This comprehensive film guide lists the screen credits and provides synopses of more than 5,400 silent western features, documentaries, shorts and serials released from the 1890s through 1930. Numerous one-, two- and three-reelers are included in this guide. These westerns came from both the major and lesser known American film studios, many long defunct. The term "western" is hard to define; someone once commented that a western had to have a horse in it. The genre generally applies to that post-Civil War period beginning with the great cattle drives and ending around 1890. But the author has included tales about early California, Mexico, various Indian tribes along the Eastern seaboard, the building of the railroad, the gold rush of 1849 and the search for gold in the Yukon. Other films which seem to have less in common with the genre, such as northern westerns, are listed in a separate appendix.

This book offers analyses of the roles of race, gender, and sexuality in the post-apocalyptic visions of early twenty-first century film and television shows. Contributors examine the production, reproduction, and re-imagination of some of our most deeply held human ideals through sociological, anthropological, historical, and feminist approaches.

Steampunk Film: A Critical Introduction is a concise and accessible overview of steampunk's indelible impact within film, and acts as a case study for examining the ways with which genres hybridize and coalesce into new forms. Since the beginning of the 21st century, a series of high-profile and big-budget films have adopted steampunk identities to re-imagine periods of industrial development into fantastical histories where future meets past. By calling this growing mass-cultural fetishism for anachronistic machines into question, this book examines how a retro-futuristic romanticism for technology powered by cogs, pistons and steam-engines has taken center stage in blockbuster cinema. As the first monograph to consider cinema's unique relationship with steampunk, it places this burgeoning genre in the context of ongoing debates within film theory: each of which reflecting the movement's remarkable interest in reengineering historical technologies. Rather than acting as a niche subculture, Robbie McAllister argues that steampunk's proliferation in mainstream filmmaking reflects a desire to reassess contemporary relationships with technology and navigate the intense changes that the medium itself is experiencing in the 21st century.

Moby-Dick looms large - gargantuan in size, themes, symbols, and influence. Its deep dives, comedic interludes, adventurous journey, and surface effects demand a new approach. Instead of a traditional academic analysis, Dive Deeper grapples in novel fashion with this classic work. For each of the originals 135 chapters (along with Etymology, Extracts, and Epilogue), Dive Deeper has a corresponding brief chapter relating to themes and issues in the original. This permits Dive Deeper to follow the flow of the original and to bring forth new appreciation for the novel, its characters, and its readers. At once creative and informative, Dive Deeper captures the up and down history of the novel, from its original reception to its resurrection in the 1890s, to its ecoming the central work in the canon of American literature in the 1930s. Great books such as Moby-Dick live outside the confines of libraries. They occupy a central place in popular culture. Thus, Dive Deeper tracks the novel as it appears in various motion pictures (more than five major ones to date), comic routines and jokes, paintings, novels, songs (from rock to classical to rap), and in other cultural forms. In the process, Dive Deeper charts how, and why, this novel about a whale and its pursuer has captivated generations of American readers. And why it continues to do so today. Dive Deeper, then, is a creative and original way of approaching a great novel. Readers will gain information and a deeper understanding of an American classic and its place in popular culture.

This lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles from" Mildred Pierce" and "Brief Encounter "to "Raging Bull "and "In the Mood for Love," It engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians. The work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory, arguing that these movies can tell us much about our complex relationship to the past, and about history and identity. Pam Cook also investigates the recent history of film studies, re-viewing the developments that have culminated in the exciting, if daunting, present moment. Classic essays sit side by side with new research, contextualized by introductions which bring them up-to-date, and provide suggestions for further reading. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.

In Cinematic Political Thought, Michael J. Shapiro investigates aspects of contemporary politics and articulates a critical philosophical perspective with politically disposed treatments of contemporary cinema. Reading such films as "Hoop Dreams, Lone Star, Father of the Bride II "and "To Live and Die in LA "through the lens of Deleuze, Derrida, Foucault and Lyotard, Shapiro demonstrates what it can mean to think the political both in terms of cinema studies and in wider aesthetic and social contexts.

Cinematic Political Thought is a polemical work, aimed at encouraging critical, ethical and political thinking. Its breadth of theoretical scope and empirical reference, and the innovative style of presentation will make it vital reading for anyone with an interest in the conjunction of culture and politics.

Explore the homeworld and vast dominion of Star Trek's most formidable race, the Klingons, in this thrilling travel guide. nuqneH! Bored of standard vacations to places like Risa or Wrigley's Pleasure Planet? Want to discover a unique and ancient culture not bound by standard niceties and social mores? Then Qo'noS and the vast Klingon Empire are for you! This one-of-a-kind travel guide will give you all the information you need to plan, enjoy, and survive your trip to the very heart of Klingon territory, from an overview of Klingon history to tips on what to wear (fur and leather are very popular) to a glossary of important phrases like "mamI' DaneH'a'? nItebHa' mamI' DaneH'a'?" (Would you like to dance with me?). Every major location in the Klingon Empire is covered in-depth, with tips on where to eat (you've not lived until you've eaten Klingon skull stew), how best to get to and from your chosen destination, and what to do if you find yourself challenged to a bat'leth battle to the death.Locations include the homeworld Qo'noS and its famous locales such as the First City, the Caves of No'mat the Hamar Mountains, and the city of Krennla, plus neighboring moons Corvix and Praxis, and many, many more must-see areas. The book also features exclusive maps and illustrations that bring to life the Klingon Empire and form the perfect reference guide for any visitor. So what are you waiting for? Qapla'!

This fascinating collection of essays is the first full-length scholarly study of the genesis and influence of Alan Peacock's intellectually radical 'Report of the Committee on Financing the BBC' (1986), which fundamentally altered the principles governing the development of broadcasting policy in the UK.

By the time the Berlin Wall collapsed, the cinema of the German Democratic Republic-to the extent it was considered at all-was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR's rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA's complex post-unification "afterlife."

In the 1950s, science fiction (SF) invasion films played a complicated part in both supporting and criticizing Cold War ideologies. George examines what these films reveal about the tensions in the United States at the dawn of the atomic, age especially concerning gender roles and expectations. Using a cultural studies approach, she works from the assumption that "invasion" films with their "us" versus "them" nature provide important visual and verbal narratives for American citizens' trying to understand and negotiate the social and political changes that followed the allied victory in World War II. By reading these invasion narratives as performances of middle-class, primarily white Americans' excitement and anxieties about social and political issues, George shows how they often played out as another round in the battle of the sexes. This book examines the way representation in these films tap into anxieties concerning the feminine and alien other.

The essays collected in "Cinema and Technology" map out a new interdisciplinary terrain, combining contemporary analyses of material and visual culture, deploying the methods of film studies, media and cultural studies, media anthropology, and science and technology studies. Rather than describing a technological "crisis," or separating the technological and aesthetic halves of the cinema, they present a manifold, expansive reconsideration of the life of technologies in the cultures, theories and practices of cinematic production and consumption.

Al Brodax was the producer of and with Erich Segal and others a co-author of the screenplay for The Beatles 'Yellow Submarine'. In this book he recalls a frenzied, madcap escapade that came to be reflected in an enduring piece of screen history. In addition to John, Ringo, Paul and George, and Al, the "cast" included more than a dozen animators, platoons of inkers, background artists, soundmen, cameramen, and various essential expediters. Recruited from the U.S., Europe, Australia and all over the U.K., they produced, aside from the film, more than a dozen pregnancies and one or two marriages. This story has been culled by the author from a rich jumble of late-night, early-morning scribblings during production. His generously illustrated book is a special gift to fans of the Beatles, of 'Yellow Submarine' and of spirited, flavourful writing about movies.

Outer space, whether the homeland of demonic invaders or the destination of intrepid explorers, seems to ignite the wildest imagination of filmmakers and audiences alike. And back on earth we all marvel when our planet is taken over by apes or when in a laboratory beings are created that defy, or perhaps reflect, our own humanity. This lavishly illustrated collection of essays begins with 'Cinematic Views', written between 1907 and 1929 by the great film pioneer Georges Melies. It goes on to explore the foundation of science fiction films in writings from the 20s and 30s by such masters of word and image as H G Wells, Luis Bunuel and Jorge Luis Borges. With the genre established and flourishing, the book moves in a variety of directions -- toward outer space, as a subject; different periods in film history, each with its own style and dominant themes; the work of specific directors and writers and, finally, some classic science fiction films of the recent past.

Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard. Contributors analyze films including Harvest of Empire, Sin Pais, The Vigil, De Nadie, Operation Peter Pan: Flying Back to Cuba, Abuelos, La Churona, and Which Way Home as well as internet documentaries distributed via platforms like YouTube. They examine the ways these films highlight the individual agency of immigrants as well as the global systemic conditions that lead to mass migrations from Latin American countries to the United States and Europe. < The collection also features interviews with filmmakers Luis Argueta, Jenny Alexander, Tin Dirdamal, Heidi Hassan, and Maria Cristina Carrillo Espinosa. Their discussions emphasize that because the genre is grounded in fact rather than fiction, it has the ability to profoundly impact audiences. Documentaries prompt viewers to recognize the many worlds migrants depart from, to become immersed in the struggles portrayed, and to consider the stories of immigrants with compassion and solidarity.

Novel Approaches to Lesbian History tells a tale about history and community in our allegedly post-identity era, examining contemporary novels that depict lesbian characters in recognizable historical situations. These imaginative stories provide a politically vital, speculative past in the face of a sketchy, problematic archive. Among the memorable characters in some 200 novels are pirates, cowgirls, and famous artists, ghosts and time travellers, immigrants and lovers. The best lesbian historical novels are conscientious and buoyant as they engage critical historiographical questions, but Novel Approaches also discusses the class and race biases that weigh on the genre. Some lesbian historical novels are based on archival evidence, others on conjecture or fantasy, but all convey the true fact that identity is elusive without a past, without which its future is nearly impossible.

Teresa de Lauretis makes a bold and orginal argument for the renewed relevance of the Freudian theory of drives, through close readings of texts ranging from cinema and literature to psychoanalysis and cultural theory.

Movie fans eagerly await each year's new edition of EScreen WorldE the definitive record of the cinema since 1949. Volume 54 provides an illustrated listing of every American and foreign film released in the United States in 2002 all documented with more than 1000 photographs.THThe 2003 edition of EScreen WorldE features such notable films as EChicagoE the Academy Award winner for Best Picture; Martin Scorsese's Academy Award-nominated EGangs of New YorkE; EThe PianistE featuring the surprise Academy Award winners Adrien Brody for Best Actor and Roman Polanski for Best Director; ESpider-ManE the highest grossing film of 2002; EThe HoursE with Academy Award winner for Best Actress Nicole Kidman; and EAbout SchmidtE starring Academy Award nominees Jack Nicholson and Kathy Bates.THAs always Screen World's outstanding features include: photographic stills and shots of the four Academy Award-winning actors as well as all acting nominees; a look at the year's most promising new screen personalities; complete filmographies a cast and characters credits production company date released rating and running time; and biographical entries a a priceless reference for over 2 400 living stars including real name school and date and place of birth. Includes over 1 000 photos!TH The enduring film classic. THa EVarietyE