The richness and color of African cinema have been neglected for too long and its many talented film-makers deserve full recognition. This new and unique book gives detailed information on over 300 major African and Arab film-makers from the main film-producing countries: Algeria, Burkina Faso, Egypt, Ethiopia, Ghana, Guinea-Bissau, Ivory Coast, Madagascar, Mali, Senegal, Somalia, Tanzania, Tunisia, and Zaire. It also includes important film directors from Southern African states--Angola, Mozambique, Zimbabwe and others--as well as from other African republics.

Each entry gives details of the film-maker's career and a complete list of films made. Two extensive indexes arrange film-makers by country and list some 5,000 film titles, in both the original language and English. An important addition is the chronology of African cinema, giving a bold summary of its growth over the last thirty years.

Filmic constructions of war heroism have a profound impact on public perceptions of conflicts. Here, contributors examine the ways motifs of gender and heroism in war films are used to justify ideological positions, shape the understanding of the military conflicts, support political agendas and institutions, and influence collective memory.

For fans of big-screen monster films, KAIDA Yuji is a very well known name. Best known for his vivid illustrations of Godzilla and other popular Toho kaiju, some of Mr KAIDA's most beautiful work is presented here in this full-color flexicover volume. This book's 128 pages are packed with lush artwork, including a brand new piece showing Godzilla in London, created especially for this book.Whether you are an admirer of this Japanese master's work or just a fan of monster movie art, this book is an essential purchase!

"Commerce in Culture" is an innovative study of how states have responded to the globalization of the film sector. Concerned with more than film content or substance, the book exposes the ongoing political and economic struggles that shape cultural production and trade in the world. The historical focus is on Hollywood's engagement with rivals and partners in two leading developing countries, Egypt and Mexico, beginning with the birth of their national film industries in the late 1920s. State and market institutions evolved differently in each context, acting like national prisms to mediate international competition and produce distinctive results. As filmmaking has become a dynamic focal point in the new economy, "Commerce in Culture" reveals a vital but neglected part of the global terrain.

This is the only collection of every book, story, and ephemera published on and about Stephen King in the US and Internationally Including: Books, Novels, Short-Fiction Collections, Non-Fiction, Etc. Including Reprints and multimedia adaptations of book titles. Short Fiction, Screenplays, Anthologies, Audio and Video adaptations, etc. This volumne, coming in at over 650 pages, also features many reproductions of novels from the US and Foreign editions. Over 100 cover and art reproductions. Thousands of listings that took Mr. Collings over fifteen years to collect. This is a one-of-a-kind volumne, and invaluable to any King reader, library, and collector to discover the many volumnes and listings of and about Stephen King.

This book covers significant new ground, examining the impact and imprint of new leading technology on a range of popular expressions. This technology includes the internet, the computer, the cell phone, television, and radio, among others. Some of the specific expressions and phenomena treated include: tourism, big budget films, sports, video games, entertainment culture, religious and gospel culture, mobile culture, popular music, writing and technology, and porn. The work shows acute awareness of the wider global contexts--social, cultural, political, and spiritual--that form the backdrop for Caribbean cultural reconfiguration. Curwen Best argues that Caribbean culture has gone wireless, virtual, and simulated in the age of the machines.

Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume's content-the films, genres, and movements explored, as well as methodologies used in their analysis-is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat "other" national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.

The critical relationship between books and film has been one of the key topics of cinema studies. Much of the discussion, however, has been inherited from eighteenth-century debates between poetry and painting and thus has fostered false and limiting paradigms in which words and pictures are opposed. This volume historicizes and critiques the central paradigms of the debate. Testing theory against practice, and uncovering the hidden agendas, Kamilla Elliott creates new critical models that can be applied in an effort to transform the field for future inquiry.

A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.

A socio-cultural analysis of the relationship between modernism and science fiction, from the 1870s to the 1970s, with examples drawn from literature and other media in Britain, Europe and the Americas. The book challenges how high and low culture has been mapped in the twentieth century.

"A timely intervention into debates on the representation of feminist and feminine identities in contemporary visual culture. The essays in this collection interrogate how and why certain formulations of feminism and femininity are currently prevalent in mainstream cinema and television, offering new insights into postfeminist media phenomena"--

As film history's oldest and one of today's most prominent forms, the live-action short film has both historical and contemporary significance. Felando discusses the historical significance of the short film, identifies the fiction short's conventions, and offers two general research categories: the classical short and the art short.

Told from the perspective of a Hollywood executive with nearly 20 years' experience professionally pitching and distributing film/TV projects, Mastering the Pitch reveals all the nuanced details of the pitching process. Readers will gain valuable insights into how the Hollywood system operates, improve their professional pitching skills and gain a competitive edge in getting their ideas from concept to greenlight. This book covers: how projects are packaged and developed before a pitch how a pitch presentation happens in a real-world setting the core concepts required to pitch each genre type how professional companies actually acquire a pitched project the legal workflows and financial details required to put a deal together examples of pitch documents, presentation materials and how these elements should be designed how to build your personal brand so that you're seen by Hollywood decision makers as someone capable of delivering great projects; and how you should speak to professionals about the business viability of your projects Mastering the Pitch is a valuable crossover text, designed to help both students and veteran film/TV producers alike hone their pitching and presentation skills.

Style and Form in the Hollywood Slasher Film fills a broad scholastic gap by analysing the elements of narrative and stylistic construction of films in the slasher subgenre of horror that have been produced and/or distributed in the Hollywood studio system from its initial boom in the late 1970s to the present.

This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and for the way history itself is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War continues to fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s.

The interactions between popular culture and public policy in general, and foreign policy in particular, have always been an important area of scholarly enquiry and popular interest. However with the end of the bipolar world system and the emergence of a single world superpower in the form of the United States of America, which is waging a War Against Terror, this nexus has become critical. This is especially true because of the almost Manichean tendency of the United States to see other countries in terms of "good" or "evil." Indeed President Bush himself has coined the term "The Axis of Evil" for states, which in a kinder age were simply referred to by his predecessors as being "Rogue States."

This book draws together elements from several academic disciplines - politics, international relations, psychology, film and cultural studies and examines US foreign policy toward the so-called "rogue states" and the products of the Hollywood film industry in relation to these states, which promises to make a significant contribution to our understanding of the 'soft power' that is popular culture.

RICHARD LINKLATER

A new study of the American filmmaker Richard Linklater (b. 1960) whose movies include Dazed and Confused, School of Rock, Before Sunrise and A Scanner Darkly.

This new edition the only full-length appreciation of Linklater s available anywhere includes his latest films Me and Orson Welles and Inning By Inning.

FROM THE FOREWORD

Welcome to the world of Richard Linklater, the extraordinary US movie director from Austin, whose broad range of films - from indie (Slacker) to mainstream (School of Rock) - makes it impossible to pigeonhole him. What is not open to debate is quality of his output - his films are entertaining, intelligent, philosophical, innovative, adventurous, unpredictable, eclectic... to be honest, the adjectives could go on ad infinitum.

Welcome also to the world of Thomas A. Christie, whose pioneering attempt to pin down the elusive nature of the maverick auteur makes for a follow-up to his recent volume on Liv Tyler. This new work bears all the hallmarks of the earlier book - wide-ranging and meticulous research, and intelligent commentaries on each film, backed up by well informed and even-handed opinions. In chapter after chapter Christie demonstrates his knowledge of Linklater, his films and movieland in general - you feel safe in his cinematic hands. His opinions are authoritative - you know that Christie s judgements are the result of viewing and analysis of Linklater s oeuvre, seen through a sharp and perceptive mind. Christie shows once again that he is master of fine detail and formulated opinion, expressed in the clearest narrative prose. We couldn t ask for a better guide to the world of Linklater.

If you don t know Linklater s films, this book will make you want to see them. If you feel you know them all already, think again you ll want to re-view them again and again after reading Christie s thought-provoking volume.

THOMAS CHRISTIE has a life-long fascination with films and the people who make them. Currently reading for a PhD in Scottish Literature, he lives in Scotland with his family.

He is the author of Liv Tyler, Star in Ascendance: Her First Decade in Film (2007) and The Cinema of Richard Linklater (2008) which are also published by Crescent Moon.