."..the author has identified a significant and little examined subject for study, and displays a deep knowledge of it... Where previously the issue of Polish film and the Holocaust had been addressed in single articles or chapters on the depiction of the Holocaust in particular films, here, for the first time we have a history." Jeremy Hicks, University of London

During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's "The Last Stage" (1948) and Aleksander Ford's "Border Street" (1949), and next explores the Polish School period, represented by Andrzej Wajda's "A Generation" (1955) and Andrzej Munk's "The Passenger" (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kie lowski's "Decalogue 8" (1988), Andrzej Wajda's "Korczak" (1990), Jan Jakub Kolski's "Keep Away from the Window" (2000), and Roman Pola ski's "The Pianist" (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.

Marek Haltof is Professor at Northern Michigan University in Marquette. His recent books include the "Historical Dictionary of Polish Cinema" (2007), "Australian Cinema: The Screen Construction of Australia" (in Polish, 2005), "The Cinema of Krzysztof Kie lowski: Variations on Destiny and Chance" (2004), and "Polish National Cinema" (2002).

Between 1936 and 1955, Hollywood significantly changed its portrayal of Hispanics in motion pictures. This change resulted from the demands of the Production Code Administration, which required film makers to eliminate the more offensive stereotypical Hispanic images. This filmography chronicles all of the Hispanic-related films released during this period. The volume includes entries for nearly four thousand films. The entries are arranged in chapters, with each chapter devoted to a single year. Within the chapters, the entries are listed alphabetically by film title. Each entry includes production information, an annotation detailing the film's Hispanic significance, and references to additional materials. The volume concludes with an alphabetical index of film titles, an index of actors and actresses, an index of place names, a general subject index, and an index of songs. Film historians and scholars of Hispanic culture will find this work to be an indispensable reference tool.

Over centuries, scholars have explored how metaphor contributes to thought, language, culture. This collection of essays reflects on Muller, Kappelhoff, and colleagues' transdisciplinary (film studies and linguistics) approach formulated in "Cinematic Metaphor: Experience - Affectivity - Temporality". The key concept of cinematic metaphor opens up reflections on metaphor as a form of embodied meaning-making in human life across disciplines. The book documents collaborative work, reflecting intense, sometimes controversial, discussions across disciplinary boundaries. In this edited volume, renowned authors explore how exposure to the framework of Cinematic Metaphor inspires their views of metaphor in film and of metaphor theory and analysis more generally. Contributions include explorations from the point of view of applied linguistics (Lynne Cameron), cognitive linguistics (Alan Cienki), media studies (Kathrin Fahlenbrach), media history (Michael Wedel), philosophy (Anne Eusterschulte), and psychology (Raymond W. Gibbs, Jr.).

(Limelight). ..".Because of Bosworth's artistry, her ability to choose the right details, and her own immersion in the subject... this book] is an amazing excursion into a life." New York Times Book Review "It stands as the definitive work on the gifted, haunted actor." Los Angeles Times "Here it is the real thing inside Montgomery CLift. I've known other actors as well, but none with such a harrowing tale. I kept wondering, could Patricia Bosworth have been there? Everywhere? The book is that vivid and intimate." Elia Kazan

The book in the news : http: //www.movingimagearchivenews.org/books/new/ The DVD embodies a bold experiment in the delivery of film and in the history of film--a contextualized presentation that offers unusual advantages to students of film, to critics and scholars seeking to document its history, and to directors and other creative figures who wish to speak directly to their audiences. This book examines supplementary features created for DVD releases of film as a form of cinematic appreciation and criticism. Drawing on interviews with DVD producers, directors, and scholars, it explores how the format, at its best, combines the enthusiasm of a fan, cinematic nostalgia, and scholarly insight.

This updated third edition of Studio Television Production and Directing introduces readers to the basic fundamentals of studio and control room production. Accessible and focused, readers of this updated third edition will gain fluency in essential studio terms and technology and acquire the necessary skills to make it in the industry. This book is your back-to-the-basics guide to common technology-including principles of directing, assistant directing, technical directing, audio ops, the basics of studio lighting, an introduction to set design, camera ops, floor directing, story types (VO, VO/SOT, PKG), basic engineering, and more. Whether an established professional or a student, this book provides readers with the technical expertise to successfully coordinate live or taped studio television today. In this new edition, author Andrew Hicks Utterback offers an expanded glossary and new material on visualization walls, alternative camera mounts, basic engineering, and news narrative diagramming.

The past few years have featured such blockbusters as "Super-Size Me," "Fahrenheit 9/11," "Sicko," "March of the PenguinS," and "An Inconvenient Truth." And as news articles proclaim a new era in the history of documentary films, more and more new directors are making their first film a nonfiction one. But in addition to posing all of the usual challenges inherent to more standard filmmaking, documentaries also present unique problems that need to be understood from the outset. Where does the idea come from? How do you raise the money? How "much" money do you need? What visual style is best suited to the story? What are the legal issues involved? And how can a film reach that all-important milestone and find a willing distributor? Epstein, Friedman, and Wood tackle all of these important questions with examples and anecdotes from their own careers. The result is an informative and entertaining guide for those just starting out, and an enlightening read for anyone interested in a behind-the-scenes look at this newly reinvigorated field of film.

Come round to Louis Theroux's house where the much-loved TV documentary-maker, podcaster and bestselling author of Gotta Get Theroux This finds himself in unexpected danger . . . Like millions of others, Louis' plans were mothballed by the onset of Covid. Unable to escape to the porn sets, prisons and maximum-security psychiatric units that are his usual journalistic beat, he began reporting on a location even more full of pitfalls and hostile objects of inquiry: his own home during a pandemic. Theroux the Keyhole is an honest, hilarious and ultimately heartwarming diary of the weirdness of family life in Covid World. A wife intolerant of his obsession with Joe Wicks' daily workouts. Two teenage sons, inseparable from their videogames, for whom he is increasingly 'cringe'. A five-year-old happily spamming out videos on his own new TikTok account while on holiday with his oblivious family. Louis also describes how he launches his podcast, Grounded, finally gets to the US to film a new Joe Exotic documentary and aims his sights on the latest incarnation of the far right in a world becoming radicalized by social media. Theroux the Keyhole is Louis at his insightful best, as he faces unforeseen new challenges and wonders why it took a pandemic for him to learn that what really matters in life is right in front of him.

Love is a recurring element at the movies. While many different types of love are depicted in popular Hollywood cinema, there appears to be two types of texts that focus primarily on 'romance', or the intimate relations between two people. While the romantic comedy foregrounds companionate love, the romantic drama promotes passionate love. Given the wealth of research into the romantic comedy, Erica Todd focuses on the romantic drama and the ways that passionate love informs popular texts. Due to the short-term nature of passionate love and its association with irrationality, films that endorse this type of love often depict intense, idealistic courtships that usually end in suffering. Although the lovers in these films tend to separate, the significance of their time together remains through themes like memory and nostalgia.

An annotated filmography of more than 3,000 entries each focusing on the film's Hispanic content, connection, or characters. Four separate indexes, more than 6,000 cross references, and as many film reviews make this work an invaluable reference tool for students, scholars, and individuals interested in studying silver screen stereotyping. This work completes Richard's three-volume documentation of how the domestic and international film industry contributed to stereotyping America's Hispanic community by detailing the contemporary return of the despicable Hispanic character. Employing the broadest conceptual framework to include any individual of Spanish ancestry, this volume outlines how the film industry has homogenized the Latin, the Chicano, Puerto Rican, Cuban, and anyone from Mexico, Central/South America or the Caribbean nations into a despicable Spic (an ethnic enemy) whose negative traits/character have been conditioned by his national origins. The return of the negative image is due to a variety of reasons, and one thing is for certain--it has been profitable for filmmakers. There is no other such reference work presently in print that represents the definitive collection of films with Hispanic themes and connections in any language.

The New Hollywood of the late 1960s and 1970s is among the most exciting and influential periods in the history of film. This book explores how the new wave of historical films were profoundly shaped by the controversies and concerns of the present.

The 1950s and 1960s were a key moment in the development of postwar France. The period was one of rapid change, derived from post-World War II economic and social modernization; yet many traditional characteristics were retained. By analyzing the eruption of the new postwar world in the context of a France that was both modern and traditional, we can see how these worlds met and interacted, and how they set the scene for the turbulent 1960s and 70s. The examination of the development of mass culture in post-war France, undertaken in this volume, offers a valuable insight into the shifts that took place. By exploring stardom from the domain of cinema and other fields, represented here by famous figures such as Brigitte Bardot, Johnny Hallyday or Jean-Luc Godard, and less conventionally treated areas of enquiry (politics [de Gaulle], literary [Francoise Sagan], and intellectual culture [Levi-Strauss]) the reader is provided with a broad understanding of the mechanisms of popularity and success, and their cultural, social, and political roles. The picture that emerges shows that many cultural articulations remained or became identifiably "French," in spite of the American mass-culture origins of these social, economic, and cultural transformations.

It's been over thirty-five years since the irrepressible Fraggles first hit the screen in the beloved children's television hit Fraggle Rock. Created by the legendary Jim Henson, along with Michael K. Frith, Jerry Juhl, Duncan Kenworthy, and Jocelyn Stevenson, Fraggle Rock remains a favorite of fans to this day. This delightful volume tells the incredible story of the bighearted show that helped instill open-minded values in a whole generation of viewers. Fraggle Rock: The Ultimate Visual History follows the show's creation, from early concepts to the incredible puppetry that brought the unforgettable characters, such as Gobo, Red, and Mokey, to life. Exclusive interviews with Stevenson, Frith, Kenworthy, and several other major contributors reveal fascinating, exclusive insights that take the reader further into Jim Henson's world than ever before. Featuring a wealth of rare concept art and behind-the-scenes photographs from the archives of The Jim Henson Company, Fraggle Rock: The Ultimate Visual History is the definitive look at one of the best-loved television shows of all time.