This book explores the aspirations and tastes of new suburban
communities in interwar England for domestic architecture and
design that was both modern and nostalgic in a period where
homeownership became the norm. It investigates the ways in which
new suburban class and gender identities were forged through the
architecture, design and decoration of the home, in choices such as
ebony elephants placed on mantelpieces and modern Easiwork dressers
in kitchens. Ultimately, it argues that a specifically suburban
modernism emerged, which looked backwards to the past whilst
looking forward to the future. Thus the inter-war 'ideal' home was
both a retreat from the outside world and a site of change and
experimentation. The book also examines how the interwar home is
lived in today. It will appeal to academics and students in design,
social and cultural history as well as a wider readership curious
about interwar homes. -- .
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