How much do the English really care about their stately homes? In this pathbreaking and wide-ranging account of the changing fortunes and status of the stately homes of England over the past two centuries, Peter Mandler melds social, cultural, artistic, and political perspectives and reveals much about the relationship of the nation to its past and its traditional ruling elite. Challenging the prevailing view of a modern English culture besotted with its history and its aristocracy, Mandler portrays instead a continuously changing and modernizing society in which both popular and intellectual attitudes toward the aristocracy -- and its stately homes -- have veered from selective appreciation to outright hostility and only recently to thoroughgoing admiration.

With great panache, Mandler adds the missing pieces to the story of the country house. Going beyond its architects and its owners, he brings to center stage a much wider cast of characters -- aristocratic entrepreneurs, anti-aristocratic politicians, campaigning conservationists, ordinary sightseers and voters -- and a scenario full of incident and local and national color. He traces attitudes toward the stately homes, beginning in the first half of the nineteenth century when public feeling about the aristocracy was mixed and divided. Criticism of the "foreign" and "exclusive" image of the typical aristocratic country house was widespread. At the same time, interest grew in those older houses that symbolized an olden time of imagined national harmony. The Victorian period also saw the first mass tourist industry, and a strong popular demand emerged for the right to visit all the stately homes. By the 1880s, however, hostilitytoward the aristocracy made appreciation of any country house politically treacherous, and interest in aristocratic heritage declined steadily for sixty years. Only after 1945, when the aristocracy was no longer seen as a threat, was a gentle revival of the stately homes possible, Mandler contends, and only since the 1970s has that revival become a triumphant appreciation. He enters today's debate with a discussion of how far people today -- and tomorrow -- are willing to see the aristocracy's heritage as their own.

A stunningly original portrait of one of England's grandest country houses No house embodies the spirit of one dynasty better than Chatsworth. Set in an unspoilt Derbyshire valley, surrounded by wild moorland, and home to the Cavendish family for sixteen generations, this treasure house is filled with works of art and objects - from Nicolas Poussin's The Arcadian Shepherds and Antonio Canova's Endymion to great contemporary paintings by Lucian Freud and David Hockney - which have all, in their time, represented the very best of the new. As Stoker Cavendish, the twelfth Duke of Devonshire, likes to point out: 'Everything was new once.' Following the completion of a decade-long programme of renovations, the exterior of Chatsworth is gleaming, its stone facade newly cleaned and its window frames freshly gilded. Inside, through the inspired juxtaposition of old and modern, its rooms fizz with creative energy. Chatsworth, Arcadia, Now tells the story of this extraordinary place through seven scenes from its life, alongside a stunning photographic portrait of the house and its collections, captured at a moment of high optimism in its long history. With a foreword by the Duke and Duchess of Devonshire.

Enter the world of fairy-tale towers, whimsical stairways, crow's nests, zip lines, and suspended rope bridges. Take pleasure in the details of hand-split oak shingles, thatched roofs, and cedar tongue-and-groove interiors. Made of sustainably sourced materials, Blue Forest's magical sanctuaries fit snugly between trees and branches-often incorporating them into the building itself-and sit lightly on the land. From a child's tree house inside a secret garden to party venues for teenagers and adults, this book details 28 imaginative tree houses, some of them accompanied by site plans and drawings. Whether the dwellings on each page are simple or designed to house a spa or home theatre, this beautiful book will inspire readers to reconsider their own garden's possibilities for relaxation and play.

The space we live in, reduced to a minimum, has been fascinating us for generations - the writer Thoreau lived in a self-built hut in the forest from 1845 -1847. In 1952, Le Corbusier built a hut at the Cote d'Azur for himself and his wife. Inspired by this, Urs Peter Fluckiger, together with his students, built an ecologically and economically sustainable cabin in the Texan prairie. All three projects share the idea of minimal space and its relationship with the surrounding nature. In text, drawings, and photographs, this book analyses the three projects and shows parallels and similarities. Inspired by Tolstoy's story How Much Land Does A Man Need?, the author asks: "How much house does a man need?", thereby providing a pointed contribution to the current discussion on the requirement for housing.

Ever since the firm's establishment in 1989, Frankfurt-based Stefan Forster Architekten (SFA) had a special focus on housing. A starting point for this was the urgent necessity of refurbishment and modernisation of the vast housing developments constructed of prefabricated concrete slabs as part of the urban rebuilding programmes in the newly founded federal states of eastern Germany following the country's re-unification in 1990. From the initial 'Haus 07' in Leinefelde, Thuringia, SFA have moved on, creating a remarkable body of work in metropolitan housing. Their designs comprise large-scale public multi-unit blocs and single-family town houses on small plots, as well as the transformation of former office and public administration structures. This first monograph on SFA highlights how the firm has constantly worked on raising the standards in residential architecture, years before the current shortage of housing in urban areas has made such improvements so urgent. The book features 30 designs that exemplify SFA's approach and philosophy. Text in English and German.

An illustrated celebration of architecture using shipping containers as modular building elements, resulting in affordable moveable and sustainable prefabricated homes. Architecture with containers is a form of sustainable architecture creating a very peculiar aesthetic from recycled material. It is a construction procedure based on the assembly of modular elements, in this case, containers used in maritime and rail transport of goods. They are robust, durable, economical, easily transportable, adaptable and sustainable. Their versatility makes them adaptable to the most diverse scales and needs: single-family and collective housing, shopping centres, offices, schools, hotels, restaurants, shelters, laboratories and works of ephemeral architecture.

The suburban, detached single-family home is a major legacy of the Fordist decades of the twentieth century. In 2011, two-thirds of German households occupied such single-family houses. These buildings have embodied the political support for a way of life and type of living arrangement since the 1950s, and continue to symbolise dreams of home, prosperity, and social status. West German suburbs today consist mainly of single-family homes built between the fifties and eighties. However, municipal administrations and politics at the local level are now faced with the emptying of single-family housing areas at the edges of villages and small towns. At the same time, young families in particular are calling for building plots in the countryside. Whilst remaining aware of critiques of the single-family home in urban planning and architecture, this interdisciplinary volume offers fresh insights into these dwellings - from their place in everyday life and popular culture, to changing welfare regimes and demographic change, and to the implementation of ecological frameworks in the construction industry.

The legacies of theatres, hotels, fire stations, flour mills, and more -- torn down, burned down, and otherwise lost -- are uncovered in this bittersweet collection. Using archival photographs, blueprints, and written reports, Raymond Biesinger has rendered a selection of Canada's most iconic lost buildings in his signature minimalist style. Accompanying Biesinger's illustrations are Alex Bozikovic's descriptions which capture each building's historical, cultural, and architectural significance. Bozikovic draws on local histories, archived building permits and his own extensive knowledge of the Canadian urban architectural landscape and its history -- from the letters passed through Kelowna's unlikely art deco post office to the destruction of a home in Halifax's Africville -- to offer fascinating, sometimes forgotten stories about each building and its significance. An impossible architectural walking tour, 305 Lost Buildings of Canada spans the country, its cities and countryside, and its history. Cities change, buildings come and go, but in this fact-filed compendium, you'll find the lost wonders of Canada's architecture.

Every book relating the history of modern architecture features a large number of pages dedicated to avant-garde designs and the formation of the modern movement in the interwar years, and a similar number devoted to reconstruction and expansion after the Second World War. Meanwhile, as if owing to lack of understanding or convenient silence, there is void of dark years, of wars, exile and misfortune about which little can be said. However, it was in these dark times, as in so many other revealing moments in the history of culture, that experimental and profoundly invigorating experiences were taking place. Architects and artists voluntarily or forcibly driven to the margins of social importance began to react to a culturally unsustainable situation of which we know very little even today. In Experiments with Life Itself, Francisco Gonzalez de Canales studies a series of unrelated cases from the late 1930s to the late 1950s that he refers to as domestic self-experimentation.

Chinese furniture design had been improved through the centuries, maturing during the 14th century. The Qing furniture developed from Ming style furniture; it was attractive with ornate novel decorative elements. In the olden days of China, those who had resources could afford to live in a gracious residence such as the four-closed courtyard house (siheyuan). The four-closed courtyard house is the Chinese art of enclosing space to create an ideal environment for habitation. The multifunctional Chinese classical furniture facilitates the indoor and outdoor activities of its inhabitants. Siheyuan is divided into chambers such as the Hall, female chamber etc. This book provides details on which pieces of furniture should be displayed in each chamber, as well as full-colour illustrations and diagrams of how each piece was made and assembled. This includes three-dimensional drawings by Philip Mak and perspective views of the interior of various rooms. The author guides the readers through them, narrating the placement of furniture with inherent social implications. For easy reference, each piece is numbered and a more detailed description available in the catalogue section of this book. Text in English and Chinese.

The complete and detailed story of the recovery and transformation of the 19th century home of the former wine warehouse on the seaside boulevard of Trieste, with numerous engaging work site images that reveal the complexity of the building phases, the specificity of the work processes that were necessary and the shots of the results upon completion. The design does not modify the original volume but invades it by excavating the space for another completely independent, ethereal and translucent building inside it, sized to reflect the rhythm of the masonry wall of the original facade. The physical gap between the new 'product' and the historical screen has become a fascinating locus between internal and external. The glass that seals the internal shell reflects the outlines of the warehouse walls and their openings, allowing for visibility of the activities that are being conducted inside. The monograph is introduced by critical and descriptive essays and accompanied by a wealth of iconographic material including technical drawings at various scales.

This book is a compilation of the winning entries from the 28th Asia Pacific Interior Design Awards 2020, featuring 61 projects across 12 space types, judged by top designers such as Ho Chung Hin and Jurgen Bey. The entries showcased the latest design trends in the Asia Pacific region, and interpreted and led the spirit of Asia Pacific design, in line with 28 years of consistent quality. The impact of the 2020 epidemic has also had a profound impact on the field of design, and the direction of this year's selection captures this change keenly, looking for outstanding designs that address and interpret people's changing physical and spiritual needs in the light of the new changes. For example, new scenarios that reconfigure the way people live together in the blurring of boundaries between public and private spaces. Pushing new professional boundaries has always been the creative mission of the Asia Pacific Interior Design Awards, and this time, its professionalism is reflected in its commitment and care for people's lives and well-being.

This book contains more than 250 floor and elevation plans and construction details for twenty-six prefabricated and cargo-container homes. It includes all the information and guidelines needed to recreate each project plus interior design ideas.

Why was an artist with no architectural experience inspired to design and build a five-story spiral house made of stone? Can a home designed as sacred architecture be a comfortable place to live in the 21st century? How does living in a sacred space support one's path to awakening? These questions are answered in the story of artist Tom Gottsleben and his wife, Patty Livingston, who spent 20 years exploring what it means to build and live in a home designed as sacred space. This inspiring and informative book tells of Tom's years exploring stone sculpture and landscaping walls, his lifelong spiritual practice, accidental discovery of sacred geometry, and how Patty's pragmatic nature grounded the project in the practicalities of a comfortable home. Although this is the personal story of one couple's journey and their beautiful home and joyful approach to life, its purpose is to attune readers to seeing and creating sacred space in their own lives.

An Atlas of Another America is a work of speculative architectural fiction and theoretical analysis of the American single-family house and its native habitat, the suburban metropolis. Mass-marketed and endlessly multiplied, and the definitive symbol of success in America and around the world, the suburban house has also become a global economic calamity and an impending environmental catastrophe. Yet, as both object and idea, it remains largely unexamined from an architectural perspective. This new book fills this gap through projects and essays that reflect upon, critique, and reformulate the equation that binds the house as an object to the American dream as a concept. Adopting tone and format of an historical architectural treatise, it builds upon an eminent lineage of architectural research from Piranesi and Ledoux to Branzi and Koolhaas in which imaginary but not implausible worlds are constructed through drawing in order to reframe reality and reorient the discipline towards new territories of action.

In the South of France, sited on a hill of olive trees, pinus pinea, and a vineyard, a family retreat was designed with a key mission of maintaining the vitality of the site. A small agricultural plot, the site offered the possibility of amplification. With the introduction of a garden and many outdoor living spaces, the family had the intention of cultivating the landscape as part of their stewardship. In part a response to a programmatic brief, but moreover, a discursive response to architectural predicaments of geometry, typology, and anomaly, the house is also a response to Preston Scott Cohen's pedagogies on architecture.

Against the brilliant blue sky, the buildings of Saskatchewan emerge from the landscape as symbols of a proud and resilient people, who have consistently drawn on the best of the world, while forging their own way.
From the Art Deco period to Post-Modernism to today's concerns about sustainability, "Architecture of Saskatchewan"shows the clash between functionality and beauty, and exposes how the light, colour, and seasons of the prairie are reflected within the construction of its buildings.
This book beautifully illustrates the evolution of the province's architectural profession and its rich built heritage, while revealing something essential about the geography of the place and its tough and spirited people.

In architecture, nothing is ever truly new; everything has been tried before. And nowhere is this more evident than in the architecture of housing. Each proffered solution to a specific architectural problem is actually an amalgam of predecessors' ideas and new approaches, which itself contributes in turn to a great global 'pool' for succeeding concepts. For twenty years, this philosophy has driven the activities of Zurich-based cooperative Pool Architekten, with a special focus on the research and design of residential buildings. Poolology of Housing is an up-close look at the collective's body of work and a potential font of inspiration for others interested in letting this philosophy guide the creation of innovative architecture. At the core of the book are two hundred floor plans, designed by members of the collective and students during Pool Architects' tenure from 2013 to 2016 at Technische Universitat Berlin. Direct comparison of these floor plans demonstrates the incredible scope an architect has for residential buildings despite the many constraints imposed by external factors. Richly illustrated with both built and unrealised projects by Pool Architekten, as well as of model replicas of iconic historic interiors, Poolology of Housing reflects a novel social culture of housing design.

Everyone deserves a decent and affordable home, a truth (almost) universally acknowledged. But housing in the UK has been in a state of crisis for decades, with too few homes built, too often of dubious quality, and costing too much to buy, rent or inhabit. It doesn't have to be like this. Bringing together a wealth of experience from a wide range of housing experts, this completely revised edition of The Housing Design Handbook provides an authoritative, comprehensive and systematic guide to best practice in what is perhaps the most contentious and complex field of architectural design. This book sets out design principles for all the essential components of successful housing design - including placemaking, typologies and density, internal and external space, privacy, security, tenure, and community engagement - illustrated with case studies of schemes by architecture practices working across the UK and continental Europe. Written by David Levitt and Jo McCafferty - two recognised authorities in the field - and with contributions from more than twenty other leading practitioners, The Housing Design Handbook is an essential reference for professionals and students in architecture and design as well as for government bodies, housing associations and other agencies involved in housing.

This book sheds light on environmental control in buildings from the 17th century onwards. Even before building services became a hallmark of buildings, in order to address increasing sanitary and comfort needs, pioneering experiences had contributed to improve design skills of professionals. After long being determined by passive features, indoor climate became influenced by installations and plants, representing the most significant shift of paradigm in the modern age's construction history. This change was not without consequences, and the book presents contributions showing the deep connection between architectural design, comfort requirements and environmental awareness throughout the 19th century. Taking into account the differences between different European countries, the book is a valuable resource for architects, designers and heritage professionals who are interested in environmental design, enabling them to develop a deeper knowledge of heritage in order to address to climate demands, particularly going towards a future in which energy savings and fuel consumption reduction will dictate our behaviour. It includes contributions by leading international experts: Melanie Bauernfeind, Marco Cofani, Lino Vittorio Bozzetto, Emmanuelle Gallo, Alberto Grimoldi, Dean Hawkes, Angelo Giuseppe Landi, Mattias Legner, Oriel Prizeman, and Henrik Schoenefeldt.

House design is evolving fast following trends and the needs of our society. A myriad of design schemes aim to meet diverse requirements and there is never a single solution to make the most of a living space. This book offers tips on different ways of creating an environment that is functional and aesthetically pleasing where space is limited.