctive. The playful elements of Postmodernism are as alien to his work as the functionalism of New Building. Because of his association with Hermann Goepfert, Hoelzinger is much more closely connected with the art scene of his time. The integration of art and architecture is a unique feature of his buildings. If we try to assign a category to this "object architecture" (a term he coined himself), we will find less overlap with architecture than with fine art. From the very beginning Hoelzinger saw architecture as an artistic discipline. Light kinetics offered him important new perspectives. Lighting design and the resulting colour changes of white walls play a vital role in his work.

Park Hill, a huge concrete-framed modernist social-housing scheme, was completed in 1961 when Sheffield had near full employment and young architects - in this case Ivor Smith and Jack Lynn - were developing new ways to satisfy the need for affordable flats for rent. Since then the national housing scene has been transformed, a change embodied in the fate of Park Hill, stripped back to its frame and recast for, largely, private ownership. Keith Collie's photographs capture the cliff-like grandeur and formal beauty of this massive structure in ruins and the epic scale of the renovation. David Levitt provides the background to the current renovation project by developer Urban Splashm and Jeremy Till's essay puts the Park Hill story into the wider context of architecture and the welfare state.

As an inherently sustainable and affordable building method, prefabrication has enjoyed a revival in recent years, attracting clients and architects alike. Low construction costs, efficiency, and sustainability make prefabrication an attractive solution for contemporary interior designers. Off-site production for interior design elements has been the norm for centuries, from the first Asian paper screens to the packaged kitchens of the mid-twentieth century, but it has rarely been the topic of serious discussion. In Inside Prefab, author Deborah Schneiderman offers a fascinating history of prefabricated interior design, followed by twenty-four contemporary case studies. The richly illustrated examples in this book range from interior walls, kitchens, bathrooms, furniture, and offices to complete prefabricated house interiors. This first book-length discussion and showcase of the prefabricated interior environment includes projects by established architects such as Shigeru Ban, Atelier Tekuto, and Greg Lynn, as well as up-and-coming firms

This early work on Italian Villas and their Gardens is a beautifully illustrated look at the subject. Chapters include; Florentine Villas, Sienese Villas, Roman Villas, Villas near Rome, Genoese Villas, Lombard Villas and Villas of Venetia. This fascinating work is thoroughly recommended for inclusion on the bookshelf of all historians Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house 'with Roman eyes'. Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them. In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the 'Four Styles' (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gem-like Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century. In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

What does it mean to build a house? How can it change a life? What happens if the builder is a woman, a teacher and a writer, a woman unaccustomed to tools? How does such a woman come to build at all? What happens, then, if that first house, whose every nail is known, is sold? How does one leave such a house, leave and go on to build another? This is a building story, but more it is a story of a woman builder and those without whom she could not have built. It is about how building changed not only that woman but also her sense of what a house is, how she came to know that building houses of wood builds the house of the spirit.

The story of the prefabs at Stewards Green, Epping, has been compiled from local newspapers, Council minutes, and most importantly, the memories of the residents themselves, in their own words. They have also contributed over 30 wonderfully evocative sketches and photographs. The book begins in the war years, with eye-witness accounts of air-raids and the damage they caused in Epping. Then we eavesdrop on Committee meetings, as local councillors struggled to provide post-war houses for all those couples who were married but had no home of their own. We learn about the Government's Temporary Housing Programme, and discover how and why the "Tarran"-type prefabs came to be at Stewards Green. Next we hear the reaction of the residents themselves, as they explain how thrilled they were with their new prefabs and all the "mod cons," which even included gas refrigerators. They recall how they made ends meet during times of shortages - potato-picking, rabbiting, back-garden hens, making rag-rugs etc. Those who were children at the time talk about playing on the central green and in the fields. Events such as the Coronation Party and the prefab that went up in flames are remembered. The corner shops and local characters are described, and much, much more The story concludes in the mid 1960s with the demolition of the prefabs and the re-development of the area. This Local History book not only describes the Stewards Green prefab estate, but also provides a glimpse of a way of life in the middle of the Twentieth Century.

During the nineteenth century, the Keweenaw Peninsula of Northern Michigan was the site of America's first mineral land rush as companies hastened to profit from the region's vast copper deposits. In order to lure workers to such a remote location--and work long hours in dangerous conditions--companies offered not just competitive wages but also helped provide the very infrastructure of town life in the form of affordable housing, schools, health-care facilities, and churches. The first working-class history of domestic life in Copper Country company towns during the boom years of 1890 to 1918, Alison K. Hoagland's "Mine Towns" investigates how the architecture of a company town revealed the paternal relationship that existed between company managers and workers--a relationship that both parties turned to their own advantage. The story of Joseph and Antonia Putrich, immigrants from Croatia, punctuates and illustrates the realities of life in a booming company town. While company managers provided housing as a way to develop and control a stable workforce, workers often rejected this domestic ideal and used homes as an economic resource, taking in boarders to help generate further income. Focusing on how the exchange between company managers and a largely immigrant workforce took the form of negotiation rather than a top-down system, Hoagland examines surviving buildings and uses Copper Country's built environment to map this remarkable connection between a company and its workers at the height of Michigan's largest land rush.