An examination of how screen texts embrace, refute, and reinvent the cultural heritage of antiquity, this volume looks at specific story-patterns and archetypes from Greco-Roman culture. The contributors offer a variety of perspectives, highlighting key cultural relay points at which a myth is received and reformulated for a particular audience.

This book offers analyses of the roles of race, gender, and sexuality in the post-apocalyptic visions of early twenty-first century film and television shows. Contributors examine the production, reproduction, and re-imagination of some of our most deeply held human ideals through sociological, anthropological, historical, and feminist approaches.

The monstrous child is the allegorical queer child in various formations of horror cinema: the child with a secret, the child 'possessed' by Otherness, the changeling child, the terrible gang. This book explores the possibilities of 'not growing up' as a model for a queer praxis that confronts the notion of heternormative maturity.

Immerse yourself in the thrilling world of Star Wars: The High Republic with this incredibly illustrated guide to the golden age of the Jedi! Set centuries before the Skywalker Saga, this book is the ultimate in-universe guide to the Jedi Knights of Star Wars: The High Republic, providing fascinating insight into a time of valiant heroes, terrifying monsters, and daring exploration. You will also uncover the mysteries of the Force and learn about the technology of the Jedi Order, including its starfighters and the unique lightsaber designs of this incredible era. Featuring stunning original illustrations and exclusive new revelations, this striking book is an essential collectible that will transport you to the galaxy's gilded age.

Winner of the Southwest Popular and American Culture Association's 2016 Peter C. Rollins Book Award in the category of Film/Television The popular music industry has become completely interlinked with the film industry. The majority of mainstream films come with ready-attached songs that may or may not appear in the film but nevertheless will be used for publicity purposes and appear on a soundtrack album. In many cases, popular music in films has made for some of the most striking moments in films and the most dramatic aesthetic action in cinema, like Ben relaxing in the pool to Simon and Garfunkel's 'The Sound of Silence' in The Graduate (1967), and the potter's wheel sequence with the Righteous Brothers' 'Unchained Melody' in Ghost (1990). Yet, to date, there have only been patchy attempts to deal with popular music's relationship with film. Indeed, it is startling that there is so little written on subject that is so popular as a consumer item and thus has a significant cultural profile. Magical Musical Tour is the first sustained and focused survey to engage the intersection of the two on both an aesthetic and industrial level. The chapters are historically-inspired reviews, discussing many films and musicians, while others will be more concentrated and detailed case studies of single films. Including an accompanying website and a timeline giving a useful snapshot around which readers can orient the book, Kevin Donnelly explores the history of the intimate bond between film and music, from the upheaval that rock'n'roll caused in the mid-1950s to the more technical aspects regarding 'tracking' and 'scoring'.

Food Discourse explores a fascinating, yet virtually unexplored research area: the language of food used on television cooking shows. It shows how the discourse of television cooking shows on the American television channel Food Network conveys a pseudo-relationship between the celebrity chef host and viewers. Excerpts are drawn from a variety of cooking show genres (how-to, travel, reality, talk, competition), providing the data for this qualitative investigation. Richly interdisciplinary, the study draws upon discourse analysis, narrative, social semiotics, and media communication in order to analyze four key linguistic features - recipe telling, storytelling, evaluations, and humor - in connection with the themes of performance, authenticity, and expertise, essential components in the making of celebrity chefs. Given its scope, the book will be of interest to scholars of linguistics, media communication, and American popular culture. Further, in light of the international reach and influence of American television and celebrity chefs, it has a global appeal.

This lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles from" Mildred Pierce" and "Brief Encounter "to "Raging Bull "and "In the Mood for Love," It engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians. The work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory, arguing that these movies can tell us much about our complex relationship to the past, and about history and identity. Pam Cook also investigates the recent history of film studies, re-viewing the developments that have culminated in the exciting, if daunting, present moment. Classic essays sit side by side with new research, contextualized by introductions which bring them up-to-date, and provide suggestions for further reading. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.

In Cinematic Political Thought, Michael J. Shapiro investigates aspects of contemporary politics and articulates a critical philosophical perspective with politically disposed treatments of contemporary cinema. Reading such films as "Hoop Dreams, Lone Star, Father of the Bride II "and "To Live and Die in LA "through the lens of Deleuze, Derrida, Foucault and Lyotard, Shapiro demonstrates what it can mean to think the political both in terms of cinema studies and in wider aesthetic and social contexts.

Cinematic Political Thought is a polemical work, aimed at encouraging critical, ethical and political thinking. Its breadth of theoretical scope and empirical reference, and the innovative style of presentation will make it vital reading for anyone with an interest in the conjunction of culture and politics.

The Cold War on Film illustrates how to use film as a teaching tool. It stands on its own as an account of both the war and the major films that have depicted it. Memories of the Cold War have often been shaped by the popular films that depict it-for example, The Manchurian Candidate, The Hunt for Red October, and Charlie Wilson's War, among others. The Cold War on Film examines how the Cold War has been portrayed through a selection of 10 iconic films that represent it through dramatization and storytelling, as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events. Each of the 10 chapters that follow focuses on a specific Cold War film. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A comprehensive annotated bibliography of print and electronic sources aids students and teachers in further research. Provides a unique guide to the Cold War experience for film history buffs, students and scholars of history, and fans of cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

This fascinating collection of essays is the first full-length scholarly study of the genesis and influence of Alan Peacock's intellectually radical 'Report of the Committee on Financing the BBC' (1986), which fundamentally altered the principles governing the development of broadcasting policy in the UK.

The essays collected in "Cinema and Technology" map out a new interdisciplinary terrain, combining contemporary analyses of material and visual culture, deploying the methods of film studies, media and cultural studies, media anthropology, and science and technology studies. Rather than describing a technological "crisis," or separating the technological and aesthetic halves of the cinema, they present a manifold, expansive reconsideration of the life of technologies in the cultures, theories and practices of cinematic production and consumption.

In the 1950s, science fiction (SF) invasion films played a complicated part in both supporting and criticizing Cold War ideologies. George examines what these films reveal about the tensions in the United States at the dawn of the atomic, age especially concerning gender roles and expectations. Using a cultural studies approach, she works from the assumption that "invasion" films with their "us" versus "them" nature provide important visual and verbal narratives for American citizens' trying to understand and negotiate the social and political changes that followed the allied victory in World War II. By reading these invasion narratives as performances of middle-class, primarily white Americans' excitement and anxieties about social and political issues, George shows how they often played out as another round in the battle of the sexes. This book examines the way representation in these films tap into anxieties concerning the feminine and alien other.

Steampunk Film: A Critical Introduction is a concise and accessible overview of steampunk's indelible impact within film, and acts as a case study for examining the ways with which genres hybridize and coalesce into new forms. Since the beginning of the 21st century, a series of high-profile and big-budget films have adopted steampunk identities to re-imagine periods of industrial development into fantastical histories where future meets past. By calling this growing mass-cultural fetishism for anachronistic machines into question, this book examines how a retro-futuristic romanticism for technology powered by cogs, pistons and steam-engines has taken center stage in blockbuster cinema. As the first monograph to consider cinema's unique relationship with steampunk, it places this burgeoning genre in the context of ongoing debates within film theory: each of which reflecting the movement's remarkable interest in reengineering historical technologies. Rather than acting as a niche subculture, Robbie McAllister argues that steampunk's proliferation in mainstream filmmaking reflects a desire to reassess contemporary relationships with technology and navigate the intense changes that the medium itself is experiencing in the 21st century.

'The audacity of this magical author duo to sneak in and steal Christmas in the sexiest way possible . . . the charming holiday romp you absolutely need in your life!' TESSA BAILEY 'The holiday romcom of my dreams! Sexy, progressive, hilarious, and full of good cheer' HELEN HOANG When Bee Hobbes takes the lead in a squeaky-clean romantic Christmas movie, there are only three rules: 1. Don't get involved with anyone on set. 2. Don't tell anyone what you do for a living. 3. Definitely don't get involved with anyone on set. 3b. Seriously. Now, she's filming in Christmas Notch, a small town with Christmas trees and festive tunes all year round. But Bee's got a secret identity to hide, and it's not family-friendly. And her co-star, Nolan Shaw, an ex-boyband member infamous for his own x-rated antics, not only knows it, but is secretly her biggest fan. When things start to heat up on set, Bee and Nolan must keep this steamy affair under wraps, or risk ruining everything . . . _________________ 'Funny and saucy, this certainly puts the X-rated into Xmas' Heat 'A merry little masterpiece . . . this is a read for those who want a winter romcom but with some X-rated antics' Metro 'The holiday rom-com of your dreams!' Cosmopolitan 'Looking for a little bit of spice from your Christmas romance? . . . A refreshingly entertaining and sexy read, which also features some great plus-size representation' Popsugar 'For something a little spicy this Christmas, try this holiday romcom' Yours 'With plenty of cheeky charm and a cast of superbly nuanced characters, this brilliantly executed rom-com both cleverly skewers and unabashedly celebrates the appeal of squeaky-clean holiday romances, while also championing body positivity in life and love' Booklist

Teresa de Lauretis makes a bold and orginal argument for the renewed relevance of the Freudian theory of drives, through close readings of texts ranging from cinema and literature to psychoanalysis and cultural theory.

The richness and color of African cinema have been neglected for too long and its many talented film-makers deserve full recognition. This new and unique book gives detailed information on over 300 major African and Arab film-makers from the main film-producing countries: Algeria, Burkina Faso, Egypt, Ethiopia, Ghana, Guinea-Bissau, Ivory Coast, Madagascar, Mali, Senegal, Somalia, Tanzania, Tunisia, and Zaire. It also includes important film directors from Southern African states--Angola, Mozambique, Zimbabwe and others--as well as from other African republics.

Each entry gives details of the film-maker's career and a complete list of films made. Two extensive indexes arrange film-makers by country and list some 5,000 film titles, in both the original language and English. An important addition is the chronology of African cinema, giving a bold summary of its growth over the last thirty years.

This is the only collection of every book, story, and ephemera published on and about Stephen King in the US and Internationally Including: Books, Novels, Short-Fiction Collections, Non-Fiction, Etc. Including Reprints and multimedia adaptations of book titles. Short Fiction, Screenplays, Anthologies, Audio and Video adaptations, etc. This volumne, coming in at over 650 pages, also features many reproductions of novels from the US and Foreign editions. Over 100 cover and art reproductions. Thousands of listings that took Mr. Collings over fifteen years to collect. This is a one-of-a-kind volumne, and invaluable to any King reader, library, and collector to discover the many volumnes and listings of and about Stephen King.

"Commerce in Culture" is an innovative study of how states have responded to the globalization of the film sector. Concerned with more than film content or substance, the book exposes the ongoing political and economic struggles that shape cultural production and trade in the world. The historical focus is on Hollywood's engagement with rivals and partners in two leading developing countries, Egypt and Mexico, beginning with the birth of their national film industries in the late 1920s. State and market institutions evolved differently in each context, acting like national prisms to mediate international competition and produce distinctive results. As filmmaking has become a dynamic focal point in the new economy, "Commerce in Culture" reveals a vital but neglected part of the global terrain.

Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard. Contributors analyze films including Harvest of Empire, Sin Pais, The Vigil, De Nadie, Operation Peter Pan: Flying Back to Cuba, Abuelos, La Churona, and Which Way Home as well as internet documentaries distributed via platforms like YouTube. They examine the ways these films highlight the individual agency of immigrants as well as the global systemic conditions that lead to mass migrations from Latin American countries to the United States and Europe. < The collection also features interviews with filmmakers Luis Argueta, Jenny Alexander, Tin Dirdamal, Heidi Hassan, and Maria Cristina Carrillo Espinosa. Their discussions emphasize that because the genre is grounded in fact rather than fiction, it has the ability to profoundly impact audiences. Documentaries prompt viewers to recognize the many worlds migrants depart from, to become immersed in the struggles portrayed, and to consider the stories of immigrants with compassion and solidarity.

You've got an idea for the next great screenplay. Maybe you're just getting started or perhaps you've spent time with other screenwriting books, and you have your hero's journey, plot twists, reversals, and cat-saving scenes all worked out. Either way, what stands between you and an outstanding finished screenplay are the blank pages that you must fill with cinematic life, energy, conflict, and emotion. So how on Earth do you do that? The secret is scenewriting. This thorough and effective guide will help the beginner and the professional master the most critical and overlooked part of the screenwriting process: the art and craft of writing scenes. With step-by-step instruction, and numerous exercises, you will learn how to transform an outline into a fully-developed script. Learn how to prepare scenes for writing, construct sparkling, naturalistic dialogue, utilize scene description and the unique structure of the screenplay format to maximum advantage, and polish your scenes so that your idea becomes the script you always imagined it could be. Through scenewriting, great ideas become brilliant scripts.