Cinema has long played a crucial role in the way that societies represent themselves. Hedges discusses the role of cinema in creating cultural memory within a global perspective that spans five continents. The book's innovative approach and approachable style should transform the way that we think of film and its social effects.

With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.

'The audacity of this magical author duo to sneak in and steal Christmas in the sexiest way possible . . . the charming holiday romp you absolutely need in your life!' TESSA BAILEY 'The holiday romcom of my dreams! Sexy, progressive, hilarious, and full of good cheer' HELEN HOANG When Bee Hobbes takes the lead in a squeaky-clean romantic Christmas movie, there are only three rules: 1. Don't get involved with anyone on set. 2. Don't tell anyone what you do for a living. 3. Definitely don't get involved with anyone on set. 3b. Seriously. Now, she's filming in Christmas Notch, a small town with Christmas trees and festive tunes all year round. But Bee's got a secret identity to hide, and it's not family-friendly. And her co-star, Nolan Shaw, an ex-boyband member infamous for his own x-rated antics, not only knows it, but is secretly her biggest fan. When things start to heat up on set, Bee and Nolan must keep this steamy affair under wraps, or risk ruining everything . . . _________________ 'Funny and saucy, this certainly puts the X-rated into Xmas' Heat 'A merry little masterpiece . . . this is a read for those who want a winter romcom but with some X-rated antics' Metro 'The holiday rom-com of your dreams!' Cosmopolitan 'Looking for a little bit of spice from your Christmas romance? . . . A refreshingly entertaining and sexy read, which also features some great plus-size representation' Popsugar 'For something a little spicy this Christmas, try this holiday romcom' Yours 'With plenty of cheeky charm and a cast of superbly nuanced characters, this brilliantly executed rom-com both cleverly skewers and unabashedly celebrates the appeal of squeaky-clean holiday romances, while also championing body positivity in life and love' Booklist

'Women's films' are more popular now than at any time following the classical era. Postmodern Chick Flicks considers the reasons for the renewed popularity of female-orientated genres and examines the new film cycles this has produced. Focusing on melodrama, romantic comedy, costume drama and female-led noirs, the book looks at the revival of these forms and the way in which they blend classical and contemporary themes and formal devices.

Australian Western in the Fifties: Kangaroo, Hopalong Cassidy on Tour, and Whiplash looks at Australian Westerns from three points of view-film, personal appearance, and television at the beginning, middle, and end of the 1950s, the American Western's golden age. It looks at three significant but "forgotten" cases: (1) Kangaroo: The Australian Story, the first Technicolor film made in Australia, produced by the Hollywood movie studio 20th Century Fox, directed by the Academy Award-winning filmmaker Lewis Milestone, starring Maureen O'Hara, Peter Lawford, and Richard Boone. (2) The successful goodwill tour of Australia by the Hollywood actor William Boyd who played the film, radio, and television cowboy Hopalong Cassidy. (3) The British-American produced black-and-white TV series Whiplash, made in Australia and starring the Hollywood actor Peter Graves. The American filmmakers' ignorance of Australia meant they learned the hard way there was more to Australian Westerns than simply replacing the prairie with the bush, bison with kangaroos, and Native Americans with Aboriginals. Indeed, the depiction of place and the presentation of Aboriginal culture are two of the most intriguing aspects of Australian Westerns. In retelling the filmmakers' stories, a unique picture of the Australian film and television industry and everyday life during the 1950s is revealed.

Jason Statham has risen from street seller through championship diving and modelling to become arguably the biggest British male film star of the twenty-first century. This is the first book to offer a critical analysis of his work across a variety of media, including film, television, video games and music videos. Each chapter focuses on a particular aspect of Statham's career, from his distinctive screen presence to his style, branding and celebrity. Accessibly written, and featuring a contribution from Hollywood director Paul Feig, who worked with Statham on the 2015 action-comedy Spy, the collection will appeal to a wide audience of scholars, students and fans. -- .

This work examines the reasons why anthropologists have not used the camera as a research instrument or film as a means of communicating ethnographic knowledge. It suggests that images and words in this discipline operate on different logical levels; that they are hierarchically related; that whereas writings may encompass the images produced by film, the inverse of this cannot be true. The author argues for this position further by suggesting that the visual is to the written mode as "thin description" (giving a record of the form of behaviour) is to "thick description" (giving an account of meaning). -- .

This updated third edition of Studio Television Production and Directing introduces readers to the basic fundamentals of studio and control room production. Accessible and focused, readers of this updated third edition will gain fluency in essential studio terms and technology and acquire the necessary skills to make it in the industry. This book is your back-to-the-basics guide to common technology-including principles of directing, assistant directing, technical directing, audio ops, the basics of studio lighting, an introduction to set design, camera ops, floor directing, story types (VO, VO/SOT, PKG), basic engineering, and more. Whether an established professional or a student, this book provides readers with the technical expertise to successfully coordinate live or taped studio television today. In this new edition, author Andrew Hicks Utterback offers an expanded glossary and new material on visualization walls, alternative camera mounts, basic engineering, and news narrative diagramming.

With themes ranging from passion and romance to murder and psychological disturbance, popular British film in the 1940s found little favour with the critics, but provided thrills and entertainment for millions of people during a time of austerity and danger. "Realism and Tinsel" looks beyond the established histories of Ealing Comedies and realist classics to excavate a rich but neglected tradition of melodrama, gangster films, morbid thrillers and costume pictures. Discussing cinema in the context of the major social, economic, and political changes that were taking place, Robert Murphy examines the period's most popular films, including "Madonna of the Seven Moons", "The Way Ahead" and "The Wicked Lady". The picture that emerges challenges the reassuring, cosy view of Britain presented in realist cinema, and throws new light on the British film industry of the time and on our idea of the war era itself. This book should be of interest to undergraduates, postgraduates and academics of film, media and cultural studies.

The book examines how medical knowledge is produced around bodies that do not fit in the heteronormative framework of the state's rationale and processes. The marginal bodies studied in this research are termed MSM, men who have sex with men, categorized as a high-risk group in the backdrop of HIV/AIDS. These Queer bodies entered the registers of epidemiology and governmentality. This classification is the point of departure for the book. The book interrogates and asks how does a sexual subject become a political question? To answer this political trajectory, the book analyses the category of risk in biomedicine. It investigates how the category of risk becomes critical to the Indian state's rationale and policies wherein, through the ambit of health and population, sexuality is managed. Unearthing the sexual politics in South Asia, the book, based on rich empirical evidence derived from the lived experiences of MSM, narrates the construction of sexual subjectivity and masculinity. The process of construction occurs in negotiation with the Indian state, bringing forth the dimension of the Indian state as a medico-legal governmentality regime and how MSM takes on the identity of a medicalized subject.

Despite the powerful anti-political impulses that have pervaded Italian society in recent years, Italian cinema has sustained and renewed its longstanding engagement with questions of politics, both in the narrow definition of the term, and in a wider understanding that takes in reflections on public life, imaginary, and national identity. This book explores these political dimensions of contemporary Italian cinema by looking at three complementary strands: the thematics of contemporary political film from a variety of perspectives; the most prominent directors currently engaged in this filone; and case studies of the films that best represent this engagement. Conceived and edited by two Italian film scholars working in radically different academic settings, Italian Political Cinema brings together a wide array of critical positions and research from Italy, France, the Netherlands, the United Kingdom, Canada, and the United States. The tripartite structure and international perspective create a volume that is an accessible entry-point into a subject that continues to attract critical and cultural attention, both inside and outside of academia.

Is the world around us truly as it appears or are we inert bodies in tanks, our brains subjected to electronic stimulation creating a make-believe world of hallucination? The Keanu Reeves cult sci-fi movie, The Matrix, vividly conveyed the excitement and the horror of a fake world made of nothing but perceptions, substituting for a real world of grim despair. Since The Matrix is probably the most overtly philosophical movie ever to have come out of Hollywood it has popularised issues on which philosophers have a lot to say. The Matrix and Philosophy is from the same team of cool, capable, young philosophers who created The Simpsons and Philosophy, which redefined the market for a work by serious philosophers. It has 20 new, thoughtful essays on philosophical problems raised by The Matrix, many of which focus on the issues "Can we be sure the world is really there, and if not, what should we do about it?" The book also explores other philosophical puzzles including ethical ones like Cypher's decision to choose a pleasurable fake world over a wretched real one.

For more than a century, reports of a strange beast known as the Fouke Monster have circulated among the locals in southern Arkansas. Described as a large, hairy man-like creature, it's said to haunt the vast Sulphur River Bottoms as it travels the secluded waterway known as Boggy Creek. Over the years, the creature has been seen by numerous witnesses including respected citizens, experienced hunters, famous musicians, and even a police officer. The encounters were often so shocking, they served as inspiration for the classic horror film, "The Legend of Boggy Creek," by Charles B. Pierce.

Tales of the creature have long existed in scattered pieces across news clippings, memoirs, police reports, and movies, but it is only now that the complete history of the Fouke Monster has been assembled in one place. This book collects all the facts, theories, and amazing sighting reports, and weaves them into a fascinating tale about this undeniable southern mystery, one that lives on, as frightening encounters with the Beast of Boggy Creek are still being reported today

Growing up in Texas, Lyle Blackburn became fascinated with the legends, lore, and sighting reports of alleged real-life monsters. He is a frequent contributor and cryptozoology advisor to Rue Morgue magazine, one of the leading horror media publications in print today. He is also the founder and frontman for the rock band Ghoultown. Over the last decade, Ghoultown has released six albums, toured extensively in both the U.S. and Europe, and has appeared on several horror movie soundtracks. Lyle currently lives near Dallas, Texas, where he enjoys a day off now and then.

Comprehensive and insightful, , is the ultimate companion to the master director's latest work. Inspired by William Lindsay Gresham's cult 1947 novel, Nightmare Alley stars Bradley Cooper as Stanton "Stan" Carlisle, a talented but troubled drifter who takes up with a travelling carnival. Ingratiating himself with its troupe of misfits, Stan swindles his way to fortune and fame, but when he meets psychiatrist Lilith Ritter (Cate Blanchett), his greed and duplicity will put him on the path to self-destruction. Also starring Toni Collette, Willem Dafoe, Richard Jenkins, and Rooney Mara, Nightmare Alley is del Toro's most ambitious film to date, an engrossing yet disturbing journey into the psyche of a tragic swindler whose own nature seals his fate. This deluxe volume delves into the creation of all aspects of the film through extensive interviews with del Toro and his cast and crew, including writer Kim Morgan, with whom he collaborated closely on the script. This incisive commentary is illustrated with a broad range of striking visuals from the production-including concept art and unit photography-that illuminate the film's two distinct worlds: the ramshackle life of the travelling carnival and the sophisticated art deco trappings of 1940s Buffalo, New York.

Hollywood has exerted a profound influence on British style and design. From its earliest days, Hollywood glamour in the form of make-up, hairstyles, and fashion was mimicked by women throughout Britain. But the influence of Hollywood was more than skin-deep. Nearly every form of British material culture in the twentieth century has been influenced to some extent by American style, disseminated through the medium of film to a broad and receptive market.With the erection of the Chrysler Building in New York in the late 20s, representing the city and modern American urban life, the Manhattan skyline became an enduring icon in popular culture on both sides of the Atlantic. Not only Hollywood film, but jazz and American companies all combined to bring the new Moderne style to bear on Britain. The architecture of shops, cinemas, and factories all reflect this influence, as did various forms of transportation and the interiors of homes. Even as late as the consumer boom in the 80s, revivals celebrating the Moderne style were popular in Britain as well as abroad. This influence was naturally not without its critics. The very popularity of American design challenged the aesthetics and elitism of British high arts and remains controversial. Anyone interested in design, material culture, film or architecture will find this book to be a lucid and absorbing exploration of a popular aesthetic.

This volume offers an open, transdisciplinary living space (also green) through which to explore the different connections between Basilicata and Southern Italy, cinema, and ecology, and thus to reflect on the different forms through which the historical, cultural, and social contexts of Southern Italian regions have been variously identified and represented. In order to explore these connections, the volume embraces a wide range of perspectives that may all be grouped under the key term film ecocriticism, offering the reader a thorough analysis not only of the different ways of representing reality but also of the processes of signification through which reality itself can be understood, rethought, and transformed. This is the general framework within which the authors consider film as a proper, effective medium for ecocritical and ecophilosophical reflections concerning not only Basilicata (to which the greater part of the volume is dedicated) but also Southern Italy and, therefore, its history and its territories, communities, and identities. Furthermore, in an even more general sense, Basilicata and Southern Italy reconnects with the very idea of the South, and of all Souths, to which this volume is dedicated.

Rediscover Todd Phillips' Joker with this deluxe edition of the screenplay. Experience an original vision of the infamous DC villain in this origin story infused with, but distinctly outside, the character's more traditional mythologies. The acclaimed and evocative cinematic depiction of Arthur Fleck's descent into madness is a soulful, allegorical character study that continues to captivate Batman fans and movie lovers alike. Now you can revisit and explore the narrative at your own pace with this unique and exclusive edition of the Academy Award-nominated screenplay. Complete with film stills, this book definitively chronicles the vision of screenwriters Todd Phillips and Scott Silver as they reimagined this notorious DC Super-Villain.

Love at first sight, whirlwind marriages, break-ups, divorces, remarriage... What accounts for the enduring success of the Hollywood madcap comedies of the 1930s? Directed by masters of comedy (Hawks, LaCava, Leisen, Ruggles...) and featuring the decade's most iconic stars (Colbert, Dunne, Grant, Hepburn...), these films set romantic comedy standards for decades to come. Screwball comedy embarked on two challenging missions: to poke fun at established social norms and to undermine stereotypical depictions of gender roles, putting forward a discourse that postulated the possibility of equality between men and women. Gregoire Halbout's reexamination of screwball comedy provides a comprehensive overview of this (sub)genre, eschewing the auteurist approach and including "minor" works never before analyzed through the screwball lens. His book explains how these screwball stories met the expectations of a booming American middle class eager for the liberalization of morals, with daring plots, verbal humor and slapstick techniques. Building on the work of Cavell, Altman and Gehring, as well as international and French scholarship, Halbout's investigation unfolds in three parts. He first establishes a definition of Hollywood screwball comedy through a cross-sectional analysis of its socio-historical context and an in-depth examination of the genre. He then situates screwball comedy in relation to its institutional context. An exclusive study of archival material explains the emergence of a screwball aesthetic meant to subvert the prohibitions of the 1934 Hollywood Production Code through a verbal and visual rhetoric of diversion and mitigation. Finally, Halbout explores the social function of the genre's placement of romantic intimacy at the center of the public sphere and the democratic debate, confirming that screwball eccentricity upholds America's founding values: freedom of speech, free consent, and contractual engagement.

In this edited volume, Kasi Lemmons, the first African-American woman auteur to solidly and steadily produce a full body of work in cinema-an oeuvre of quality, of note, of international recognition-will get the full film-studies treatment. This collection offers the first scholarly examination of Lemmons' films through various frameworks of film theory, illuminating her highly personal, unique, and rare vision. In Lemmons' worldview, the spiritual and the supernatural manifest in the natural, corporeal world. She subtly infuses her work with such images and narratives, owning her formalism, her modernist aesthetic, her cinematic preoccupations and her ontological leanings on race. Lemmons holds the varied experiences of African-American life before her lens-the ambitious bourgeoise, the spiritually lost, the ill and discarded, and the historically erased-and commits to capturing the nuances and differentiations, rather than perpetuating essentialized portrayals. This collection delves into Lemmons' iconoclastic drive and post-soul aesthetic as emanations of her attitudes toward personal agency, social agency, and social justice.

Celebrate the season with this officially licensed gift set, which includes a photo scrapbook, interactive journal, Ron Weasley's wand pen, gift cards, and more. A perfect gift for fans of the Wizarding World!

Photo scrapbook: Includes album modeled after the one Hagrid gives to Harry Potter, highlighting Christmas scenes and inviting the reader to add their own photo memories; Book is 8-3/8 x 5-3/4 inches and includes 32 scrapbook-style heavy stock pages
Festive frame:2 x 3-inch ceramic picture frame
Weasley-inspired journal: Record your year-end reflections in a journal measuring 4-1/4 x 7 inches, complete with quotes, writing prompts, and full-color images throughout; inspired by the Weasley Christmas sweaters, the exterior is flocked and fuzzy; write in it with the included pen replica of Ron's wand
Gift cards: Includes a set of 5 full-color printed cards with blank interior that can be given alongside gifts or sent as thank-you notes; cards are approximately 5-3/4 x 4-1/2 inches when folded; envelopes included
Keepsake box: Items packaged in a sturdy, festively designed full-color printed box measuring 10 inches long x 9 inches wide, and 3 inches high

This one-of-a kind, ultra-deluxe, Wizarding World kit is a perfect gift or self-purchase for the Harry Potter fan or collector.