William Lumpkin's residential designs speak volumes about the fusion of styles -- Spanish colonial, Pueblo, Art Deco -- in the Southwest. This book shows his distillation of the pure architectural elements of Pueblo style -- the heart of 'Santa Fe' style -- in 47 modern adobe projects. A skilled manipulation of this truly American architectural form. Also demonstrated is Lumpkin's adept talent for incorporating modern living standards into historic architecture with pleasing functional results.

In formulating a design concept into a viable plan, architects oscillate constantly between two planes of observation: the actual design task in the context of planning typologies such as residential buildings, office buildings, museum, or airport, and the individual room, meaning the kitchen, office, classroom, sanitary rooms, storage rooms, and so on. Planning Architecture offers architects and students a thought-out planning tool, in which two main sections reciprocally complement one another: the "spaces" and the "typologies" between which the planner can flexibly oscillate depending on his or her plane of observation. All relevant planning information is presented in a detailed clear fashion, and in context. These two sections are flanked by an introductory chapter explaining the basis and framework for typological design, as well as a "reference section" at the end of the book that clearly lists general dimensions and units, regulations and standards.

Fallingwater""is the most famous modern house in America. Indeed, readers of the "Journal of the American Institute of Architects" voted it the best American building of the last 125 years Annually, more than 128,000 visitors seek out Fallingwater in its remote mountain site in southwestern Pennsylvania. Considered Frank Lloyd Wright's domestic masterpiece, the house is recognized worldwide as the paradigm of organic architecture, where a building becomes an integral part of its natural setting.
This charming and provocative book is the work of the man best qualified to undertake it, who was both apprentice to Wright and son of the man who commissioned the house. Edgar Kaufmann, Jr., closely followed the planning and construction of Fallingwater, and lived in the house on weekends and vacations for twenty-seven years-until, following the deaths of his parents, he gave the house in 1963 to the Western Pennsylvania Conservancy to hold for public enjoyment and appreciation.
This is a personal, almost intimate record of one man's fifty-year relationship to a work of genius that only gradually revealed its complexities and originality. With full appreciation of the intentions of both architect and client, Mr. Kaufmann described this remarkable building in detail, telling of its extraordinary virtues but not failing to reveal its faults. One section of the book focuses on the realities of Fallingwater as architecture. A famous building right from its beginnings (only partly because it was Wright's first significant commission in more than a decade), Fallingwater has accumulated considerable publicity and analysis-much of it off the mark. Mr. Kaufmann outlined and dealt with the common misunderstandings that have obscured the building's true values and supplied accurate information and interpretations. In another section Mr. Kaufmann provided an in-depth essay on the subtleties of Fallingwater, the ideology underlying its esthetics. A key element of this is the close interweaving of the house and its rugged, challenging setting, which he explicated in fascinating detail.
The author maintained throughout the direct approach of one who knew and loved Fallingwater. As an apprentice and loyal admirer of the architect, Mr. Kaufmann was well attuned to the architecture. And as a retired professor of architectural history and frequent lecturer and panelist, he had considerable experience in presenting and interpreting Wright's ideas. Thoroughly versed in the books, articles, drawings, and buildings of Frank Lloyd Wright, Mr. Kaufmann was eminently situated to place Fallingwater in that context. This unique record was presented in celebration of Fallingwater's fiftieth anniversary.
Special features of this volume include: numerous never-before published photographs of the house under construction, during its entire history, and of the family in residence; a room-by-room pictorial survey in full color taken especially for this volume; isometric architectural perspectives that explain visually how the house was constructed; and the first accurate, measured plans of the house as built.

Thirty-six architects from Europe and the USA present their very latest projects for luxury villas - from a villa in the city to a lakeside location and those on the coast or in the mountains. The book features over 100 unique and stunning houses.

This volume covers some of the finest landscape and architecture in southern England, much of it set within the South Downs National Park. The county's small towns and villages feature a pleasing mix of stone, timber, and brick houses of every period. Among numerous atmospheric country houses are the Tudor ruins of Cowdray, the Elizabethan mansion at Parham, and the French-inspired Petworth in its great park, famously captured in Turner's paintings. On the grandest scale is the mighty Arundel Castle, seat of the Duke of Norfolk, while Chichester, the only city in West Sussex, boasts one of the country's most important 12th-century cathedrals. Among many major ecclesiastical and educational establishments built in the 19th century, none is more impressive than Lancing College set high above the coast. New research accompanies 130 specially commissioned color photographs in this authoritative and expert guide.

Architectural objects confront their environment. They constitute a boundary, a form with an internalised point of view. Understanding architecture as environmental objects suggests a questioning of these dichotomies of separation between the symbolic landmark and the landscape background. It represents an architecture that amplifies nature, attunes to it and makes us aware of it. Portugal Lessons takes Portugal as a case study for such contextualism going beyond an understanding of design as immunisation. Based on the latest research program conducted by EPFL's Laboratory Basel (laba), it explores the topic of this architectural boundary: with whom we live, to whom we open our house, how permeable the boundary should be. The findings are visualised in striking images, graphics and maps. The book also features proposals for architectural interventions by laba's students, all of them tackling issues of housing.

A beautifully illustrated single-project monograph on the innovative design process and creation of a flagship lakeside resort in central China, the Hilton Wuhan Optics Valley resort, this book showcases the chronological project phases, from the early-stage site preparations, design and engineering parameters, through to final construction and completion. The resort is a business and convention center, as well as a prime hub for political and business activities. There are dedicated spaces for meetings and receptions, a full suite of leisure facilities, such as a large spa area, an indoor heated swimming pool, an outdoor swimming pool, a gym, a cycling route, a lakeside basketball court, and a tennis court. The hotel component of the resort comprises luxury guest rooms and suites, all with private balconies overlooking a beautiful lake, a convention centre with a huge zero-pillar banquet hall, and an outdoor ceremonial lawn. Hilton Wuhan Optics Valley is featured by its innovative design. Tightly knit around the core site, the layout is characterised by a central symmetry and a clear separation of the external and the internal areas. The creative use of a cluster of courtyards interlacing each other characterises the hotel lobby. The functional areas are thus separated so that the guests can enjoy an experience of unique spaces typically offered only by small hotels. The design of the facade drew inspiration from Jing-chu culture clean lines, delicate details, traditional textures and natural materials and imparts a sense of understated luxury and otherworldly elegance, allowing the architecture of the hotel to perfectly blend into the natural environment around Yanxi Lake. This book is a unique reference and useful guide for architects, engineers and designers of resorts, or related typologies.

The Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books On Architecture), the most successful architectural treatise of the Renaissance and one of the two or three most important books in the literature of architecture. First published in Italian in 1570, it has been translated into every major Western language.This is the first English translation of Palladio in over 250 years, making it the only translation available in modern English. Until now, English-language readers have had to rely mostly on a facsimile of Isaac Ware's 1738 translation and the eighteenth-century engravings prepared for that text. This new translation by Robert Tavernor and Richard Schofield contains Palladio's original woodcuts, reproduced in facsimile and positioned correctly, adjacent to the text. The book also contains a glossary that explains technical terms in their original context, a bibliography of recent Palladio research, and an introduction to Palladio and his times.The First Book discusses building materials and techniques, as well as the five orders of architecture: Tuscan, Doric, Ionic, Corinthian, and Composite. Palladio describes the characteristics of each order and illustrates them. The Second Book discusses private town houses and country estates, almost all designed by Palladio. The Third Book discusses streets, bridges, piazzas, and basilicas, most of ancient Roman origin. The Fourth Book discusses ancient Roman temples, including the Pantheon.

With more than forty international examples of practical yet architecturally fascinating solutions, this one-of-a-kind book shows innovative, beautiful spaces to park your car. From an underground parking garage to a car elevator, and from a contemporary city carport to a "living room garage," here is a wealth of creative ideas for housing the automobiles you love. Designed for architects, builders, and those who are passionate about their cars, this beautiful idea book provides convincing and outstanding general concepts that can be borrowed to create the perfect housing for your own four-wheeled vehicles whether you live in an urban area, have a challenging home site, or just want to add to your estate. Designs include garages that stand alone and those that are beautifully integrated into single-family homes.

Originally published in 1995, Barns of the Midwest is a masterful example of material cultural history. It arrived at a critical moment for the agricultural landscape. The 1980s were marked by farm foreclosures, rural bank failures, the continued rise of industrialized agriculture, and severe floods and droughts. These waves of disaster hastened the erosion of the idea of a pastoral Heartland knit together with small farms and rural values. And it wasn't just an idea that was eroded; material artifacts such as the iconic Midwestern barn were also rapidly wearing away. It was against this background that editors Noble and Wilhelm gathered noted experts in history and architecture to write on the nature and meaning of Midwestern barns, explaining why certain barns were built as they were, what types of barns appeared where, and what their functions were. Featuring a new introduction by Timothy G. Anderson, Barns of the Midwest is the definitive work on this ubiquitous but little studied architectural symbol of a region and its history.

In countless neighborhoods across America, the streets are lined with houses representing
no established architectural style. Many of the 80 million homes in the United States
today have only loose-fitting, general names like ranch, duplex, bungalow, and flat.
Most, however, cannot even be identified by these common names, much less by an
architectural type such as Colonial, Italianate, or Queen Anne. The few regionally
recognized vernacular terms-- shotgun, Cape (Cod), three-decker, and the like--remain
exceptions rather than the rule. In this innovative, copiously illustrated guide, Thomas C.
Hubka considers why most ordinary, working-class houses lack an adequate identifying
nomenclature and proposes new ways to name and classify these anonymous structures,
shedding a fresh light on their role in the development of American domestic culture and
its housing landscape.
Popular, developer-built, tract, speculative, everyday--whatever they are called,
these common homes constitute the largest portion of American housing in all regions
and historic periods. Without classification, these dwellings tend to be left out of histories
of American building, neglected in preservation surveys and plans, and ignored when it
comes to considering their impact on American culture. Current methods of interpreting
common houses need not be replaced, Hubka shows, but only modified to include a
broader, more complete spectrum of common dwellings. As Hubka explains, by applying
an order of census and a floor-plan analysis, scholars can adequately characterize
the actual homes in which most Americans live, particularly in recent times after the
widespread growth of suburban homes.
Based on years of field observations, measured drawings, and surveys of regional
house types, this handbook provides a working vocabulary for the study and appreciation
of America¹s common houses and will prove useful to preservationists, academics, and
architects, as well as owners and residents of America¹s most ubiquitous residences.

Traditional designs for British farm buildings--barns, mills, pigsties, cowsheds, dovecotes, and other types--originated in the Middle Ages and developed through the various agricultural revolutions, until the slump of the 1880s brought an end to new building. Since then changes in the rural economy have led to buildings designed principally for professional and commercial activity. But traditional farm buildings still survive in remarkable numbers, and they form essential elements in the British landscapes of villages and countryside, although they are no longer appropriate to modern farming.
This informative book combines text with diagrams and specially taken photographs to explain and illustrate the farm buildings still seen today. It records the origins and uses of traditional building types, then explores the conflicting demands of conservation and re-use and the dangers of enthusiastic restorers who may unwittingly destroy the character of that which they desire to preserve.

This is a guide to the style of houses built in the 1930s. Tradition continued to dominate the outside while inside art deco was all the rage. It contains many photographs and detailed drawings.

Australia has wildly differing topographies and climates, and its best residential architecture draws on those site conditions in inventive ways. This book illustrates the strength of the country's shift from British-influenced Georgian-style homes to more indigenous structures attuned to the land-a movement led by Australian architects such as Glenn Murcutt, Richard Leplastrier, and Gabriel Poole in the 1970s. Witness a range of new houses that grapple with the locales in which they are built. Up north, down south, and on the coast, from small and low-budget to multimillion-dollar dwellings, the focus is on the use of raw materials, energy efficiency, adaptable spaces, and embrace of the great outdoors for which the country is known. Drawings and interviews with the architects shed light on how they apply their intelligence and creativity to produce striking buildings that are uniquely Australian.

This book contains more than 250 floor and elevation plans and construction details for twenty-six prefabricated and cargo-container homes. It includes all the information and guidelines needed to recreate each project plus interior design ideas.

Gates and fences, sidewalks and driveways, alleys and parking lots--these ordinary features have an important architectural impact, influencing how a building relates to the spaces around it. As geographer Larry R. Ford argues, architectural histories and guidebooks tell us surprisingly little about the character of American cities because they concentrate on buildings taken out of context, buildings divorced from space. In "The Spaces between Buildings," Ford focuses on the neglected "nooks and crannies" between structures, supplementing his analysis with three photographic essays.

Long before Ford knew anything about geography or architecture, he was a connoisseur of front porches, alleys, and loading docks. As a kid in Columbus, Ohio, he knew where to find coal chutes to play in, which rooftops and fire escapes were ideally suited for watching parades, and which stoops were perfect for waiting for a bus. To him the spaces between buildings seemed wonderfully integrated and connected. "The Spaces between Buildings" is the result of Ford's preoccupation with the relationship of buildings to one another and how their means of access and boundaries organize the areas around us.

As Ford observes, a city with friendly, permeable facades and a great variety of street-level doors is more conducive to civic life than a city characterized by fortresslike structures with blank walls and invisible doors. Life on the street is defined and guided by the nature of the surrounding buildings. Similarly, a residential neighborhood with front porches, small lawns or gardens, and houses with lots of windows and architectural details presents a more walkable and gregarious setting than a neighborhood where public space is surrounded by walls, three-car garage doors, blank facades, and concrete driveways.

Ford begins by looking at the growth of four urban places, each representing a historical era as much as a geographic location: the Islamic medina; the city shaped by the Spanish renaissance; the nineteenth-century North American city; and the twentieth-century American city. His first essay also discusses the evolution of the free-standing structure as a basic urban building type and the problems encountered in beautifying the often work-a-day back and side yards that have helped to create the image of the untidy American city. The second essay examines the urban trend toward viewing lawns, gardens, hedges, and trees as an essential adjunct to architecture. The final essay focuses on pedestrian and vehicular spaces. Here the author includes the landscape of the garage, sidewalks, streets, and alleys.

In its exploration of how spaces become places, "The Spaces between Buildings" invites readers to see anew the spaces they encounter every day and often take for granted.

The Robie House in Chicago is one of the world's most famous houses, a masterpiece from the end of Frank Lloyd Wright's early period and a classic example of the Prairie House. This book is intended as a companion for the visitor to the house, but it also probes beneath the surface to see how the design took shape in the mind of the architect. Wright's own writings, rare working drawings from the period, and previously unpublished photographs of the house in construction help the reader look over the shoulder of the architect at work. Beautiful new photographs of the Robie House and related Wright houses have been specially taken to illustrate the author's points, and a bibliography on Wright is provided.

As treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich-the aesthetic, conceptual cosmos and life's work of the aristocratic artist Franz von Stuck-this unique volume integrates the artist's house as a category into the international context and is the first to assign these buildings the status of major works. About twenty examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures, and photographs closely related to the houses, plans and models convey the correlation between art and life as well as the kind of harmony of the arts expressed in Richard Wagner's historical concept of the total work of art. Houses featured (selection): Sir John Soane's Museum, London; William Morris Red House, Bexleyheath; Louis Comfort Tiffany's Tiffany House, New York City; Mortimer Menpes's flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle's villa and garden, Marrakesh; Kurt Schwitters' MERZbau, Hannover; Max Ernst's house, Arizona

Florian Nagler's work is a veritable "recherche patiente", as his buildings have an experimental character. For instance the "research buildings" in Bad Aibling are exercises on what building with wood, plastered brick and concrete can each mean. The Wohnen am Dantebad housing development reinterprets the traditional pergola. Text in English and German.