Crime and the fear of crime are issues high in public concern and on political agendas in most developed countries. This book takes these issues and relates them to the contribution that urban planners and participative planning processes can make in response to these problems. Its focus is thus on the extent to which crime opportunities can be prevented or reduced through the design, planning and management of the built environment. The perspective of the book is Transatlantic and comparative, not only because ideas and inspiration in this and many other fields increasingly move between countries but also because there is a great deal of relevant theoretical material and practice in both the USA and the UK which has not previously been pulled together in this systemic manner.
This book is for anyone who wants to know about how planning processes and crime prevention activities can be more effectively integrated. It is essential reading not just for planning students but also for those in many built environment and community disciplines, for practitioners in these fields including police and property development professionals, for politicians interested in this area of public concern and those who advise them.

To respond to the unique opportunities of each client and site, Bates Masi + Architects has developed an approach rather than a devotion to a particular style. Careful study of the needs of the site and owners uncovers a guiding concept particular to each project. That concept is distilled to its essence so that it can inform the design at all scales, from massing to materials to details. The consistency of the concept is evident in the finished product. The result is an architecture that is cohesive, innovative, contextual, and full of details that delight. Architecture of Place is the follow up to Bespoke Home, the first comprehensive survey of Bates Masi’s fifty-plus years of work published in 2016. It focuses on the firm’s recent residential portfolio. Using each house as a case study, the book documents Bates Masi’s design process with concept images, diagrams, architectural models, and narratives for each project. This book demonstrates how influences of the physical and historical context, as well as the client, are distilled into a guiding concept for each project. With over 200 pages of photos and drawings of extraordinary second homes, Architecture of Place will appeal to architects and design devotees alike.

Across small cottages and lavish villas, beach houses and forest refuges, discover the world's finest crop of new homes. This cutting-edge global digest features such talents as Shigeru Ban, MVRDV, and Marcio Kogan alongside up-and-coming names like Aires Mateus, Xu Fu-Min, Vo Trong Nghia, Desai Chia, and Shunri Nishizawa. Here, there are homes in Australia and New Zealand, from China and Vietnam, in the United States and Mexico, and on to less expected places like Ecuador and Costa Rica. The result is a sweeping survey of the contemporary house and a revelation that homes across the globe may have more in common than expected. Among guava trees and abandoned forts in Western India is a sanctuary designed for and by Kamal Malik of Malik Architecture. The House of Three Streams is a sprawling spectacle with high ceilings, verandas, and pavilions, perched atop a ridge overlooking two ravines. A medley of steel, glass, wood, and stone, the house weaves along the contour of the landscape, almost as an extension of the forest. Encina House by Aranguren & Gallegos, an elegant, sloping structure reminiscent of a gazebo, similarly inhabits its surrounding vista. Ensconced in a pine forest north of Madrid, the lower level is embedded in rock and connected to the upper by a natural stone wall. Shinichi Ogawa's Seaside House is an immaculate two-story minimalist marvel in Kanagawa that overlooks the Pacific. Its living area spills onto a cantilevered terrace and infinity pool, almost dissolving into the ocean as one seamless entity. In Vietnam, Shunri Nishizawa's House in Chau Doc exudes tropical sophistication with exposed timber beams, woven bamboo, plants, concrete panels, and inner balconies and terraces. Its corrugated iron panels act as moveable walls and shutters, ushering in views of surrounding rice fields. These homes-along with more than 50 others-are each remarkably distinct in design. They all, however, toe the line between inside and outside, each one symbiotic with its surroundings.

The philosophy of CLB Architects, Inspired by Place, permeates all the firms design work, from public projects to bespoke homes. Their portfolio projects - timeless, thoughtful, distinct and beautiful - are examples of how to tread softly on the land in some of the world's most iconic landscapes. They introduce a new approach to form and materiality in a region where the design world is often limited by a nostalgic view of the past. Inspired By Place showcases ten homes by CLB Architects, many of which feature interiors by CLB's design team; these are always sophisticated yet comfortable and conceived as an extension of the architecture. From a streamlined modern masterpiece on the banks of the Snake River to architecture as connected barnlike structures to a private glass pavilion retreat perfectly oriented for wildlife viewing, CLB's work references local forms and vernaculars while speaking in a new architectural language for the Rocky Mountain West.

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona his clothes were so shabby passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his unique aesthetic enjoys global popularity and acclaim. His magnum opus, the Sagrada Familia, is the most-visited monument in Spain, and seven of his works are UNESCO World Heritage Sites. Through brand-new photography, plans and drawings by Gaudi himself, historical photos, as well as an appendix detailing all his works-from buildings to furniture, decor to unfinished projects-this book presents Gaudi's universe like never before. Like a personal tour through Barcelona, we discover how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, and transforming fantastical visions into realities on the city streets.

American Architects and the Single-Family Home explains how a small group of architects started the Architects' Small House Service Bureau in 1919 and changed the course of twentieth-century residential design for the better. Concepts and principles they developed related to public spaces, private spaces, and service spaces for living; details about the books they published to promote good design; as well as new essays from contemporary practitioners will inspire your own designs. More than 200 black and white images.

Energy efficiency and sustainable green standards have emerged in developed countries, particularly in the United States and Canada. This book explains this new direction in the construction of buildings through three parts, with illustrative examples of several types of homes: prefabricated, rehabilitated, and made with natural materials. The three R's in the construction of a home are: recycle, reduce, and reuse. The first part of this book explains how we can reduce the amount of waste. The second part is dedicated to new technologies in the house. The third part deals with ideas for alternative homes (cave houses, houses on trees, camouflage, etc).

The original guide on modern housing from the premier expert and activist in the public housing movement Originally published in 1934, Modern Housing is widely acknowledged as one of the most important books on housing of the twentieth century, introducing the latest developments in European modernist housing to an American audience. It is also a manifesto: America needs to draw on Europe’s example to solve its housing crisis. Only when housing is transformed into a planned, public amenity will it truly be modern.  Modern Housing’s sharp message catalyzed an intense period of housing activism in the United States, resulting in the Housing Act of 1937, which Catherine Bauer coauthored. But these reforms never went far enough: so long as housing remained the subject of capitalist speculation, Bauer knew the housing problem would remain. In light of today’s affordable housing emergency, her prescriptions for how to achieve humane and dignified modern housing remain as instructive and urgent as ever.

This book explores the aspirations and tastes of new suburban communities in interwar England for domestic architecture and design that was both modern and nostalgic in a period where homeownership became the norm. It investigates the ways in which new suburban class and gender identities were forged through the architecture, design and decoration of the home, in choices such as ebony elephants placed on mantelpieces and modern Easiwork dressers in kitchens. Ultimately, it argues that a specifically suburban modernism emerged, which looked backwards to the past whilst looking forward to the future. Thus the inter-war 'ideal' home was both a retreat from the outside world and a site of change and experimentation. The book also examines how the interwar home is lived in today. It will appeal to academics and students in design, social and cultural history as well as a wider readership curious about interwar homes. -- .

In his widely acclaimed "The Pennsylvania Barn," Robert Ensminger provided the first comprehensive study of an important piece of American vernacular architecture--the forebay bank barn, better known as the Pennsylvania barn or the Pennsylvania German barn. Now, in this revised edition, Ensminger has continued his diligent fieldwork and archival research into the origins, evolution, and distribution in North America of this significant agricultural structure. Including an entire chapter of new material, 85 new illustrations, and updates to previous chapters, this edition of Ensminger's classic work will appeal to students and scholars in cultural and historical geography, folklore and vernacular architectural history, and American studies, as well as to general readers.

This book presents some of the best examples of hostel design from around the world, based on a combination of their interior design, comfort and services. The majority of the establishments shown are located in major cities, although some are in ruralsettings. There are hostels in historic buildings, such as the old Medical Science University in Amsterdam or a 200-year old Venetian palace, while others are situated in modern buildings or converted houses. Some of them even offer terraces, restaurants and reading rooms...but all have been designed with one common factor in mind - creating a friendly and welcoming space for travellers who don't mind sharing a room.

The book provides an overview of the Active House (AH) vision, intended as a building design method "beyond" the passive approach for buildings of the future that will be more and more connected, smart and innovative. It offers a novel philosophical design approach in which buildings, new or renovated, are in balance with natural, renewable energies and become "concentrators-distributors" of energies instead of being consumers of resources. The book is composed of five chapters, providing information on fundamental aspects of innovations toward resource-efficient buildings, as well as case studies presenting the concept in practice. It demonstrates that a completely new design approach is possible, and that a turning point has been reached. Lastly, it shows how the AH Alliance, along with designers, institutions, industries and academies, is bringing a breath of fresh air to the world of construction.

This book is structured in four parts: First, it analyzes the sustainability objectives established for the building stock and the importance of thermal comfort in this aspect. Second, the existing adaptive thermal comfort models and the main energy-saving measures associated with these models are analyzed. Third, the energy savings obtained with these measures are analyzed in several case studies, comparing the results obtained with other energy conservation measures, such as the improvement of the facade. The analysis is carried out from an energy and economic perspective. Finally, a decision-making process based on fuzzy logic is established. As an expected result, the content of the book contributes to assist architects in designing more efficient buildings from the perspective of user behavior.

Nowhere in the world have architects built homes as small as in Japan, and nowhere have they done so with such ingenuity and success. "How to Make a Japanese House" presents 21 lessons in how to design a single-family home from three decades of architectural practice. From the Western perspective, in which more space is better space, small interiors may once have seemed undesirable, but Japanese architects have long excelled at overcoming the limitations of building in densely populated areas and creating brilliant effects of spaciousness with minimal square footage. As urban areas across the world grow only more dense in population, a knack for the economic handling and design of domestic space has clearly established itself as a key virtue of contemporary architectural practice. Through a rich array of research, interviews, drawings and photographs, "How to Make a Japanese House" demonstrates that Japanese homes present a radically different way of thinking about architecture, and provide inspiration for dwelling on a smaller scale.

Social housing has a long tradition in Europe. Since the early 20th century, these often anonymously built and unappreciated structures have arisen all across the suburbs of Europe’s major cities. In the multidisciplinary and international research project Mapping Public Housing, the Center for Studies in Architecture and Urbanism at the University of Porto’s Faculty of Architecture has been tracing the architectural heritage of social housing. The findings demonstrate that, in many cases, vibrant neighbourhoods and entire city districts have emerged from such social housing programs. This book takes a closer look at exemplary developments in Germany, Great Britain, Portugal, Switzerland, and Spain. The case studies cover a wide range of social and historical contexts, from the beginnings of social housing in Portugal sparked by German investment during World War I to the propaganda policies associated with subsidised housing for the working class in the 1940s, and to sustainable concepts and ideas for the future. Hidden in Plain Sight offers a wide-ranging panorama that recognises the development of subsidised residential construction as a part of Europe's cultural history and traces the important role that state-funded housing has played in the emergence of the European welfare state.

75 unique designs for attractive, efficient, environmentally friendly homes.
Now available in paperback, this collection of 75 plans for small homes offers more than 500 usable blueprints and other illustrations for a variety of living spaces suitable for every environment and style, from a New England farmhouse to a sophisticated townhouse in the city to a Santa Fe ranch.
The designs include site drawings, floor plans, elevation drawings, section drawings, perspective drawings, and exploded views. A brief introduction to each home describes its setting, the philosophy behind the design and its intended use, materials used, recommended landscaping, and more. Many of the homes come with money-saving and environmentally sound features such as solar panels and water heaters, wood stoves, ceiling fans, airlock entries, wind power alternatives, and natural gas heaters.

Diener & Diener Architects, based in Basel and Berlin and one of Switzerland's leading contemporary firms, have had a special focus on residential architecture throughout its 40 years of existence. The origins of the work are based in the previous studio of Marcus Diener, founded in 1942 and joined in 1976, and taken over entirely in 1980, by his son Roger Diener. This new monograph documents comprehensively this 'recherche patiente' of four decades. It discusses 30 realised designs and unbuilt proposals that exemplify Diener & Diener's philosophy, based on their characteristics and individual urban context. Illustrated with photographs, floor and site plans as well as archival images and plans, and drawing on the firms archive and Roger Diener's collected lectures, the authors investigate the typological design process on which each project is based. Diener & Diener update and adapt fundamental types to the requirements and restraints of each new task. The consistency of this approach constitutes the significance of their work in contemporary housing.

One House Per Day no.001-365 collects the first 365 drawings from Andrew Bruno’s project One House Per Day, along with a foreword by Keith Krumwiede and essay contributions by Malcolm Rio, Alessandro Orsini & Nick Roseboro, and Clark Thenhaus. The drawings are high quality 1:1 reproductions of the originals, and the 7.5� trim size matches the size of the sketchbooks that the originals were drawn in. The drawings are each given a full page, with a subsequent section including a brief description of each drawing. While the drawings themselves are mute, and their descriptions relatively deadpan, the essays contemplate the place of the detached house in American culture from social, political, and economic perspectives. The book is 392 pages long and is softbound in grey recycled paper. The front cover features 365 debossed circles to represent the 365 houses; these give the book a unique tactile quality.

Blier illuminates the extraordinary architecture of the Batammaliba people of Western Africa, revealing these buildings as texts through which we can read the beliefs, psychology, traditions, and social concerns of their inhabitants. In doing so, she explores the role of vernacular architecture as an expression of culture.
"A splendid analysis of the centrality of architecture in the daily lives of the Batammaliba and its integral role in articulating social values....The story is beautifully told in the best of anthropological traditions."--Judith R. Blau, "Contemporary Society"
"A remarkable study....Blier's volume carries the study of African architecture to a qualitatively new level of scholarship. It introduces a new dimension whereby the architectural medium can be used to illuminate much of the entire belief system of any culture."--Labelle Prussin, "African Arts"
"In this excellent book Blier provides a richly detailed and searching account of what architecture means to the Batammaliba of northern Togo and Benin....The finest account I have yet read of the relations between systems of beliefs, ritual practices, and African aesthetics and plastic arts....The ethnography and basic insight should be the envy of any social anthropologist."--T.O. Beidelman, "Man"

New York is a town of more quartiers and arondissements than Paris, more souks and bazaars than Cairo, a place of havens from overwhelming energy and of studios where that energy is generated. Above all else, it is where everyone wants to make a mark. And for a lot of residents the biggest mark of all is the place they live in - no matter where that is in the infinite diversity of the astonishing tumbling ziggurat that is New York. This book looks at a cross-section of these thrilling spaces for living created by New Yorkers. Ranging from the great mansions of the Upper East Side to the Tribeca loft that provides a live-work space for the high-flying architects of MPA, from the glamour of Kenneth Lane's Murray Hill apartment to Susan Sheehan's Arts and Crafts haven in Union Square, from Hamish Bowles's 'tiny Atlantis' in Greenwich Village to James Fenton's fantasy palace in Harlem, from the ivory tower that is the Modulightor Building in Midtown Manhattan to Miranda Brooks's 'garden in the city' in Brooklyn, this is a visual and literary feast of the marvellous houses and apartments of New York.

Beaufort, South Carolina, is well known for its historical architecture, but perhaps none is quite as remarkable as those edifices formed by tabby, sometimes called coastal concrete, comprising a mixture of lime, sand, water, and oyster shells. Tabby itself has a storied history stretching back to Iberian, Caribbean, Spanish American, and even African roots--brought to the United States by adventurers, merchants, military engineers, planters, and the enslaved. Tabby has been preserved most abundantly in the Beaufort area and its outlying islands, (and along the Sea Islands all the way to Florida as well) with Fort Frederick in 1734 having the earliest example of a diverse group of structures, which included town houses, seawalls, planters' homes, barns, agricultural buildings, and slave quarters. Tabby's insulating properties are excellent protection from long, hot, humid, and sometimes deadly summers; and on the islands, particularly, wealthy plantation owners built grand houses for themselves and improved dwellings for enslaved workers that after two hundred-plus years still stand today. An extraordinarily hardy material, tabby has a history akin to some of the world's oldest building techniques and is referred to as "rammed earth," as well as " tapia" in Spanish, "pise de terre" in French, and "hangtu" in Chinese. The form that tabby construction took along the Sea Islands, however, was born of necessity. Here stone and brick were rare and expensive, but the oyster shells that were used as the source for the tabby's lime base were plentiful. Today these bits of shell, often visible in the walls and forms constructed long ago, give tabby its unique and iconic appearance. Colin Brooker, architect and expert on historic restoration, has not only made an exhaustive foray into local tabby architecture and heritage; he also has made a multinational tour as well in search of tabby origins, evolution, and diffusion from the Bahamas to Morocco to Andalusia, which can be traced back as far as the tenth century. Brooker has spent more than thirty years investigating the origins of tabby, its chemistry, its engineering, and its limitations. The Shell Builders lays out a sweeping, in-depth, and fascinating investigative journey--at once archaeological, sociological, and historical--into the ways prior inhabitants used and shaped their environment in order to house and protect themselves, leaving behind an architectural legacy that is both mysterious and beautiful. Lawrence S. Rowland, a distinguished professor emeritus of history at the University of South Carolina Beaufort and past president of the South Carolina Historical Society, provides a foreword.

A stunning celebration of the architect's residential masterpieces Louis Kahn (1901-1974), one of the most important architects of the postwar period, is widely admired for his great monumental works, including the Kimbell Art Museum, the Salk Institute, and the National Assembly Complex in Bangladesh. However, the importance of his houses has been largely overlooked. This beautiful book is the first to look at Kahn's nine major private houses. Beginning with his earliest encounters with Modernism in the late 1920s and continuing through his iconic work of the 1960s and 1970s, the authors trace the evolution of the architect's thinking, which began and matured through his design of houses and their interiors, a process inspired by his interactions with clients and his admiration for vernacular building traditions. Richly illustrated with new and period photographs and original drawings, as well as previously unpublished materials from personal interviews, archives, and Kahn's own writings, The Houses of Louis Kahn shows how his ideas about domestic spaces challenged conventions, much like his major public commissions, and were developed into one of the most remarkable expressions of the American house.