The work of [STRANG] is beautifully explored in this robust monograph which highlights the firm's site-specific and climate-driven designs. The ability to create stunning architectural designs while maintaining an acute awareness of the surrounding environment has come to define their work. Under the creative direction of Max Strang FAIA, the Miami-based firm continues to advance many of the timeless concepts set forth by the famed Sarasota School of Architecture. Strang's early exposure to that mid-century modernist movement resulted in a deep respect for structures that are intimately connected to their surroundings as they celebrate the Florida climate. This first monograph of Strang's work contains a collection of conceptual drawings, text and professional photography that underscores the ongoing relevance and importance of regional modernist design. It is the architectural responses to site and climate that infuse the specific designs with character and identity, resulting in a uniquely Floridian version of modernism.

CALL TO ORDER, the first in a series of books to be produced by the University of Miami School of Architecture, is inspired by rappel l'ordre, the post WWI, European, art movement that rejected the extreme tenants of the avant garde and its praise of machinery, violence and war, in favor of a renewed interest in tradition. CALL TO ORDER, suggests a re-grouping and a re-grounding upon the foundations of the discipline and examines an international group of architects who are ostensibly rehearsing the ethos of the Neo-rationalist movement when architects and thinkers converged in their resistance to what they saw as an erosion of the discipline by behaviorism and the social sciences. CALL TO ORDER frames and examines similar resistant practices in the contemporary architectural scene and in the context of a long historical trajectory to tease out and articulate a cultural project that is relevant to the ongoing architectural debate.

Adrian Smith + Gordon Gill Architecture's, 2006-2021 monograph showcases the spectacular work of the firm from the first 15 years of its practice through drawings, renderings, model photography, photography of built work, competition entries, exhibition materials, master plans, interiors, and special research projects and publications. The projects featured in the monograph cover a wide variety of AS+GG's high-performance, energy-efficient, aesthetically striking architecture on an international scale in a wide range of typologies and scales, from low- and mid-rise residential, commercial, and cultural buildings to mixed-use supertall towers. Projects explored include supertall towers, large-scale mixed-use complexes, corporate offices, exhibition facilities, cultural facilities and museums, civic and public spaces, hotels and residential complexes, institutional projects, and high-tech laboratory facilities.

SHANGHAI TEN FOLIO is the culmination of AAVS SH10 SHOW | EVENT | FOLIO, a series of events which celebrate the tenth consecutive year of the AA Shanghai Summer School. SHANGHAI TEN has been curated, edited and hosted in 3 parts, including an exhibition (AAVS SH10 | SHOW), and a symposium event held in Shanghai in July 2016 (AAVS SH10 | EVENT), and this book, AAVS SH10 | FOLIO. SHANGHAI TEN is an opportunity not only to look back, collate, reflect critically, and to disseminate the work of the students, tutors, and visitors in the 10 years of the AAVS Shanghai Summer. SHANGHAI TEN is the product of a multi-contributor collaboration, comprised as the composite aggregation from a large design community. Contributions to this book have been selected from the work of 745 students from 44 countries who have joined AAVS Shanghai from 2007-2016; 36 tutors who have taught in the programme; and over 80 visitors to the programme, who have given lectures and presentations, attended AAVS symposia, and toured AAVS students to their built projects, factories and galleries in and around Shanghai. In addition, SHANGHAI TEN | FOLIO also includes essay contributions from a range of expertise in urbanism; transcribed conversations from AAVS symposia in 2015 and 2016. SHANGHAI TEN aims to chart pressing intellectual problematics of this context, their formulations as paradigms related to the conception and design of urbanism, and their associated experimental design approaches and methodologies. This compilation accumulatively and collectively demonstrates the ontological trajectory AAVS Shanghai has targeted, with the objective to harness, mobilise and respond to the complex challenges of Chinese urbanization in the twenty-first century.

This book, which fills a gap on the materiality of lived relations, examines households within the context of their immediate physical surroundings of home and shows how human interactions are reflected in built forms. Houses are dynamic participants in family life in many ways. They often pre-date the origins and outlast the life spans of their inhabitants, but they can exert a powerful influence on the organization of behaviors and the values of family members, as well as on the forms and flows of family life across the generations. Constituting wealth, investment, security and inheritance, they are an objective in and of themselves in many domestic strategies.
Drawing on developments within anthropology, archaeology, architecture and social history, the authors demonstrate, through detailed case studies, how household or family relations can usefully be mined to re-situate social theory in both space and time. Space, boundaries, family cycles, historic changes, migration patterns, ethnicity, memory and gender are all interrogated for the light they shed on how people interact with the physical world around them and what this means culturally and symbolically. Europe is an especially rich focus for this kind of analysis because it is distinguished by its long, well-documented history and a recent period of intense change.

Vladimir Belogolovsky's Harry Seidler: The Exhibition leaves no stone unturned in documenting his ongoing, four years in the making to date, world tour exhibition, Harry Seidler: Painting Toward Architecture. It examines the blurry boundaries between art and architecture and how these disciplines inspire one another by bringing to focus the work of Vienna-born Australian modernist Harry Seidler and his creative collaborations with a dozen of world-renowned architects and artists. Curator of 20 Seidler exhibitions and author of Harry Seidler: Lifework (Rizzoli, 2014), Belogolovsky provides detailed insights into the project from beginning to end: pitching initial exhibition idea to the client, developing its concept, arranging the tour, preparing the content, designing individual exhibitions, managing installations, presenting the lecture, initiating new collaborations and projects. The book's focus on a single touring exhibition is unprecedented; it explores what typical exhibition catalogues miss entirely - spatial engagement with the content by the public. In its attempt to present various aspects of a single exhibition the book raises fundamental curatorial issues beyond the project in question.

Not all masterpieces scream for attention. Some wait with patience, with composure, for their genius to be felt. Joseph Biondo's Equanimity House is just such a work of art; the exceptional, hiding in plain sight. Born of a tectonic language, the structure is built to coalesce with its surroundings, becoming one with the rolling topography of its site. A mature, elegant, considered work of great beauty, Biondo has achieved the apogee of his exploration of ordinary materials in extraordinary ways. As he says, 'To heighten one's awareness of a humble material can be poetic'. A sensorial tone poem, this is a house that is felt, rather than viewed, driving the senses that intuit gravity, temperature, interaction, texture, and aesthetics.

Winner of the 2021 ARCC Book Award Complex Housing introduces an architectural type called complex housing, common to the Netherlands and found in other Northern European countries. Eight fully illustrated case studies show successful approaches to designing for density, which reflect values such as long-term planning, a right to housing, and access to light and air. The case studies demonstrate a wide range of applications including a mixture of urban and suburban sites, various numbers of dwelling units, low- to high-density approaches, different architectural styles, and organizational strategies that can be adopted in projects elsewhere. More than 350 color images.

An essential reference guide to one of New Orleans's most iconic Uptown neighborhoods, New Orleans Architecture: Volume IX documents the remarkable architectural history of the former city of Carrollton, once the seat of Jefferson Parish and now listed on the National Register of Historic Places. Following the format of previous volumes in the series, Robert J. Cangelosi Jr. divides the study into three sections. He begins in the early eighteenth century by chronicling the area's development as one of the many upriver communities just west of New Orleans. Its fields and plantations afforded early homesteaders tillable farmland and easy access to the Mississippi River. Later, during the War of 1812, American troops led by William Carroll encamped there, and the area was subsequently named for the general. In 1831, developers purchased the land, subdivided it, and began construction of a road and a canal linking the area to New Orleans. Local officials reorganized Carrollton in 1845 - by then a village of about 1,000 residents - as a town in Jefferson Parish, and in 1859 a charter officially incorporated it as a city. Just fifteen years later, the City of New Orleans annexed Carrollton - now replete with schools, public gardens, and brick-paved streets - as the Seventh Municipal District. The volume's second section consists of a ""Building Index,"" which gives the original owners, dates of construction, costs, designers, and builders for many of the structures erected in Carrollton since its founding. In the ""Selective Architectural Inventory,"" the book's final section, Cangelosi explores the history of nearly 420 historic homes and buildings in Carrollton, and shares thumbnail photographs, detailed sales records, and information on a variety of architectural styles. New Orleans Architecture: Volume IX serves as a valuable resource for the city's Historic District Landmark Commission and the State Historic Preservation Office, as well as home owners, real estate agents, guides, historians, and tourists.

Today s cabins are for all-season use, making them the delight of hikers, explorers, and urbanites searching for peace of mind. They are practical, comfortable, and built to withstand the harsh climates in the high mountains or the rugged coast. Some are basic and sparsely fitted shelters; others are unique glamping (glamorous camping) retreats with all the comforts of the home or, better yet, with the amenities of a luxury hotel including hot tub, sauna, and Wi-Fi. Clearly, the idea of escaping to remote locations to reconnect with nature has expanded its experiential boundaries, but traditional cabins prevail as timeless structures that sensibly integrate into their surroundings. Glass and wood take centre stage as the predominant materials used inside and out. Generous fenestration opens interior spaces to the daylight and the views. Sustainable principles and the designs they generate evolve to reflect the use of materials and technology that is inherently linked to a place and time. Such principles were already implanted in vernacular architecture through the consideration of factors including geographical, topographical, climatic, as well as cultural and historic.

City Works 6 is the sixth in a series of books which document the exciting work of students from The City College of New York Bernard and Anne Spitzer School of Architecture. The City College of New York has a long and important tradition of producing internationally recognized scholarship and research while maintaining its promise of an accessible public education for the city of New York. Through an emphasis on hand craft and digital fabrication, interdisciplinary research, and ecologically and culturally sustainable practices, SSA encourages a responsible engagement with the discipline of architecture, while cultivating rigorous exploration of new theories, materials and technologies. With three unique programs including Architecture, Urban Design and Landscape Architecture, the student work represented here reflects some of the most progressive ideas about how we inhabit both the natural and the built environment.

A Clear View is the first book published by Washington, DC-based architect Suzane Reatig, FAIA. Exploring new interpretations of small-scale urban infill housing, it addresses the changing needs and the real demands of city dwellers. Filling the void in the urban puzzle, in narrow and constrained sites, all of Reatig's new structures ensure comfortable and safe spaces. * The majority of the work in this book is located in one neighborhood of Washington, DC, Shaw, demonstrating the powerful effect architecture can have on transforming and reviving a neighborhood. Through the use of simple materials and innovative clear design, Reatig reveals how community can be achieved among inhabitants without giving up privacy or independence. All projects share the same spirit; they are imaginative, rigorous, and give priority and value to their inhabitants and enhance their quality of life. Each project has its own unmistakable identity.

City for City presents examples of the work of the City College Architectural Center over the past fifteen years. The projects selected are grouped under the categories of exhibitions, visioning exercises, planning and urban design studies and also include a few examples of assignments for implementation. The work was developed at the request of the affected communities and undertaken with their full participation. The projects were financed in various ways, from pro-bono studies to grant-supported efforts. These grants and the special support from state and municipal entities enable the center to develop the projects in greater depth. City for City illustrates the value of cooperative community-based work in which both sides learn and share in the experience. Such interactions offer valuable insights for both students and faculty not normally found in traditional architectural practices.

With over 1000 photographs, Shelter is a classic celebrating the imagination, resourcefulness, and exuberance of human habitat. First published in 1973, it is not only a record of the countercultural builders of the '60s, but also of buildings all over the world. There is a history of shelter and the evolution of building types. Tents, yurts, timber buildings, barns, small homes, domes, etc. There is a section on building materials, including heavy timber construction and stud framing, as well as stone, straw bale construction, adobe, plaster and bamboo. There are interviews with builders and tips on recycled materials and wrecking. The spirit of the '60s counterculture is evident throughout the book, and the emphasis is on creating your own shelter (or space) with your own hands. A joyful, inspiring book.

Why was an artist with no architectural experience inspired to design and build a five-story spiral house made of stone? Can a home designed as sacred architecture be a comfortable place to live in the 21st century? How does living in a sacred space support one's path to awakening? These questions are answered in the story of artist Tom Gottsleben and his wife, Patty Livingston, who spent 20 years exploring what it means to build and live in a home designed as sacred space. This inspiring and informative book tells of Tom's years exploring stone sculpture and landscaping walls, his lifelong spiritual practice, accidental discovery of sacred geometry, and how Patty's pragmatic nature grounded the project in the practicalities of a comfortable home. Although this is the personal story of one couple's journey and their beautiful home and joyful approach to life, its purpose is to attune readers to seeing and creating sacred space in their own lives.

Dialogues in Space: Process and Ideas in the work of Wendell Burnette Architects is the first multi-project monograph on this American architects selective body of work. The title alludes to the architects view that architecture is a constructed conversation between people, things and time. Six singular projects from the architects oeuvre are presented in-depth through the architects' own words, drawings and photography. Also included is a comprehensive essay by the celebrated architectural writer / critic Robert McCarter entitled Crafting Space: Composition and Construction in the Architecture of Wendell Burnette that examines the "thinking and making" process behind the built and un-built work across 15 years of practice. The different typologies of the work explores authentic human experience through provocative spatial constructions - public and private in diverse locales - that attempt to promote an expansive dialogue with our places, our environment, our communities, ourselves, and our time. Through extensive research into the 'art of building' - the specificity of place and locally appropriate construction systems, materials, craft, and their infinite capacity to transcend mere construction, the work strives toward an architecture that is at once functional and poetic.

"In Montecito Style, photographer Firooz Zahedi and writer Lorie Dewhirst Porter capture the sheer beauty of the West Coast town, known for incredible homes." - Galerie Magazine The seaside town of Montecito is often overshadowed by its neighbor Santa Barbara-which is generally how its residents like it. Though home and refuge to numerous celebrities, Montecito's intentional cultivation of a low-key profile has allowed for a unique community to emerge, and with it, a multifaceted interior and garden design culture. Montecito Style: Paradise on California's Gold Coast is the first book to present twenty houses and landscapes in an eclectic range of styles and rich architectural legacy that coalesce into a quintessential "California style." The residences featured in this book reflect the diversity of design that has defined California living for more than a century: early standard-setters by George Washington Smith and an Andalusian-style abode by his protege (and Santa Barbara's first licensed female architect) Lutah Maria Riggs, Beaux-Arts mansions, converted carriage houses, nouveau palazzi, low-slung midcentury modern abodes, an iconic concrete-and-glass house from the 1970s, and even a studio apartment above a garage. With houses and gardens by prominent interior and landscape designers-from the home of living legend John Saladino, and recent projects by Richard Hallberg, Daniel Cuevas, Stacy Fausset, and Lee Kirch-Montecito Style provides an inside look at this coastal design haven. Heavily illustrated, Montecito Style features more than 250 photographs by celebrity and interiors photographer Firooz Zahedi, alongside captivating text by established design writer Lorie Dewhirst Porter, both longtime residents of the area. Zahedi's photographs are alluring, and his passion for these homes and gardens is palpable, as well as the design elements and art collections of these creative homeowners. An informed foreword by Marc Appleton, an architect and California architectural history expert, also helps establish the local context for these homes. Montecito is the hidden Southern California treasure, and with Montecito Style, readers will experience peak interior inspiration and have unprecedented access to this truly special design haven in all its coastal glory.

In the search for sustainable architecture, there is growing interest in the relationship between nature and design. In this vital new book, the termbioclimatic relating to the dynamic between climate and living organisms, is applied by the authors in focusing on countries where housing requires cooling for a significant part of the year. In this context, Bioclimatic Housing covers creative, vernacular architecture to present both the theory and practice of innovative, low-energy architecture. The book interweaves the themes of social progress, technological fixes and industry transformation within a discussion of global and country trends, climate types, solutions and technologies. Prepared under the auspices of a 5-year International Energy Agency (IEA) project, and with case studies from Iran, Malaysia, Australia, Japan, Sri Lanka and Italy, this is a truly international and authoritative work, providing an essential primer for building designers, builders, developers and advanced students in architecture and engineering.

"It makes me feel guilty that anybody should have such a good time doing what they are supposed to do." - Charles Eames on architecture. "A doctor can bury his mistakes but an architect can only advise his clients to plant vines." - Frank Lloyd Wright on architecture. Architectural travel is on the rise. With this book you not only have a reference book of 150 of the world's most iconic private homes, but also a bucket list to plan your next country or city trip. These homes are unique, either because of the aesthetics of the interiors, the construction, or the sophisticated design. This is the ultimate architecture travel wish list. For each house, the authors provide a lively description of the building and its owners, in addition to the specifics of architect, date, and location. 150 Houses You Need to Visit Before You Die is the ultimate 'architecture bucket list' and the sequel to the successful 150 Bars You Need to Visit before You Die, 150 Restaurants You Need to Visit Before You Die and 150 Hotels You Need to Visit before You Die. Features houses in: Belgium, France, Spain, the US, Brazil, the Czech Republic, the Netherlands, Morocco, Portugal, Venezuela, Switzerland, Russia, Germany, Mexico, Italy, Scotland, Austria, Denmark, Finland, Solvenia, Hawaii, Australia, Sri Lanka, Sweden, Thailand, Japan, Israel, Canada, Serbia, Poland, Norway, and England, by architects such as Moshe Safdie, Kisho Kurokawa, Harry Seidler, Mackay Hugh Baillie Scott, Alvar Aalto, Charles Rennie Mackintosh, Carlo Mollino, Carlo Scarpa, Le Corbusier, Mies van der Rohe, Walter Gropius, Bruno Taut, Max Bill, Mario Botta, Gio Ponti, Adolf Loos, Eero Saarinen, Frank Lloyd Wright, Georgia O'Keeffe, Richard Neutra, Antoni Gaudi, and Victor Horta.

Many people who live in and visit the Lake District are charmed by the traditional buildings that enhance the landscape. This book introduces the traditional houses, barns, watermills, and chapels of the Lake District and the surrounding hills and valleys that make up the county of Cumbria. With the aid of hundreds of photographs, drawings, and diagrams, the author explains how the building types have developed over the centuries and how the indigenous building materials of stone, clay, brick, and slate have been used to create works of vernacular architecture that seem to grow out of the surrounding landscape.

Through 12 case studies from Australia, Bangladesh, Haiti, Sri Lanka, Vietnam and the USA, this book focuses on the housing reconstruction process after an earthquake, tsunami, cyclone, flood or fire. Design of post-disaster housing is not simply replacing the destroyed house but, as these case studies highlight, a means to not only build a safer house but also a more resilient community; not to simply return to the same condition as before the disaster, but an opportunity for building back better. The book explores two main themes: Housing reconstruction is most successful when involving the users in the design and construction process Housing reconstruction is most effective when it is integrated with community infrastructure, services and the means to create real livelihoods. The case studies included in this book highlight work completed by different agencies and built environment professionals in diverse disaster-affected contexts. With a global acceleration of natural disasters, often linked to accelerating climate change, there is a critical demand for robust housing solutions for vulnerable communities. This book provides professionals, policy makers and community stakeholders working in the international development and disaster risk management sectors, with an evidence-based exploration of how to add real value through the design process in housing reconstruction. Herein then, the knowledge we need to build, an approach to improve our processes, a window to understanding the complex domain of post-disaster housing reconstruction.

The expansion of cities in the late C19th and middle part of the C20th in the developing and the emerging economies of the world has one major urban corollary: it caused the proliferation of unplanned parts of the cities that are identified by a plethora of terminologies such as bidonville, favela, ghetto, informal settlements, and shantytown. Often, the dwellings in such settlements are described as shacks, architecture of necessity, and architecture of everyday experience in the modern and the contemporary metropolis. This volume argues that the types of structures and settlements built by people who do not have access to architectural services in many cities in the developing parts of the world evolved simultaneously with the types of buildings that are celebrated in architecture textbooks as 'modernism.' It not only shows how architects can learn from traditional or vernacular dwellings in order to create habitations for the people of low-income groups in public housing scenarios, but also demonstrates how the architecture of the economically underprivileged classes goes beyond culturally-inspired tectonic interpretations of vernacular traditions by architects for high profile clients. Moreover, the essays explore how the resourceful dwellings of the underprivileged inhabitants of the great cities in developing parts of the world pioneered certain concepts of modernism and contemporary design practices such as sustainable and de-constructivist design. Using projects from Africa, Asia, South and Central America, as well as Austria and the USA, this volume interrogates and brings to the attention of academics, students, and practitioners of architecture, the deliberate disqualification of the modern architecture produced by the urban poor in different parts of the world.

How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II-before fossil-fuel powered air-conditioning became widely available-Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lucio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today's zero-carbon design.

'Addictive ... a charter for wistfulness' Observer 'An enchanting rabbit hole of handmade houses' The New York Times 'The Bible of pared back, natural living' Der Spiegel 'Take a deep breath and let the inspiration sink in' GQ Cabin Porn began as an on-line project created by a group of friends to inspire their own home building. As they collected more photos, their site attracted thousands of submissions from other cabin builders and a passionate audience of more than ten million people. This book is an invitation to slow down, take a deep breath, and enjoy the beauty and serenity that happens when nature meets simple craft.

Across small cottages and lavish villas, beach houses and forest refuges, discover the world's finest crop of new homes. This cutting-edge global digest features such talents as Shigeru Ban, MVRDV, and Marcio Kogan alongside up-and-coming names like Aires Mateus, Xu Fu-Min, Vo Trong Nghia, Desai Chia, and Shunri Nishizawa. Here, there are homes in Australia and New Zealand, from China and Vietnam, in the United States and Mexico, and on to less expected places like Ecuador and Costa Rica. The result is a sweeping survey of the contemporary house and a revelation that homes across the globe may have more in common than expected. Among guava trees and abandoned forts in Western India is a sanctuary designed for and by Kamal Malik of Malik Architecture. The House of Three Streams is a sprawling spectacle with high ceilings, verandas, and pavilions, perched atop a ridge overlooking two ravines. A medley of steel, glass, wood, and stone, the house weaves along the contour of the landscape, almost as an extension of the forest. Encina House by Aranguren & Gallegos, an elegant, sloping structure reminiscent of a gazebo, similarly inhabits its surrounding vista. Ensconced in a pine forest north of Madrid, the lower level is embedded in rock and connected to the upper by a natural stone wall. Shinichi Ogawa's Seaside House is an immaculate two-story minimalist marvel in Kanagawa that overlooks the Pacific. Its living area spills onto a cantilevered terrace and infinity pool, almost dissolving into the ocean as one seamless entity. In Vietnam, Shunri Nishizawa's House in Chau Doc exudes tropical sophistication with exposed timber beams, woven bamboo, plants, concrete panels, and inner balconies and terraces. Its corrugated iron panels act as moveable walls and shutters, ushering in views of surrounding rice fields. These homes-along with more than 50 others-are each remarkably distinct in design. They all, however, toe the line between inside and outside, each one symbiotic with its surroundings.