Laurent Lin, Alain Robbe and Rolf Seiler are the protagonists of the Geneva office founded in 1999. Since then, a dozen competition successes have resulted in several residential developments, a school building, an old people's home, commercial and administrative buildings, and individual homes. The designs are always pointedly critical and creative engagements with the building programme, the location and building regulations. Text in English and German.

From the Introduction: "In Tinos, dovecotes can be seen everywhere. The most beautiful can be found isolated in gardens, near a village or a little further away or near a spring that irrigates a garden. Others, in the middle of a field, amidst the fig and olive groves, are often associated with a wine-press or a threshing floor for wheat. [ . . .] Usually however, the dovecote is far from the village and almost always includes a room on the ground floor where the owner can store his tools and the harvest, and possibly spend the night. [. . .] the dovecotes of Tinos are undoubtedly the most beautiful and the most numerous in the Cyclades." n 1955, a young student of the Geneva School of Architecture, Manuel Baud-Bovy, visited Tinos (an island in the Greek Cyclades archipelago) for the first time, staying in a cottage on the sandy beach of Kiona. While exploring the island, Manuel came across some unusual buildings: dovecotes, scattered right across the island. Manuel Baud-Bovy, deeply impressed, decided to compile a systematic list of the dovecotes. He walked all over the island, sometimes sleeping in a village, sometimes under the stars or on a threshing floor, in a chapel, or even in an abandoned dovecote. He discovered about eight hundred of them, which he recorded in four large albums with detailed plans, theories and thoughts, which he submitted to the Geneva School of Architecture for his doctoral dissertation. After 60 and more years, a selection of this rare and valuable material becomes a book, enriched with introductory texts and many photographic documents that capture the dovecotes as they were preserved in 1955. English language edition

B.C. Binning taught that architecture has an intrinsic link to art and life. This book follows in his footsteps, focusing on what is arguably his greatest creation: the first significant piece of modern residential architecture in Western Canada, the BC Binning House. Still standing in West Vancouver as a National Historic Site, the house has influenced generations of architects and continues to do so today. The structure is often thought to have sparked Canada's West Coast Modernism movement, as it represents both the arrival of Modernist design principles and their inflection with local interests and conditions.

The Tiny House Movement: Challenging Consumer Culture features in-depth interviews with movement residents, builders, and advocates, as well as the author's insights from her fieldwork of living tiny. In it, we learn how the movement is challenging consumerism, overwork, and environmental destruction and facilitating a more meaningful understanding of home. This book highlights that the tiny house movement is more than a lifestyle choice and that the movement challenges the consumerist lifestyle. In Canada and the United States, we are taught that bigger is better and that constant growth in our personal wealth, accumulation, and in the economy is a sign of our success. We sacrifice well-being and life satisfaction because of our relationship with 'stuff.' This leads to personal debt and unsustainability in our relationships, communities, and the environment. This is the first book to examine the tiny house movement as a challenge to consumer culture by demonstrating its potential to offer individual, collective, and societal change.

Bauernhauser pragen die Identitat der Allgauer Kulturlandschaft seit Jahrhunderten. Die Zukunft bauerlicher Hofstellen ist jedoch durch den Strukturwandel der Landwirtschaft bedroht, mit den Bauten droht die Kulturlandschaft zu verschwinden. Die Publikation Weiter|Nutzen zeigt rund zwanzig besonders interessante Projekte, in denen die Altbausubstanz landwirtschaftlicher Gebaude auf vorbildliche Weise zu neuem Leben erweckt wurde. Damit sollen Eigentumer|innen und potentielle Bauherr|inn|en angeregt werden, mit dem sensiblen Erhalt ihrer Hoefe einen Beitrag zum authentischen Gesamterscheinungsbild der Region zu leisten. Gegliedert werden die hochwertig fotografierten und gestalteten Prasentationen der Projekte nach spezifischen Landschaftsbildern des Allgaus. Speziell fur die Buchpublikation von Studierenden der Hochschule Augsburg erstellte Planunterlagen erlauben einen guten Vergleich vor und nach der Umbauphase der jeweiligen Hofstellen. Begleitend eroertern eine Historikerin, Architekt|innen, Landschaftsplaner, Museumsleiter und ein ehemaliger Kreisbaumeister Entwicklung und Perspektive der Baukultur, Typologie und Sanierungsmoeglichkeiten. Das unterstreicht die Betrachtung der jeweiligen Falle, die in einer Synopse mit Projektdaten verglichen werden. Ein Fachteil gibt abschliessend konkrete praktische Ratschlage zum Umbau. Zudem ist eine Bildstrecke mit historischen Fotografien eingewoben, die einen Einblick in vergangene Zeiten der Allgauer Kulturlandschaft gewahrt.

Text in English and German. In the summer 1978, the cover of the magazine Bauwelt showed a photograph of an unusual building. It was tersely introduced to readers as a 'private house with office in Bad Nauheim', but it was immediately obvious that this was a built manifesto. What appeared was a strictly symmetrically articulated, steeply rising facade, emanating dignity and composure. It also seemed able to manage without windows, which further enhanced its austere elegance. And then there were the strikingly slender, sharp-angled wall elements, which seemed captivatingly graceful, or even delicate and fragile -- as though folded from paper. The fact is that, long before Gilles Deleuze had cast his spell on a new generation of aesthetically ambitious architects, Johannes Peter Hoelzinger was putting his folding skills into practice as a matter of course.