This lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles from" Mildred Pierce" and "Brief Encounter "to "Raging Bull "and "In the Mood for Love," It engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians. The work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory, arguing that these movies can tell us much about our complex relationship to the past, and about history and identity. Pam Cook also investigates the recent history of film studies, re-viewing the developments that have culminated in the exciting, if daunting, present moment. Classic essays sit side by side with new research, contextualized by introductions which bring them up-to-date, and provide suggestions for further reading. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.

Sue Short examines how fairy tale tropes have been reworked in contemporary film, identifying familiar themes in a range of genres - including rom coms, crime films and horror - and noting key similarities and differences between the source narratives and their offspring.

Get the full Solo: A Star Wars Story experience as The Ultimate Souvenir Guide reveals all the behind-the-scenes secrets of the Star Wars' universe's favourite scoundrel! Presenting in-depth interviews with the all-star cast, exclusive revelations from the crew on the making of the movie, concept art, behind-the-scenes photography and more, Solo: A Star Wars Story: The Ultimate Souvenir Guide is the complete, official, authoritative guide to the film.

Join Ashley Eckstein and live your best Star Wars life, with this 12-month guide to party planning, crafting, and cooking inspired by a galaxy from far, far away! Join Ashley Eckstein and live your best Star Wars life, with this 12-month guide to party planning, crafting, and cooking inspired by a galaxy from far, far away!/p>She may be the voice of Ahsoka Tano on Star Wars: The Clone Wars, but first and foremost, Ashley Eckstein is a lifelong fan of the Star Wars galaxy-a passion that led her to start the fangirl fashion brand Her Universe, and become a pillar of the Star Wars fan community. Now, you can celebrate your fandom with Ashley, as she shows you how to bring Star Wars into your everyday life, with this unique lifestyle book!

'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.
This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.

A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment.

Undertaking a thorough and timely investigation of the relationship between television and cinema in Britain since 1990, Hannah Andrews explores the convergence between the two forms, at industrial, cultural and intermedial levels, and the ways in which the media have also been distinguished from one another through discourse and presentation.

The fully updated and expanded edition of the bestselling The Marvel Book: a comprehensive guide to the vast, interconnected Marvel Comics Multiverse.

Featuring brand-new and updated character profiles alongside major Marvel Comics events, The Marvel Book: New Edition is the one reference book no fan should be without. Meticulously researched and expertly written, this expanded edition explores the amazingly diverse and exciting Marvel Comics Multiverse in staggering detail, offering everything you need to know in one beautiful package.

Immerse yourself in the expansive world of Marvel Comics:

• Features 48 pages of new content from major Marvel Comics events, including X of Swords, Empyre, Heroes Reborn, Death of Doctor Strange, Devil's Reign, and Dark Web.
• Iconic illustrations and artworks from Marvel Comics artists bring each entry to life.
• A fresh new exploration of the franchise for Marvel fans young and old.

How do we picture ourselves dying? A 'death with dignity', the darkened room, and a few murmured farewells? Or in the lights' flashing, siren wailing, chest-pumping maelstrom of the back of an ambulance hurtling towards an ER? Over the last decade, the two most robust vehicles of popular culture: film and television, have opted for the latter scenario. This book examines the hi-tech death of the twenty-first century as enacted in our hospitals and as portrayed on our TV screens.

German film is enjoying enormous levels of success, be success defined in terms of financial returns, popularity with audiences at home and abroad or critical acclaim. On the one hand, the 2000s saw German productions become regular guests at all the major international film festivals, from Sundance to Tokyo, winning awards across the globe. As such, and as reviewers are keen to point out, the German industry appears to be reaching once again the aesthetic heights that brought it the international praise of critics from the late 1960s to the early 1980s. On the other, domestic productions are becoming more popular and, as a result, more commercially viable. Contemporary German Cinema examines the success of recent film production in its wider industrial, cultural and political context, blending broad overviews of recent trends with detailed examinations of key case studies. As a starting point, it explores the German film funding system and the economic place of the German industry within global film production. Subsequent chapters then look at the impact of this system on filmmakers' aesthetic choices, be it the role of realism in contemporary cinema, or the rediscovery of the Heimatfilm as a popular film genre. This is complemented by discussion of the dominant issues these films explore, from the legacies of Germany's Nazi past and post-war division, to the nation's increasingly multicultural make up, the changing age and gender demographic of cinema audiences as well as the nation's shifting relationship with the United States as both a 'real' and 'imagined' space. Paul Cooke looks at many of the most successful films of the last two decades, including Tom Tykwer's Run Lola Run, Wolfgang Becker's Good Bye, Lenin!, Hans Weingartner's The Edukators, Florian Henckel von Donnersmarchks The Lives of Others and Oliver Hirschbiegel's Downfall. -- .

Now You See It, Richard Dyer's groundbreaking study of films by and about lesbians and gay men, has been revised for a second edition, and features an introduction by Juliane Pidduck outlining developments in lesbian and gay cinema since 1990. Now You See It examines familiar titles such as Girls in Uniform, Un Chant D'Amour, and Word Is Out, in their lesbian / gay context as well as bringing to light many other forgotten but remarkable films. Each film is examined in detail in relation to both film type and tradition and the sexual subculture in which it was made.
Now You See It is also a case study in the dynamics of lesbian and gay cultural production. These films were formed from the filmic and sub-cultural images, assumptions and styles available to lesbians and gay men which both made the films possible and delimited the forms they could take and what they could say. They carry a special charge for lesbians and gay men seeking both to break free from and be heard in the languages of a homophobic society.

Intended as a guide to the filmmakers and films of the African cinema, this reference book also provides the framework for understanding the history and development of African film with respect to its situation in world cinema. The goals and achievements of African film are studied with respect to the forces that impact it, such as colonialism and racism. The importance of the creative efforts of African filmmakers and the diversity of their approaches to cinema are explored. Examined as well are the views of Africa presented by European colonial filmmakers, views often contested in contemporary African film. The listings include critical analysis, bio-bibliography, and filmographies. Both Saharan and sub-Saharan films are included.

As an important reference to African film, the information outlined is valuable due to the current lack of researched data on African cinema, in part as a result of postcolonial attitudes on production and distribution. The book concentrates on films and directors who work toward defining a unique, African perspective without compromising thematic concerns due to commercial considerations. The research detailed in this text should encourage a wider appreciation of the film work being done in Africa, especially to those without the benefit of access to specialized libraries and collections.

International film has received some of its most original impulses from German filmmakers. However, the works by women directors in German-speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This volume is part of a work which considers the broad spectrum of German cinema through the category of gender and to present feminist interventions in the current lively discussion of German film and film criticism. From Lubitsch's The Doll (1919) to von Trotta's Rosa Luxemburg (1985), films are drawn from a number of historical periods and both female and male directors. From a variety of feminist approaches, contributors analyze cinematic techniques, narrative discourse, production, reception and the politics of representation.

While Israel has seemingly been a minor presence in Hollywood cinema, Reimagining the Promised Land argues that there is a long history of Hollywood deploying images of Israel as a means of articulating an idealized notion of American national identity. This argument is developed through readings of The Ten Commandments (Cecil B. DeMille, 1956), Ben-Hur: A Tale of the Christ (William Wyler, 1959), Exodus (Otto Preminger, 1960), Cast a Giant Shadow (Melville Shavelson, 1966), Black Sunday (John Frankenheimer, 1977), The Delta Force (Menahem Golan, 1986), and Munich (Steven Spielberg, 2005). The mobilization of Israel that pervades this eclectic group of films effectively demonstrates one of the more surreptitious ways in which Hollywood has historically constructed and circulated dominant notions of American national identity. Moreover, in examining the most notable Hollywood representations of the Jewish state, the book offers an informed historical overview of the cultural forces that have contributed to popular understandings within the United States of the state of Israel, Israel's Arab neighbours, and also the Arab-Israeli conflict.

The Companion Encyclopedia of Middle Eastern and North African Film is a unique, one volume work which illuminates a fascinating variety of cinema which is little known outside its own area. The Encyclopedia is divided into nine chapters, each written by a leading scholar in the field. Each chapter covers the history and major issues of film within that area, as well as providing bibliographies of the leading films, directors and actors. The areas covered are: Central Asia, Egypt, Iran, Lebanon, Syria, Iraq, Kuwait, Libya, The Magreb, Palestine, Turkey. This Encyclopedia will be an invaluable reference tool for students and scholars of Film and Media Studies. It contains more than 60 black and white photographs of featured films, includes references and suggestions for further reading at the end of each chapter, and the volume concludes with comprehensive name, film and general indexes.

eBook available with sample pages: 0203426495

Explore the epic art of Pacific Rim Uprising, the highly anticipated follow-up to the 2013 monster hit. The Art and Making of Pacific Rim Uprising takes readers behind the scenes and back into the heart of the epic battle between Kaiju and Jaegers. Showcasing the brilliant concept art behind the film and immersing fans in the creation of a true sci-fi epic, this book will be the ultimate exploration of one of the most anticipated films of 2018. Directed by Steven S. DeKnight, (Angel, Smallville, Daredevil), Pacific Rim Uprising stars John Boyega (Star Wars: The Force Awakens), Scott Eastwood (The Fate of the Furious), and newcomer Cailee Spaeny.

Contents:
Introduction 1.Why Does a Letter Always Arrive at Its Destination 1.1 Death and Sublimation: The Final Scene of City Lights 1.2 Imaginary, Symbolic, Real 2.Why is Woman a Symptom of a Man? 2.1 Why is Suicide the Only Successful Act? 2.2 The Night of the World 3.Why is Every Act a Repetition? 3.1 Beyond Distributive Justice 3.2.Identity and Authority 4.Why Does the Phallus Appear? 4.1 Grimaces of the Real 4.2 Phallophany of the Anal Father 5.Why are there Always Two Fathers? 5.1 At the Origins of Noir: The Humiliated Father 5.2 Die Versagung Index

One of Hollywood's biggest personalities, Bruce Dern is not afraid to say what he thinks. He has left an indelible mark on numerous projects, from critically acclaimed films to made-for-TV movies and television series. His notable credits include The Great Gatsby (1974), The 'Burbs (1989), Monster (2003), Django Unchained (2012), and Nebraska (2013), for which he won the Best Actor award at the 2013 Cannes Film Festival. He also earned Oscar nominations for Best Supporting Actor in Coming Home (1978) and for Best Actor in Nebraska (2013).

In Bruce Dern: A Memoir, Christopher Fryer and Robert Crane help the outspoken star frame the fascinating tale of his life in Hollywood. Dern details the challenges he faced as an artist in a cutthroat business, his struggle against typecasting, and his thoughts on and relationships with other big names in the industry, including Elia Kazan, Alfred Hitchcock, Jack Nicholson, Paul Newman, Bob Dylan, Matt Damon, Jane Fonda, John Wayne, and Tom Hanks. He also explores the impact of his fame on his family and discusses his unique relationship with his daughter, actress Laura Dern.

Edgy and uncensored, this memoir takes readers on a wild ride, offering an insider's view of the last fifty years in Hollywood.